SECTION XLI. The figures of Adam and Eve, sculptured on each side of the

Fig-tree angle, are more stiff than those of Noah and his sons, but are

better fitted for their architectural service; and the trunk of the

tree, with the angular body of the serpent writhed around it, is more

nobly treated as a terminal group of lines than that of the vine.

The Renaissance sculptor of the figures of the Judgment of Solomon has

very nearly copied the fig-tree from this angle, placing its trunk

between the executioner and the mother, who leans forward to stay his

hand. But, though the whole group is much more free in design than those

of the earlier palace, and in many ways excellent in itself, so that it

always strikes the eye of a careless observer more than the others, it

is of immeasurably inferior spirit in the workmanship; the leaves of the

tree, though far more studiously varied in flow than those of the

fig-tree from which they are partially copied, have none of its truth to

nature; they are ill set on the steins, bluntly defined on the edges,

and their curves are not those of growing leaves, but of wrinkled

drapery.

Stones of Venice [introductions] · 第 14 / 90 章