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MEMOIRS
OF
ROBERT-HOUDIN
AMBASSADOR, AUTHOR, AND CONJURER.
WRITTEN BY HIMSELF.
EDITED BY
DR. R. SHELTON MACKENZIE.
PHILADELPHIA:
GEO. G. EVANS, PUBLISHER,
NO. 439 CHESTNUT STREET.
1859.
Entered according to the Act of Congress, in the year 1859, by
G. G. EVANS,
In the Clerk’s Office of the District Court for the Eastern District of
Pennsylvania.
STEREOTYPED AND PRINTED BY RINWALT & CO.,
34 SOUTH THIRD STREET.
EDITOR’S PREFACE.
A man may not only “take his own life,” by writing his autobiography,
without committing _felo de se_, but may carry himself into future time
by producing a book which the world will not willingly let die. This is
what M. Robert-Houdin, the greatest artist in what is called Conjuring,
has lately done in the remarkable book _Confidences d’un Prestigiteur_,
a faithful translation of which is here presented to the American
reading public. The work has had the greatest success in Europe, from
its lively style as well as the various information it contains,
historical and philosophical, on the practice and principles of
sleight-of-hand, and the other details, mental as well as mechanical,
which unite to make perfect the exhibition of White Magic, the antipodes
of what our forefathers knew, persecuted, and punished as the Black Art.
Houdin has been considered of such importance and interest in France,
that in Didot’s _Nouvelle Biographie Générale_, now in course of
publication at Paris, a whole page is given to him. From this memoir,
and from his own account in the pages which follow, we learn that he
was born at Blois, on the 6th December, 1805,--that his father, a
watchmaker in that city, gave him a good education at the College of
Orleans,--that his inclination for _escamotage_ (or juggling) was so
decided as to make him averse to pursue his father’s trade,--that he
early exhibited great taste for mechanical inventions, which he so
successfully cultivated that, at the Paris Exhibition of 1844, he was
awarded a medal for the ingenious construction of several
automata,--that, having studied the displays of the great masters on the
art of juggling, he opened a theatre of his own, in the Palais Royal in
Paris, to which his celebrated _soirées fantastiques_ attracted
crowds,--that, in 1848, when the Revolution had ruined all theatrical
speculations in Paris, he visited London, where his performances at St.
James’s Theatre were universally attractive and lucrative,--that he made
a tour through Great Britain with equal success, returning to Paris when
France had settled down quietly under the rule of a President,--that he
subsequently visited many other parts of Europe, every where received
with distinction and applause,--that at the Great Parisian Exhibition of
1855, he was awarded the gold medal for his scientific application of
electricity to clocks,--that, shortly after, he closed ten years of
active public life by relinquishing his theatre to Mr. Hamilton, his
brother-in-law, retiring with a well-earned competency to Blois,--and
that, in 1857, at the special request of the French Government, which
desired to lessen the influence of the Marabouts, whose conjuring
tricks, accepted as actual magic by the Arabs, gave them too much
influence, he went to Algeria, as a sort of Ambassador, to play off his
tricks against theirs, and, by greater marvels than they could shew,
destroy the _prestige_ which they had acquired. He so completely
succeeded that the Arabs lost all faith in the miracles of the
Marabouts, and thus was destroyed an influence very dangerous to the
French Government.
In his retirement, to which he has returned, Houdin wrote his
_Confidences_, and is now devoting himself to scientific researches
connected with electricity. Before the appearance of his own work, M.
Hatin had published, in 1857, _Robert-Houdin, sa vie, ses œuvres, son
théâtre_.
The French and English critics have generally and warmly eulogized M.
Houdin’s _Confidences_, and I am persuaded that, on this side of the
Atlantic, it will be considered an instructive as well as an amusing
volume.
One error which M. Houdin makes must not be passed over. His account of
M. de Kempelen’s celebrated automaton chess-player (afterwards
Maëlzel’s) is entirely wrong. This remarkable piece of mechanism was
constructed in 1769, and not in 1796; it was the Empress Maria-Theresa
of Austria who played with it, and not Catherine II. of Russia; it was
in 1783 that it first visited Paris, where it played at the Café de la
Régence; it was not taken to London until 1784; and again in 1819; it
was brought to America in 1825, by M. Maëlzel, and visited our principal
cities, its chief resting-place being Philadelphia; M. Maëlzel’s death
was in 1838, on the voyage from Cuba to the United States, and not, as
M. Houdin says, on his return to France; and the automaton, so far from
being taken back to France, was sold by auction here, finally purchased
by the late Dr. J. K. Mitchell, of Philadelphia, reconstructed by him,
and finally deposited in the Chinese Museum, (formerly Peale’s,) where
it was consumed in the great fire which destroyed the National Theatre,
(now the site of the Continental Hotel, corner of Ninth and Chestnut
streets,) and extending to the Chinese Museum, burnt it down on July
5th, 1854. An interesting account of the Automaton Chess-Player, written
by Professor George Allen, of this city, will be found in “The Book of
the First American Chess Congress,” recently published in New York.
M. Houdin is engaged now in writing a volume explaining the manner in
which sleight-of-hand and other conjuring tricks and deceptions are
performed.
I have added an Index to this volume, which I trust will be accepted as
useful.
R. SHELTON MACKENZIE.
PHILADELPHIA, Sept. 26, 1859.
CONTENTS.
CHAPTER I.
.....PAGE
My Birth and Parentage--My Home--The Lessons of Colonel
Bernard--Paternal Ambition--My first Mechanical Attempts--Had I
but a Rat!--A Prisoner’s Industry--The Abbé Larivière--My Word of
Honor--Farewell to my darling Tools......17
CHAPTER II.
A Country Idler--Dr. Carlosbach, Conjurer and Professor of
Mystification--The Sand-bag and the Stirrup Trick--I turn Lawyer’s
Clerk, and the Minutes appear to me very long--A small Automaton--A
respectful Protest--I mount a Step in the Office--A Machine of Porter’s
Power--The Acrobatic Canaries--Monsieur Roger’s Remonstrances--My Father
decides that I shall follow my bent......26
CHAPTER III.
My Cousin Robert--The most important Event in my Life--How a Man becomes
a Sorcerer--My first Sleight-of-Hand Feat--An utter Failure--Practising
the Eye and the Hand--Curious Experiment in Prestidigitation--Monsieur
Noriet--An Action more ingenious than delicate--I am Poisoned--Influence
of Delirium......42
CHAPTER IV.
I return to Life--A strange Doctor--Torrini and Antonio: a Conjurer and
a Fanatic for Music--A Murderer’s Confession--A perambulating House--The
Fair at Angers--A portable Theatre--I witness for the first Time a
Conjuring Performance--The blind Man’s Game at Piquet--A Dangerous
Rival--Signor Castelli eats a Man alive......55
CHAPTER V.
Antonio’s Confessions--How to gain Public Applause--The Count de
----, Mountebank--I repair an Automaton--A Mechanician’s Shop on
Wheels--Nomadic Life--Happy Existence--Torrini’s Lessons--His Opinions
about Sleight-of-Hand--A Fashionable Greek, Victim of his own
Swindling--The Conjurer Comus--A Duel at Piquet--Torrini proclaimed
Conqueror--Revelations--New Catastrophe--Poor Torrini!.....73
CHAPTER VI.
Torrini relates his Life--Treachery of Chevalier Pinetti--A Conjurer
through Malice--A Race between two Magicians--Death of Pinetti--Exhibits
before Pius VII.--The Cardinal’s Chronometer--Twelve Hundred
Francs spent on a Trick--Antonio and Antonia--The most bitter of
Mystifications--Constantinople......90
CHAPTER VII.
Continuation of Torrini’s History--The Grand Turk orders a
Performance--A marvellous Trick--A Page cut in two--Pitying Protest
of the Harem--Agreeable Surprise--Return to France--Torrini’s Son
Killed--Madness--Decay--My first Performance--An annoying Accident--I
return Home......121
CHAPTER VIII.
The Prodigal Son--Mademoiselle Houdin--I go to Paris--My
Marriage--Comte--Studies of the Public--A skillful Manager--Rose-colored
Tickets--A Musky Style--The King of Hearts--Ventriloquism--The
Mystifiers Mystified--Father Roujol--Jules de Rovère--Origin of the word
_prestidigitateur_......136
CHAPTER IX.
Celebrated Automata--A Brazen Fly--The Artificial Man--Albertus Magnus
and St. Thomas d’Aquinas--Vaucanson--His Duck--His Flute-Player--Curious
Details--The Automaton Chess-Player--Interesting Episode--Catherine II.
and M. de Kempelen--I repair the Componium--Unexpected Success......155
CHAPTER X.
An Inventor’s Calculations--One Hundred Thousand Francs a Year by
an Inkstand: Deception--My new Automata--The First Magician in
France: Decadence--I meet Antonio--Bosco--The Trick with the Cups--An
Execution--Resurrection of the Criminals--Mistake in a Head--The Canary
rewarded......176
CHAPTER XI.
A Reverse of Fortune--Cookery and Clockwork--The Artist’s
Home--Invention of an Automaton--Voluntary Exile--A modest Villa--The
Inconveniences of a Speciality--Two August Visitors--The Throat of a
mechanical Nightingale--The Tiou and the Rrrrrrrrouit--Seven Thousand
Francs earned by making Filings......192
CHAPTER XII.
The Inventive Genius of a Sugar-baker--Philippe the Magician--His Comic
Adventures--Description of his Performance--Exposition of 1844--The King
and Royal Family visit my Automata......221
CHAPTER XIII.
My proposed Reforms--I build a Theatre in the Palais
Royal--Formalities--General Rehearsal--Singular Effect of my
Performance--The Largest and Smallest Theatre in Paris--Tribulation--My
first Performance--Panic--Discouragement--A Fallible
Prophet--Recovery--Success......234
CHAPTER XIV.
New Studies--A Comic Journal--Invention of Second Sight--Curious
Experiments--An enthusiastic Spectator--Danger of being a Sorcerer--A
Philter or your Life--Way to get rid of Bores--An Electric Touch--I
perform at the Vaudeville--Struggles with the Incredulous--Interesting
Details......253
CHAPTER XV.
Seductions of a Theatrical Agent--How to gain One Hundred Thousand
Francs--I start for Brussels--A lucky Two-Sou Piece--Miseries of
professional Travelling--The Park Theatre--Tyranny of a Porter--Full
House--Small Receipts--Deceptions--Return to Paris......273
CHAPTER XVI.
Reopening of my Fantastic Soirées--Minor Miseries of Good
Luck--Inconvenience of a small Theatre--My Room taken by Storm--A
gratuitous Performance--A conscientious Audience--Pleasant Story about
a Black Silk Cap--I perform at the Château of St. Cloud--Cagliostro’s
Casket--Holidays......294
CHAPTER XVII.
New Experiments--Aërial Suspension, &c.--A Performance at the Odéon--A
Friend in Need--1848--The Theatre deserted--I leave Paris for
London--Manager Mitchell--Publicity in England--The Great Wizard--A
Butter-mould used as a Puff--Singular Bills--A Prize for the best
Pun......312
CHAPTER XVIII.
The St. James’s Theatre--Invasion of England by French Performers--A
Fête patronised by the Queen--The Diplomatist and the Sleight-of-Hand
Man--Three Thousand Pounds taken at one Haul--I perform at
Manchester--The Spectators in the Pillory--What capital Curaçoa!--A
Torrent of Wine--A Catastrophe--Performance at Buckingham Palace--A
Wizard’s Repast......330
CHAPTER XIX.
An Optimist Manager--Three Spectators in a Room--A Magical
Collation--The Colchester Public and the Nuts--I return to France--I
give up my Theatre--A Farewell Tour--I retire to St. Gervais--An
Academician’s Predictions......359
CHAPTER XX.
Travels in Algeria--Convocation of the Chieftains--Performances before
the Arabs--A Kabyle rendered powerless--Invulnerability--A Moor
disappears--Panic and Flight of the Audience--Reconciliation--The Sect
of Aïssaoua--Their pretended Miracles......371
CHAPTER XXI.
Excursion in the Interior of Africa--The Abode of a Bash-Aga--A comical
Repast--A Soirée of Arab Dignitaries--A Marabout mystified--Tent-life in
Algeria--I return to France--A terrible Storm--Conclusion......398
CHAPTER XXII.
A COURSE OF MIRACLES......422
INDEX......437
THE AUTHOR’S OVERTURE.
SAINT GERVAIS, NEAR BLOIS,
September, 1858.
Eight o’clock has just struck: my wife and children are by my side. I
have spent one of those pleasant days which tranquillity, work, and
study can alone secure.--With no regret for the past, with no fear for
the future, I am--I am not afraid to say it--as happy as man can be.
And yet, at each vibration of this mysterious hour, my pulse starts, my
temples throb, and I can scarce breathe, so much do I feel the want of
air and motion. I can reply to no questions, so thoroughly am I lost in
a strange and delirious reverie.
Shall I confess to you, reader? And why not? for this electrical effect
is not of a nature to be easily understood by you.
The reason for my emotion being extreme at this moment is, that, during
my professional career, eight o’clock was the moment when I must appear
before the public. Then, with my eye eagerly fixed on the hole in the
curtain, I surveyed with intense pleasure the crowd that flocked in to
see me. Then, as now, my heart beat, for I was proud and happy of such
success.
At times, too, a doubt, a feeling of uneasiness, would be mingled with
my pleasure. “Heavens!” I would say to myself, in terror, “am I so sure
of myself as to deserve such anxiety to see me?”
But, soon reassured by the past, I waited with greater calmness the
signal for the curtain to draw up. I then walked on the stage: I was
near the foot-lights, before my judges--but no, I err--before my kind
spectators, whose applause I was in hopes to gain.
Do you now understand, reader, all the reminiscences this hour evokes in
me, and the solemn feeling that continually occurs to me when the clock
strikes?
These emotions and souvenirs are not at all painful to me: on the
contrary, I summon them up with pleasure. At times I even mentally
transport myself to my stage, in order to prolong them. There, as
before, I ring the bell, the curtain rises, I see my audience again,
and, under the charm of this sweet illusion, I delight in telling them
the most interesting episodes of my professional life. I tell them how a
man learns his real vocation, how the struggle with difficulties of
every nature begins, how, in fact----
But why should I not convert this fiction into a reality? Could I not,
each evening when the clock strikes eight, continue my performances
under another form? My public shall be the reader, and my stage a book.
This idea pleases me: I accept it with joy, and immediately give way to
the sweet illusion. Already I fancy myself in the presence of spectators
whose kindness encourages me. I imagine they are waiting for me--they
are listening eagerly.
Without further hesitation I begin.
ROBERT-HOUDIN.
MEMOIRS
OF
ROBERT-HOUDIN.
CHAPTER I.
My Birth and Parentage--My Home--The Lessons of Colonel
Bernard--Paternal Ambition--My first Mechanical Attempts--Had I but
a Rat!--A Prisoner’s Industry--The Abbé Larivière--My Word of
Honor--Farewell to my darling Tools.
In conformity with the traditional custom which expects every man who
writes his memoirs--or not to use too strong language, his
confessions--to display his patent of gentility, I commence by stating
to my readers, with a certain degree of pride, that I was born at Blois,
the birthplace of Louis XII., surnamed the “Father of his People,” and
of Denis Papin, the illustrious inventor of the steam-engine.
So much for my native town. As for my family, it would only appear
natural, regard being had to the art to which I devoted my life, that I
should display in my family tree the name of Robert _le Diable_, or of
some mediæval sorcerer; but, being the very slave of truth, I will
content myself with stating that my father was a watchmaker.
Though he did not rise to the elevation of the Berthouds and the
Breguets, my father was reputed to be very skilful in his profession. In
fact, I am only displaying our hereditary modesty when I say that my
father’s talents were confined to a single art; for, in truth, nature
had adapted him for various branches of mechanics, and the activity of
his mind led him to try them all with equal ardor. An excellent
engraver, a jeweller of the greatest taste, he at the same time could
carve the arm or leg for some fractured statuette, restore the enamel on
any time-worn porcelain, or even repair musical snuff-boxes, which were
very fashionable in those days. The skill he evinced in these varied
arts at length procured him a most numerous body of customers; but,
unfortunately, he was wont to make any repairs not strictly connected
with his own business for the mere pleasure.
In this house, which I may almost term artistic, and in the midst of
tools and implements in which I was destined to take so lively an
interest, I was born and educated. I possess an excellent memory, still,
though my reminiscences date back so far, I cannot remember the day of
my birth. I have learned since, however, that it was the 6th of
December, 1805. I am inclined to believe that I came into the world with
a file or a hammer in my hand, for, from my earliest youth, those
implements were my toys and delight: I learned how to use them as other
children learn to walk and talk. I need not say that my excellent mother
had frequently to wipe away the young mechanic’s tears, when the hammer,
badly directed, struck my fingers. As for my father, he laughed at these
slight accidents, and said, jokingly, that it was a capital way of
driving my profession into me, and that, as I was a wonderful lad, I
could not but become an extraordinary workman. I do not pretend that I
ever realized the paternal predictions, but it is certain that I have
ever felt an irresistible inclination for mechanism.
How often, in my infantile dreams, did a benevolent fairy open before me
the door of a mysterious El Dorado, where tools of every description
were piled up. The delight which these dreams produced on me, were the
same as any other child feels when his fancy summons up before him a
fantastic country where the houses are made of chocolate, the stones of
sugar candy, and the men of gingerbread. It is difficult to understand
this fever for tools; the mechanic, the artist adores them, and would
ruin himself to obtain them. Tools, in fact, are to him what a MS. is to
the archæologist, a coin to the antiquary, or a pack of cards to a
gambler: in a word they are the implements by which a ruling passion is
fed.
By the time I was eight years of age I had furnished proofs of my
ability, partly through the kindness of an excellent neighbor, and
partly through a dangerous illness, when my forced idleness gave me
leisure to exercise my natural dexterity. This neighbor, M. Bernard, was
a colonel on half-pay. Having been a prisoner for many years, he had
learned how to make an infinity of toys, which he taught me as an
amusement, and I profited so well by his lessons, that in a very short
time I could equal my master. I fancy I can still see and hear this old
soldier, when, passing his hand over his heavy grey moustache, he
exclaimed with energetic satisfaction, “Why, the young scamp can do
anything he likes.” This compliment flattered my childish vanity, and I
redoubled my efforts to deserve it.
With my illness my pleasures ended; I was sent to school, and from that
time I had few opportunities for indulging in my favorite tasks. Still,
on my holidays, I used to return to my father’s workshop with delight,
and, yet, I must have been a great torment to that excellent parent.
Owing to my want of skill, I now and then broke some tool, and although
I might try to conceal it, the blame was generally laid on me, and, as a
punishment, I was forbidden to enter the workshop. But it was of no use
attempting to keep me from my hobby; the prohibition had to be
continually renewed. Hence it was thought advisable to attack the evil
at the root, and I must be sent away from home.
Although my father liked his trade, experience had taught him that a
watchmaker rarely makes a fortune in a country town; in his paternal
ambition he, therefore, dreamed a more brilliant destiny for me, and he
formed the determination of giving me a liberal education, for which I
shall always feel grateful to him. He sent me to college at Orleans. I
was then eleven years of age.
Let who will sing the praises of school life; for my own part I can
safely state, that, though I was not averse from study, the happiest day
I spent in our monastic seminary was that on which I left it for good.
However, once entered, I accepted my lot with resignation, and became in
a short time a perfect schoolboy. In my play hours my time was well
employed, for I spent the greater portion of it in making pieces of
mechanism. Thus I made snares, gins, and mouse-traps, their excellent
arrangement, and perhaps the dainty bait as well, producing me a great
number of prisoners.
I had built for them a charming open cage, in which I had fixed up a
miniature gymnastic machinery. My prisoners, while taking their ease,
set in motion a variety of machines, which caused a most agreeable
surprise. One of my inventions more especially attracted the admiration
of my comrades; it was a method of raising water by means of a pump made
almost entirely of quills. A mouse, harnessed like a horse, was intended
to set this Lilliputian machine in motion by the muscular strength of
its legs; but, unfortunately, my docile animal, though perfectly
willing, could not overcome the resistance of the cog-wheels, and I was
forced, to my great regret, to lend it a hand.
“Ah! if I only had a rat!” I said to myself, in my disappointment, “how
famously it would work!” A rat! But how to get one? That appeared to me
an insurmountable difficulty, but, after all, it was not so. One day,
having been caught in the act of breaking bounds by a monitor, I was
awarded twelve hours’ imprisonment. This punishment, which I suffered
for the first time, produced a violent effect on me: but in the midst of
the sorrowful reflections inspired by the solitude, an idea dissipated
my melancholy thoughts by offering a famous suggestion.
I knew that at nightfall the rats used to come from an adjacent church
into the cell where I was confined, to regale on the bread-crumbs left
by prisoners. It was a capital opportunity to obtain one of the animals
I required; and as I would not let it slip, I straight-way set about
inventing a rat-trap. My only materials were a pitcher holding water,
and, consequently, my ideas were confined exclusively to this. I,
therefore, made the following arrangement.
I began by emptying my pitcher; then, after putting in a piece of bread,
I laid it down so that the orifice was on a level with the ground. My
object was to attract the victim by this dainty into the trap. A brick
which I dug up would serve to close the opening, but as it was
impossible for me in the darkness to notice the exact moment for cutting
off the prisoner’s retreat, I laid near the bread a piece of paper which
would rustle as the rat passed over it.
As soon as night set in, I crouched close to my pitcher, and, holding
the brick in my hand, I awaited with feverish anxiety the arrival of my
guests. The pleasure I anticipated from the capture must have been
excessive to overcome my timidity when I heard the first leaps of my
savage visitors. I confess that the antics they performed round my legs
occasioned me great nervousness, for I knew not how far the voracity of
these intrepid rodents might extend; still, I kept my ground, not making
the slightest movement, through fear of compromising the success of my
scheme, and was prepared to offer the assailants a vigorous resistance
in case of an attack.
More than an hour passed in vain expectation, and I was beginning to
despair of the success of my trap, when I fancied I heard the slight
sound I hoped for as a signal. I laid the brick on the mouth of the
pitcher directly, and raised it up; the shrill cries inside convinced me
of my success, and I began a pæan of triumph, both to celebrate my
victory and to frighten away my prisoner’s comrades. The porter, when he
came to release me, helped me to master my rat by fastening a piece of
twine to one of his hind legs, and burdened with my precious booty, I
proceeded to the dormitory, where masters and pupils had been asleep for
a long time. I was glad enough to sleep too, but a difficulty presented
itself--how should I bestow my prisoner?
At length a bright idea occurred to me, fully worthy of a schoolboy: it
was to thrust the rat headforemost into one of my shoes. After fastening
the twine to the leg of my bed, I pushed the shoe into one of my
stockings, and placed the whole in the leg of my trousers. This being
accomplished, I believed I could go to bed without the slightest cause
for apprehension. The next morning, at five exactly, the inspector took
a turn through the dormitory to arouse the sleepers.
“Dress yourself directly,” he said, in that amiable voice peculiar to
gentlemen who have risen too soon.
I proceeded to obey but I was fated to dire disgrace: the rat I had
packed away so carefully, not finding its quarters airy enough, had
thought proper to gnaw through my shoe, my stocking, and my trouser, and
was taking the air through this improvised window. Fortunately, it had
not cut through the retaining string, so the rest was a trifle.
But the inspector did not regard matters in the same light as I did. The
capture of a rat and the injury to my clothes were considered further
aggravations of my previous offence, and he sent in a lengthy report to
the head-master. I was obliged to appear before the latter dressed in
the clothes that bore the proof of my offence, and, by an unlucky
coincidence, shoe, stocking and trouser were all injured on the same
leg. The Abbé Larivière (our head-master) managed the college with truly
paternal care; ever just, and prone by nature to forgiveness, he was
adored by his pupils, and to be out of favor with him was regarded as
the severest punishment.
“Well, Robert,” he said to me, looking kindly over the spectacles which
bridged the end of his nose, “I understand you have been guilty of grave
faults. Come, tell me the whole truth.”
I possessed at that time a quality which, I trust, I have not lost
since, and that is extreme frankness. I gave the Abbé a full account of
my misdeeds, and my sincerity gained me pardon. The head-master, after a
vain attempt to repress it, burst into a loud fit of laughter, on
hearing the catastrophe of my adventures. Still, he ended his gentle
lecture in the following words:
“I will not scold you any more, Robert. I believe in your repentance:
twelve hours’ confinement are sufficient punishment, and I grant you
your release. I will do more: though you are very young, I will treat
you as a man--of honor, though--you understand me? You will pledge me
your word not only that you will not commit your old faults again, but,
as your passion for mechanics makes you often neglect your lessons, you
must promise to give up your tools, and devote yourself henceforth to
study.”
“Oh yes, sir, I give you my word,” I exclaimed, moved to tears by such
unexpected indulgence; “and I can assure you, you will never repent
having put faith in my promise.”
I made up my mind to keep my pledge, although I was fully aware of all
the difficulties, which were so many stumbling-blocks in that path of
virtue I wished to follow. Much trouble, I had too, at first, in
withstanding the jests and sarcasms of the idler of my comrades, who, in
order to hide their own bad conduct, strove to make all weak characters
their accomplices. Still, I broke with them all. Sharpest pang of all,
though, was the sacrifice I made in burning my vessels--that is, in
putting aside my cages and their contents; I even forgot my tools, and
thus, free from all external distraction, I devoted myself entirely to
my Greek and Latin studies.
The praise I received from the Abbé Larivière, who prided himself in
having noticed in me the stuff for an excellent scholar, rewarded me for
this sublime effort, and I may say I became, thenceforth, one of the
most studious and attentive lads in the college. At times, I certainly
regretted my tools and my darling machinery, but recollecting my promise
to the head-master, I held firm against all temptation. All I allowed
myself was to set down by stealth on paper a few ideas that occurred to
me, though I did not know whether I should ever have a chance to put
them in practice.
At length the moment arrived for my leaving college; my studies were
completed--I was eighteen years of age.