How I happen, for a temporary period, to be away from the home in

which I have hitherto lived with my nearest relatives, and to which I

hope soon to return, it is of no importance to the reader to know.

Neither is it at all worth while to occupy time and space with any

particular description of the illness from which I have been and am

still suffering. It will be enough for preliminary purposes, if I

present myself at once in the character of a convalescent visiting

Paris, with the double intention of passing agreeably an interval of

necessary absence from home, and of promoting, by change of air and

scene, my recovery from a distressing and a tedious illness. When I

add to this, that although I lived alone in my French bachelor

apartment, I had the good fortune at Paris, as afterwards in London,

to be in the near neighbourhood of the most kind, attentive, and

affectionate friends, I have said as much as is needful by way of

preface, and may get on at once to my main purpose.

What my impressions of my apartment in Paris might have been, if I had

recovered there according to my anticipations, I cannot venture to

say; for, before I had got fairly settled in my new rooms, I suffered

a sudden relapse. My life, again, became the life of an invalid, and

my ways of thought and observation turned back disastrously to the old

invalid channel. Change of air and scene--which had done nothing for

my body--did nothing either for my mind. At Paris, as before in

London, I looked at the world about me, purely from the sick man's

point of view--or, in other words, the events that passed, the sights

that appeared, and the persons who moved around me, interested or

repelled me only as they referred more or less directly to myself and

my own invalid situation. This curious narrowness of view, of which I

am not yet well enough entirely to rid myself, though as conscious as

another of the mental weakness that it implies, has no connection that

I can discover with excessive selfishness or vanity; it is simply the

result of the inevitable increase of a man's importance to himself

which the very fact of sickness is only too apt to produce.

My own sensations, as a sick man, now fill up the weary blank of my

daily existence when I am alone, and form the main topic of inquiry

and conversation when my doctor and my friends enliven my solitude.

The concerns of my own poor body, which do not, I thank heaven, occupy

my attention for much more than one hour out of the twenty-four, when

I am well, become the main business and responsibility of all my

waking moments, now that I am ill. Pain to suffer, and the swallowing

of drugs and taking of nourishment at regulated periods; daily

restraints that I must undergo, and hourly precautions that I am

forced to practise, all contribute to keep my mind bound down to the

level of my body. A flight of thought beyond myself and the weary

present time--even supposing I were capable of the exertion--would

lead me astray from the small personal rules and regulations on which

I now depend absolutely for the recovery of my health.

Have my temper and disposition changed for the worse, under these

unfavourable circumstances? Not much, I hope. I can honestly say for

myself that I envy no other man's health and happiness. I feel no

jealous pang when I hear laughter about me. I can look at people out

of my window, running easily across the road, while I can hardly crawl

from one end of my chamber to the other, without feeling insulted by

their activity. Still, it is true, at the same time, that I warm to

people now exactly in proportion as I see them sensibly and sincerely

touched by my suffering condition; and that I like, or dislike, my

habitation for the time being, just as it happens to suit, or not to

suit, all the little requirements of my temporary infirmity. If I were

introduced to one of the most eminent men in the country at this

moment, and if he did not look sorry to see me ill, I should never

care to set eyes on the eminent man again. If I had a superb room with

the finest view in the world, but no bed-side conveniences for my

pill-boxes and medicine-bottles, I would leave that superb room and

fine view, and go cheerfully to a garret in an alley, provided it

adapted itself comfortably to the arrangement of my indispensable

invalid's lumber. This is doubtless a humiliating confession; but it

is well that I should make it once for all--for, the various opinions

and impressions which I am about frankly to write down, will be found

to be more or less coloured by what I venture to describe as the

involuntary egotism of a sick man.

Let us see how my new lodging in Paris suits me; and why it is that I

immediately become fond of it.

I live in a little building of my own, called a Pavilion. Outside, it

resembles, as to size, brightness, and apparent insubstantiality, a

private dwelling-house in a Pantomime. I expect as I drive up to it,

for the first time, to see Clown grinning at the door, and Harlequin

jumping through the window. A key is produced, and an odd little white

door, through which no fat man could penetrate even sideways, is

opened; I ascend a steep flight of a dozen steps, and enter my

toy-castle: my own independent, solitary, miniature mansion.

The first room is the drawing-room. It is about the size of a large

packing-case, with a gay looking-glass and clock, with bright red

chairs and sofa, with a cosy round table, with a big window looking

out on another Pavilion opposite, and on a great house set back in a

courtyard. To my indescribable astonishment, it actually possesses

three doors! One I have just entered by. Another leads into a

bed-chamber of the same size as the drawing-room, just as brightly and

neatly furnished, with a window that looks out on the everlasting

gaiety and bustle of the Champs Elysées. The third door leads into a

dressing-room half the size of the drawing-room, and having a fourth

door which opens into a kitchen half the size of the dressing-room,

but of course possessing a fifth door which leads out again to the

head of the staircase. As no two people meeting in the kitchen could

possibly pass each other, or remain in the apartment together without

serious inconvenience, the two doors leading in and out of it may be

pronounced useful as well as ornamental. Into this quaint little

culinary crevice the coal-merchant, the wood-merchant, and the

water-carrier squeeze their way, and find a doll's cellar and cistern

all ready for them. They might be followed, if I were only well enough

to give dinners, by a cook and his scullions--for I possess, besides

the cellar and cistern, an elaborate charcoal stove in the kitchen, at

which any number of courses might be prepared by any culinary artist,

who could cook composedly with a row of small fires under his nose, a

coal-cellar between his legs, a cistern scrubbing his shoulder, and a

lukewarm wall against his back.

But what is the main secret of my fondness for the Pavilion? It does

not, I am afraid, lie in the brightness and elegance of the little

rooms, or even in the delightful independence of inhabiting a lodging,

which is also a house of my own, where I can neither be disturbed nor

overlooked by any other lodgers. The one irresistible appeal which my

Parisian apartment makes to my sympathies, consists in the perfect

manner in which it fits my wants and flatters my weaknesses as an

invalid.

I have quite a little druggist's stock-in-trade of physic-bottles,

glasses, spoons, card-boxes and prescriptions; I have all sorts of

queer vestments and coverings, intended to guarantee me against all

variations of temperature and all degrees of exposure, by night as

well as by day; I have ready remedies that must be kept in my

bed-chamber, and elaborate applications that I must find handy in my

dressing-room. In short, I myself am nothing but the centre of a vast

medical litter, and the closer the said litter revolves round me the

more comfortable I am. In a house of the usual size, and in rooms

arranged on the ordinary plan, I should be driven distracted (being an

untidy man even in my healthiest moments) by mislaying things every

hour in the day, by having to get up to look for them, and by being

compelled to walk up and down stairs, or to make others do so for me,

when I want to establish communications between dressing-room,

bed-room, drawing-room, coal-cellar, and kitchen. In my tiny Parisian

house of one small storey, I can wait on myself with the most perfect

ease; in my wee sitting-room, nine-tenths of the things I want are

within arm's length of me, as I repose in my elbow-chair; if I must

move I can get from my bed-chamber to my kitchen in less time than it

would take me to walk across an English drawing-room; if I lose my

morning draught, mislay my noontide drops, or leave my evening

pill-box under my afternoon dressing-gown, I can take my walking-stick

or my fire-tongs, and poke or fish for missing articles in every

corner of the room, without doing more than turning round in my chair.

If I had been well and had given dinner parties, I might have found my

habitation rather too small for me. As it is, if my Pavilion had been

built on purpose for a solitary lodger to fall ill in with the least

possible amount of personal discomfort, it could not have suited my

sad case better. Sick, I love and honour the skilful architect who

contrived it. Well, I am very much afraid I should never have bestowed

so much as a single thought on him.

Why do I become, in one cordial quarter of an hour, friendly,

familiar, and even affectionate with my portress? Because it is part

of my unhealthy condition of body and mind, that I like nothing so

well as being pitied; and my portress sweetens my daily existence with

so much compassion that she does me more good, I think, than my doctor

or my drugs.

Let me try to describe her. She is a thin, rapid, cheerful little

woman, with a tiny face and bright brown eyes. She has a husband

(Hippolyte-senior) and a son (Hippolyte-junior), and a lodge of one

room to live in with her family. She has not been in bed, for years

past, before two or three in the morning; for my Pavilion and the

second Pavilion opposite and the large house behind, are all shut in

from the roadway by handsome iron gates, which it is the business of

somebody in the porter's lodge to open (by pulling a string

communicating with the latch) at all hours of the night to

homeward-bound lodgers. The large house has so many tenants that some

one is always out at a party or a theatre--so the keeping of late

hours becomes a necessary part of the service in the lodge, and the

poor little portress is the victim who suffers as perpetual

night-watch. Hippolyte-senior absorbs his fair share of work in the

day, and takes the early-rising department cheerfully, but he does not

possess the gift of keeping awake at night. By eleven o'clock (such is

sometimes the weakness even of the most amiable human nature) it is

necessary that Hippolyte-senior should be stretched on his back on the

nuptial bedstead, snoring impervious to all sounds and all in-comers.

Hippolyte-junior, or the son, is too young to be trusted with the

supervision of the gate-string. He sleeps, sound as his father, with a

half-developed snore and a coiled-up body, in a crib at the foot of

the parental bed. On the other side of the room, hard by the lodgers'

keys and candlesticks, with a big stove behind her and a gaslight

before her eyes, sits the faithful little portress, watching out the

weary hours as wakefully as she can. She trusts entirely to strong

coffee and the near flare of the gaslight to combat the natural

sleepiness which follows a hard day's work begun at eight o'clock

every morning. The coffee and the gas deserve, to a certain extent,

the confidence she places in them. They keep her bright brown eyes

wide open, staring with unwinking pertinacity at the light before

them. They keep her back very straight against her chair, and her arms

crossed tightly over her bosom, and her feet set firmly on her

footstool. But though they stop sleep from shutting her eyes or

relaxing her limbs, they cannot prevent some few latent Morphian

influences from stealthily reaching her. Open as her eyes may be, the

little woman nevertheless does start guiltily when the ring at the

bell comes at last; does stare fixedly for a moment before she can get

up; has to fight resolutely with something drowsy and clinging in the

shape of a trance, before she can fly to the latch-string, and hang on

to it wearily, instead of pulling at it with the proper wakeful jerk.

Night after night she has now drunk the strong coffee, and propped

herself up stiffly in her straight chair, and stared hard at the

flaring gaslight, for nearly seven years past. Some people would have

lost their tempers and their spirits under these hard circumstances;

but the cheerful little portress has only lost flesh. In a dark corner

of the room hangs a daguerreotype likeness. It represents a buxom

woman, with round cheeks and a sturdy waist, and dates from the period

when she was the bride of Hippolyte-senior, and was thinking of

following him into the Porter's Lodge. "Ah! my dear sir," she says

when I condole with her, "if we do get a little money sometimes in our

way of life, we don't earn it too easily. Aïe! Aïe! Aïe! I should like

a good sleep: I should like to be as fat as my portrait again!"

The same friendly relations--arising entirely, let it always be

remembered, out of my illness and the portress's compassion for

me--which have let me into the secrets of the strong coffee, the

daguerreotype portrait, and the sleepy constitution of Hippolyte-senior,

also enable me to ascertain, by special invitation, how the

inhabitants of the lodge dispose of some of the hardly-earned profits

of their situation.

I find myself suffering rather painfully, one morning, under some

aggravated symptoms of my illness, and my friend the portress comes

into the Pavilion to talk to me and keep up my spirits. She has had an

hour's extra sleep, for a wonder, and is in a chirping state of

cheerfulness in consequence. She shudders and makes faces at my

physic-bottles; entreats me to throw them away, to let her put me to

bed, and administer A Light Tea to begin with, and A Broth to follow

(un Thé léger et un Bouillon). If I will only stick to these remedies,

she will have them ready, if necessary, every hour in the day, and

will guarantee my immediate restoration to health and strength. While

we are arguing the question of the uselessness of drugs and the

remedial excellence of tea and broth, Hippolyte-senior, with a look of

mysterious triumph, which immediately communicates itself to the face

of his wife, enters the room to tell her that she is wanted below in

the lodge. She goes to his side and takes his arm, as if he was a

strange gentleman waiting to lead her down to dinner, nods to him

confidentially, then glances at me. Her husband follows her example,

and the two stand quite unconfusedly, arm-in-arm, smiling upon me and

my physic-bottles, as if they were a pair of lovers and I was the

venerable parent whose permission and blessing they were waiting to

receive.

"Have you been getting a new doctor for me?" I ask, excessively

puzzled by their evident desire to connect me with some secret in the

lodge.

"No," says the portress, "I believe in no doctors. I believe in

nothing but a light tea and a broth."

("My sentiments also!" adds her husband, parenthetically.)

"But we have something to show you in the lodge," continues the

portress.

(Hippolyte-senior arches his eyebrows, and says "Aha!")

"And when you feel better," proceeds my cheerful little friend, "only

have the politeness to come down to us, and you will see a marvellous

sight!"

Hippolyte-senior depresses his eyebrows, and says "Hush!"

"Enough," replies the portress, understanding him; "let us retire."

And they leave the room immediately, still arm-in-arm--the fondest and

most mysterious married couple that I have ever set eyes on.

That day, I do not feel quite strong enough to encounter great

surprises; so my visit to the lodge is deferred until the next

morning. Rather to my amazement, the portress does not pay me her

usual visit at my waking, on the eventful day. I descend to the lodge,

wondering what this change means, and see three or four strangers

assembled in the room which is bed-chamber, parlour, and porter's

office, all in one. The strangers, I find, are admiring friends: they

surround Hippolyte-senior, and all look one way with an expression of

intense pleasure and surprise. My eyes follow the direction of theirs;

and I see, above the shabby little lodge table, a resplendent new

looking-glass in the brightest of frames. On either side of it, rise

two blush-coloured wax tapers. Below it are three ornamental pots with

blooming rose-trees in them, backed by a fanlike screen of fair white

paper. This is the surprise that was in store for me; and this is also

the security in which the inhabitants of the lodge have invested their

last hard-earned savings. The whole thing has the effect upon my mind

of an amateur High Altar; and I admire the new purchase accordingly

with such serious energy of expression, that Hippolyte-senior, in the

first sweetness of triumph, forgets the modesty proper to his position

as proprietor of the new treasure, and apostrophises his own property

as Magnifique, with a power of voice and an energy of gesticulation

which I have never noticed in him before. When his enthusiasm has

abated, and just as I am on the point of asking where my friend the

portress is, I hear a faint little voice speaking behind the group of

admiring friends:

"Perhaps, Messieurs et Mesdames, you think this an extravagance for

people in our situation," says the voice, in feebly polite tones of

apology; "but, alas! how could we resist it? It is so beautiful--it

brightens the room so--it gives us such a noble appearance. And, then,

it is also a property--something to leave to our children--in short, a

pardonable extravagance. Aïe! I am shaking all over again; I can say

no more!"

While these words are in course of utterance, the group of friends

separate, and I see sitting behind them, close to the big stove, the

little portress, looking sadly changed for the worse. Her tiny face

has become very yellow; her bright brown eyes look disproportionately

large; she has an old shawl twisted round her shoulders and shivers in

it perpetually. I ask what is the matter, imagining that the poor

little woman has got a fit of the ague. The portress contrives to

smile as usual before she answers, though her teeth are chattering

audibly.

"You will not give me drugs, if I tell you?" she says.

"I will do nothing that is not perfectly agreeable to you," I reply

evasively.

"My complaint is a violent indigestion (une forte indigestion),"

continues the portress, indicatively laying one trembling fore-finger

on the region of her malady. "And I am curing myself with a Light

Tea."

Here the fore-finger changes its direction and points to a large white

earthenware teapot, with an empty mug by the side of it. To save the

portress the trouble of replenishing her drinking vessel, I pour out a

dose of the Light Tea. It is a liquid of a faint straw colour, totally

unlike any English tea that ever was made; and it tastes as a quart of

hot water might taste after a wisp of hay had been dipped into it. The

portress swallows three mugsful of her medicine in my presence,

smiling and shivering; looking rapturously at the magnificent new

mirror with its attendant flower-pots and tapers; and rejecting with

grimaces of comic disgust, all overtures of medical help on my part,

even to the modest offering of one small pill. An hour or two later, I

descend to the lodge again to see how she is. She has been persuaded

to go to bed; is receiving, in bed, a levée of friends; is answering,

in the same interesting situation, the questions of all the visitors

of the day, relating to all the lodgers in the house; has begun a

fresh potful of the light tea; is still smiling; still shivering;

still contemptuously sceptical on the subject of drugs.

In the evening I go down again. The teapot is not done with yet, and

the hay-flavoured hot water is still pouring inexhaustibly into the

system of the little portress. She happens now to be issuing

directions relative to the keeping awake of Hippolyte-senior, who, for

this night at least, must watch by the gate-string. He is to have a

pint of strong coffee and a pipe; he is to have the gas turned on very

strong; and he is to be excited by the presence of a brisk and wakeful

friend. The next morning, just as I am thinking of making inquiries at

the lodge, who should enter my room but the dyspeptic patient herself,

cured, and ready to digest anything but a doctor's advice or a small

pill. Hippolyte-senior, I hear, has not fallen asleep over the

gate-string for more than half-an-hour every now and then; and the

portress has had a long night's rest. She does not consider this

unusual occurrence as reckoning in any degree among the agencies which

have accomplished her rapid recovery. It is the light tea alone that

has done it; and, if I still doubt the inestimable virtues of the hot

hay-water cure, then of all the prejudiced gentlemen the portress has

ever heard of, I am the most deplorably obstinate in opening my arms

to error and shutting my eyes to truth.

Such is the little domestic world about me, in some of the more vivid

lights in which it presents itself to my own peculiar view.

As for the great Parisian world outside, my experience of it is

bounded by the prospect I obtain of the Champs Elysées from my

bed-room window. Fashionable Paris spins and prances by me every

afternoon, in all its glory; but what interest have healthy princes

and counts and blood-horses, and blooming ladies, plunged in abysses

of circumambient crinoline, for me, in my sick situation? They all fly

by me in one confused phantasmagoria of gay colours and rushing forms,

which I look at with lazy eyes. The sights I watch with interest are

those only which seem to refer in some degree to my own invalid

position. My sick man's involuntary egotism clings as close to me

when I look outward at the great highway, as when I look inward at my

own little room. Thus, the only objects which I now notice attentively

from my window, are, oddly enough, chiefly those which I should have

missed altogether, or looked at with indifference if I had occupied my

bachelor apartment in the enviable character of a healthy man.

For example, out of the various vehicles which pass me by dozens in

the morning, and by hundreds in the afternoon, only two succeed in

making anything like a lasting impression on my mind. I have only

vague ideas of dust, dashing, and magnificence in connection with the

rapid carriages late in the day--and of bells and hollow yelping of

carters' voices in connection with the deliberate waggons early in the

morning. But I have, on the other hand, a very distinct remembrance of

one sober brown omnibus, belonging to a Sanitary Asylum, and of a

queer little truck which carries baths and hot water to private

houses, from a bathing establishment near me. The omnibus, as it

passes my window at a solemn jog-trot, is full of patients getting

their airing. I can see them dimly, and I fall into curious fancies

about their various cases, and wonder what proportion of the afflicted

passengers are near the time of emancipation from their sanitary

prison on wheels. As for the little truck, with its empty zinc bath

and barrel of warm water, I am probably wrong in sympathetically

associating it as frequently as I do with cases of illness. It is

doubtless often sent for by healthy people, too luxurious in their

habits to walk abroad for a bath. But there must be a proportion of

cases of illness to which the truck ministers; and when I see it going

faster than usual, I assume that it must be wanted by some person in a

fit; grow suddenly agitated by the idea; and watch the empty bath and

the hot-water barrel with breathless interest, until they rumble away

together out of sight.

So, again, with regard to the men and women who pass my window by

thousands every day; my view of them is just as curiously

circumscribed as my view of the vehicles. Out of all the crowd, I now

find, on taxing my memory, that I have noticed particularly just three

people (a woman and two men), who have chanced to appeal to my invalid

curiosity.

My Miscellanies, Vol. 1 (of 2) · 第 5 / 16 段