OUR CURIO CRANKS.

[Illustration: The man who collects mud-splashes from the wheels of the

exalted great.]

* * * * *

A period so bygone as that of His late Majesty KING HENRY II. (of whose

exact date you will scarcely need to be reminded) has not an immediate

and irresistible attraction for every novel reader, and it may take much

to persuade some that they will ever become really concerned with the

deeds and destinies of such people as _Jehane_ the woodward's daughter,

_Edwy_ the tanner of Clee, and _Lord Lambert do Fort-Castel_, be their

deeds and destinies never so adventurous or romantic. Further, the

juvenile manner of the pictorial cover attached to _Jehane of the

Forest_ (MELROSE) is not calculated to whet the appetite of the adult

public, and the eulogy of a well-known author, appended on a printed

slip, lacks the essential glow of the effective advertisement. It misses

the point; it is pedantic, and pedantry is the one thing for which wary

readers are on the look out in stories of antiquity. It is first

important, then, to acquit Mr. L. A. TALBOT of every offence of which,

in the blackness of the outward circumstances, he might be

suspected--affectations, anachronisms, excess of local and contemporary

colour, absence of humour or human touches, any tendency to bore. The

book presents a charming picture of the counties on the Welsh Border and

unravels a delightful tale in which the characters talk the language

peculiar to their time, but are controlled by the everlasting motives of

human nature. Though the times were harder than ours the people seem to

have been neither better nor worse than we are; and, when approached

from such a point of view as Mr. TALBOT has taken, there is nothing to

be said against, but very much to be said for, the period of 1154-1189,

which, as every schoolboy is punished for not knowing, covers the reign

of HENRY II.

* * * * *

Miss MILLS YOUNG does not, I think, improve as an artist. _The Purple

Mists_ (LANE) is her latest book, and it is not so real and satisfactory

a piece of work as _Grit Lawless_ or _Atonement_. The theme of her new

novel is the coming of love to two people who married without any other

emotion than restrained but unmistakable antipathy. Why people should do

these things so often in novels I do not know, but on the present

occasion _Euretta_ (_Euretta_ is not an attractive name) and _John Shaw_

(you can tell by _his_ name that he is a strong silent man who is deep

in his work and has no time to bother about women) are driven into

matrimony by Miss MILLS YOUNG. After a while it appears that _Mr. Shaw_

is beginning to care for _Euretta_ very much, but he shows his affection

for her by avoiding her as much as possible and snarling when she speaks

to him. It is obvious that a more kindly figure must be somewhere close

at hand eager to console _Euretta_. Miss YOUNG discovers him, finds that

he is precisely the deep-drinking, warm-hearted rascal necessary for

this kind of occasion, and provides him with the inevitable situations

proper to the _tertium quid_. The defects of _The Purple Mists_ all

arise from the fact that Miss MILLS YOUNG has been told by her friends

that she tells a good story. If, next time, she thinks first of her

characters and then chronicles their logical development, instead of

forcing them into a threadbare plot, she will give us the fine book of

which I am sure she is capable.

* * * * *

"According to the Jewish Chronicle, the number of Jews in the

world now exceeds 13,000: to be exact, 13,052,840."

_Family Herald (B.C.)_

Our contemporary should cultivate the large tracts of truth which lie

between the extreme vagueness of the first estimate and the pedantic

accuracy of the second.

* * * * *

"Rokeby Venus in Ribbons."--_Globe._

Are we becoming prudish?

* * * * *

"Breezes between North and South."--_Cork Examiner._

This is the weather forecast for Ireland, and at first sight seems

obvious; but "in view," as our penny contemporary says, "of the grave

importance of the present political situation," we suspect a deeper

meaning.

Punch, or the London Charivari, Vol. 146, March 18, 1914 · 第 33 / 33 题