"Go, go. At the point where we are now, I can work without you."

"Oh! yes," said the doctor, "the bust is almost finished. It's a fine

piece of work," he added, with the air of a connoisseur.

And, relying on the compliment to cover his retreat, he was slinking

away, crestfallen; but Felicia fiercely called him back:

"Stay, you. I have something to say to you."

He saw by her expression that he must comply, under pain of an

outbreak.

"With your permission, my friend? Mademoiselle has a word to say to me.

My coupé is at the door. Get in, I will be with you in a moment."

When the studio door closed upon those heavy departing footsteps, they

looked each other in the face.

"You must be either drunk or mad to venture to do such a thing. What!

you presume to enter my studio when I do not choose to receive? Why

this violence? By what right?"

"By the right that desperate, unconquerable passion gives."

"Be quiet, Jenkins; those are words that I do not wish to hear. I let

you come here through pity, through habit, because my father was fond

of you. But never speak to me again of your--love"--she said the word

very low, as if it were a disgrace--"or you will see me no more, even

though I should be driven to die in order to escape you for good and

all."

A child taken in fault does not bend his head more humbly than Jenkins

as he replied:

"True--I was wrong. A moment of madness, of blindness. But why do you

take pleasure in tearing my heart as you do?"

"As if I were thinking of you!"

"Whether you are thinking of me or not, I am here, I see what is going

on, and your coquetry pains me terribly."

A slight flush rose in her cheeks at that reproach.

"I, a coquette! With whom?"

"With him," said the Irishman, pointing to the superb apelike bust.

She tried to laugh.

"The Nabob. What nonsense!"

"Do not lie. Do you think I am blind, that I don't understand all your

manoeuvres? You stay alone with him a long while. I was at the door

just now. I saw you." He lowered his voice as if his breath had failed

him. "What are you after, in heaven's name, you strange, heartless

child? I have seen you repel the handsomest, the noblest, the greatest.

That little de Géry devours you with his eyes, but you pay no heed to

him. Even the Duc de Mora has not succeeded in reaching your heart. And

this man, a shocking, vulgar creature, who isn't thinking of you, who

has something very different from love in his head--you saw how he went

away just now! What are you aiming at? What do you expect from him?"

"I intend--I intend that he shall marry me. There."

Coolly, in a softer tone, as if the confession had drawn her nearer to

the man she despised so bitterly, she set forth her reasons. She had

luxurious, extravagant tastes, unmethodical habits which nothing could

overcome and which would infallibly lead her to poverty and

destitution, and good Crenmitz too, who allowed herself to be ruined

without a word. In three years, four years at most, it would be all

over. And then would come debts and desperate expedients, the ragged

gowns and old shoes of poor artists' households. Or else the lover, the

keeper, that is to say slavery and degradation.

"Nonsense," said Jenkins. "What of me, am I not here?"

"Anything rather than you," she said, drawing herself up. "No, what I

must have, what I will have, is a husband to protect me from others and

from myself, to keep me from a mass of black things of which I am

afraid when life becomes a bore to me, from abysses into which I feel

that I may plunge,--some one who will love me while I work, and will

relieve my poor old exhausted fairy from doing sentry duty. That man

suits me and I have had my eye on him ever since I first saw him. He is

ugly to look at, but he seems kind; and then he is absurdly rich, and

wealth, in that degree, must be amusing. Oh! I know all about it. There

probably is some black spot in his life which has brought him good

luck. All that gold can't have been honestly come by. But tell me

truly, Jenkins, with your hand on that heart which you invoke so often,

do you think that I am a very tempting wife for an honest man?

Consider: of all these young men who ask as a favor to be allowed to

come here, what one has ever thought of asking for my hand? Never a

single one. De Géry no more than the rest. I charm, but I terrify. That

is easily understood. What can anyone expect of a girl brought up as I

was, with no mother or family, tossed in a heap with my father's models

and mistresses? Such mistresses, great God! And Jenkins for my only

protector. Oh! when I think of it! When I think of it!"

And, with the memory of that already distant episode, thoughts came to

her mind which inflamed her wrath. "Oh! yes, I am a child of chance,

and this adventurer is just the husband for me."[2]

[2] Je suis une fille _d'aventure_, et cet _aventurier_ est bien

le mari qu'il me faut.

"At least you will wait until he's a widower," retorted Jenkins

tranquilly. "And in that case you may have to wait a long while, for

his Levantine looks to be in excellent health."

Felicia Ruys became livid.

"He is married?"

"Married, why, to be sure, and father of a lot of children. The whole

outfit landed here two days ago."

She stood for a moment, speechless, her cheeks quivering.

In front of her the Nabob's broad visage, in shining clay, with its

flat nose, its sensual good-humored mouth, seemed to cry aloud in its

fidelity to life. She gazed at it a moment, then stepped toward it, and

with a gesture of disgust overturned the high, wooden stand and the

gleaming, greasy block itself, which fell to the floor a shapeless mass

of mud.

VII.

JANSOULET AT HOME.

Married he had been for twelve years, but had never mentioned the fact

to any one of his Parisian acquaintances, by virtue of an acquired

Oriental habit, the habit that Oriental peoples have of maintaining

silence concerning their female relations. Suddenly it was learned that

Madame was coming, that apartments must be made ready for her, her

children and her women. The Nabob hired the whole second floor of the

house on Place Vendôme, the previous tenant being sacrificed to Nabob

prices. The stables were increased in size, the staff of servants was

doubled; and then, one day, coachmen and carriages went to the Lyon

station to fetch Madame, who arrived with a retinue of negresses,

little negroes and gazelles, completely filling a long train that had

been heated expressly for her all the way from Marseille.

She alighted in a terrible state of prostration, exhausted and

bewildered by her long railroad journey, the first in her life, for she

had been taken to Tunis as a child and had never left it. Two negroes

carried her from the carriage to her apartments in an armchair, which

was always kept in the vestibule thereafter, ready for that difficult

transportation. Madame Jansoulet could not walk upstairs, for it made

her dizzy; she would not have an elevator because her weight made it

squeak; besides, she never walked. An enormous creature, so bloated

that it was impossible to assign her an age, but somewhere between

twenty-five and forty, with rather a pretty face, but features all

deformed by fat, lifeless eyes beneath drooping lids grooved like

shells, trussed up in exported gowns, loaded with diamonds and jewels

like a Hindoo idol, she was a most perfect specimen of the transplanted

Europeans who are called Levantines. A strange race of obese Creoles,

connected with our society by naught save language and dress, but

enveloped by the Orient in its stupefying atmosphere, the subtle

poisons of its opium-laden air, in which everything becomes limp and

nerveless, from the tissues of the skin to the girdle around the waist,

ay, even to the mind itself and the thought.

She was the daughter of an enormously wealthy Belgian, a dealer in

coral at Tunis, in whose establishment Jansoulet had been employed for

several months on his first arrival in the country. Mademoiselle

Afchin, at that time a fascinating doll, with dazzling complexion and

hair, and perfect health, came often to the counting-room for her

father, in the great chariot drawn by mules which conveyed them to

their beautiful villa of La Marse in the outskirts of Tunis. The child,

always _décolleté_, with gleaming white shoulders seen for a moment in

a luxurious frame, dazzled the adventurer; and years after, when he had

become rich, the favorite of the bey, and thought of settling down, his

mind reverted to her. The child had changed into a stout, heavy, sallow

girl. Her intellect, never of a high order, had become still more

obtuse in the torpor of such a life as dormice lead, in the neglect of

a father whose whole time and thought were given to business, and in

the use of tobacco saturated with opium and of sweetmeats,--the torpor

of her Flemish blood conjoined with Oriental indolence; and with all

the rest, ill-bred, gluttonous, sensual, arrogant, a Levantine trinket

brought to perfection.

But Jansoulet saw nothing of all that.

In his eyes she was then, she was always, down to the time of her

arrival in Paris, a superior being, a person of the highest refinement,

a Demoiselle Afchin; he spoke to her with respect, maintained a

slightly humble and timid attitude toward her, gave her money without

counting it, indulged her most extravagant caprices, her wildest whims,

all the strange conceits of a Levantine's brain distracted by ennui and

idleness. A single word justified everything; she was a Demoiselle

Afchin. And yet they had nothing in common; he was always at the Kasbah

or the Bardo, in attendance on the bey, paying his court to him, or

else in his counting-room; she passed her day in bed, on her head a

diadem of pearls worth three hundred thousand francs, which she never

laid aside, brutalizing herself by smoking, living as in a harem,

admiring herself in the mirror, arraying herself in fine clothes, in

company with several other Levantines, whose greatest joy consisted in

measuring with their necklaces the girth of arms and legs which

rivalled one another in corpulency, bringing forth children with whom

she never concerned herself, whom she never saw, who had never even

caused her suffering, for she was delivered under the influence of

chloroform. A "bale" of white flesh perfumed with musk. And Jansoulet

would say with pride: "I married a Demoiselle Afchin!"

Under Parisian skies and in the cold light of the capital, his

disillusionment began. Having determined to set up a regular

establishment, to receive, to give entertainments, the Nabob had sent

for his wife, in order to place her at the head of his house. But when

he saw that mass of stiff, crackling dry-goods, of Palais-Royal finery,

alight at his door, and all the extraordinary outfit that followed her,

he had a vague impression of a Queen Pomare in exile. The difficulty

was that he had seen some genuine women of fashion and he made

comparisons. He had planned a grand ball to celebrate her arrival, but

he prudently abstained. Indeed Madame Jansoulet refused to receive any

one. Her natural indolence was augmented by the homesickness which the

cold yellow fog and the pouring rain had brought upon her as soon as

she landed. She passed several days in bed, crying aloud like a child,

declaring that they had brought her to Paris to kill her, and even

rejecting the slightest attentions from her women. She lay there

roaring among her lace pillows, her hair in a tangled mass around her

diadem, the windows closed and curtains tightly drawn, lamps lighted

day and night, crying out that she wanted to go away--ay, to go

away--ay; and it was a pitiful thing to see, in that tomb-like

darkness, the half-filled trunks scattered over the carpet, the

frightened gazelles, the negresses crouching around their hysterical

mistress, groaning in unison, with haggard eyes, like the dogs of

travellers in polar countries which go mad when they cannot see the

sun.

The Irish doctor, upon being admitted to that distressing scene, had no

success with his fatherly ways, his fine superficial phrases. Not at

any price would the Levantine take the pearls with arsenical base, to

give tone to her system. The Nabob was horrified. What was he to do?

Send her back to Tunis with the children? That was hardly possible. He

was definitively in disgrace there. The Hemerlingues had triumphed. A

last insult had filled the measure to overflowing: on Jansoulet's

departure the bey had commissioned him to have several millions of gold

coined after a new pattern at the Paris Mint; then the commission had

been abruptly withdrawn and given to Hemerlingue. Jansoulet, being

publicly insulted, retorted with a public manifesto, offering all his

property for sale, his palace on the Bardo presented to him by the

former bey, his villas at La Marse, all of white marble, surrounded by

magnificent gardens, his counting rooms, the most commodious and most

sumptuously furnished in the city, and instructing the intelligent

Bompain to bring his wife and children to Paris in order to put the

seal of finality to his departure. After such a display, it would be

hard to return; that is what he tried to make Mademoiselle Afchin

understand, but she replied only by prolonged groans. He strove to

comfort her, to amuse her, but what form of distraction could be made

to appeal to that abnormally apathetic nature? And then, could he

change the skies of Paris, give back to the wretched Levantine her

marble-tiled _patio_, where she used to pass long hours in a cool,

delicious state of drowsiness, listening to the plashing of the water

in the great alabaster fountain with three basins one above the other,

and her gilded boat, covered with a purple awning and rowed by eight

supple, muscular Tripolitan oarsmen over the lovely lake of El-Baheira,

when the sun was setting? Sumptuous as were the apartments on Place

Vendôme, they could not supply the place of those lost treasures. And

she plunged deeper than ever in her despair. One habitué of the house

succeeded, however, in drawing her out of it, Cabassu, who styled

himself on his cards "professor of massage;" a stout dark thick-set

man, redolent of garlic and hair-oil, square-shouldered, covered with

hair to his eyes, who knew stories of Parisian seraglios, trivial

anecdotes within the limited range of Madame's intellect. He came once

to rub her, and she wished to see him again, detained him. He was

obliged to abandon all his other customers and to become the _masseur_

of that able-bodied creature, at a salary equal to that of a senator,

her page, her reader, her body-guard. Jansoulet, overjoyed to see that

his wife was contented, was not conscious of the disgusting absurdity

of the intimacy.

Cabassu was seen in the Bois, in the enormous and sumptuous calèche

beside the favorite gazelle, at the back of the theatre boxes which the

Levantine hired, for she went abroad now, revivified by her masseur's

treatment and determined to be amused. She liked the theatre,

especially farces or melodramas. The apathy of her unwieldy body was

minimized in the false glare of the footlights. But she enjoyed

Cardailhac's theatre most of all. There the Nabob was at home. From the

first manager down to the last box-opener, the whole staff belonged to

him. He had a key to the door leading from the corridor to the stage;

and the salon attached to his box, decorated in Oriental fashion, with

the ceiling hollowed out like a bee-hive, divans upholstered in camel's

hair, the gas-jet enclosed in a little Moorish lantern, was admirably

adapted for a nap during the tedious _entr'actes_: a delicate

compliment from the manager to his partner's wife. Nor had that monkey

of a Cardailhac stopped at that: detecting Mademoiselle Afchin's liking

for the stage, he had succeeded in persuading her that she possessed an

intuitive knowledge of all things pertaining to it, and had ended by

asking her to cast a glance in her leisure moments, the glance of an

expert, upon such pieces as he sent to her. An excellent way of binding

the partnership more firmly.

Poor manuscripts in blue or yellow covers, which hope has tied with

slender ribbons, ye who take flight swelling with ambition and with

dreams, who knows what hands will open you, turn your leaves, what

prying fingers will deflower your unknown charm, that shining dust

stored up by every new idea? Who passes judgment on you, and who

condemns you? Sometimes, before going out to dinner, Jansoulet, on

going up to his wife's room, would find her smoking in her easy-chair,

with her head thrown back and piles of manuscript by her side, and

Cabassu, armed with a blue pencil, reading in his hoarse voice and with

his Bourg-Saint-Andéol intonation some dramatic lucubration which he

cut and slashed remorselessly at the slightest word of criticism from

the lady. "Don't disturb yourselves," the good Nabob's wave of the hand

would say, as he entered the room on tiptoe. He would listen and nod

his head admiringly as he looked at his wife. "She's an astonishing

creature," he would say to himself, for he knew nothing of literature,

and in that direction at all events he recognized Mademoiselle Afchin's

superiority.

"She had the theatrical instinct," as Cardailhac said; but as an

offset, the maternal instinct was entirely lacking. She never gave a

thought to her children, abandoning them to the hands of strangers,

and, when they were brought to her once a month, contenting herself

with giving them the flabby, lifeless flesh of her cheeks to kiss,

between two puffs of a cigarette, and never making inquiries concerning

the details of care and health which perpetuate the physical bond of

motherhood, and make the true mother's heart bleed in sympathy with her

child's slightest suffering.

They were three stout, heavy, apathetic boys, of eleven, nine, and

seven years, with the Levantine's sallow complexion and premature

bloated appearance, and their father's velvety, kindly eyes. They were

as ignorant as young noblemen of the Middle Ages; in Tunis M. Bompain

had charge of their studies, but in Paris the Nabob, intent upon giving

them the benefit of a Parisian education, had placed them in the most

stylish and most expensive boarding school, the Collège Bourdaloue,

conducted by excellent Fathers, who aimed less at teaching their pupils

than at moulding them into well-bred, reflecting men of the world, and

who succeeded in producing little monstrosities, affected and

ridiculous, scornful of play, absolutely ignorant, with no trace of

spontaneity or childishness, and despairingly pert and forward. The

little Jansoulets did not enjoy themselves overmuch in that hothouse

for early fruits, notwithstanding the special privileges accorded to

their immense wealth; they were really too neglected. Even the Creoles

in the institution had correspondents and visitors; but they were never

called to the parlor, nor was any relative of theirs known to the

school authorities; from time to time they received baskets of

sweetmeats or windfalls of cake, and that was all. The Nabob, as he

drove through Paris, would strip a confectioner's shop-window for their

benefit and send the contents to the college with that affectionate

impulsiveness blended with negro-like ostentation which characterized

all his acts. It was the same with their toys, always too fine, too

elaborate, of no earthly use, the toys which are made only for show and

which the Parisian never buys. But the thing to which above all others

the little Jansoulets owed the respectful consideration of pupils and

masters was their well-filled purse, always ready for collections, for

professorial entertainments, and for the charitable visits, the famous

visits inaugurated by the Collège Bourdaloue, one of the tempting items

on the programme of the institution, the admiration of impressionable

minds.

Twice a month, turn and turn about, the pupils belonging to the little

Society of Saint-Vincent-de-Paul, established at the college on the

model of the great society of that name, went in small detachments,

unattended, like grown men, to carry succor and consolation to the

farthest corners of the thickly-peopled faubourgs. In that way it was

sought to teach them charity by experience, the art of finding out the

wretchedness, the necessities of the people and of dressing their

sores, always more or less repulsive, with a balsam of kind words and

ecclesiastical maxims. To console, to convert the masses by the aid of

childhood, to disarm religious incredulity by the youth and innocence

of the apostles; such was the purpose of that little society, a purpose

that failed absolutely of realization, by the way. The children,

well-dressed, well-fed, in excellent health, went only to addresses

designated beforehand and found respectable poor people, sometimes a

little ailing, but far too clean, already enrolled and relieved by the

rich charitable organizations of the Church. They never happened upon

one of those loathsome homes, where hunger, mourning, abject poverty,

all forms of misery, physical and moral, are written in filth on the

walls, in indelible wrinkles on the faces. Their visit was arranged in

advance like that of the sovereign to the guard-house to taste the

soldier's soup; the guard-house is notified and the soup seasoned for

the royal palate. Have you seen those pictures in religious books,

where a little communicant, with his bow on his arm and his taper in

his hand, all combed and curled, goes to assist a poor old man lying on

his wretched pallet with the whites of his eyes turned up to the sky?

These charitable visits had the same conventional stage-setting and

accent. The machine-like gestures of the little preachers with arms too

short for the work, were answered by words learned by rote, so false as

to set one's teeth on edge. The comical words of encouragement, the

"consolation lavishly poured forth" in prize-book phrases by voices

suggestive of young roosters with the influenza, called forth emotional

blessings, the whining, sickening mummery of a church porch after

vespers. And as soon as the young visitors' backs were turned, what an

explosion of laughter and shouting in the garret, what a dancing around

the offerings brought, what an overturning of armchairs in which they

have been feigning illness, what a pouring of boluses into the fire, a

fire of ashes, very artistically arranged! When the little Jansoulets

went to visit their parents, they were placed in charge of the man with

the red fez, Bompain the indispensable. It was Bompain who took them to

the Champs-Élysées, arrayed in English jackets, silk hats of the latest

style--at seven years!--and with little canes dangling from the ends of

their dogskin gloves. It was Bompain who superintended the victualling

of the break on which he went with the children to the races,

race-cards stuck in their hats around which green veils were twisted,

wonderfully like the characters in lilliputian pantomimes whose

comicality consists solely in the size of their heads compared with

their short legs and dwarfish movements. They smoked and drank

outrageously. Sometimes the man in the fez, himself hardly able to

stand, brought them home horribly ill. And yet Jansoulet loved his

little ones, especially the youngest, who, with his long hair and his

doll-like aspect, reminded him of little Afchin in her carriage. But

they were still at the age when children belong to the mother, when

neither a stylish tailor nor accomplished masters nor a fashionable

boarding-school nor the ponies saddled for the little men in the

stable, when nothing in short takes the place of the watchful and

attentive hand, the warmth and gayety of the nest. The father was

unable to give them that in any event; and then he was so busy!

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