FESTIVALS.

Feasts are given now and then to celebrate success in hunting and

similar achievements.

In 1883 I was invited to attend a feast of furs to be given by one of

the most energetic of the Indians. We repaired to the tents spread on

the top of a high wall of rock a few rods from my house. As I approached

the scene I observed a tent of different construction. It was nearly

oval at its base and had a diameter of about 18 feet and a length of

about 25 feet. The top was drawn to an apex resembling the common roof

of a house. The entrance to the structure faced southeast. On a pole,

supported with one end on the apex of the tent and the other resting on

a post, were numbers of skins of various animals--wolves, wolverine,

beaver, otter, foxes, and muskrat, together with a number of the finest

reindeer skins. The sound of the drum was heard within the structure and

as I approached the door the noise ceased. I paused and was invited to

enter. Immediately two old men next the drummer moved to one side and

motioned me to sit down on the pile of deerskins reserved for me. It was

evident that the feast had been in progress for some time. Around the

interior of the structure groups of men were idly disposed, some

reclining and others standing. Not a word was spoken for some time,

and this gave me opportunity to look around. The floor was covered with

boughs from the neighboring spruce trees, arranged with unusual care,

forming a soft carpeting for those seated within. I saw a number of

piles of deerskins and several small heaps covered with cloth. To break

the silence I inquired if the drum was tired. A smile greeted the

inquiry. Immediately an old man came forward, tightened the snare of the

drum, and arranged the string, suspending it from one of the tent poles

at the proper height for use. He then dipped his fingers into a vessel

of water and sprinkled a few drops on the membrane of the drum-head to

prevent it from breaking under the blows to be delivered. The performer

then seized the drumstick with the right hand and gave the membrane a

few taps; the transverse cord of twisted sinew, holding the small

cylinders of wood attached to it, repeated the vibration with increased

emphasis. A song was begun and the drum beaten in rhythm to the

monotonous chant of o-ho, o-ho, etc. Three songs with tympanic

accompaniment followed. The songs appeared alike and were easily

learned. In the meanwhile the guests were treated to a strange-looking

compound which had lain hidden beneath one of the cloths and is known as

"pemmican." I was solicited to accept a piece. The previously assembled

guests had either brought their own bowls and saucers to eat from or

else appropriated those available. Not to be at a loss, one of the young

men remarked that he would find one. From among the accumulated filth

around one of the center poles supporting the structure a bowl was

produced. The man coolly took the handkerchief which was tied around his

forehead to keep his matted hair from his face and wiped out the

interior of the bowl, and placing a piece of the pemmican within it,

handed it to the attendant whose duty it was to offer it to me.

I, however, found it quite inedible. Other guests constantly arrived and

some departed, made happy by their share of this compound of rancid

tallow and marrow with a due admixture of pounded dry meat of the

reindeer. I soon departed, and attempted to take the remnant of the

pemmican with me. This was instantly forbidden, and information given me

that by so doing I should cause all the deer to desert the vicinity, and

thus make the people starve. I explained that such was not my desire,

and after wishing continued prosperity and enjoyment, I made my way out.

I was then informed that the feast would continue for a time, and wind

up with an invitation to the women, who had hitherto been excluded,

to come and eat the remnants left by the men. At the end of two days

thereafter the feast concluded and a dance took place. In this

performance there was nothing remarkable. The men sang songs and kicked

up their heels, while the women shrugged their shoulders as they swayed

their bodies from right to left, and assumed various other postures,

although their limbs were apparently kept in a rigid position,

occasionally uttering their plaudits as the men made humorous

compliments to their generous host.

This feast was given by one who had been unusually successful in the

capture of fur-bearing animals, and, to prove his wealth, displayed it

before the assemblage and gave a feast in consideration of his ability.

Other feasts of a similar character occur, and differ from this in no

special feature.

The principal source of amusement with the men is the game of draughts

or checkers. While the men are in the tent or on the hillsides awaiting

the approach of bands of deer their idle moments are employed over this

game. Neither hunger nor the sight of game is sufficient to distract

them, so intently are they absorbed.

The game is played as in civilization, with only slight differences.

I am not aware that wagers are laid upon its issue. Some of the men are

so expert that they would rank as skillful players in any part of the

world.

Small boards that may be carried in the hunting bag are used on trips to

while away the tedium of the long winter evenings with only the light of

the flickering fire of the dry limbs of spruce. Far into the night the

players engage, and are only disturbed when one of their tired

companions starts from his sleep to relate a wondrous dream and have it

expounded by the listeners, who sit aghast at the revelations.

They also have a game corresponding to "cup and ball," but it is played

with different implements from what the Eskimo use, as may be seen by

referring to Fig. 150. The hollow cones are made from the terminal

phalanges of the reindeer's foot. The tail tied to the end of the thong

is that of a marten or a mink. The player holds the peg in one hand, and

tossing up the bones tries to catch the nearest bone on the point of the

peg. The object of the game is to catch the bone the greatest possible

number of times. It is in no sense a gambling game.

[Illustration: FIG. 150.--Cup-and-ball, Nenenot.]

[Illustration: FIG. 151.--Drum, Nenenot.]

The only musical instrument used by these people is the drum or

tambourine, which is of the form shown in Fig. 151. These drums vary in

diameter from 22 to 26 inches, and are constructed as follows: The

barrel is made of a thin slat of spruce, bent into a hoop, with the ends

joined in a lap, spliced nearly a foot long, which length is sewed by

four perpendicular seams. The stitches are made with deerskin thread put

through perforations, near together, made with an awl. The next

operation is to prepare for a head a thin reindeer skin, which has been

tanned. The skin is moistened and sewed so that all holes in it are

closed. A narrow hoop of a size to fit tightly over the barrel of the

drum is made and the moist skin stretched over it. The edges of the skin

are turned inward, and within this hoop is placed the barrel of the

drum.

A second hoop, two or three times as wide as the first, is prepared and

fitted over the barrel and head. It is pushed down as far as the

elasticity of the membrane will allow, or about half the width of the

top hoop. Through the outer hoop have been made a number of holes and

corresponding but alternate holes made in the farther edge of the barrel

of the drum.

Through these holes a stout thong is threaded and passing from the edge

of the barrel to the outer hoop is drawn so tightly as to push the inner

hoop along the outer circumference of the barrel and thus tighten the

membrane to the required degree. The outer hoop now projects an inch or

more beyond the membrane and thus protects it from injury by careless

handling.

[Illustration: FIG. 152.--Drum, Little Whale river.]

Across the membrane is stretched a sinew cord on which are strung, at

right angles to the cord, a number of barrels made from the quills of

the wing feathers of the willow ptarmigan. Across the underside of the

membrane is stretched a similar cord with quills. These serve the

purpose of a snare on the drum. The stick used for beating the drum

consists of a piece of reindeer horn cut so as to have a thin and narrow

handle a foot in length and terminating in a knob more than an inch long

and as thick as the portion of horn permits. The drum is suspended from

the poles of the tent by means of thongs. The performer tightens the

snares, and sprinkles a few drops of water on the drumhead lest the

blows cause it to split under the strain. Nothing is done, nothing

contemplated without sounding the drum. It is silent only when the

people are asleep or on a tramp from one locality to another.

If a person is ill the drum is beaten. If a person is well the drum is

beaten. If prosperous in the chase the drum is beaten; and if death has

snatched a member from the community the drum is beaten to prevent his

spirit from returning to torment the living.

The drumbeat is often accompanied with singing which is the most

discordant of all sounds supposed to be harmonious.

The drums used by the Little Whale river Indians (Fig. 152, No. 3223)

differs greatly in construction from those made by the Ungava Indians.

The size is rarely so great, seldom exceeding 22 inches. These drums

have two heads or membranes fitted on the barrel and secured by means of

a single hoop for each head. The two hoops are then connected by the

tightening strings.

The membranes are invariably made of deer skin in the parchment

condition and not of tanned skins. The snares or thongs across the heads

are finer and have pieces of wood instead of quills as "rattlers." The

drumstick is a piece of reindeer horn cut as before described; or else,

as if to add to the din, a gun-cap box is pierced through from side to

side and a few pebbles or shot placed within. A stick is then inserted

in the hole through the box and the whole covered with buckskin to

prevent separation of the lid and box. This makes a distracting noise.

[Illustration: FIG. 153.--Rattle, Nenenot.]

[Illustration: FIG. 154.--Target, reindeer, buck.]

[Illustration: FIG. 155.--Target, reindeer, doe.]

Rattles for the children (Fig. 153) are made of a hoop of wood bent to a

circular form and covered with two heads or membranes. Within it are

placed a few pebbles or shot, to produce a rattling sound when the

membranes are dry. A cord attached to the circumference enables the

rattle to be suspended from the tent-pole in front of the child for

whose amusement it is intended. Other toys are made for the children,

but they were not easy for us to obtain. Pl. XLIII represents a doll,

dressed in a woman's full suit of clothes. The boys amuse themselves by

shooting with blunt arrows at images of reindeer, bucks, does, and

fawns, cut out of flat boards stuck up in the snow (Figs. 154, 155).

[Illustration: BUREAU OF ETHNOLOGY ELEVENTH ANNUAL REPORT PL. XLIII

Ethnology of the Ungava District, Hudson Bay Territory Eleventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1889-1890, Government Printing Office, Washington, 1894, pages 159-350 · 第 62 / 70 题