FOOTNOTES:

[1] We have a collection of these "Allegoricae Homericae." Even the

great Verulam caught the infectious ingenuity; and, in "the wisdom of

the ancients," explains everything with the skill of a great Homeric

scholiast.

[2] Berni's "Bojardo," canto xxxi. st. 2. He has hardly improved the

verse in the "Inferno," canto ix. ver. 61.--

O voi ch'avete gl'intelletti sani,

Mirate la dottrina che s'asconde,

_Sotto il velame degli versi strani_.

[3] The "Allegoria dalla Poema" is appended to the ancient editions

of Tasso's "Gerusalemme Liberata." The one before me is dated

Ferrara, 1582. I believe it has been indignantly rejected by modern

editors. When we detect Tasso seriously describing Godfrey as the

type of the human understanding--Rinaldo, and Tancred, and others, as

different faculties of the soul--and the common soldiers as the body

of man--we regret that an honourable mind should degrade itself by

such literary imposture. At length, having succeeded in imposing on

others, he attempted to impose on himself; for he actually commenced

a second "Jerusalem" on the allegorical system, and did not more

happily succeed in his elder days than our Akenside in his

philosophical destruction of his youthful poem.

[4] "Edinburgh Review," vol. vii. p. 215.

[5] Book III. canto viii.

[6] It has been observed of Upton that, though an excellent classical

scholar, he was little versed in the romances of chivalry. In the

romance of "Gyron le Courtois" he would have found the original of

the farcical Knight Braggadochio; a fact, long after I had written

the above, which I owe to Mr. Southey. Such ludicrous caricatures are

unusual with the delicacy and elegance of Spenser; and they seem

never to have been struck in his mint. I suspect we should not have

had such farcical personages in the "Faery Queen," had not Spenser's

propensity to imitation induced him to follow his beloved patron, who

has not happily introduced in the "Arcadia" the low comic of Damoetas

and his ugly daughter Mopsa.

[7] Upton's note at the close of the fifth book of "The Faery Queen."

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