CHAPTER II

MERELY PLAYERS

Philip Morley ascended the steps of Mr. Elton’s house on the afternoon

of the “very informal” reception, at the psychological moment between

the hours of four and six, when the first reluctant black-coated

figures began to give character to the steadily flowing stream of

gayly dressed women. Having succeeded in fighting his way to the door

of the drawing-room, the young man paused a moment to nerve himself

for the plunge into a noise and heat that seemed almost tangible. The

sharp, shrill voices of women buzzed in his ears like the trills of

persecuting insects, and high mirthless laughs cut his nerves like

little steel blades.

“This is not civilization, it is barbarism!” Philip exclaimed to

another timid male explorer into the wilderness of women. “Talk about

giving the franchise to any class of human beings who take pleasure in

assemblies of this sort! It’s preposterous! Women may be very charming

individually, but collectively--O Lord!”

He looked helplessly into the room to try and locate his hostess, who

would be sure to straighten him out into his customary ease of body and

mind with a grasp of her friendly hand.

“Why are the men so thick in that corner?” he continued querulously.

“Oh, I see.”

The crowd had thinned a little at the entrance to the room, and between

eager faces and nodding heads, Philip Morley caught sight of a girl

standing beside Mary Elton. Her beauty, her extraordinary quality,

defied description or comparison. To say that she was tall, graceful,

dignified,--radiant in coloring and expression,--would have been

to describe half a dozen other good-looking women in the room. She

positively seemed to radiate light, and to give a dazzling impression

of eternal youth and of the beauty that is in living, moving things;

not the cold perfection of a statue, or any work of art, but the

vitality of the work of nature,--the sparkle of running water, the

changing wonder of a landscape played upon by sun and cloud and breeze.

Her very dress seemed part of her, and to a man’s ignorant eyes gave

a bewildering impression of misty gray, toning into a delicate pink

that in turn melted into the color of pale heliotropes, as it caught

different rays of light. Her own soft yet vivid coloring was opalescent

like her dress, for her hair was of the warm brown that grows golden in

the light, her eyes were so clear that they seemed to reflect blue,

green, and gray shadows, and the delicate color in her cheek came and

went as she talked. Nor was her wonderful beauty that of line and color

only, for intelligence, sympathy, and humor shone from her speaking

face. Assuredly Mary Elton’s guest was possessed of the kind of beauty

one reads of in old-fashioned romantic novels, but with an added touch

of indefinable modernity and subtle mystery. In contrast, Mary Elton

looked plainer than usual,--which was saying much. She was so far from

good-looking that no one but herself ever commented on it. Plainness

of feature was simply one of her attributes, like height in a tower or

strength in a fortress, and invited no comment.

She caught sight of Philip standing by the door, and made a humorous

face at him, signifying her own aversion to the hubbub around. Then she

beckoned to him, pointed encouragingly at Edith Dudley, as to a goal

that was worth much pushing and elbowing to attain. When he was within

arm’s length, she held out her hand.

“Quick, what do you think of her? Isn’t she lovely? Isn’t she

wonderful? Shouldn’t you think I was the last person in the world to

get hold of such a drawing card? Aren’t we splendid foils for each

other? Oughtn’t she to pay me to travel about with her? Why don’t you

say what you think of her? You’re always so slow, Philip!”

“On the contrary, it’s you who are fast,” he replied laughing. “I am by

no means slow to admire Miss Dudley. She is certainly stunning, but I

am not sure that I want to meet any one so lovely. She can’t fail to be

a disappointment with such a face as a handicap to her brain.”

“You just wait. She’s wonderful,” Mary exclaimed triumphantly. “Stop,

look, and listen, as the railroad warnings say. Don’t meet her for a

little while, but just stand on the outskirts, and watch her tact and

grace and cleverness. Oh, she’s wonderful!” Mary repeated. Here Mary’s

uncle came up to give to Philip the official greetings of a semi-host.

Mr. Elton was a fair type of the average business man. His mental

horizon seemed bounded by the wool in which he dealt, but he was kindly

in disposition, and truly attached to the niece who had lived with

him since she was left an orphan at twelve years of age. There was no

intimacy between them,--perhaps the difference in their temperaments

had helped to encourage the girl’s introspection, and forced her

to find her best companionship in herself,--but there was genuine

affection, even although Mr. Elton might be said to have cared for his

niece with all his conscience, rather than with all his heart.

“Our young friend seems to be meeting with a fair measure of success,”

he stated, with the precision that characterized all his trite

utterances. “It is not often that one finds so good an intelligence

combined with so beautiful a face. I was really surprised at the

knowledge she showed of the way in which a big business,--like that of

wool, for instance,--is conducted. She seems to be well informed on

many subjects, without being superficial; a rare quality nowadays.”

Mary rescued Philip from the wearisome task of feigning an interest in

her uncle’s dry and woolly comments, by sending Mr. Elton off to do

the polite to a lady whose deaf smile was the index to her infirmity.

“There, Uncle Charles, do go and scream at poor Miss Green. She won’t

hear a word you say, but she is touchingly grateful if one merely

recites the alphabet to her. Why _will_ deaf people come to afternoon

teas, and why does every one who isn’t deaf assume that every one

else is? I never heard such a cackling. The parlor is turned into a

barn-yard. Oh, how do you do, Miss Milton?”

Mary turned suddenly to greet a new arrival, who bore the hall-mark of

a charitable spinster, from the neat little white path that divided an

expanse of smoothly plastered hair, to the broad soles of her sensible

shoes. She was the scion of a family which had many branches and was

less conspicuous for its manners than its customs.

She proved her birthright by staring across her hostess at Miss

Dudley for a moment before answering Mary’s greeting, and then saying

abruptly, “What an extraordinary-looking young woman to be a friend of

yours! Who is she? Has she relations in Boston?”

“Nothing nearer than myself. But she’s all right, Miss Milton. I

shouldn’t have asked you to meet her if she hadn’t been,” Mary suavely

declared, with an intentional humor that missed fire. “You’ll find she

isn’t as frivolous as you think. She has an extraordinary insight,

and will probably divine by intuition that you are more interested

in the poor than the prosperous, and she will unquestionably give

you the latest wrinkle in philanthropy. You just see. Come,” Mary

continued, dragging her elderly victim after her by one end of her

dateless mantilla. “Edith, I want you to meet Miss Eliza Milton. This,

Miss Milton, is my friend--and cousin by courtesy--Miss Dudley. Be

acquainted, as they say in the country.”

Philip saw the girl turn from the young men surrounding her, and

speak to the unfashionable aristocrat in a low rich tone that fell

soothingly on the ear among the sharp staccato waves of sound that

filled the room. The sympathy and kindly human interest that beamed

from the girl’s face could not be the result of training alone. Even

her double-distilled inheritance of Southern courtesy and French

grace could not explain a responsiveness that had no touch of the

professional veneer that glazes eyes and lips into a perfunctory

assumption of interest. Miss Milton had not been talking to the girl

two minutes before the conversation had veered from the general to

the particular, and Edith Dudley was giving the charitable spinster a

little account of an experience she had had among the poor in a New

York college settlement.

“I am very much interested in sociology,” Philip was astounded to hear

the young girl glibly declare, “and I’ve been fortunate enough to have

seen a little of the practical workings of various schemes for the

regeneration of mankind.”

Miss Milton drew herself up with pride at representing the One

Perfectly Organized Body of Workers on Earth.

“It is easy to dispose of a large subject with superficial

catch-words,” she proclaimed.

“Yes, isn’t it?” Miss Dudley agreed sympathetically. “Some personal

experience, some knowledge from the inside, is necessary. I have had a

little,--less than I should like,--but I should be so grateful to you,

Miss Milton, if you would put me in the way of taking some small part

in the special form of philanthropy in which you are interested. Of

course I have already read and heard a good deal about the Associated

Charities here in Boston.”

“Naturally,” Miss Milton interposed.

“I am immensely impressed by its aims and accomplishments,” Miss

Dudley continued. “I wonder if I couldn’t do a little visiting for you

while I am in Boston.”

“We are always glad of intelligent assistance,” the Philanthropist

guardedly admitted.

“I don’t know about the intelligence,” the girl said smilingly, “but I

speak Italian fairly well. I believe you always need some additional

visitors in the Italian quarter, don’t you? I should be so glad if you

would let me practice my Italian on some transplanted organ-grinders

and fruit-venders.”

Miss Milton acquiesced, with a slightly distrustful manner, in a

suggestion that seemed to her as surprising as if a butterfly had

suddenly offered to lead the strenuous life of a bee. Her frankly

expressed astonishment was broken in upon by the introduction of a

clerical young man, whose studiedly sympathetic smile seemed to preach

the duty of cheerfulness to a quite professional extent, and whose air

of worldly ease was the logical sequence to his ministerial waistcoat.

“Ah, this does make me feel at home!” Miss Dudley exclaimed, with a

cordial grasp of the ineffective white hand extended to meet hers.

“I never expected to see anything so anomalous as a clergyman of the

Church of England in Mary Elton’s drawing-room. I haven’t dared to

breathe my sympathy for anything so conservative as--as you, in this

hot-bed, no, cold-bed of radicalism.”

“There are a few of us left, Miss Dudley, a few of us left,” he

replied, with the easy reiteration of the obvious in which his calling

had perfected him. He grasped an imaginary surplice with two delicate

fingers. “May I hope that you will persuade Miss Elton to bring you to

St. Matthew’s next Sunday, and see for yourself that Unitarians and

Christian Scientists do not yet control all Boston,--not quite all of

this fair city?” he eloquently preached.

“Of course I’ll come, but my cousin won’t come with me. I feel sure

that she secretly goes to some hall where Emerson is the Deity

worshiped, although she pretends not to go anywhere. She is much too

unconventional to attend any church that preaches legitimate doctrine,

but I’ll come alone.”

The little clergyman beamed unctuously, and expressed the belief that

he should draw fresh inspiration from the sight of Miss Dudley in his

congregation.

“I really long to confess myself a miserable sinner,” the girl went on,

with the blending of seriousness and lightness that is the ambition and

admiration of young society clergymen. “These sincere, self-respecting

Bostonians refuse to ‘cringe to the Almighty,’ as Mary calls it. They

think on the whole they’re a pretty virtuous set of people, but for my

own part I never feel so good as when I say I’m bad, so I’m coming to

confess with the other sinners in your congregation next Sunday.”

The young divine was reluctantly hurried by, his impressionable heart

stirred by a remembered vision of a serious and spiritual face that had

contradicted the lightness of the spoken words. By this time, one of

the former satellites that had revolved about the new planet drifted

again into the orbit of her smile. His coldly critical and clever face

was stamped with the lines of fastidious modernity.

“What an anachronism is presented by the sight of a parson at Miss

Elton’s reception!” he commented, smiling somewhat sneeringly at

the cordial shoulders of the clergyman that were writhing, with

ostentatious sympathy, over an old lady’s confessions of rheumatism.

“I am sure you agree with me, Miss Dudley, that the Church in America

to-day is merely a picturesque ruin,--the only ruin in this terribly

new land,--that we value merely for its traditions and associations.

There is no longer such a thing as living faith. Occasionally we think

we have found it again, but when we turn the electric light of modern

science on its poor groping shape, we discover only the ghost of

something that once lived ages ago.”

Miss Dudley smiled with sad understanding. “You are right, of course.

But I believe in ghosts, and that’s all right, isn’t it, as long

as I don’t mistake them for their living counterparts? I know that

faith is dead,--I mean the real vital faith that made martyrs of

people,--but I like to play it’s alive. I really care for the forms

of religion,--for its picturesqueness, its traditions; and therefore

I prefer the Catholic Church to the Protestant. I like to recall my

early associations with what my mother taught me, by going to church

and getting into rather a slushy state of virtuous emotion, but as for

a real reasoning belief”--

She gave a little shrug,--the national gesture of her mother’s

race,--and suddenly her eyes were veiled by a mist of sadness. “Don’t

let’s be serious at an afternoon tea!” she exclaimed. “I should like

to talk to you about all kinds of things sometime, Mr. Marston. I’m

sure we should agree about a great many of them. You are cynical

outside, and I am cynical inside. I have to drug myself with all these

‘frivolous little anodynes that deaden suffering,’ in order not to lose

my grip on life.” She signified the pleasure-seekers around her with a

wave of the large bouquet of sweet peas that seemed part of her.

Philip Morley, still an eye and ear witness to Miss Dudley’s

variations, gave a curious little grunt of mystification, not untinged

with contempt, but he drew a little nearer to the enigma, to hear what

further contradictions she would reveal.

A young Harvard student lounged up to Miss Dudley’s side, with

overacted ease, and continued a conversation that had evidently been

interrupted. “Then you will really dance the cotillon with me next

Thursday night? You won’t forget?” he asked, impaling her eyes with a

gaze of boyish admiration.

“Forget?” she laughed, clasping her hands with mock intensity. “I am

not likely to forget what I enjoy more than anything in the world,

dancing with a good partner,--for I know you dance well; I saw you last

night.”

“What flowers do you care for? What color are you going to wear?” he

asked with the blasé manner of an experienced society man.

“Oh, I care for all flowers; I shall wear all colors,” she cried

lightly; but then added, “you will please me best, Mr. Warren, by not

sending me any flowers at all. It is one of my very few principles, not

to let college men send me flowers. There are so many things they must

want to get that will last so much longer. Please don’t send me any; I

really mean it. Come and take me to walk some afternoon instead. Show

me Bunker Hill Monument, and teach me some local history.”

Her frank kindliness, just tinged with coquetry, was what the boy most

wanted. “If you won’t let me give you flowers, you might give me one,”

he said, stretching out his hand toward the variegated sweet peas that

lay in the bend of her arm. She gave him a blossom, with a pretty

little foreign gesture. “There. Now we won’t either of us forget our

engagement for next Thursday,” she said in her softly Southern speech,

and then turned with a radiant smile to bid good-by to a gray-haired

lady, whose hand she held in both hers. “It has been worth my coming to

Boston to hear what you have told me of my mother,” she said gently,

her eyes softening with impulsive tears. “Each person who knew her

contributes something to my own memory of her. It is like a mosaic,--my

thought of her,--all made up of little stones of memory pieced together

by different hands. _Wasn’t_ she beautiful, Mrs. Warner? Wasn’t she

like a creature of another species beside the rest of the world?”

“She was, indeed, my dear, and you are like her,” the lady replied

gently.

“It is so good of you to have asked me to stay with you, before seeing

me,” the girl went on, “and still kinder now that you have seen me. I

shall love to come when Mary is tired of me.”

“That means I must wait a long time,” Mrs. Warner said, as she pressed

her hand for farewell.

“Will you please take these flowers?” the girl cried impulsively.

“Sweet peas were Mamma’s favorite flowers. They will thank you better

than I can,” and with the grace of perfect unconsciousness, she put the

big bunch of fragrant blossoms into the old lady’s hands.

Philip Morley turned to Mary Elton, who was vigorously denouncing

afternoon teas to an amused clump of her guests. “Will you introduce me

to Miss Dudley?” he asked rather formally. “You know I haven’t met her

yet.”

“You’re no better than an eavesdropper!” she declared. Then, “You are

sure you want to meet her?” she asked earnestly, looking at him with

the boyish straightforwardness that some men found disconcerting.

“Naturally. What am I here for except to meet Miss Dudley from four to

six?” he expostulated. “From the droppings that have fallen off the

eaves into my ears I gather that Miss Dudley is all things not only

to all men, but to all women, boys, and clergymen as well. I don’t

wonder she enslaves every one, with her combination of extraordinary

beauty and flattering sympathy with the point of view of the person she

happens to be talking to.”

“But it isn’t that she’s nothing,” Mary insisted, “she’s _everything_.

She’s not a chameleon that sits on a piece of blue paper and turns to

indigo,--she’s an opal: she’s blue and red and green and yellow, and

good and bad and sweet and sarcastic and religious and skeptical and

frivolous and serious! Come on and be introduced.”

He followed her obediently, but Mary had no time to mention his name,

for Miss Dudley met his look with one of recognition. As Philip Morley

came under the direct personal fire of her compelling personality,

he felt the overwhelming rush of admiring excitement that one feels

in seeing and hearing the swift flight of a sky-rocket in one’s

immediate vicinity. The comparison flashed upon him in a moment. She

was like a wonderful firework. He was constrained to admire, with

quickened pulses, the upward rush, the downward flight, the shower of

many-colored stars. Would he later see the stick fall to the earth?

“You are going to be Mr. Morley,--isn’t he, Mary?” the girl said,

holding out a frankly cordial hand. “You see I have made Mary give

me biographical sketches of all her particular friends, and her

descriptions of you have been so vivid that you might just as well

have your name scrawled over your face.”

“I must plead guilty of being myself,” Philip assented. “It would be

quite impossible to escape detection when Mary’s vigorous language has

been employed on one’s behalf. You, also, Miss Dudley, have been duly

catalogued. Perhaps you do not know that you have been called an opal.”

“Opals crumble away to nothing; they are short-lived and rather

sensational,” the girl answered. “Mary, there, is like a

pearl,--staunch and unchangeable.”

“I’m a black pearl, then,” Mary replied grimly. “They are fortunately

very rare, and so ugly that they are considered beautiful by some.

I myself would as soon have a boot-button set in a ring as a black

pearl. If a thing is ugly inherently, its cost cannot make it valuable

to me.” A note of bitterness was stinging her voice, but she cast it

out with her customary tone of light banter. “At least I am grateful

for not being called a moss-agate, Edith. Isn’t it just like me

to have that for my so-called ‘birthday stone’? Good-by,--there’s

Miss Grantley. I’d forgotten I’d asked her. She’s anti-all-existing

conditions. Anti-vivisectionist, anti-vaccinationist, anti-imperialist,

anti-everything. But of course you’ll cater to all her aspirations

towards reform, Edith. Miss Dudley is a born caterer,” Mary threw back

at Philip, as she left them, to resume her irksome duties as hostess.

“I suppose ‘caterer,’ in Mary’s sense, and ‘opal’ mean much the same,

don’t they?” asked Philip. “It is most refreshing to find anything so

acquiescent as either name implies.”

“I don’t think I can be like an opal, for it is my favorite stone, and

my own character is the kind I most detest,” Miss Dudley said simply.

“Mary Elton is the type of person for whom I have the most genuine

admiration. She is splendid. Her strength and clear-sightedness and

absolute sincerity and certainty of conviction are wonderful. If I were

a man,--the kind of man I’d like to be, not the kind I should be,--I

should strain every nerve to win that woman, and if I failed, why,

I’d at least be thankful I hadn’t succeeded in winning any one less

unusual.”

Miss Dudley spoke with such simple sincerity that Philip Morley’s

heart warmed to her. “Mary is indeed refreshing, and astonishingly

satisfactory as a friend,” he heartily agreed. “One misses neither men

nor women when one is with her. I confess I am too selfish to wish that

you were a man, for if Mary married I should feel that I had lost my

best friend.”

For an instant Edith Dudley looked into the young man’s eyes with a

glance of eager scrutiny, but all she saw there was half-indifferent

amusement.

“Perhaps I exaggerate Mary’s remarkable qualities,” she said quietly.

“She is cast for so much better and bigger a part on the world’s stage

than I, and acts it so much better, that I suppose I think of her

with something of the same feeling with which a performer in private

theatricals regards Bernhardt or Duse.”

“I should have fancied you were a better actress than Mary,” Philip

commented.

“Oh, I am not speaking of consciously adopting a rôle and playing it

consistently,” Miss Dudley explained. “I was merely speaking--tritely

enough--of acting in the sense of living. ‘All the world’s a stage,’

you know, ‘and all the men and women merely players.’” She spoke with

the slightest touch of scorn for his literalness. “At all events,” she

went on, “I thank whatever gods there be that I am still capable of

feeling enthusiasm for people. You are, perhaps, lazily thanking the

same indefinite deities for never being carried off your feet.”

“Oh, but I am, if a strong enough person comes along,” he declared.

“Is it irrelevant to own myself the weakest of my sex?” the girl asked

with a challenging smile.

“Not unless it is impertinent in me to hope I may have the opportunity

of proving you otherwise. I have been listening to you talking to these

people. You are not weak; you are daring, as only a person well armed

can be.”

For a second she looked at him beseechingly. “I hope that you will

sometime understand Mary, and will never understand me,” she said with

strange seriousness.

“I already do one, and I intend to do the other,” he insisted, with

his pleasant personal smile. “I am hoping to see you often while you

are in Boston, Miss Dudley. I am almost like one of the family in this

house, you know.”

The girl was prevented from answering by the introduction of another

young collegian by her recent sophomoric conquest.

“Where do you come from, Miss Dudley?” was his correct opening, in the

tone of a player of twenty questions.

“Oh, I am like George Macdonald’s baby,” she smiled, shaking off her

serious mood with a dismissing nod to Philip; “I come ‘out of the

Everywhere into the Here!’”

Philip turned away, his brows knitting with mystification. He was

curiously interested by the dazzling inconsistencies and overwhelming

beauty of the strange girl who had spoken to him of Mary Elton with

an inexplicable emotion. He must see her again, and often. She was a

riddle worth pondering over.

He stopped in his flight to the door to say good-by to his hostess.

There was in her eyes a strange look, almost of physical suffering,

that he had noticed more than once lately, and her expressive ugliness

seemed more than usually pathetic under its veil of humor.

“Well, what do you think of her?” she said, with strangely vibrating

intensity.

Her small eyes seemed to swim in unshed tears for a moment, and she bit

her under lip viciously in self-scorn as she waited for his answer. He

looked over her head, and for a moment did not reply.

Since speaking to the beautiful Miss Dudley, since her eyes had looked

into his,--not boldly, not flirtatiously, but with a special intimacy

and understanding,--Philip had felt almost as though he were under

a hypnotic influence. Even to Mary he could not reply seriously, as

to what he thought of her friend, for, if he spoke truthfully, his

sentiments would sound exaggerated; so he spoke with exaggeration, and

trusted that his words had the ring of truth.

“My dear Mary,” he said, laughing as he shook her hand, “she is a

thousand women in one; but you are what is far more satisfactory, one

woman in a thousand.”

The opal · 第 2 / 7 章