THE WIZARD OF THE NORTH,

the illustrious professor of _Phoenixsistography_, and other branches of

the black art, the names of which are as mysterious as their performance.

One only specimen of his prowess convinced us of his supernatural talents.

He politely solicited the loan of a bank-note--he was not choice as to the

amount or bank of issue. "It may be," saith the play-bill, "a Bank of

England or provincial note, for any sum from five pounds to one thousand."

His is better magic than Owen Glendower's, for the note "did come when he

did call it!" for a confiding individual in the boxes (dress circle of

course) actually did lend him, the Wizard, a cool hundred! Conceive the

power, in a metaphysical sense, the conjuror must have had over the

lender's mind! Was it animal magnetism?--was it terror raised by his

extraordinary performances, that spirited the cash out of the pocket of the

man? who, perhaps, thought that such supernatural talents _might_ be

otherwise employed against his very existence, thus occupying his perturbed

soul with the alternative, "Your money or your life!"

This subject is deeply interesting to actors out of engagements, literary

men, and people who "have seen better days"--individuals who have brought

this species of conjuration to a high state of perfection. It is a new and

important chapter in the "art of borrowing." We perceive in the Wizard's

advertisements he takes pupils, and offers to make them proficient in any

of his delusions at a guinea per trick. We intend to put ourselves under

his instructions for the bank-note trick, the moment we can borrow

one-pound-one for that purpose.

Besides this, the Wizard does a variety of things which made our hair stand

on end, even while reading their description in his play-bill. We did not

see him perform them. There was no occasion--the bank-note trick convinced

us--for the man who can borrow a hundred pounds whenever he wants it can do

anything.

Everybody ought to go and see him. Young ladies having a taste for

sentimental-looking men, who wear their hair _à la jeune France_; natural

historians who want to see guinea-pigs fly; gamesters who would like to be

made "fly" to a card trick or two; _connoisseurs_, who wish to see how

plum-pudding may be made in hats, will all be gratified by a visit to the

Adelphi.

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Punch, or the London Charivari. Volume 1, July 31, 1841 · 第 72 / 76 题