II

Nofre, anticipating some confidence, made a sign, and the harpist, the

two musicians, the dancers, and the maids silently withdrew one by one,

like the figures painted on frescoes. When the last had gone, the

favourite said to her mistress in a petting, sympathetic tone, like a

young mother soothing her child's tender grief,--

"What is the matter, dear mistress, that you are sad and unhappy? Are

you not young, so fair that the loveliest envy you, and free to do what

you please? And did not your father, the high-priest Petamounoph, whose

mummy rests concealed within a rich tomb,--did he not leave you great

wealth to do with as you please? Your palace is splendid, your gardens

vast and watered by transparent streams, your coffers of enamelled ware

and sycamore wood are filled with necklaces, pectorals, neck-plates,

anklets, finely wrought seal-rings. Your gowns, your calasiris, your

head-dresses are greater in number than the days of the year. Hopi, the

father of waters, regularly covers with his fertilising mud your

domains, which a vulture flying at top speed could scarce traverse from

sunrise to sunrise. And yet your heart, instead of opening joyously like

a lotus bud in the month of Hathor or of Choeak, closes and contracts

painfully."

The Romance of a Mummy and Egypt The Works of Theophile Gautier, Volume 5 · 第 14 / 41 题