HERMES. And wise Cratinus, is he still alive?[324]

TRYGAEUS. He died about the time of the Laconian invasion.

HERMES. How?

TRYGAEUS. Of a swoon. He could not bear the shock of seeing one of his

casks full of wine broken. Ah! what a number of other misfortunes our

city has suffered! So, dearest mistress, nothing can now separate us from

thee.

HERMES. If that be so, receive Opora here for a wife; take her to the

country, live with her, and grow fine grapes together.[325]

TRYGAEUS. Come, my dear friend, come and accept my kisses. Tell me,

Hermes, my master, do you think it would hurt me to fuck her a little,

after so long an abstinence?

HERMES. No, not if you swallow a potion of penny-royal afterwards.[326]

But hasten to lead Theoria[327] to the Senate; 'twas there she lodged

before.

TRYGAEUS. Oh! fortunate Senate! Thanks to Theoria, what soups you will

swallow for the space of three days![328] how you will devour meats and

cooked tripe! Come, farewell, friend Hermes!

HERMES. And to you also, my dear sir, may you have much happiness, and

don't forget me.

TRYGAEUS. Come, beetle, home, home, and let us fly on a swift wing.

HERMES. Oh! he is no longer here.

TRYGAEUS. Where has he gone to then?

HERMES. He is harnessed to the chariot of Zeus and bears the

thunderbolts.

TRYGAEUS. But where will the poor wretch get his food?

HERMES. He will eat Ganymede's ambrosia.

TRYGAEUS. Very well then, but how am I going to descend?

HERMES. Oh! never fear, there is nothing simpler; place yourself beside

the goddess.

TRYGAEUS. Come, my pretty maidens, follow me quickly; there are plenty of

folk awaiting you with standing tools.

CHORUS. Farewell and good luck be yours! Let us begin by handing over all

this gear to the care of our servants, for no place is less safe than a

theatre; there is always a crowd of thieves prowling around it, seeking

to find some mischief to do. Come, keep a good watch over all this. As

for ourselves, let us explain to the spectators what we have in our

minds, the purpose of our play.

Undoubtedly the comic poet who mounted the stage to praise himself in the

parabasis would deserve to be handed over to the sticks of the beadles.

Nevertheless, oh Muse, if it be right to esteem the most honest and

illustrious of our comic writers at his proper value, permit our poet to

say that he thinks he has deserved a glorious renown. First of all, 'tis

he who has compelled his rivals no longer to scoff at rags or to war with

lice; and as for those Heracles, always chewing and ever hungry, those

poltroons and cheats who allow themselves to be beaten at will, he was

the first to cover them with ridicule and to chase them from the

stage;[329] he has also dismissed that slave, whom one never failed to

set a-weeping before you, so that his comrade might have the chance of

jeering at his stripes and might ask, "Wretch, what has happened to your

hide? Has the lash rained an army of its thongs on you and laid your back

waste?" After having delivered us from all these wearisome ineptitudes

and these low buffooneries, he has built up for us a great art, like a

palace with high towers, constructed of fine phrases, great thoughts and

of jokes not common on the streets. Moreover 'tis not obscure private

persons or women that he stages in his comedies; but, bold as Heracles,

'tis the very greatest whom he attacks, undeterred by the fetid stink of

leather or the threats of hearts of mud. He has the right to say, "I am

the first ever dared to go straight for that beast with the sharp teeth

and the terrible eyes that flashed lambent fire like those of Cynna,[330]

surrounded by a hundred lewd flatterers, who spittle-licked him to his

heart's content; it had a voice like a roaring torrent, the stench of a

seal, a foul Lamia's testicles and the rump of a camel."[331]

I did not recoil in horror at the sight of such a monster, but fought him

relentlessly to win your deliverance and that of the Islanders. Such are

the services which should be graven in your recollection and entitle me

to your thanks. Yet I have not been seen frequenting the wrestling school

intoxicated with success and trying to tamper with young boys;[332] but I

took all my theatrical gear[333] and returned straight home. I pained

folk but little and caused them much amusement; my conscience rebuked me

for nothing. Hence both grown men and youths should be on my side and I

likewise invite the bald[334] to give me their votes; for, if I triumph,

everyone will say, both at table and at festivals, "Carry this to the

bald man, give these cakes to the bald one, do not grudge the poet whose

talent shines as bright as his own bare skull the share he deserves."

Oh, Muse! drive the War far from our city and come to preside over our

dances, if you love me; come and celebrate the nuptials of the gods, the

banquets of us mortals and the festivals of the fortunate; these are the

themes that inspire thy most poetic songs. And should Carcinus come to

beg thee for admission with his sons to thy chorus, refuse all traffic

with them; remember they are but gelded birds, stork-necked dancers,

mannikins about as tall as a pat of goat's dung, in fact machine-made

poets.[335] Contrary to all expectation, the father has at last managed

to finish a piece, but he owns himself a cat strangled it one fine

evening.[336]

Such are the songs[337] with which the Muse with the glorious hair

inspires the able poet and which enchant the assembled populace, when the

spring swallow twitters beneath the foliage;[338] but the god spare us

from the chorus of Morsimus and that of Melanthius![339] Oh! what a

bitter discordancy grated upon my ears that day when the tragic chorus

was directed by this same Melanthius and his brother, these two

Gorgons,[340] these two harpies, the plague of the seas, whose gluttonous

bellies devour the entire race of fishes, these followers of old women,

these goats with their stinking arm-pits. Oh! Muse, spit upon them

abundantly and keep the feast gaily with me.

TRYGAEUS. Ah! 'tis a rough job getting to the gods! my legs are as good

as broken through it. How small you were, to be sure, when seen from

heaven! you had all the appearance too of being great rascals; but seen

close, you look even worse.

SERVANT. Is that you, master?

TRYGAEUS. So I have been told.

SERVANT. What has happened to you?

TRYGAEUS. My legs pain me; it is such a plaguey long journey.

SERVANT. Oh! do tell me....

TRYGAEUS. What?

SERVANT. Did you see any other man besides yourself strolling about in

heaven?

TRYGAEUS. No, only the souls of two or three dithyrambic poets.

SERVANT. What were they doing up there?

TRYGAEUS. They were seeking to catch some lyric exordia as they flew by

immersed in the billows of the air.

SERVANT. Is it true, what they tell us, that men are turned into stars

after death?

TRYGAEUS. Quite true.

SERVANT. Then who is that star I see over yonder?

TRYGAEUS. That is Ion of Chios,[341] the author of an ode beginning

"Morning"; as soon as ever he got to heaven, they called him "the Morning

Star."

SERVANT. And those stars like sparks, that plough up the air as they dart

across the sky?[342]

TRYGAEUS. They are the rich leaving the feast with a lantern and a light

inside it. But hurry up, show this young girl into my house, clean out

the bath, heat some water and prepare the nuptial couch for herself and

me. When 'tis done, come back here; meanwhile I am off to present this

one to the Senate.

SERVANT. But where then did you get these pretty chattels?

TRYGAEUS. Where? why in heaven.

SERVANT. I would not give more than an obolus for gods who have got to

keeping brothels like us mere mortals.

TRYGAEUS. They are not all so, but there are some up there too who live

by this trade.

SERVANT. Come, that's rich! But I bethink me, shall I give her something

to eat?

TRYGAEUS. No, for she would neither touch bread nor cake; she is used to

licking ambrosia at the table of the gods.

The Eleven Comedies, Volume 1 · 第 77 / 146 题