SECTION LXXI. _Seventh side_. Vanity. She is smiling complacently

as she looks into a mirror in her lap. Her robe is embroidered with

roses, and roses form her crown. Undecipherable.

There is some confusion in the expression of this vice, between pride in

the personal appearance and lightness of purpose. The word Vanitas

generally, I think, bears, in the mediaeval period, the sense given it

in Scripture. "Let not him that is deceived trust in Vanity, for Vanity

shall be his recompense." "Vanity of Vanities." "The Lord knoweth the

thoughts of the wise, that they are vain." It is difficult to find this

sin,--which, after Pride, is the most universal, perhaps the most fatal,

of all, fretting the whole depth of our humanity into storm "to waft a

feather or to drown a fly,"--definitely expressed in art. Even Spenser,

I think, has only partially expressed it under the figure of Phaedria,

more properly Idle Mirth, in the second book. The idea is, however,

entirely worked out in the Vanity Fair of the "Pilgrim's Progress."

Stones of Venice [introductions] · 第 43 / 90 章