CHAPTER I

THE OPAL

[Illustration: THE OPAL

_From a painting by J. H. Gardner-Soper._]

THE OPAL

A NOVEL

[Illustration: Riverside Press logo]

BOSTON AND NEW YORK

HOUGHTON MIFFLIN AND

COMPANY THE RIVERSIDE

PRESS CAMBRIDGE 1905

COPYRIGHT 1905 BY HOUGHTON, MIFFLIN & COMPANY

ALL RIGHTS RESERVED. PUBLISHED FEBRUARY 1905

CONTENTS

I DRAMATIS PERSONAE 1

II MERELY PLAYERS 9

III A THOUSAND WOMEN IN ONE 40

IV ONE WOMAN IN A THOUSAND 63

V A DIRECTOR OF DESTINIES 84

VI A PUPPET IN TRAGEDY 103

VII THE FULFILLING OF THE LAW 150

THE OPAL

CHAPTER I

DRAMATIS PERSONAE

Mary Elton was a girl whom her friends called unusual, and her friends’

friends, peculiar. She was young enough to be judged leniently by her

elders on the ground of her immaturity, and old enough to be looked

up to by her juniors as a clever woman whose character was past

the formative period. An undisguised interest in her own character

frequently laid her open to the charge of egotism, but she had never

been accused of conceit. A sort of fundamental frankness, combined with

a remarkably clear vision, was the basis of her nature. Seeing things

without disguise made it possible to speak of things without reserve,

and neither timidity nor politeness ever tempted her to call black

white, or even gray, and a spade was given no less definite a name when

she found it necessary to refer to that symbol of the unmentionable.

Men discovered in Mary Elton certain masculine characteristics of mind

and heart, an almost grim sense of humor and a readiness to see the

man’s point of view, which, paradoxically enough, made her the more

feminine, there being no quality regarded as so essentially womanly as

intelligent sympathy for the superior male, and understanding of his

complexities.

But, as Mary acknowledged with equal openness to herself and to her

friends, no man had ever been in love with her. Many had given her

their warmest friendship, and had confided their affairs of the

heart to her as to one of their own sex, but no one had ever faintly

intimated that marriage could concern her in any more personal way

than as a subject of abstract discussion.

Among her clear-sighted and warm-hearted friendships there was

none more sincere than that which bound her with mutual chains of

comprehending sympathy to Philip Morley. There had always been good

comradeship between them, their temperaments being sufficiently unlike

to enable them to act and react upon each other to their common

advantage and stimulus. He confided his small love affairs to Mary,

and she gave them either the sympathy he craved or the scolding he

deserved, as circumstances seemed to demand.

To outward view he was tall, with a suggestion of latent power about

him, which was in singular contrast with the superficial laziness of

his manner. Mary used to tell him that it was a mere toss-up of chances

whether he became a leader of men or a follower of women. Certainly

hints of both tendencies lurked in his handsome features, the strength

lying in his firm mouth and decided chin, the sentiment and love of

pleasure looking out from his blue eyes.

One morning, after a lapse of time longer than Philip usually allowed

to pass without having seen Mary, he found a bulky envelope on his

office desk, addressed in so boldly and blatantly masculine a hand that

it instantly proclaimed the writer to be a woman. He glanced at the

pile of letters it surmounted, with the constitutional indifference

that extended even to his morning mail; then a slow smile brightened

his features into an expression of half-amused pleasure.

“Mary’s screeds generally deserve to be read first,” he said to

himself. “She always insists that the length of her letters is in

inverse ratio to their importance, by which token this must be a trifle

of exceptional airiness.”

With a slit of his finger he liberated two closely written sheets of

letter-paper and read as follows:--

MY DEAR PHILIP,--I am sending cards to the rabble (and notes to the

elect) to bid them come here “very informally”--whatever that may

mean--next Wednesday afternoon, November twenty-seventh, to meet

Miss Edith Dudley. I am perfectly aware that every one hates teas,

and I know that nothing less than a personal appeal eight pages

long would bring you to one, but I do want you to come and see this

holiday novelty that I am exhibiting for the first time in Boston.

“Who under the sun is Miss Dudley?” I hear you inquire, “and why

did I never hear of her before?” Because, I reply sententiously,

like all Bostonians, your knowledge of men and women is limited to

State Street and the Back Bay; and this lovely creature, who is

a sort of step-cousin-in-law of mine, happens to be known only in

Europe and the southern and western portions of this continent.

Listen, my children, and you shall hear why she is what she is.

Don’t fancy that you are beginning a Balzac novel if I go into

her ancestry sufficiently to tell you that her mother was French,

her father Kentuckian, her education as cosmopolitan as her

inheritances, and her beauty as bewilderingly elusive as that of

the opal or the rainbow. Her mother died several years ago, and by

some strange inconsistency of temperament her hot Southern father

must needs marry the cold Northern cousin of my uncle. (Doesn’t

that sound Ollendorfian?) The alliance instantly froze him to

death; so this lovely wonderful daughter was left to the mercy and

justice of her stepmother. They went abroad together and stayed

two years, and now Edith has come to pay me a long visit on the

feeble strength of my relationship to the second Mrs. Dudley. She

will be in Boston most of the winter, first with me, and then

with the Warners. You are the only person to whom I have given a

word of preparation as to what to expect; but you may pass on the

information to those whom it may concern. As usual, my note has

grown into a foreign letter, the gist of which may be summed up in

the refrain, Come early and avoid the rush! November 27th. One day

only!! Beauty and the Beast!!!

Always faithfully your friend,

MARY ELTON (the Beast).

“How exactly like Mary!” the young man exclaimed out loud. “Her voice

gets into her letters in the most extraordinary way, and makes her pen

talk instead of writing. Of course I shall have to go and meet this

siren who has bewitched the most clear-sighted of her sex;” and he

jotted down in his note-book the date of one of the few “teas” he was

not glad to forget.

The opal · 第 1 / 7 章