CHAPTER VII

MINOR RHETORICIANS

The contemporaries of Isocrates are overshadowed by his genius;

nevertheless there were in his time other speakers and teachers of

ability. The only one of them who deserves serious consideration is

Alcidamas, a pupil of Gorgias or of his school, who, though a rival of

Isocrates, had come under the influence of the latter’s style. We possess

under his name a sophistical exercise, the _Accusation of Palamedes

by Odysseus_, which is of no importance, and may be spurious, and a

declamation _On the Sophists_, which is probably genuine; at least we

may say that it is the work of an able critic and a graceful writer. His

other works included two rhetorical exercises, the _Praise of Death_ and

the _Praise of Nais_, and a _Messenian Oration_, which was apparently a

counterblast to the _Archidamus_ of Isocrates.

_The Sophists_ is really an attack on the methods of Isocrates, and is

directed against the practice of laboriously composing written speeches,

which are no real help to a man who wishes to be an orator, whether in

the assembly or the law-courts. Certain so-called Sophists, he contends,

who, while quite incapable of speaking, have practised writing, pride

themselves on this accomplishment, and though they can call only one

small department of rhetoric their own, claim to be masters of the

complete science. He would not disparage the art of writing, but he

considers it of secondary importance, while other accomplishments deserve

far more attention. Any man of ability, given the time, can learn to

write moderately well; but in order to speak well you must apply a

careful training to the development of certain special gifts. To be able

to speak extemporaneously is a very important gift; a man who possesses

it can adapt himself to the mood of his audience, while one who relies

on prepared orations must often miss a great opportunity, for it is

beyond human powers to learn by heart enough speeches to be ready at a

moment’s notice to speak on any subject and to any kind of audience. A

man accustomed to the use of written speeches, when forced to speak _ex

tempore_, will not maintain his proper level of performance.[213] Many

arguments, of more or less value, are adduced; in all of them there is a

certain cleverness.

Dionysius thought the style of Alcidamas coarse and trivial;[214]

Aristotle says that he used his epithets ‘not as seasoning but as

meat.’[215] These strictures do not apply to the one surviving work.

He seems to have been raised above the dead level of rhetoricians by

possessing ideas; in the speech advocating the freedom of the Messenians

occurred the sentence, ‘God has made all men free; nature has made no

man a slave’; and his description of the _Odyssey_ as ‘a noble mirror of

human life,’ is a fine expression in itself, though Aristotle objects

that such ornaments detract from the value of a speech, as giving the

impression of over-preparation.[216]

* * * * *

Polycrates, a rhetorician of the same period, is known to have composed

a fictitious _Accusation of Socrates_, to which Isocrates refers.[217]

His _Encomium of Busiris_, the cannibal king of Egypt, stirred Isocrates

to write his own _Busiris_, in order to show how such a theme ought to

be treated. Dionysius found his style inane, frigid, and vulgar.[218]

Lycophron, an imitator of Gorgias, is quoted several times by Aristotle;

and Cephisodorus, the best known rhetorician of the school of Isocrates,

wrote an admirable defence of his master against the attacks of

Aristotle.[219]

* * * * *

These minor teachers, who are mentioned only as offshoots from the

prominent schools, had no permanent influence on the growth either of

rhetoric or of oratory.

The Greek orators · 第 7 / 12 章