CHAPTER II

Discusses the question of guides and guide-books, and tries to explain

the author's method, or lack of it, when making himself acquainted with

places of interest. Contains also remarks on terraces, which are

expected to edify. There is a good deal about the weather of Prague,

about the gardens at different seasons, also an account of merrymaking

in bygone days, and some reflections, in the same spirit, on present-day

rejoicings.

There are various ways of becoming acquainted with an interesting city.

Some people invest in a guide-book before starting out on the journey,

others do not rest until they have bought one or more on arriving at

their destination. You may notice these people studying the book on the

boat perhaps, certainly in the train; they even let the book interfere

with the proper attention that is due to meals; and allow me to remark

here that the wagon-lit people are very sound on the question of food.

These people are slaves to the guide-book; they leave it not, day or

night, and the more methodical they are in conforming to the cramped

spirit of the book, the less do they discover things by themselves. No

guide-book ever can initiate you into the atmosphere of a city like

Prague.

The sight of the guide-book slave "doing" an ancient and glorious city

always fills me with sorrow, sometimes, indeed, with annoyance. These

slaves frequently hunt in couples, male and female, sometimes with

progeny at heel, and it is generally the male who discovers things--in

the guide-book--and then drags the rest of his outfit in search of his

discovery. As this is usually done at a reckless pace, the performance

is apt to upset the repose of the inhabitants whose perambulations of

their native place are in marked contrast to the silent, ruthless hurry

in the streets of our large towns. The good burghers of foreign towns

seem to have plenty of their own and other people's time to spare; they

also possess the gift of unlimited conversational powers. I have known

many a pleasant chat rudely interrupted by a group of British or

American travellers who, with nose well inside a book, blue or red but

obviously "guide," push their way, ruthless as Juggernaut, through

bunches of inoffensive natives. There is one consolation: those slaves

of the guide-book frequently miss the prettiest bits, just because they

are looking into the book instead of around them.

Ask such as they about the atmosphere of some old-world haunt, and you

will probably hear complaints about the food or the service.

Some tourists aggravate their position by hiring a guide. Every city of

any historic importance breeds a class of mortals that are born guides;

they have come to belong to the "staffage" of picturesque surroundings;

and in this respect Prague is happily yet unspoilt. The born guide, when

young, is generally to be found running after you barefooted, clamouring

for coppers or cigarettes. His picturesqueness is due to the fact that

he does not disclose the incipient traits of villainy in his face by

washing it. The adult of the species does wash his face sometimes, but

he has no other virtues. The species "guide" is found in its perfection

in Southern Europe. Some day I must write a book on "Guides I have

Spurned"; there were many, and I have had to acquire a cursory

acquaintance with several foreign languages in order to deal adequately

with the spurning action which is chiefly vocal and invective. For the

present I can only remember one of the many spurned ones. He had been

following me about all over the ruins of a Moorish castle, and finally,

breathless, came up with me by a little pile of stones leaning, with

some faint attempt at symmetry, against a wall. In gusts a

garlic-charged voice explained, "Zat modern. Zat rabbit-'ouse!" In his

case the spurning could be done quite conveniently in English.

We cannot all afford to be original. I lay no claim to that quality for

myself; my method of making the acquaintance of such an interesting old

city as Prague may be that of thousands of other wayfarers. However this

may be, I propose to explain my method, not necessarily in order to

induce others to adopt it, but rather because it explains the title of

this work. I look upon cities, landscapes, in fact upon life in general,

from a terrace--not over or through the leaves of a guide-book.

There is a deal more interest in a terrace, and you can always find one

if you really want to do so, than the casual passer-by is inclined to

realize. It is easy to reconstruct the scene of building up the first

terrace. Some fairly primitive man had emancipated himself from the

old-fashioned ancestral habit of just letting the rain wash away the

hillside, and with it the family's prospects of green food for the

season. Squatting outside his cave he had done some hard thinking which,

transmitted into action, had led him to build up a wall here and there

on the hillside, a wall of clumsy stones kept in place by stakes

hammered into the ground, yet a wall, indeed a terrace, and an advance

upon the methods of his neighbours whose struggles he could watch from

the surer footing he himself had gained--a terrace and a point of view.

It is not suggested that the wayfarer on arriving in a strange city

should make a bee-line for the nearest terrace.

There are terraces and terraces, each one with its own definable point

of view, and it is this quality which should influence the traveller's

choice. Prague offers considerable variety in terraces suitable to every

conceivable outlook on life. You may choose a terrace that looks out

over the factory quarter of Prague, over grimy Smichov for instance, and

make notes on the growing industrial prosperity of the city. You will

probably be smoked out of your position, for a cheap and nasty variety

of brown coal is used by local industries. If you belong to the eclectic

you may be privileged to look down on Prague from a terrace with a

background of diplomacy, and find the outlook somewhat limited.

Again, there are terraces where you can get beer and other refreshment.

Such terraces are generally so contrived as to give you an outlook too

varied to allow of concentration on the essentials of the city; the

background to these terraces is generally some little building where the

waiter lurks for orders. But there are other, real terraces to be found

by those who search diligently and know how to discriminate, terraces

with a background that has grown up with the city, that strikes no

foreign note in that harmony of form and colour, of clustering red-tiled

roofs surmounted by domes, towers and spires, which is Prague. Such a

terrace is that from which I write. It is a real terrace, serving its

original purpose in supporting a garden on a hillside. A garden

carefully, fondly tended by generations of those who lived useful lives

and looked out over the city from this point of view.

It is old, very old, this terrace, and it has witnessed many terrible

scenes, fire and slaughter and religious strife, but it has also seen

more that is ennobling and inspiring. In its strength this terrace has

supported those who passed their days upon it, imbuing them, and those

who live there yet, with the serenity that comes of a faith built on a

sure foundation. This terrace is a bridge to the "Abiding City." It is

not my intention to disclose the locality of this terrace; let every man

find one to suit his own particular outlook.

Having found your terrace, settle down to a serious contemplation of

your surroundings and of the outlook before you; absorb as much as you

can of the atmosphere of the place, let it sink into you. For this

purpose a guide-book is not only useless, it is a let and a hindrance.

After all, what does a guide-book tell you? Either it recites dry facts

in an utterly soulless voice, or else, if it make any pretence at

_belles-lettres_, as some of them painfully do, it goes off into

sentiment and rapture before you have decided whether these be suited to

the occasion. Anyway, a guide-book is the expression of some one else's

opinion or experience, and as such is harmful to the soul as likely to

exert undue influence.

From your terrace you take in a more or less comprehensive view of the

city and its surroundings, and also form some conception of its inner

meaning. Then descend from your terrace and wander at random about the

streets, choosing as the more appropriate time the long twilight of a

summer morning which brings the cruder modern aspect of the place into

harmony with the fundamental values. Then, before she awakens to the

stir and activity of everyday life, old Prague will speak to you of

herself and take you into her confidence; she will tell you some

startling stories, for she has a lurid past, has the city of Prague.

I do not know what was Rodin's method of appreciating Prague, but can

easily imagine him looking out over the city from the terrace of his

choice, looking out over Prague and recalling memories of Rome as seen

from the Pincio. There are certain obvious points of resemblance. First

there are several hills on which Prague is built; they are said to be

seven in number, as in the case of the Eternal City. Personally I can

only make out five hills, and I have counted them carefully. It seems to

be the right thing in cities of venerable antiquity to claim seven

hills; to me this seems a mixture of superstition and snobbery. Prague

can well afford to be original and rest content with standing on five

hills. This, by the way, does not include all the suburbs which have

lately been added in order to make up Greater Prague; the innovation is

much too recent, and no "Terrace in Prague" can embrace a view of all

the latest additions to the urban district.

Further superficial points of resemblance to Rome are the towers and

cupolas that rise above a sea of houses, and the winding river; to find

yet more would be a serious strain on the imagination. But there is a

deeper resemblance, and this perchance is what Rodin meant when he

described Prague as "the Rome of the North." I say "perchance," because

Rodin never gave any closer reason for the comparison he drew, so I can

only give my own personal impression of what he may have meant. There

are, to my thinking, two distinct Romes as there are two distinct

Pragues. The old original Rome seems to me fundamentally, gloriously,

and, indeed, unblushingly pagan. All the top-hamper even of such beauty

as Michel Angelo conceived does not alter this my impression. Churches

arisen out of an Emperor's bath, or resting on some pagan shrine, are

superimposed on Rome. Rome and all that Rome stands for down the ages is

that glorious mass of ruins which cluster about the Capitoline Hill or

come upon you in unexpected places. And so it is with Prague;

Prague--the real Prague--is to be found in the graceful and enduring

monuments erected by Kings of Bohemia in the Middle Ages; Prague of the

Luxemburg monarchs, with echoes, faint yet insistent, of remoter

legendary times. Over this ancient Prague rise structures of an alien

nature, _baroque_ creations of the Jesuits, in spirit foreign to all

that the capital of Bohemia stands for. Indeed, most of these buildings

are imposing; some are beautiful, but despite the mellowing influence of

time it seems as if they had not been completely merged into the soul of

the city; they do not express its inner meaning unreservedly. And modern

Prague is built up among and about the gracious relics of past ages; at

first it appears detached, as it were hesitant between the serenity of a

former golden age, the forcefulness of the Jesuit era and the vigour of

modernity, but at heart it is one with the Prague of many centuries, is

"at unity in itself" by virtue of reverence for noble tradition and hope

for a glorious future.

"Thither the tribes go up"; indeed, they have been swarming in since

Prague came into her own some few years ago and became the capital of a

free and independent republic. In former years, when Prague was still

accounted a small provincial town of somnolent habits, there were only

two or three hotels that counted at all as accommodation for foreigners;

now there are many yet inadequate to the number of visitors. As to those

that are drawn to Prague, their numbers may be accounted for by the fact

that most of them are native Bohemians who have business in the capital

as the seat of government and also as a commercial, industrial and

intellectual centre; these latter qualities attract an ever swelling

stream of foreigners. To account for this I will draw a comparison all

my own between Prague and Paris.

The true Parisian will probably shrug his shoulders at any idea of

comparing his city with Prague; but as he is above all a logically

minded, reasoning sort of person and, moreover, courteous, he will

listen to my argument, and even should he not agree, is generous enough

to join me in the happy auguries for Prague which my comparison

suggests.

Take a map showing the physical features of France and you will find

that the capital of the country could be nowhere else but exactly on the

spot where Paris stands in a fertile plain where meet a number of

waterways--Seine and Marne just above the city, Oise some little way

down. By these waterways and by high roads that came after, a constant

stream of peoples has been swirling into France and mingling in the

basin of Paris. Among these were Latins from the south coming up the

valley of the Rhone and Saone, over the heights and down the Yonne to

the valley of the Seine. Then came Franks through the gap of Belfort and

over the hills by Nancy, down to the Marne and the Aube; Celts and

Flemings from the north, and Norsemen from the west, all met and mingled

with the native Gauls and eventually became Parisians. Environment acted

its part, and so did the forces of Nature. The soil of the basin of

Paris is fruitful, the climate equable, but neither encourage idlers;

both demand a toll of strenuous labour, yet not so trying to man's

strength as to leave him exhausted at the end of the day's work; he may

recreate himself and bring his mind to bear on the result of his

handiwork.

This made him critical, and the constant flow of foreigners brought him

new ideas to test by the light of his own experience, and so Paris

became, as it were, a crucible in which theories of life were tested and

rendered by science into practical form.

Only the best is good enough for Paris, and this will remain the case

until the disintegration of our planet; no invading hosts, be they never

so numerous, nor the most fiendish inventions in modern chemistry, can

alter this fact, they may beat down the superficial Paris, they cannot

destroy its spirit.

To a lesser degree this is also true of Prague. As we have already seen,

its geographical position marks it out as a centre where meet roads

coming from all directions. This fact was not discovered at such an

early period as that in which Paris arose out of the river swamps.

Possibly this was due to the westward tendency of migratory races during

the first centuries of our era when Teutonic tribes and Celts passed

over Bohemia under pressure from the east. It is strange that the Romans

did not discover the geographical advantages of the site on which Prague

was founded. Roman influence began to make itself felt early in the

first century of the Christian era in these parts, but the trade route

which connected the Danube with the Baltic shore passed eastward of

Prague, it seems via the valley of the Morava and the "Gate of Bohemia"

at Nachod, through Breslau and Stettin, both, by the way, former

Slavonic settlements. There are not many traces of Roman culture, and

what there are seem to have been imposed on the inhabitants themselves

rather than left behind by the Romans. Even Marcus Aurelius, who wrote

about most things under the sun, has little to say of the country north

of his stronghold at the confluence of the Danube and Morava. It was not

till several centuries after the Roman Empire's glory had departed that

Prague became a place of importance, and this was largely due to the

Luxemburg Kings, whose introduction of French culture made of the city a

centre of attraction on the eastern marches of Europe. How and why

Prague lost in importance may be gathered from its history; whether it

will again gain and hold the prominent position to which it is entitled

by its situation must depend entirely on the people of old Bohemia and

the other countries which compose the new Czecho-Slovak Republic in

general and the citizens of Prague in particular; the fortunes of their

country and capital are in their own hands to make or mar. They have

many points in their favour: first, a central position in a country

endowed with great riches; then a sturdy, hardworking and law-abiding

population; and finally a climate that neither encourages idleness nor

puts too severe a strain upon man's power of endurance.

The people of Prague have their theories about the climate of their

country; they maintain that it is governed by certain rules that are

made to apply to Central Europe generally. Thus they will tell you that

the winter is severe, that ice and snow keep the country bound for

several months at a time, that spring comes swiftly but gently with the

melting of the snow and the gradual breaking up of the ice-floes on the

river, that then a fine summer follows, a summer hot indeed but tempered

by cool breezes from the north and showers from south and west; then

through a glorious autumn all russet and gold on a background of hazy

blue mountains, back to a winter as in the Christmas carol about Good

King Wenceslaus. All this is theory; in reality the weather here, as

elsewhere, is not to be trusted, though, indeed, it is not as fickle as

that of our own dear country. Still, the people cling to their theory

about the climate of the country, and if perchance the theory does not

fit, there is always an "oldest inhabitant" handy to declare the weather

quite exceptional. Why is it that the oldest inhabitant is invariably

the greatest local liar? Is it simply a matter of long life and ripe

experience?

Whatever the climate may be, whatever vagaries the weather may indulge

in, the view from my terrace is always lovely, its subtle beauty ever

new. If I were called upon to say which season shows ancient Prague at

her best, I would say the spring time. Then the orchards on the slopes

are arrayed in virgin white of pear and cherry blossom, with here and

there a blush from apple-trees and a faint glimmer of delicate green

against cool grey of stone walls showing among the purples of trunks and

branches warming into new life under the fitful rays of April sunshine.

The sunshine draws out colour from soaring spires or copper domes of

churches and from the quaint towers and pinnacles of old Prague's former

defences against enemies that came like storm clouds from out of the

west or over the giant mountains to northward. A passing cloud throws

into the shade the middle ground of grouped and red-tiled roofs

overtopped by some stately church, and the terraced gardens that descend

into the harmonies of deep reds and greyish purples which is the

dominant note in the colour scheme of the "Mala Strana," the small side

of Prague on the left bank of the river. Far beyond are the encircling

heights--some wooded, others under cultivation; cloud shadows pass over

them like ghosts of the tragic events that made up the history of

Bohemia and its capital. But the sunshine wins over the clouds and draws

out the strength and glory of Golden Prague.

Summer and autumn bring fulfilment of spring's promise of plenty, with

fruit in abundance. Autumn lingers in red and yellow motley, stoutly

resisting winter's attack until boisterous winds from east and north

send the last leaves shivering to the ground and spread out the city's

winter garb. Then Prague assumes a severer aspect; reds and warm greys

have vanished, castle, churches, palaces stand out in marked relief,

their features accentuated by piled-up snow on roof and gallery and

flying buttress. And seen from my terrace, Prague under snow is very

beautiful.

The winter had been erratic; spells of intense cold when ice-floes piled

up about the piers of the bridges, and even gave rise to anxiety

concerning the safety of those structures; then mild winds from the

south driving the smoke of the Smichov factories across Castle Hill.

This, too, has its beauties when reluctant rays of the setting sun try

to dispel it and cloak the Hrad[vc]any in a shroud of purple mist.

Winter lingered on into the beginning of the week of Resurrection. On

Tuesday in Holy Week wild gusts from the north drove powdered snow in

scurries across the uplands through the broad streets and into narrow

alleys, where it lingered during two breathless days until with Good

Friday came glorious sunshine, dispelling the last traces of winter

storms.

As if to attune themselves to the change from winter's bondage to

generous life, from the season of Lent to the Day of Resurrection, the

people of Prague, as is their wont, called music to their aid. On Palm

Sunday, as the last light of a grey day faded away, the church dedicated

to Saint Henry, standing austerely apart from the traffic of the

streets, was filled with the sweet sadness of Pergolesi's "Stabat

Mater." From the organ-loft came the soul-searching harmony of two

voices, a pure white soprano and a rich vibrant contralto, which spread

about the lofty building, penetrated to the secluded corners where the

scent of incense lingers, and then seemed to lose itself in the shadowy

arches of the roof, merging, as it were, into the memories of centuries

of prayer and praise.

There was that feeling of impending relief from pain, then as of a

healing touch when glorious sunshine ushered in Easter Sunday. Larks

poured out their soul into a cloudless sky over the battlefield of the

White Mountain, the pale green of larches showed up bravely among the

riot of live purple and crimson and the flashing trunks of birches, over

the wall that confines the park of the Star. The Star itself, that

singular monument, a former hunting-box of Bohemian Kings and built in

the shape of a six-pointed star, is undergoing renaissance: it is being

arranged as a museum for the Czecho-Slovak legionaries. The little brook

that makes such a long detour on its way to join the Vltava, passing

through the rocky gorge and the winding valley of the Sharka, was very

emphatic on the subject of spring's arrival, and its voice must have

penetrated to secluded nooks and crannies, rousing sluggard forms of

life from winter sleep. Spring was asserting itself with all the

glorious certainty of youth, and was calling aloud to all and sundry to

come out and witness a brave display in the many gardens of Prague.

I doubt whether any other town in Europe is so well equipped with

gardens as is Prague for its size. Chiefest among these is the

Stromovka, on the northern slope of the Letna Hill. Your best approach

is from the direction of the castle by a broad and shady avenue which

leads you first down, then up again to a little plateau where stands a

building called Zamek. This building is said to be an old hunting-box of

Bohemian royalty: it certainly tries its best to look ancient, but fails

to convince you. Then by shady winding ways down the slope to a broad

valley deep in verdure. A little stream, which broadens into a lake,

keeps up the necessary moisture, and the grass and the weeping willows

in their loveliness offer it their silent thanks. The trees on the

northern slope grow high: they had to do so to meet the sunshine.

There are broad, shady drives and rides, and many seats, also two

restaurants, with at least one band playing heartily of an afternoon.

But the beauty spot in all this loveliness is right in the centre--a

rose-garden. It is no use trying to describe this rose-garden; only a

poet could do that, so all I say is, Come and see for yourself.

Other public gardens I would mention, at least the larger ones--Kinsky,

Nebozizek, Riegrovy--but there are a number of others, smaller ones,

with shady nooks and plenty of seats. These gardens are dispersed about

the town in its workaday quarters; at midday--in fact, at any time of

day--you may see the workers enjoying a rest and also whatever kindly

fruits of the earth happen to be in season--in July your path is paved

with cherry-stones.

There are rows of trees along many of the streets; there are many

private gardens of palace, hospital, monastery or convent, adding the

freshness of their verdure to the beauty of Prague.

No wonder, then, that with so much loveliness about them the people of

Prague should be gay and intent on enjoying life amid such surroundings.

On a Sunday or feast-day you have music all round you. Look over the

holiday city from your terrace, you will see happy well-dressed crowds

moving to one or other place whence rise the strains of music. From one

side you hear the solemn notes of the fanfarade from Libu[vs]a; a little

farther away a very cheery brass band is stirring its audience with a

rattling march--impossible to keep your feet still; then while the brass

band pauses for breath and beer the insistent cadence of a dreamy valse

floats up to meet you.

Finest of all was Stromovka. Here weeping willows trailed their weeds of

daintiest green; here vigorous chestnut buds threw out their strong

scent; here osier-beds were a living tangle of gold and crimson

reflected brokenly in the lake where frogs made merry, the frogs being

about the only wild animals left in the Stromovka. Things were very

different in this park when it was known as the Thiergarten, Hortus

Ferarum, as long ago as the days of King John, the knight-errant ruler

of Bohemia. It appears that bison, "aurochs," were kept here, and it is

recorded that the sole surviving specimen died in 1566, which fact

Archduke Ferdinand, the Kaiser's lieutenant, reported to Emperor

Maximilian; he was thereupon ordered to ask the Duke of Prussia to

oblige with a new couple of bison.

The Stromovka was at one time described as "where the ox preaches on a

sack of straw," which description was probably meant to be humorous. The

connection comes about by the fact that the tailors of the town held

their revels in the Thiergarten every Tuesday in Easter week, and it

seems that a sack of straw was necessary to their happiness. This sack,

of the finest white linen, was sewn up with great neatness and adorned

with bows of ribbon, red, blue, yellow, green and white, by the

apprentices. The sack was further decorated with a design representing a

lass and a lad.

There seems to have been no particular object for the sack, as it was

only fastened to a pole round which danced young men and maidens. As the

gay Czechs of the present day are ready to dance without any such

fortuitous aid, it may be presumed that there was some meaning in the

idea of carrying a sack about and then dancing round it; but the

chronicler does not mention this point--he probably missed it.

Not to be outdone by the tailors, the cobblers of Prague had their day

on the Wednesday after Easter, and went for their diversion in an

opposite direction, namely, to Nusle, which lies tucked away behind

Vy[vs]ehrad. The cobblers' feast-day was called "Fidlovatchka," which

has a cheery ring, and tradition gives the following origin: The

cobblers' guild had built a pair of boots, a most excellent pair of

boots, for Emperor Joseph, who himself had learnt their craft. Every

cobbler's apprentice in Prague had contributed of his labour to this

pair of boots. In token of gratitude the Emperor had given to the guild

a little tree, silver-plated, on which were displayed specimens, also in

silver, of all the implements used in the cobbler's handicraft. This

imperial present was displayed at the cobblers' guildhall and held in

high honour.

Now as it happened the cobblers' apprentices seem to have been afflicted

more than those of other guilds by the complaint called by the Germans

"Blue Monday," which being interpreted meaneth "the morning after the

night before." It was of necessity observed as a holiday. Masters

insisted on abolishing this holiday, apprentices insisted on its

retention. The latter removed the silver-plated tree from its sanctuary

and carried it, to the strains of music and with much vociferation, to a

mill, now no longer, at Nusle, at which place the adventure had been

planned.

Not a single apprentice was to be found in Prague: needless to say, they

had the enthusiastic support and inspiring company of all the cobblers'

errand-boys.

The apprentices kept up the feast for several days until their funds

were exhausted; they then stripped the imperial tree of its ornaments

and sold them. When they had arrived at the stage known as _au sec_ they

passed the time in fighting. Eventually a deputation of masters came

out, a conference was held, the "Blue Monday" feast was reinstituted,

and the apprentices returned to Prague, carrying, in place of the

imperial tree, a maypole--premature, no doubt, but it probably best

expressed their feelings.

The very learned will tell us that the maypole custom of the Prague

cobblers dates back to much remoter times than those of Emperor Joseph,

and may draw attention to the habit prevalent in Saxony and other

neighbouring countries with an originally strongly Slav population of

displaying a birch-tree at the beginning of May. The learned will then

dive down into Slavonic mythology, which process to the dilettante in

such matters, is like "going in off the deep end"--you never know when

or where you may come up again.

At any rate, it appears that the cobblers' apprentices chose to call

their maypole "Fidlovatchka," and that they carried it about on their

feast-day, the Wednesday after Easter. Tradition has it that they all

smoked in turn, from a giant pipe capable of holding two pounds of

tobacco. Here a fastidious chronicler draws the curtain.

The habit of the Prague apprentices in the matter of keeping the feast

remains much the same to-day; moreover, it is not their exclusive right

or privilege. I know few other places in the world where people are more

ready to make merry on the least provocation. I do not know why this

is, nor have I analysed the Czech disposition towards festivities; I do

know that it is contagious. Perhaps it is due to the fact that the

Church of Rome encouraged the converted Hussites to keep things merry

and bright on every available saint's day so as to deaden all

recollection of Hus's martyrdom, but this is a deeper matter which we

will discuss later. The fact is that the Czech is by nature gay and

cheerful and an expert merrymaker, as who would not be in a country like

Bohemia, with its grand natural beauties, its wealth of music and

poetry--and its beer?

The Government has recently abolished all holidays but a few of the very

obvious ones, such as New Year's Day, Good Friday, and May Day. I do not

think that this paternal decree will make the least difference to the

cheery Czech; in fact, only a day or so after the decree was passed into

law the event was celebrated by a very hearty tribute, lasting two days,

to a national saint, followed by a day's strike organized by those who

protest against all such obsolete notions as saints' days. Everyone was

satisfied; everyone's opinion had been freely expressed, and everyone

had enjoyed three holidays in one week, thus, by the way, exceeding the

allowance for the whole year. Oh yes! the Czechs know what they are

about when it comes to merrymaking.

Such a day of merriment is March 7th, very much of a feast-day

indeed--the birthday of President Masaryk. Were I a Czech or Slovak, I

should celebrate right heartily at least once a week the birthday of the

present President, for he is one of the few great men among the swarm

that arrived at the top as a result of the World War.

From a Terrace in Prague · 第 2 / 12 章