ARNOLD BENNETT

I

One night, some years before the outbreak of the European War, I

arrived in the town of Hanley in the County of Stafford in the midlands

of England to deliver a lecture on some subject, the name of which

I do not now remember, although I suspect it was connected with the

general improvement of mankind. I had accepted the invitation to

lecture in Hanley, not because I had anything of importance to say to

its inhabitants, but because I had lately read "The Old Wives' Tale"

by Mr. Arnold Bennett, and was eager to see the place and the people

from which that great book had sprung. My recollections of the visit

are very vague now, but I remember that my host, a man of serious mind,

a little over-weighted, perhaps, by the troubles of the universe, took

me for a walk on Sunday morning through some of "the Five Towns," in

the course of which he displayed much knowledge of the topography of

Mr. Bennett's books without displaying much knowledge of the books

themselves. He informed me that the real name of "Trafalgar Road" in

"The Old Wives' Tale" is "Waterloo Road" and that the fictitious name

of Hanley is "Hanbridge." He speculated incuriously on the oddness

which had caused Mr. Bennett to alter real names in this palpable

manner, and ended his discourse with the statement that he seldom read

novels (which he persisted in calling "Works of Fiction") being more

inclined to the study of serious books. I learned that he read chiefly

in the writings of sociologists and political economists and similar

serious persons. I suggested to him that he might more profitably read

novels than sociological books if he wished to discover something

about human character. He was a polite and kindly man, and he did not

abruptly tell me of my folly, but I could see that he considered me to

be a fool or, at best, a flippant person, and I am sure that had he

not been my host he would not have troubled to attend my lecture that

evening. He smiled in the benign way men have when they abstain from

expressing their frank opinion, as he listened to me saying that he

would find in novels a greater fund of information about human nature

than he could hope to find in all the works that all the sociologists

in the world have written. Men of affairs, I said, spend their lives

in writing ponderous volumes on society which are out-of-date as

soon as they are published, whereas the novel or the play of a man

of genius remains true for ever. Henry Fielding and Adam Smith were

contemporaries, but I imagine few will deny that there is more durable

stuff, stuff more continuously applicable to human concerns, in "Tom

Jones" than there is in "The Wealth of Nations." But my friend would

have none of this, and seemed to think that any man who spent time in

reading Fielding's novel which might be spent in reading Adam Smith

was shamefully misusing his mind. He led me, I remember, through much

of the territory which is generically known as "the Five Towns." I saw

the Square in which the Baineses lived, and was told that although Mr.

Bennett called it "St. Luke's Square" in "The Old Wives' Tale," the

local authorities preferred to call it after St. John. So great was the

influence of the novel upon me that when I peered through the window

of the shop in which, so I was told, Constance and Sophia Baines were

born, I almost expected to see the half-heroic figure of Samuel Povey

behind the counter or to meet the cold, un-human glance of that frozen

spinster, Miss Marie Insull, who once, and once only, displayed signs

of human emotion--on the occasion when Mr. Critchlow brought her into

the presence of the widowed Constance to announce his betrothal to her:

The dog had leisurely strolled forward to inspect the edges of the

fiancé's trousers. Miss Insull summoned the animal with a noise of

the fingers, and then bent down and caressed it. A strange gesture

proving the validity of Charles Critchlow's discovery that in

Maria Insull a human being was buried.

My host led me up stony streets, in which every sort of domestic

architecture was visible--for "the Five Towns" are so independent

that even in the workmen's houses there is no uniformity of style or

harmony of design, a fact which makes, not for a pleasing diversity,

but for shapelessness and incoherence--and pointed to places in the

ground where, so he said, the earth had opened, owing to underground

operations, and swallowed whosoever should happen to be passing over

it. There was a story of a man who had set forth in the morning to go

to his work, but, before he had travelled many yards from his home,

was suddenly consumed by the opening earth and was never seen again. I

will admit that I trod those streets thereafter with trepidation and

considerable care! I had begun to tire of the ugly houses with their

insufferable architecture, and of the grime caused by innumerable

chimneys emitting thick, black smoke, when I was led up a steep street

at the top of which I was told to halt and gaze about me. I saw the

whole of "the Five Towns" and much of the surrounding country spread

out like the kingdoms of the world and realized how strangely moving

such a scene can be because of its suggestion of human presences.

It was not without beauty, in spite of the gloom of an industrial

area, but it impressed me most by its air of effort and power and

achievement. I became conscious of the activities of men and women, of

great labours, of confused strivings out of which some human need is

satisfied, and I came away, as I always come away from such sights,

immensely impressed by human organization and very satisfied with great

machines. When we had descended from that high street and had walked

elsewhere, I found myself suddenly confronting a railway station on

which I saw the romantic name of ETRURIA.

Some Impressions of My Elders · 第 30 / 75 题