The emperor’s daughters never succeed to the throne. They are usually

married to Tartar princes, and mandarins of high rank, who always

consider such an alliance a mark of distinction. The great men of the

Celestial Empire keep their women most carefully concealed from all

eyes but their own. If there is occasion to remove them from one place

of residence to another, they are conveyed in close carriages, with

gauze drawn over the small windows, and a eunuch to guard them on each

side. On state occasions, they are sometimes admitted to the theatre,

where they are concealed behind a screen of close lattice-work. The

scenes represented on the Chinese stage are said to be so indecent

and disgusting, that European spectators are absolutely driven away.

They have no actresses. Female characters are performed by beardless

young men, in the costume of women. The ladies amuse themselves with

embroidery, music, dancing, puppet-shows, and painting birds, flowers,

and insects, on rice-paper, or thin gauze. Some of the emperors,

willing to gratify the curiosity of their wives, built within the parks

of their palaces miniature towns, to represent, on a small scale,

the most remarkable objects in Pekin. The gardens belonging to the

imperial palaces are exceedingly picturesque and beautiful. Here the

princes spend many tranquil hours, while their wives play on musical

instruments, and their children frolic around them.

Chinese education consists principally in learning certain ceremonials

of behavior; such as what kind of salutation to make to a superior,

what to an inferior, how to give a present, and how to receive one.

When an emperor dies, his widows cannot marry again. They are removed

to a palace peculiarly appropriated to their use, and never again

allowed to leave it. It was formerly customary to immolate a number of

slaves on the grave of an emperor, or prince; but this has given place

to the harmless custom of burning images of tinfoil, cut in the human

form.

A bridegroom knows nothing of the character or person of his intended

wife, except what he gathers from the report of some female relative,

or confidant, who undertakes to arrange the marriage, and determine

the sum that shall be paid for the bride. Very severe laws are made

to prevent deception and fraud in these transactions. On the day

appointed for the wedding, the damsel is placed in a close palanquin,

the key of which is sent to the bridegroom, by the hands of some trusty

domestic. Her relations and friends, accompanied by squalling music,

escort her to his house; at the gate of which he stands in full dress,

ready to receive her. He eagerly opens the palanquin and examines his

bargain. If he is pleased, she enters his dwelling, and the marriage

is celebrated with feasting and rejoicing; the men and women being all

the time in separate apartments. If the bridegroom is dissatisfied, he

shuts the palanquin, and sends the woman back to her relations; but

when this happens, he must pay another sum of money equal to the price

he first gave for her. A woman who unites beauty with accomplishments

brings from four to seven hundred louis d’ors; some sell for less than

one hundred. The apartments of the women are separated from those of

the men by a wall, at which a guard is stationed. The wife is never

allowed to eat with her husband; she cannot quit her apartments without

permission; and he does not enter hers without first asking leave.

Brothers are entirely separated from their sisters at the age of nine

or ten years.

Divorces are allowed in cases of criminality, mutual dislike, jealousy,

incompatibility of temper, or too much loquacity on the part of the

wife.

The Chinese character is grave, ceremonious, and taciturn. It is said

that women are in the habit of answering concisely, and seldom speak

unless spoken to; nevertheless the Chinese proverb declares, “What

women have lost in their feet they have gained in their tongues.” If

female loquacity be a ground for divorce, it may render the marriage

contract very precarious, even in China. A husband can neither put

away his wife, nor sell her, until a divorce is legally obtained. If

she leaves him, he may immediately commence an action at law, by the

sentence of which she becomes his slave, and he is at liberty to sell

her to whom he pleases. If he leaves her for three years, she may, by

permission of the mandarins, marry again; but if she were to anticipate

their consent, she would be liable to very severe punishment.

A husband has always a right to sell an unfaithful wife for a slave.

Women do not inherit property, but it may be left to them by will.

Next to submission, industry is inculcated as the greatest of female

virtues. The following are extracts from a Chinese ballad: “Employment

is the guardian of female innocence; do not allow women time to be

idle; let them be the first dressed, and the last undressed, all the

year round.”

“No in-door household work is repugnant to a modest and sensible woman.

The shuttle and the needle are only the occupation of her leisure; the

neatness of her house is the work of her cares; and it is her glory

either to nurse the sick, or prepare a repast.”

“The pearls and precious stones, the silk and gold with which a

coquette so studiously bedecks herself, are a transparent varnish which

makes all her defects the more apparent.”

It seems difficult to imagine such a thing as coquetry, where there are

no opportunities for display. However, the Chinese must be more stupid

than women in general, if they are beautiful and cannot contrive some

means to let the world know it. Travellers say they have sometimes seen

pretty Chinese girls sitting smoking pipes at the doors, but that they

always ran away at their approach. Perhaps when they see a young man of

their own nation and rank, they take time to knock the ashes from their

pipes before they run.

Most of the houses in cities have terrace roofs, on which flowers

and shrubs are planted; and these form a favorite promenade for the

ladies. The Chinese being a sedentary people, their florists, fruit

dealers, &c. are obliged to walk about the streets crying their goods;

mantuamakers, carrying a basket with the implements of their trade,

march round in search of customers, which are not very numerous in a

land where the fashions never change; fortune-tellers, mountebanks,

and jugglers, squeaking on a wretched flute, likewise go from house to

house, and are beckoned to call where their services are required.

The wealthy make great rejoicings at the birth of a child, particularly

if it be a son. They boil great quantities of eggs hard, prepare rice

after a peculiar fashion, and send these, with dainties of various

kinds, to their relatives and friends. On the third day the child is

washed, and new feasts are given. Hundreds of eggs, called _third-day

eggs_, are roasted and painted all manner of colors. Relations and

friends in their turn present the same kind of eggs, with all sorts of

pastry and sweetmeats.

The oldest Chinese writers attribute the first invention of spinning

to the wife of their emperor Yao, and the discovery of silk to one of

the wives of their emperor Hoang-Ti. From that time, the empresses have

been in the habit of breeding, rearing, and feeding silkworms, reeling

the cocoons, and working the silk. Until the last dynasty, there was a

mulberry grove in the gardens of the palace. Every year, the empress,

accompanied by the queens and the other principal ladies of the court,

went to this grove with great solemnity and gathered leaves from the

branches, which her attendants lowered within her reach. The finest

pieces of silk, which were made under her own inspection, and at

which she often worked, were destined for the ceremony of the great

sacrifice to Chang-Ti.

In the silk establishments the care of the insects is intrusted to an

intelligent woman called _Tsam-Mou_, or _Mother of the Worms_. She is

not allowed to perform the duties of her office, unless she has just

bathed, and put on perfectly clean clothes. She must not have eaten

recently, or touched wild endive, the smell of which is considered

injurious to the young worms. She wears thin light robes, that she may

be able to judge of the heat of the room; for the Chinese do not use

thermometers in these establishments. The indifference with which the

silk reelers plunge their hands into boiling water, in order to recover

the cocoon when the thread breaks, is truly astonishing. Bowls of cold

water are kept near, to soothe the pain. The skin on the hands of these

women becomes very thick and tough.

When the Chinese women are engaged in embroidery, or any other

sedentary employment, they are usually seated on large china jars

instead of chairs. Their mirrors are of highly polished copper, which

they prefer to glass.

It is said that the leaves of the best kind of tea are rolled

separately by the fingers of a woman appointed to the business. Females

of the lower classes endure as much labor and fatigue as the men. A

wife sometimes drags the plough in rice fields with an infant tied upon

her back, while her husband performs the less arduous task of holding

the plough.

No Chinese female is allowed to leave the celestial empire, nor is any

foreign woman permitted to pass the frontiers. A European woman, who

once endeavored to enter Pekin in disguise, was discovered, and came

very near losing her life. In two or three instances Chinese women have

escaped secretly, and been exhibited as great curiosities in Europe and

America; but their punishment would be very severe, should they again

come under the laws of China. These strict regulations are doubtless

made to prevent the introduction of new fashions, and democratic

ideas, to disturb the dead calm that prevails in a country where the

individuals of each class are entirely subservient to the one above

it, and where women of all classes are allowed a very small share of

personal freedom.

The custom of exposing infants, principally daughters, prevails in

China, as well as in some parts of Hindostan. Every morning five carts

drawn by buffaloes traverse the streets of Pekin to pick up babes, whom

parents are either unable or unwilling to support, as well as those

whose lifeless bodies are thus exposed to avoid the great expenses

attending burial. The dead infants are conveyed to a public cemetery,

and the living are placed in a charitable asylum. As the streets of

Chinese cities swarm with hungry dogs and swine, the fate of these poor

innocents is sometimes horrible. Catholic and Mohammedan missionaries

station themselves at the gate of the cemetery, to save such as appear

to have any remains of life. Sailors and fishermen often put their

new-born infants into gourds and toss them into the water, where

they perish, unless some kind hand is stretched forth to save them.

The children thus cruelly exposed are usually girls, because they are

less likely to be profitable to poor parents than boys, and it is more

difficult to bring them up.

It is supposed that as many as twenty or thirty thousand infants are

annually exposed in the Chinese empire. These scenes principally occur

in cities, and are more frequent in seasons of scarcity.

The Chinese celebrate the commencement of the year with great

festivities. The tribunals and shops are closed, the posts stopped,

and all business, public and private, suspended; presents are given,

children formally pay respects to their parents; mandarins do the same

to their superior officers, and servants to their masters. This is

called “taking leave of the old year.” In the evening, all the family

partake of a great feast, to which no stranger is admitted; but the

next day they are more social, and spend the whole time in feasting and

amusements. The celebration is concluded by brilliant illuminations in

the evening.

Chinese children are not allowed to make the remotest allusion to the

infirmities of old age, in the presence of their father or mother. If

their father be in mourning for any relative, they must abstain from

playing on instruments; and they must give up music, all kinds of

entertainments, and even bright-colored dresses, if their father or

mother is ill.

White is the mourning color among the Chinese. A son cannot wear it

while his parents are alive, but he can wear no other for three years

after their death; and even after this period of mourning is ended, his

garments must ever be of one color.

The emperor Kien-Long having fallen in love with a beautiful young girl

at Sanchou-Fou, his empress hung herself. One of her sons was very

much embarrassed to know what course to pursue. To go into mourning

might seem like an insult to his father; and to omit it would be

disrespectful to the memory of his mother. By the advice of his tutor,

he appeared with a full dress over a suit of mourning. This enraged the

emperor so much, that he gave his son a violent kick, which occasioned

his death a few days after.

Every morning, at daybreak, a Chinese son is required to present his

father and mother with water to wash their hands, and stand ready to

perform any trifling services they may require. Filial obedience is

carried to such an extreme, that a son is bound to divorce his wife

if she be displeasing to his parents. Even the emperor himself is not

exonerated from these obligations. When the mother of Kien-Long died,

all the mandarins were ordered to go into mourning for seventeen days,

and to abstain from all amusements. No person of any rank was allowed

to shave for the space of one hundred days, or to partake of any

entertainment. For one month, people were not permitted to marry; and

in the most crowded streets all classes refrained from speaking, except

in whispers. The will of that princess is a curious document:

“Though unworthy, high Heaven has bestowed upon me its choicest favors.

I received from the blessed ancestors of my husband the most valuable

of all gifts, when I brought into the world a son destined to succeed

him. The emperor, always full of tenderness and respect for his mother,

has omitted nothing that lay in his power to render my life happy. He

never failed to come every morning and evening either to salute me,

or to see me eat. He was constantly contriving means to gratify my

heart. He danced in my presence, recited the poems he composed, showed

me paintings which no hand but his own had touched, and decorated my

apartments with them himself. All these attentions penetrated to the

bottom of my soul. I forgot my age, and my old frame was filled with

new vigor.”

At the close of the long and magnificent procession which followed this

empress to her grave, were pages bearing her mirrors, boxes, jewels,

fans, &c.; and last of all the walking stick on which she had leaned in

her old age, was carried along with peculiar veneration.

The Chinese books are full of anecdotes of filial piety. “The mother of

Ouang-Ouei-Yuen had ever expressed great apprehensions of thunder, and

when she saw it approaching always requested her son not to leave her.

After her death, whenever he heard a storm coming on, he hastened to

his mother’s grave, and said softly, ‘I am here, mother.’”

Another story is told of a young woman whose mother-in-law, being

without teeth, could not take food without great exertion. Her dutiful

step-daughter nursed her several years from her own breast often rising

in the night to afford her nourishment.

In the month of April, the Chinese visit the tombs of their parents,

however distant, to pluck up the weeds, repeat certain ceremonies,

and deposit wine and provisions. When the Tartars invaded China, they

availed themselves of the filial piety of the people, and marched

against them with their captive mothers ranged in front of the troops.

In some cases, where this experiment was tried, the women fell by

their own hands, calling out to their sons to revenge the death of

those who would not consent to be an obstacle in the way of their

courage. At this trying period the Chinese women, disguised as men,

labored with the utmost zeal, carrying wood, stones, &c. to rebuild the

fortifications.

A widow of any considerable rank seldom marries again. Those of high

station esteem it a sacred duty to show this mark of veneration for the

memory of a husband, even if they have been but a few days married, or

even if the marriage contract had been settled at the time of his death.

The poorer classes of widows are often sold for the benefit of their

deceased husband’s relations, who are desirous of regaining the money

originally paid for them. The arrangement is often made without their

knowledge, and in spite of their resistance. As soon as the bargain

is concluded; the new proprietor sends a palanquin well guarded, and

the widow is locked up in it, and sent to his house. If avaricious

relatives force a woman to this step before the customary period

of mourning expires, she can obtain redress by application to the

mandarins. A widow who is averse to a second marriage, and has no one

on whom she can rely to repay the original price, may avoid it by

becoming a _bonze_ or _nun_. Of these there are two orders in China.

One have their heads shaved, and covered with a black cap, wear dark

robes, and live together in communities, like convents; the other class

dress more elegantly, and are not confined to any particular place of

abode. The female bonzes are not as numerous, or so much respected, as

formerly. In 1787, one of them, who pretended to perform miracles, and

predict future events, gained such unbounded influence over the minds

of women of rank and wealth, that her vanity and ostentation became

excessive. She received homage on a kind of throne, and ventured to

wear the light yellow robes appropriated to the imperial family. Until

this period, Chinese women had been allowed to visit temples served by

these priestesses; but the enraged emperor, having put the ambitious

bonze to death, forthwith issued the following decree: “All persons

of the female sex, of whatever quality and condition, are forbidden

upon any pretext whatsoever to enter a temple, or to quit their houses

except in cases of absolute necessity. Fathers, husbands, brothers,

sons, or relatives, are commanded to keep them at home, upon pain of

being themselves severely punished. After this prohibition, any woman

who shall enter a temple shall be apprehended and imprisoned, till

some one shall appear to claim her, and to undergo the punishment due

to his negligence.”

By the despotic laws of China a man not only suffers for his own

crimes, but it is often ordained that his wife, all his mistresses, his

children, and his near relations, shall be put to death, or sold into

slavery. Suicide is said to be more common with both sexes in China,

than in any part of the world.

The habits of this singular people are very uncleanly. They seldom wash

their garments, and do not, like most Asiatics, bathe frequently. It is

said that the bandages round the women’s little feet sometimes drop to

pieces without ever having been changed.

Great numbers of people live continually in boats on the water. The

children are tied to the raft with ropes, so that they can run about;

and sometimes their mothers fasten an empty gourd about their necks, to

keep them above water, in case they fall overboard. Many persons born

in these floating dwellings never quit them till they die.

Some of the Chinese customs are much despised by their Tartar

conquerors. The Tartar women, instead of cramping their feet, add to

their natural length by shoes with a long curved toe. The Chinese, in

derision, call them Tartar junks, from the resemblance they bear to

those vessels. These women have a frank confident look, and appear

freely in the streets, either walking, riding on horseback after the

fashion of men, or carried by two bearers on a little open carriage

supported by one wheel. Like the Chinese women, they cover their faces

with paint, but have naturally a more delicate complexion. They are in

general well formed. A small waist is regarded by them as a peculiar

characteristic of beauty. Their hair is turned up all round, tied on

the top of the head, after the Chinese fashion, and almost always

adorned with flowers. The constant habit of smoking and chewing betel

makes their teeth yellow.

At the new and full moon Tartar women sacrifice to a household god,

called the Spirit of the Door. Two lighted tapers are placed on a small

altar, and leaves of gold and silver paper are burned in a pan of

perfumes. This is done with the idea of warding off certain malignant

influences, which might bring disasters on the dwelling.

Many of the conquerors, who did not bring wives with them, married

Chinese women, and their descendants are still called Tartars. It

is said that when they conquered the province of Nankin, they made

prisoners of all the women, whom they did not choose to appropriate

to themselves. Old and young were tied up in sacks, and sold at the

same price. A Chinese artisan, who had but ten shillings, went to

market, with the rest, to try his luck. His money was exactly the price

required; so he seized a sack, slung it over his shoulders, and pushed

through the crowd to examine his bargain. When he found he had bought

an ugly old woman, he was so enraged that he was about to throw the

unfortunate creature into the river. But she begged him to spare her

life, assuring him that her sons would amply reward him; and in fact it

proved that he had drawn no inconsiderable prize in this odd lottery.

In the mountainous districts of China is a singular tribe called

the Miao-Tse. They live together in the utmost harmony, under the

government of elders. The men and women dress almost exactly alike.

The men wear ear-rings, and the women carry a sword. Both go barefoot,

and climb the sharpest rocks with the swiftness of mountain goats. The

women roll their hair round a board about a foot long and six inches

broad, to which they fasten the hair with bees-wax, so as to form a

sort of hat. This is very inconvenient when they wish to lie down. They

comb it but three or four times a year, and are obliged to spend hours

in melting the wax before the fire. One of these women defended a fort

against Chinese troops, for more than two months after every other

being but herself was killed. She contrived to fire several muskets in

such a manner as to deceive them with regard to the strength of the

garrison; and at every moment of leisure she collected heaps of large

stones, to hurl down upon them from different places with her foot.

The Coreans, though they in general observe the customs that prevail in

the Chinese empire, do not cripple the feet of their women; and young

people are allowed to marry according to their own inclinations, after

having had free opportunities of becoming acquainted with each other.

In this respect, custom imposes so little restraint, that the lady

often resides at the house of her future father-in-law some time before

her marriage.

The laws of Corea do not allow a plurality of wives; but sanction as

many mistresses as a man can support, provided he keeps them out of

the house. The husband can divorce his wife at pleasure, and leave her

the charge of maintaining his children. In case of unfaithfulness, he

has a right to put her to death. The observance of the marriage vow is

enforced by very severe laws, both with regard to the woman and her

lover.

The class of abandoned females is said to be very large in Chinese

cities.

Yang-Tcheou is famed for the beauty and accomplishments of its women,

many of whom are sold at a high price to the principal nobility in

various parts of the empire.

At Chinese funerals, as often as relations or friends come to look at

the corpse, the women and children set up a dismal cry.

In their pagodas the image of a woman and child, with rays encircling

the head, is often worshipped under the name of “the Sacred Mother.”

It seems difficult to reconcile this circumstance with their early and

strong aversion to the Catholic religion.

In some of their temples there is another image of a woman, whose

attributes seem to correspond with the Lucina of the ancient Romans.

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The history of the condition of women in various ages and nations · 第 9 / 18 段