A ROYAL (OLYMPIC) DIVORCE.

(_A PAGE FROM FRENCH HISTORY BY MRS. MARKHAM, AFTER W.G. WILLS._)

[Illustration: Wills and Ways; or, a Hand at Nap.]

And so, when NAPOLEON had won Austerlitz, he thought he would marry

MARIE LOUISE, Archduchess of Austria, although, as you know, he was

already wedded to JOSEPHINE, his first wife. To effect this purpose,

he sent his Minister of State, TALLEYRAND, and two comic Marshals,

called MURAT and NEY, to see the EMPRESS and explain to her his

wishes; and this they did with so much effect that Her Majesty

consented, and fainted on the spot. Whether the swoon was real, or

in another sense a feint, is not known, because she was a mistress

of deception. For instance, although she was nearly a negress in

complexion, she managed, at the Palace of Fontainebleau, to appear in

a flaxen wig, and with all the appearance of a blonde beauty. Shortly

after the EMPEROR's marriage with his new wife, that lady called upon

her predecessor, and behaved in such a fashion that JOSEPHINE was

justified in calling her "vulgar." A little later, with the assistance

of a British Dramatist, called W.G. WILLS (who had already made some

alterations in the History of England for the benefit of CHARLES THE

FIRST and Mr. HENRY IRVING), she managed to protect the baby King of

Rome from a _ballet_ mob in the Gardens of the Tuileries, and also to

afford considerable assistance to her Austrian successor while that

"vulgar" person was crawling up some stone steps. Later still, she

contrived to have an affecting interview on the eve of the Battle of

Waterloo with NAPOLEON himself, although it has been reported in some

quarters that she had become defunct a year before the occurrence

of that important victory. It was on this occasion that the Hero of

Austerlitz gave a most valuable testimonial to the British Army, to

whom he referred as "bull-dogs who never knew when they were beaten,"

and soldiers with iron-like tenacity. JOSEPHINE subsequently died

of visions at Malmaison to the soothing sound of soft music kindly

supplied by a semi-concealed orchestra.

Punch, or the London Charivari, Volume 101, September 19, 1891 · 第 14 / 26 题