ON A MOUNTAIN

Milan is shining in sunset on those purple fields; and a score of

cities flash back the last red light, which shows each inequality

and undulation of Lombardy outspread four thousand feet beneath. Both

ranges, Alps and Apennines, are clear to view; and all the silvery

lakes are over-canopied and brought into one picture by flame-litten

mists. Monte Rosa lifts her crown of peaks above a belt of clouds into

light of living fire. The Mischabelhörner and the Dom rest stationary

angel-wings upon the rampart, which at this moment is the wall of

heaven. The pyramid of distant Monte Viso burns like solid amethyst

far, far away. Mont Cervin beckons to his brother, the gigantic

Finsteraarhorn, across tracts of liquid ether. Bells are rising from

the villages, now wrapped in gloom, between me and the glimmering

lake. A hush of evening silence falls upon the ridges, cliffs, and

forests of this billowy hill, ascending into wave-like crests, and

toppling with awful chasms over the dark waters of Lugano. It is good

to be alone here at this hour. Yet I must rise and go--passing through

meadows, where white lilies sleep in silvery drifts, and asphodel is

pale with spires of faintest rose, and narcissus dreams of his own

beauty, loading the air with fragrance sweet as some love-music of

Mozart. These fields want only the white figure of Persephone to make

them poems: and in this twilight one might fancy that the queen had

left her throne by Pluto's side, to mourn for her dead youth among the

flowers uplifted between earth and heaven. Nay, they are poems now,

these fields; with that unchanging background of history, romance,

and human life--the Lombard plain, against whose violet breadth the

blossoms bend their faint heads to the evening air. Downward we

hurry, on pathways where the beeches meet, by silent farms, by meadows

honey-scented, deep in dew. The columbine stands tall and still on

those green slopes of shadowy grass. The nightingale sings now, and

now is hushed again. Streams murmur through the darkness, where the

growth of trees, heavy with honeysuckle and wild rose, is thickest.

Fireflies begin to flit above the growing corn. At last the plain is

reached, and all the skies are tremulous with starlight. Alas, that

we should vibrate so obscurely to these harmonies of earth and

heaven! The inner finer sense of them seems somehow unattainable--that

spiritual touch of soul evoking soul from nature, which should

transfigure our dull mood of self into impersonal delight. Man needs

to be a mytho-poet at some moments, or, better still, to be a mystic

steeped through half-unconsciousness in the vast wonder of the world.

Gold and untouched to poetry or piety by scenes that ought to blend

the spirit in ourselves with spirit in the world without, we can but

wonder how this phantom show of mystery and beauty will pass away from

us--how soon--and we be where, see what, use all our sensibilities on

aught or nought?

Sketches and Studies in Italy and Greece, First Series · 第 55 / 79 题