PETRARCH'S TOMB AT ARQUA

The drive from Este along the skirts of the Euganean Hills to Arqua

takes one through a country which is tenderly beautiful, because of

its contrast between little peaked mountains and the plain. It is

not a grand landscape. It lacks all that makes the skirts of Alps

and Apennines sublime. Its charm is a certain mystery and

repose--an undefined sense of the neighbouring Adriatic, a pervading

consciousness of Venice unseen, but felt from far away. From the

terraces of Arqua the eye ranges across olive-trees, laurels, and

pomegranates on the southern slopes, to the misty level land that

melts into the sea, with churches and tall campanili like gigantic

galleys setting sail for fairyland over 'the foam of perilous seas

forlorn.' Let a blue-black shadow from a thunder-cloud be cast

upon this plain, and let one ray of sunlight strike a solitary

bell-tower;--it burns with palest flame of rose against the steely

dark, and in its slender shaft and shell-like tint of pink all Venice

is foreseen.

The village church of Arqua stands upon one of these terraces, with a

full stream of clearest water flowing by. On the little square before

the church-door, where the peasants congregate at mass-time--open to

the skies with all their stars and storms, girdled by the hills,

and within hearing of the vocal stream--is Petrarch's sepulchre. Fit

resting-place for what remains to earth of such a poet's clay! It is

as though archangels, flying, had carried the marble chest and set it

down here on the hillside, to be a sign and sanctuary for after-men. A

simple rectilinear coffin, of smooth Verona _mandorlato_, raised

on four thick columns, and closed by a heavy cippus-cover. Without

emblems, allegories, or lamenting genii, this tomb of the great poet,

the great awakener of Europe from mental lethargy, encircled by the

hills, beneath the canopy of heaven, is impressive beyond the power of

words. Bending here, we feel that Petrarch's own winged thoughts

and fancies, eternal and aërial, 'forms more real than living man,

nurslings of immortality,' have congregated to be the ever-ministering

and irremovable attendants on the shrine of one who, while he lived,

was purest spirit in a veil of flesh.

Sketches and Studies in Italy and Greece, First Series · 第 54 / 79 题