Chapter VIII

Most people, I imagine, who live in London are asked by their relatives

and friends who live in the country to shop for them. My post is often

nothing more upsetting than on a very hot summer's morning, or a wet

winter's one, to find an envelope on my plate, or beside it, addressed

in Cousin Anastasia's large handwriting. "Dearest," the letter inside

it begins, "if" (heavily underlined) "you should be passing Paternoster

Row, will you choose me a nice little prayer-book, without a cross

on it, please; people tell me they are cheaper there than elsewhere,

prayer-books, I mean, for Jane, who is going to be confirmed. She

is such a nice clean girl. I do hope she will be as clean after her

confirmation, but one never can tell. In any case I feel I ought to give

her something, and a prayer-book, under the circumstances, seems the

most suitable thing."

Jane, I remember, is a kitchen-maid. Of course I never pass Paternoster

Row, but that to a country cousin of Anastasia's mental caliber is not

worth consideration. She has no knowledge of geography, London's or

otherwise, and is doubtless one of those people who think New Zealand is

another name for Australia.

On another occasion she writes to say that Martha, the head housemaid,

"such an excellent servant," (all heavily under lined), who has been

with them seventeen years, is going to marry a nice, clean widower with

six children. She must give her a nice present; "nice" is underlined

several times. She has heard that in the Edgeware Road there are to be

had, complete in case, for three-and-sixpence, excellent clocks. She

doesn't know the name of the shop, but she believes it begins with "P,"

and if I could look in as I pass, she would be most grateful. As will be

guessed, Anastasia is a wealthy woman with no sense of humor. She knows

she has none, and she says she doesn't know what rich people want it

for. Of course for poor people it is an excellent thing, because it

enables them to look at the bright side of things; but as Anastasia's

things, life in particular, are bright on all sides, she doesn't need

that particular sense.

Then there is another country cousin she is so sweet and diffident about

asking me to do anything, that I feel I ought willingly to look into

every shop window in the Edgeware Road beginning with "P" or any other

letter, however wet or hot the day! And I am not sure that I wouldn't!

Her writing is as meek as Anastasia's is aggressive, and she never

descends to the transparency of an underlined "if." She says, would I

mind sending her a book, called so-and-so, by such and such an author,

price so much? It is all plain sailing with Cousin Penelope. She knows

just what she wants and where to get it; so much so that I sometimes

wonder why she doesn't send straight to the shop. But country cousins

never do that; for wherein would lie the use of London cousins, if they

didn't shop for their country cousins? How would they occupy their time?

She would like me please to get it at Bumpus's, because they are so

very civil and they knew her dear father. I might mention his name if I

thought fit! Now, I know quite well that it is impossible that any

one at Bumpus's, be he ever so venerable, can ever have known Cousin

Penelope's father. The name, being Smith, may no doubt be familiar. Of

course Cousin Penelope would repay any expense I incurred. In fact she

must insist on so doing.

"Insist" seems too strong a word to apply to any power that Cousin

Penelope could enforce. It would be something so gentle; persistent,

perhaps, but insistent? Never! "I beg, I implore, I entreat," would all

be suitable, but "I insist" does not suggest Cousin Penelope.

Dear Cousin Penelope, we are told, had a love-story in her youth, the

sadness of which ruined her life. It must have been a very beautiful

thing, that sorrow, to have made her what she is. One feels that it

must be a very wonderful love that is laid away in the wrappings of

submission and tied with the ribbons of resignation. There is assuredly

no bitterness about it, and I sometimes wonder if one's own sorrow

which tears and tugs at one's heart will some day leave such a record

of holiness and patience on one's face! I am afraid not. I look in the

glass, but I see nothing in the reflection which in the least resembles

Cousin Penelope, nor can I believe that time will do it, nor am I brave

enough to wish it. I cannot yet pray for a peace like hers. People say

time can do everything, but

"Time is

Too slow for those who wait,

Too swift for those who fear,

Too long for those who grieve,

Too short for those who rejoice,

But for those who love Time is

Eternity."

So it is written on a sun-dial I know, and when I have a sun-dial of my

own, those words shall be written thereon.

I think time lies heavily sometimes on Hugh's hands. He said one day,

"The days pass by, Betty, and we don't grow up!"

To return to booksellers. There is "Truslove and Hanson" in my more or

less immediate neighborhood, who are civil to a degree, but they did

not know Cousin Penelope's father, therefore they are not specially

qualified to sell a book to his daughter! So to Bumpus I must go, and

I love it. A bookshop is a joy to me; the feel of books, the smell of

books, the look of books, I love! I even enjoy cutting the pages of a

book, which I believe every one does not enjoy.

Then there is another country cousin, Pauline. When her letter comes,

I open it with mixed feelings, in which the feeling of fondness

predominates. One can't help loving her. She never asks one to shop for

her, but with her, which is perhaps an even greater test of friendship.

On a particularly hot day, I remember, a letter came from Pauline which

announced her immediate arrival. I was, waiting in the hall for her,

ready to start, which is a stipulation she always makes, as she says

it is such a pity to waste time. She greeted me in the same rather

tempestuous manner that I am accustomed to at the hands of Betty and

Hugh, and then she ran down the steps again to tell the cabman that he

had a very nice horse, which she patted, and said, "Whoa, mare!"

She always does that. She then asked the cabman how long he had been

driving, whether it was difficult to drive at night, and whether it was

true he could only see his horse's ears; and I think she asked if he had

any children, but of that I am not quite sure. If she didn't, it was a

lapse of memory on her part. Even the cab-runner interested her. Hadn't

I noticed what a sad face he had?

I said I hadn't noticed anything except that he was rather dirty.

Pauline said, "Of course he is dirty; what would you be, if you ran

after cabs all day?" I wondered.

Talking of cab-runners, I told her of the children's party I went to

with Cousin Penelope, who, very much afraid that she was late, said in

her sweetest manner to a man who opened the cab-door for us, "Are we

late?" And the man answered, "I really cannot say, madam; I have only

just this moment arrived myself."

He was in rags, which I did not tell her; the sponge cake would have

stuck in her throat at tea if I had. But I gave him something for his

ready wit, and wished for weeks afterwards that I had plunged into the

darkness after him. "What a charming man!" said Cousin Penelope. But to

return to Pauline.

"What a glorious day we are going to have!" she said. "It is good of you

to say I may stay the night, and if I go to a ball, you won't mind? I

have brought a small box,--as you see."

I did see, and to my mind its size bordered on indecency. I like a box

to look sufficiently large to take all I think a woman ought to need

for a night's stay. Pauline often assures me it does hold everything,

squashed tight, of course. I say it must be squashed very tight, and

she says it is. "That's the beauty of the present-day fashion of fluffy

things: everything is so easily squashed, and yet you can't squash them;

an accordion-pleated thing, for instance."

To a man whose admiration for a woman is gauged by the amount of luggage

she can travel without, Pauline would prove irresistible. I know one who

prides himself on his packing, and who has a horror of much luggage. He

was all packed ready to go to Scotland, when his wife asked him if he

could lend her a collar-stud for her flannel shirts, and he said, "Yes,

but you must carry it yourself, I'm full up!"

To that man Pauline, I am sure, would be very attractive.

When Pauline and I started off on our shopping expedition, she demurred

at taking a hansom, although she loves driving in them; but she said

'buses were so much more amusing. "People in 'buses say such funny

things," she said, and so they do. The old lady in particular who, when

the horse got his leg over the trace without hurting himself or any one

else, got up and announced to the 'bus in general: "There, I always did

say I hated horses and dogs," and sat down again. I loved her for that

and for other things too, among them her apple-cheeks and poke bonnet.

Another reason why I insisted upon a hansom is that Pauline is not to be

trusted in a 'bus; her interest in her fellow-creatures is embarrassing.

I have, moreover, sat opposite babies in 'buses with Pauline, and where

a baby is concerned, she has no self-control. So I was firm, and we

started off in a hansom. I was continually besought to look at some

delicious baby, first this side, then that.

Pauline calmly avers that she would go mad if she lived in London. She

couldn't stand seeing so many beautiful children, or babies, beautiful

or otherwise. It is curious how babies in perambulators hold out their

hands to Pauline as she passes, and laugh and gurgle at her.

Once in Piccadilly, beautiful babies became less plentiful, and Pauline

turned her thoughts and sympathies to horses and bearing-reins. She was

instantly plunged into the depths of despair. Couldn't I do something,

she asked, to remedy such a crying evil? She said it was the duty of

every woman in London--Something in the catalogue she was carrying

arrested her attention, and what it was the duty of every woman to do I

am not sure. I did not ask, but was grateful for the peace which ensued.

Pauline was glad the sales were on. She loved them, and yet she didn't

like them, because she didn't think they brought out the best side of a

woman's character. "I think," she said, "a woman's behavior at sales is

a test, don't you?"

I said I thought her behavior as regarded swing-doors was a surer one.

She said she hadn't thought of that.

"But I know what you mean; I do dislike the flouncing, pushing woman. I

think every one should be taught to be courteous and gentle, don't you?"

She added, "I hate being pushed."

I told her of a woman next me in a 'bus one day, who said, "You're

a-sittin' on me!" How I rose and politely begged her pardon, whereupon

she said, "Now you're a-standin' on me!" And we agreed that there is no

pleasing some people.

Pauline returned to the perusal of the catalogue, in which she had put

a large cross against the picture of a coat and skirt. She said she was

stock-size. She didn't suppose any really smart women were. "Or would

own to it," I suggested, but she didn't answer; she never does if she

detects any savor of malice in a remark. She was very anxious I should

admire the illustration. I did, but I felt it my duty as a London cousin

to a country cousin to tell her that the illustration might lead her

to expect too much. She warmly agreed that of course as regarded the

figure, etc., the illustration was misleading, because she, of course,

could never look so beautifully willowy as that. She was inclined to

come out where the illustration went in, and she could never be so

slanty, never; but apart from that, of course the coat and skirt would

be exactly as it was pictured. Her figure would be to blame, of course.

Her figure happens to be a very pretty one, but she didn't give me

time to say so. I repeated that I should not put implicit faith in the

illustration. She was a little hurt. She did not think it right to cast

aspersions on the character of so respectable a firm as that whose name

headed the catalogue. I said I didn't see it quite in the same light.

Pauline looked at me reproachfully, and said drawing a lie was as bad as

telling one.

The argument was beyond me; besides, I like Pauline to look

reproachfully at me, she is so pretty. Being as pretty as she

undoubtedly is, I often wonder why she is not more effective.

The right kind of country beauty is very convincing to the jaded

Londoner; but to convince, one must be convinced, and that is exactly

what Pauline is not. She never thinks whether she is beautiful or not,

and I am sure it often lies with the woman herself, how beautiful people

think her, except in the rare cases of real beauty, when there can

be but one opinion. But in the case of ordinary beauty, the woman is

appraised at her own value. Then there is the art of putting on clothes,

of which Pauline is absolutely ignorant. There is even a studied

untidiness which passes under the name of picturesque. All of this is

a closed book to Pauline, and, after all, she is a delightful creature;

but the trouble to me was that, at the time she came up to shop with me,

she didn't wear good boots, and to do that I hold is part, or should be

part, of a woman's creed. She gets her boots from the village shoemaker

because his wife died. Her eyes filled with tears at the mere thought of

the man, and she told me she thought it right to encourage local talent.

In the boots I saw evidences of locality,--bumps, for instance,--but not

of talent. Pauline was very indignant and said she had no bumps on her

feet. "But you see my position?" I did, but I persuaded her to have some

good boots made in London. This she consented to do, rather unwillingly

and on the distinct understanding that in the country she should

continue to encourage local talent. "On wet days," I ventured.

And at flower-shows, she added.

I have seen Pauline in the country, against a background of golden beech

trees and brown bracken, look even beautiful; but in London she lacks

something, possibly the right background. She has glorious hair, but her

maid can't do it. Pauline admits it, but she says she can't send a nice

woman away on that account; besides, she suffers from rheumatism, and

Pauline's particular part of the country suits her better than any

other.

"Couldn't she learn?" I suggested.

"No, she can't," said Pauline. "She had lessons once, and she came back

and did my hair like treacle, all over my head,--no idea, absolutely. I

should never look like you, whatever I did."

"My dear Pauline," I said, "what nonsense!"

"It's not nonsense. Father was saying only the other day that you are a

beautiful creature, only no one seems to see it."

"Dear Uncle Jim," I said; "how delightful, and how like him!"

"But it's true you are beautiful; only the part about the people

not seeing it isn't true: that's father's way of putting it. You are

beautiful!"

"My dear child!"

"Why do you say 'dear child' to me? People would think you were years

and years older than I am. Why do you always talk as if life were over?

Have you a secret sorrow?"

If Pauline, warm-hearted, loving Pauline had really thought I had, she

would have been the last person to ask such a question.

"Do I look it?" I asked.

"No-o. Only when people seem to spend the whole of their life in doing

things for other people, it makes one suspect that they are saying

to themselves, 'As we can't be happy ourselves, we can see that other

people are.'"

"What a philosopher you are, Pauline! If you go on that supposition, you

must have a terrible sorrow somewhere hidden behind that happy face of

yours."

Pauline is not meant to live in London. She thanks people in a crowd for

letting her pass. If she is pushed off the pavement, she is only sorry

that the person can be so rude as to do it. She never gets into a 'bus

or takes any vehicular advantage over a widow, and she feels choky if

she sees any one very old. "Do you know why?" she asked. "Because they

are, so near Heaven, and sometimes I think you see the reflection of it

in their faces."

"Like Cousin Penelope," I said.

We arrived at the shop where the coat and skirt were to be had, and

Pauline, having admired the horse and thanked the cabman, and the

commissionaire, who held his arm over a perfectly dry wheel, followed me

into the shop. She admired everything as she went through the different

departments, and apologized to the shop walkers for not being able to

buy everything; but she lived in the country, and although the things

were lovely, they would be no use to her--dogs on her lap most of the

day, and so on.

Everyone looked at Pauline; and old ladies, to whom she always appeals

very much, put their heads on one side, as old ladies do when they

admire anything very much, anything which reminds them of their own

youth, and smiled. Old ladies have this privilege, that when they arrive

at a certain age, they are allowed to think they were beautiful in their

youth, and to tell you so. It is a recognized thing, and one of the

recompenses of old age. We all know that every one had a beautiful

grandmother--one at least; and if a portrait of one grandmother belies

the fact, then there is the other one to fall back upon, of whom,

unfortunately, no portrait exists, and she was abs--so--lute--lee

lovely!

The coat and skirt were found and eagerly compared with the

illustration, and Pauline turned to me and said with a triumphant

ringing her voice: "It wasn't an exaggeration. I knew it wouldn't be.

Mother has dealt here for years."

Then we went upstairs to try it on. In a few minutes Pauline had

discovered that the fitter was supporting her deceased sister's husband

and six children, the eldest of whom wasn't quite right and the youngest

had rickets. She was so distressed that she didn't want the back of her

coat altered, the woman already had so much to bear. But I prevailed

upon her to have the alteration made regardless of the woman's domestic

anxieties. I felt sure it would make no difference. But I cannot help

feeling that Pauline's visit to that shop did make a difference to that

poor woman, if only for a few moments in her life. And I think those

children's lives were made happier too; but it is difficult to get

Pauline to talk of these things.

Then we went to the shoemaker, and Pauline told him all about the

widower bootmaker, and of her scruples about having boots made by any

one else. The bootmaker evidently thought that a foot like Pauline's was

worthy of a good boot and Pauline said there were occasions on which one

had to sink one's own feelings. She was scandalized at London prices,

and told the man so. "But of course it means higher pay for the men, so

it's all right."

On our way home I said to Pauline that I couldn't understand why she was

so economical--ready-made coats and skirts, and afraid of paying a fair

price for good boots! Was her allowance smaller than it used to be? She

got pink and didn't answer. I determined she should, and at last she

did.

"Well, you see, I pay a woman to come and wash the shoemaker's children

on Saturday evenings."

I smiled. "That can't cost much, unless she provides the soap."

Pauline got pinker still. "Well, I pay for the village nurse, and a few

other little things. Then there's a little baby," she dropped her voice,

"who has no mother--she died--and who never had a father, and every one

doesn't care for those sort of babies.--You do like my coat and skirt,

don't you?"

The Professional Aunt · 第 8 / 19 章