SECTION XLII. Above these three sculptures are set, in the upper arcade,

the statues of the archangels Raphael, Michael, and Gabriel: their

positions will be understood by reference to the lowest figure in Plate

XVII., where that of Raphael above the Vine angle is seen on the right.

A diminutive figure of Tobit follows at his feet, and he bears in his

hand a scroll with this inscription:

EFICE Q

SOFRE

TUR AFA

EL REVE

RENDE

QUIETU

i.e. Effice (quseso?) fretum, Raphael reverende, quietum. [Footnote:

"Oh, venerable Raphael, make thou the gulf calm, we beseech thee." The

peculiar office of the angel Raphael is, in general, according to

tradition, the restraining the harmful influences of evil spirits. Sir

Charles Eastlake told me, that sometimes in this office he is

represented bearing the gall of the fish caught by Tobit; and reminded

me of the peculiar superstitions of the Venetians respecting the raising

of storms by fiends, as embodied in the well known tale of the Fisherman

and St. Mark's ring.] I could not decipher the inscription on the scroll

borne by the angel Michael; and the figure of Gabriel, which is by much

the most beautiful feature of the Renaissance portion of the palace, has

only in its hand the Annunciation lily.

Stones of Venice [introductions] · 第 15 / 90 章