XXII

He began to talk of music, of Liza, then again of music. He seemed,

somehow, to utter his words more slowly when he spoke of Liza. Lavretzky

turned the conversation on his compositions, and, half in jest, proposed

to write a libretto for him.

"H'm, a libretto!"--rejoined Lemm:--"no, that is beyond me: I have not

that animation, that play of fancy, which is indispensable for an opera;

I have already lost my powers.... But if I could still do something,--I

would be satisfied with a romance; of course, I should like some good

words...."

He relapsed into silence, and sat for a long time motionless, with his

eyes raised heavenward.

"For example," he said at last:--"something of this sort: 'Ye stars, O ye

pure stars'?"...

Lavretzky turned his face slightly toward him and began to stare at him.

"'Ye stars, ye pure stars,'"--repeated Lemm.... "'Ye gaze alike upon the

just and upon the guilty ... but only the innocent of heart,'--or

something of that sort ... 'understand you,' that is to say, no,--'love

you.' However, I am not a poet ... how should I be! But something in that

style, something lofty."

Lemm pushed his hat back on the nape of his neck; in the delicate gloom

of the light night, his face seemed whiter and more youthful.

"'And ye also,'"--he went on, with a voice which gradually grew

quieter:--"'ye know who loves, who knows how to love, for ye are pure,

ye, alone, can comfort.'... No, that's not right yet! I am not a

poet,"--he said:--"but something of that sort...."

"I regret that I am not a poet,"--remarked Lavretzky.

"Empty visions!" retorted Lemm, and huddled in the corner of the calash.

He closed his eyes, as though preparing to go to sleep.

Several moments elapsed.... Lavretzky listened.... "'Stars, pure stars,

love,'"--the old man was whispering.

"Love,"--Lavretzky repeated to himself, became thoughtful, and his soul

grew heavy within him.

"You have written some very beautiful music for 'Fridolin,' Christofor

Feodoritch,"--he said aloud:--"and what think you; did that Fridolin,

after the Count had led him to his wife, become her lover--hey?"

"That is what you think,"--returned Lemm: "because, probably,

experience...." He suddenly fell silent, and turned away in confusion.

Lavretzky laughed in a constrained way, turned away also, and began to

stare along the road.

The stars had already begun to pale, and the sky was grey, when the

calash rolled up to the porch of the little house at Vasilievskoe.

Lavretzky conducted his guest to the chamber which had been assigned to

him, returned to his study, and sat down by the window. In the park, a

nightingale was singing its last lay before the dawn. Lavretzky

remembered that a nightingale had been singing in the Kalitins' garden

also; he recalled, too, the tranquil movement of Liza's eyes when, at the

first sounds of it, they had turned toward the dark window. He began to

think of her, and his heart grew calm within him. "Pure little star,"--he

said to himself, in a low tone:--"pure stars,"--he added, with a smile,

and calmly lay down to sleep.

But Lemm sat, for a long time, on his bed, with a book of music-paper on

his knees. It seemed as though a strange, sweet melody were about to

visit him: he was already burning and growing agitated, he already felt

the lassitude and sweetness of its approach ... but it did not come.

"I am not a poet, and not a musician!"--he whispered at last....

And his weary head sank back heavily on the pillow.

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