THE PARISH CHURCHES
The two parish churches, placed together in one yard, make with the
bell tower an unusually striking group. What then would be the
feelings aroused in the spectator were the great church, a cathedral
in magnitude and splendour, still visible, rising majestically above
roofs and spires. To us the Abbey which is gone can do no more than
add solemnity to the scene which once it graced. It matters little by
which entrance we approach the churchyard, for from every side the
buildings group harmoniously; each of the steeples acting as it were
as a foil to the other: and both the spires unite in adding dignity to
the bell tower. The churchyard in Norman times would seem to have been
part of the Abbey precincts, as it is enclosed within Abbot Reginald's
wall already described, and a second wall, part of which is still
standing, divided it from the Monastery and the monastic grounds.
The Church of All Saints seems to have served, from very early times,
as the parish church. As we examine it we read, as in an ancient and
partly illegible manuscript, its long story. The restorer, more
ruthless than Age or Time, has, with the best intentions, laid his
heavy hand upon it, and obliterated much of its character and history;
but enough remains to interest us, though pleasure is now mingled with
much vain regret. In the simple Norman arch through which we pass as
we enter the nave, and perhaps the western wall with the small
round-headed windows, we find the earliest records. The slight tower
with its sharply-pointed windows and delicate spire was added,
probably supplanting an earlier and simple porch, in the time of the
Edwards. The arches and northern clerestory of the nave belong to a
rather later period when the church was found too narrow for the
increasing population; while the arches on the southern side with no
clerestory above, are probably later still. The choir and north wall
of the nave are the work of the restorer, and tell us nothing but a
tale of culpable neglect and mistaken zeal! The head of the north door
of the chancel is, however, a relic of the original building, and this
should be carefully examined. It is beautifully cut with double rows
of cusps, and is of fourteenth century workmanship. The latest Gothic
additions are the work of Clement Lichfield. To this Abbot we owe the
outer porch so deeply panelled, with its two entrance doorways, its
pierced battlements, and finely carved timber roof; to him also do we
breathe our thanks as we stand looking up at the lovely vaulting of
the Lichfield Chapel built by him in his younger days when Prior of
the Monastery. Here was Lichfield buried, and beneath the floor his
body lies; formerly a memorial brass engraved with effigy and
inscription marked the spot, but this has long since disappeared. The
inscription, however, can be read on a tablet lately erected by pious
hands to perpetuate his memory. Over the entrance we may still see the
initials of the builder carved upon an ornamental shield. The windows
are now filled with modern glass, not unworthily telling the
oft-repeated story of the "vanished Abbey." In the upper lights are
represented figures of the Virgin Mary, and of Eoves with his swine.
The shields on either side of the former figure bear the lily and the
rose; to the left of Eoves are the arms of the Borough of Evesham, and
on the right those attributed to the ancient Earls of Mercia. The
figures below show Saint Egwin, with the arms of the See of Worcester
to the left, those of the Monastery to the right; and Abbot Lichfield,
with his own arms (Lichfield alias Wych) on the left, and those of the
Rev. F.W. Holland, to whose memory the windows were glazed, oh the
right. In the west window of the chapel is Simon de Montfort, Earl of
Leicester, with the arms of de Montfort on the left, and those of
James the First, who granted the Borough its charter, on the right.
Above him is his opponent and conqueror, Prince Edward; to the left
his own arms as eldest son of the monarch, and to the right the
traditional arms of Edward the Confessor; who according to the Abbey
Chronicles first granted the town a market and the right of levying
tolls. In one of the carved panels below these windows is a variation
of the coat-of-arms of the Monastery.
As we leave the church porch we shall notice the black and white house
adjoining Abbot Reginald's gateway on the right. This is now a private
house, but was until lately the Vicarage. The lower rooms have been
made to project to the level of the first floor, and the
picturesqueness given by an overhanging storey has thus been lost. In
one of these rooms is a large fifteenth-century fireplace of stone.
The Church of Saint Lawrence has little to say to us of its history.
Though an old foundation the irregular western tower is the earliest
part now standing, and this is not older than the fourteenth or
fifteenth century; the rest of the church was built in Lichfield's
time, but after having lain in ruins for many years it underwent a
complete restoration towards the middle of last century, with the
result that much of the Gothic character is lost. The general plan of
the church with its panelled arcade and open clerestory is original,
but the northern side is modern, and compared with the old work hard
and lacking in feeling. The east window and the chapel now used as the
baptistery are both fine examples of perpendicular architecture and
worthy of careful study. The carved detail round the east window with
its playful treatment of flying buttresses, battlements, and pinnacles
is charming in its delicacy and proportion; and some of the detail is
almost as sharp as when it left the mason's hand four hundred years
ago. The chapel is, in its way, perfect, a complete vault of fan
tracery. The decayed condition of the broken canopies, once flanking
an altar, and which were the work of the same hands as the east
window, shows into what a dilapidated condition the church had fallen.
There was a corresponding chapel on the north side of the nave, but
this has been long demolished. The present font is an unsympathetic
copy of the old one, dating from the fifteenth century and still
preserved at Abbey Manor. Outside the tower on the north side, and set
on a level with the eye, should be noticed a carving of the
Crucifixion, much worn by weather and rough usage; but even yet may be
traced a master hand in the attitudes and proportion of the figures.