XXI

In the course of a fortnight, Feodor Ivanitch brought Glafira

Petrovna's little house into order; cleaned up the yard, the garden;

comfortable furniture was brought to him from Lavriki, wine, books,

newspapers from the town; horses made their appearance in the stables; in

a word, Feodor Ivanitch provided himself with everything that was

necessary and began to live--not exactly like a country squire, nor yet

exactly like a recluse. His days passed monotonously, but he was not

bored, although he saw no one; he occupied himself diligently and

attentively with the farming operations, he rode about the neighbourhood

on horseback, he read. He read but little, however: it was more agreeable

for him to listen to the tales of old Anton. As a rule, Lavretzky would

seat himself with a pipe of tobacco and a cup of cold tea near the

window; Anton would stand near the door, with his hands clasped behind

him, and begin his leisurely stories of olden times,--of those fabulous

times--when the oats and barley were sold not by measures but by huge

sacks, at two or three kopeks the sack; when in all directions, even

close to the town, stretched impenetrable forests, untouched steppes.

"And now," wailed the old man, who was already over eighty years of

age:--"they have felled and ploughed up everything until there is no

place to drive through." Anton, also, related many things concerning his

mistress Glafira Petrovna: how sagacious and economical she had been;

how a certain gentleman, a youthful neighbour, had attempted to gain her

good-will, had taken to calling frequently,--and how she had been

pleased, for his benefit, even to don her cap with rose-purple ribbons,

and her yellow gown of tru-tru levantine; but how, later on, having flown

into a rage with her neighbour, on account of the unseemly question:

"What might your capital amount to, madam?" she had given orders that he

should not be admitted, and how she had then commanded, that everything,

down to the very smallest scrap, should be given to Feodor Ivanitch

after her death. And, in fact, Lavretzky found all his aunt's effects

intact, not excepting the festival cap, with the rose-purple ribbons, and

the gown of yellow tru-tru levantine. The ancient papers and curious

documents, which Lavretzky had counted upon, proved not to exist, with

the exception of one tattered little old book, in which his grandfather,

Piotr Andreitch, had jotted down, now--"Celebration in the city of

Saint Petersburg of the peace concluded with the Turkish Empire by his

Illustriousness Prince Alexander Alexandrovitch Prozorovsky"; now a

recipe for a decoction for the chest, with the comment: "This instruction

was given to Generaless Praskovya Feodorovna Saltykoff, by Feodor

Avksentievitch, Archpriest of the Church of the Life-giving Trinity";

again, some item of political news, like the following: "In the '_Moscow

News_,' it is announced that Premier-Major Mikhail Petrovitch

Kolytcheff has died. Was not he the son of Piotr Vasilievitch

Kolytcheff?" Lavretzky also found several ancient calendars and

dream-books, and the mystical works of Mr. Ambodik; many memories were

awakened in him by the long-forgotten but familiar "Symbols and Emblems."

In Glafira Petrovna's toilet-table Lavretzky found a small packet,

tied with black ribbon, and sealed with black wax, thrust into the

remotest recesses of the drawer. In the packet, face to face, lay a

pastel portrait of his father in his youth, with soft curls tumbling over

his brow, with long, languid eyes, and mouth half opened,--and the almost

effaced portrait of a pale woman in a white gown, with a white rose in

her hand,--his mother. Glafira Petrovna had never permitted her own

portrait to be made.--"Dear little father Feodor Ivanitch,"--Anton was

wont to say to Lavretzky:--"although I did not then have my residence in

the manor-house of the masters, yet I remember your great-grandfather,

Andrei Afanasievitch,--that I do; I was eighteen years of age when he

died. Once I met him in the garden,--my very hamstrings shook; but he did

nothing, only inquired my name,--and sent me to his chamber for a

pocket-handkerchief. He was a real gentleman, there's no gainsaying

that,--and he recognised no superior over him. For I must inform you,

that your great-grandfather had a wonderful amulet,--a monk from Mount

Athos gave him that amulet. And that monk said to him: 'I give thee this

for thine affability, Boyarin; wear it--and fear not fate.' Well, and of

course, dear little father, you know, what sort of times those were; what

the master took a notion to do, that he did. Once in a while, some one,

even one of the gentry, would take it into his head to thwart him; but no

sooner did he look at him, than he would say: 'You're sailing in shoal

water'--that was his favourite expression. And he lived, your

great-grandfather of blessed memory, in a tiny wooden mansion; but what

property he left behind him, what silver, and all sorts of supplies,--all

the cellars were filled to the brim! He was a master. That little carafe,

which you were pleased to praise,--belonged to him: he drank vodka from

it. And then your grandfather, Piotr Ivanitch, built himself a stone

mansion; but he acquired no property; with him everything went at sixes

and sevens; and he lived worse than his papa, and got no pleasure for

himself,--but wasted all the money, and there was none to pay for

requiems for his soul; he left not even a silver spoon behind him, so it

was lucky that Glafira Petrovna brought things into order."

"And is it true,"--Lavretzky interrupted him,--"that she was called an

ill-tempered old hag?"

"Why, surely, some did call her that!"--returned Anton, in displeasure.

* * * * *

"WELL, little father,"--the old man one day summoned the courage to

ask;--"and how about our young mistress; where is she pleased to have her

residence?"

"I have separated from my wife,"--said Lavretzky, with an effort:--"please

do not inquire about her."

"I obey, sir,"--replied the old man, sadly.

After the lapse of three weeks, Lavretzky rode into O * * * on

horseback, to the Kalitins', and passed the evening with them. Lemm was

there; Lavretzky conceived a great liking for him. Although, thanks to

his father, he did not play on any instrument, yet he was passionately

fond of music,--intelligent, classical music. Panshin was not at the

Kalitins' that evening. The Governor had sent him off somewhere, out of

town. Liza played alone, and with great precision; Lemm grew animated,

excited, rolled a piece of paper into a baton, and beat time. Marya

Dmitrievna laughed, at first, as she watched him, and then went off to

bed; as she said, Beethoven was too agitating for her nerves. At

midnight, Lavretzky escorted Lemm to his lodgings, and sat with him

until three o'clock in the morning. Lemm talked a great deal; his bent

shoulders straightened up, his eyes opened widely and sparkled; his very

hair stood upright above his brow. It was such a very long time since any

one had taken an interest in him, but Lavretzky evidently did take an

interest, and interrogated him solicitously and attentively. This touched

the old man; he ended by showing his visitor his music, he even played

and sang to him, with his ghost of a voice, several selections from his

compositions,--among others, the whole of Schiller's ballad "Fridolin,"

which he had set to music. Lavretzky lauded it, made him repeat portions

of it, and invited him to visit him for a few days. Lemm, who was

escorting him to the street, immediately accepted, and shook his hand

warmly; but when he was left alone, in the cool, damp air of the day

which was just beginning to dawn, he glanced around him, screwed up his

eyes, writhed, and went softly to his tiny chamber, like a guilty

creature: "Ich bin wohl nicht klug" (I'm not in my right mind),--he

muttered, as he lay down on his hard, short bed. He tried to assert that

he was ill when, a few days later, Lavretzky came for him in a calash;

but Feodor Ivanitch went to him, in his room, and persuaded him. The

circumstance which operated most powerfully of all on Lemm was, that

Lavretzky had ordered a piano to be sent to his country-house from the

town: a piano for his--Lemm's--use. Together they went to the Kalitins',

and spent the evening, but not so agreeably as on the former occasion.

Panshin was there, had a great deal to narrate about his journey, and

very amusingly mimicked and illustrated in action the country squires he

had seen; Lavretzky laughed, but Lemm did not emerge from his corner,

maintained silence, quietly quivered all over like a spider, looked glum

and dull, and grew animated only when Lavretzky began to take his leave.

Even when he was seated in the calash, the old man continued to be shy

and to fidget; but the quiet, warm air, the light breeze, the delicate

shadows, the perfume of the grass, of the birch buds, the peaceful gleam

of the starry, moonless heaven, the energetic hoof-beats and snorting of

the horses, all the charms of the road, of spring, of night,--descended

into the heart of the poor German, and he himself was the first to

address Lavretzky.

A Nobleman's Nest · 第 21 / 46 题