CHAPTER XI

Bianchi judged it prudent to prolong his relapse in order to profit

by the softening of heart it had induced in his attendants. He

obeyed Mariuccia's commands with touching submission and kept her

affectionately uneasy about him by well-timed sighs and complaints. She

would not leave the house till he should be better, and she would not

leave Giannella alone with him; in fact she bade her keep out of his

sight altogether, hoping rather forlornly that his mad project would

disappear with the other symptoms of his alarming indisposition.

So Giannella went alone to Mass and marketing, and came home each day

with more pink in her cheeks, more light in her eyes. Her spirits

seemed to have returned and she hummed little tunes over her work, just

as she had done when she first came back from the convent. Some of the

moist sweetness of the summer morning followed her in when Mariuccia

opened the door to her and her parcels at seven o'clock; and through

the long hot days of July she looked as fresh and bright as an opening

rose in the first sunbeam.

The inhabitants of the Via Tresette knew all about it long before

Giannella did. The dairyman's wife told her lord that the Signorino

Goffi was as good as in love, "bello che innamorato," with the

Biondina. "Don't tell me," she declared, "that a young fellow like

that would go to church every day at five o'clock--and bring down a

clean handkerchief to kneel on every blessed morning--if he were not

in love! He is rich. Has he not a splendid vigna outside Porta San

Giovanni, from which he received fruit and wine but yesterday? The man

who brought it told me all about him. He is disinterested, one can see

that, for he did not bargain more than a day over the rooms, and he has

never tried to beat me down on the eggs and ricotta--oh, he will marry

Mariuccia's Biondina, and was I not the cleverest of women to insist on

your building a good apartment that could accommodate a family, instead

of just a studio and a cubbyhole of a kitchen as you wished to do?"

Sora Rosa opposite nodded her old head in approval of these sentiments,

delivered in clarion tones on the dairyman's doorstep. She had seen it

happening for a week now, had seen Giannella come down the street from

Palazzo Santafede with the sun behind her and Rinaldo with the sun on

his face emerge from his door at the same moment; had seen them meet

at the low entrance to the San Severino courtyard, pause an instant,

smile involuntarily, and then disappear as the heavy old portal swung

to behind them.

Fra Tommaso too knew all about it. Divided between sympathy for

the youth and romance, and jealousy for the respect due the sacred

precincts, he had watched his old and his new parishioner closely, but

had found nothing to criticise in their behavior. "Good children, good

children," he said to himself as he saw Giannella go out and Rinaldo

follow her, with proper deliberation. Of course he had obtained the

young man's history in full from the communicative lady of the dairy,

and indulged in a little self-approval for having been the immediate

instrument of obtaining for the Biondina the fine instruction which

would fit her to be the sposa of that superior young gentleman,

Signorina Goffi. Padre Anselmo might talk about the evils of human

distractions, but there could not be anything very dangerous in them

when they had such splendid results at this.

Things were nothing like so clear to the hero and heroine of the

popular little romance. They had traveled no farther than the outer

garden of love's fairy habitation, and Giannella at any rate did not

dream that anything sweeter or more perfect could lie beyond. The

thrilling excitement of seeing Rinaldo coming to meet her at the

doorway, the silent passage to their places in the chapel, the kneeling

so near each other for the blessed half hour--this had seemed enough

at first to bring her happiness for the day. But when on the fourth

morning Rinaldo had overtaken her in the court, and, with profound

apologies, returned to her the purse and key which she had left lying

on the chair--when, baring his head he looked in her face and she

saw the glow on his and heard his voice for the first time--then

Giannella's heart beat so wildly that she could find no words to say

and her trembling fingers almost dropped the objects he held out to her.

Together they had left the courtyard, and Rinaldo, lifting his hat

respectfully, had turned away fearing she might think he was going to

have the presumption to accompany her. But when, on looking round, he

saw her entering the dairy, he reached the threshold in two strides,

for here was his opportunity. Sora Amalia, the proprietress, should

introduce him properly. Then Giannella would know as much about him as

he already knew about her. After that--leave it to him to make the most

of the acquaintance.

As he entered the dark cool shop, Giannella was burying her face in

a huge posy of carnations which stood on the marble counter midway

between the butter and the fresh eggs. Sora Amalia gave him a cheery

good-morning, and Giannella lifted her face, all rosy, and dewy from

the flowers, and drew back a little as if to wait her turn until the

new-comer should have been attended to. Rinaldo, with a quick movement

of the head, manifested his wish to Sora Amalia, who, smiling broadly,

said: "Signorina Giannella, this is Signor Goffi, the great painter,

who has taken our apartment. Some day, if you like, I will take you

upstairs and show you his pictures. For to me he is already like a son.

Oh, signorino, that salad you gave me from your vigna--it was a cream,

a flower of tenderness. That of Sora Rosa over there is material,

tough, compared to it. And the wine--of a sincerity we had a treat last

night, Pippo and I."

She chattered on, to give the young people time to look at each other,

and also to impress Giannella with the importance of the new lodger. As

soon as she ceased, Rinaldo caught at the proposal contained in her

speech.

"My pictures are nothing to mount the stairs for, signorina," he said

eagerly, "but the view--if you would condescend, and Sora Amalia could

come up now?"

"Oh, not now, I am afraid I have not time," Giannella interposed,

addressing Sora Amalia; "another day, perhaps, if you can come--and

Signor Goffi permits?" she added, looking up at him and flushing

divinely. "Now I have still to go to the apothecary with this

prescription--and he is not very near--and does take so long to prepare

the medicine--and you know, Sora Amalia, there is much to do at home."

"Is there illness in the family, signorina?" Rinaldo inquired with

concern. "It grieves me to hear it."

Sora Amalia touched his hand as it lay on the counter and gave him

a broad wink with the eye Giannella could not see. "Illness?" she

exclaimed, "there is indeed. The Signor Professore has been in bed for

a week. Now, signorino, if you wish to do him a good turn--and get a

nice walk in the morning air for your health's sake--you will take

this prescription and get it made up, and bring it yourself to Sora

Mariuccia, who will thank you for sending Giannella home so quickly."

She had whisked the paper from the girl's hand and held it out to him,

laughingly defending it from the rightful owner, who was trying to get

it back.

"Oh, please, Sora Amalia," Giannella pleaded, "how can you imagine that

I would let Signor Goffi take all that trouble for us? I will go for

it myself, of course."

But Rinaldo was quick to seize the golden opportunity. The paper

vanished into his pocket and he was making for the door when Giannella

ran after him. "Please, please, since you are determined to be so

charitable," she said, "here is the money to pay for it," and she

tendered a silver coin. He took it gravely, and they both paled a

little at the touch of hand and hand.

"I will bring the medicine to the palazzo," he said rather huskily.

"How could you, Sora Amalia?" Giannella remonstrated when he was gone;

"what will he think of being asked to do such a thing for a stranger?"

"I will show you to-morrow what he thinks," replied the good woman,

"and perhaps I will give you some of it. There will be a pile of fruit

and vegetables a yard high, from his vigna, on this counter to-morrow

morning. Run along and tell Sora Mariuccia all about it--and be sure to

open the door to him yourself when he brings the medicine."

Giannella was rather reticent with Mariuccia, however, and gave her

story of how Sora Amalia's lodger had run off with the prescription in

as few words as possible. She expected to receive a good scolding for

the indiscretion she must have committed--or permitted--before things

reached such a pass, though she could not quite see where she had been

in fault.

Mariuccia had no such doubts. "That blessed Sora Amalia!" she

exclaimed, her eyebrows meeting in rhadamanthine severity across her

low forehead. "What a want of education! Could she not perceive that

she was taking the most indiscreet liberty--imposing on the gentleman's

good nature, so that he must have been deeply displeased? I will

apologize to him when he comes. I will tell him that we are shocked at

that woman's imprudence. Four flights of stairs to climb, and his time

wasted! I wonder you did not die of shame, Giannella, at being made the

occasion of such inconvenience to him."

Giannella remembered Signor Goffi's ecstatic alacrity and ventured to

say that he did not seem at all annoyed, on the contrary, very happy to

be of service.

"Then," thundered Mariuccia, "you have spoken to him before. You

have permitted him to make your acquaintance--in secret. Oh, this is

terrible. How can I ever let you out of my sight again?"

"I never spoke to him till this morning," cried the girl. "I have

seen him, yes, how could I help it? He comes to Mass every day. Is

the church my private chapel? Is no one else to enter it while her

Excellency, Giannella Brockmann, is saying her prayers there? How dare

you say that I have made his acquaintance in secret? I will not hear

such things. You speak as if you believed evil of me."

Was this Mariuccia's submissive Giannella, this outraged young woman

with scarlet cheeks and flashing eyes standing up to her inquisitor

with rebellion in every tone of her voice? Mariuccia drew back from her

in surprise, and before she had recovered enough to reply, the doorbell

tinkled hoarsely.

"There he is," said Giannella. "You must open to him yourself. I will

not. He would see that you have been pouring shame over me." And she

turned her back and sat down to her work, shaking with indignation.

Mariuccia went to the door, nothing loth. "I shall see what he is like

at any rate," she told herself in the passage. "Some silly dandy who

thinks he can make eyes at a poor girl because she has to go out alone.

That's the kind. But I'll settle him." And she opened the door with

a jerk and stood squarely on the threshold as if barring the way to

impertinent intruders.

"With permission?" inquired a courteous voice, and one hand held out

a small parcel while the other removed the hat from a handsome young

head. "I took the liberty--Sora Mariuccia will pardon me, I trust. I

have heard of her so much from Fra Tommaso--and I knew she was anxious

to have this as soon as possible. How is the chiarissimo Professore

this morning?"

If the young man felt any chagrin at the substitution of this janitress

for a prettier one he effaced all signs of it from his address. He

was so good-looking, so urbane, there was such honest kindness in his

smile, that the hardest feminine heart must have softened to him.

Mariuccia thawed at once. What if he were to prove--but she chased away

the rosy dream, and answered his inquiry about the padrone's health,

thanked him for his amiability and, remembering that the Professor

was safe in bed, was actually going to ask Rinaldo to enter. It went

against all her traditions to keep anyone standing at the threshold.

But Rinaldo had his traditions too. One did not impose oneself as a

visitor on the strength of a rendered service. "Levo l' incommodo" (I

remove the inconvenience of my presence), he said, bowing and turning

to depart. Then a thought struck him, and he came back to ask: "Can

I be of any service in the way of commissions while the Professor is

ill? it would be for me a pleasure. I live over the dairy in the Via

Tresette, close by. A word to Sora Amalia, and I am at your disposal at

any time, day or night. Arrivederci, Sora Mariuccia."

"A beautiful youth," she remarked to herself when she had thanked him

and closed the door. "And well brought up. He would not even come in.

I do not believe he is running after Giannella at all. Poor child--it

might be a good thing for her if he did--if he has any money. San

Giuseppe mio, send us a good husband for her, and restore my little

padrone to his right mind. I will never complain of his faults any more

if only he drops his crazy idea of marrying Giannella. Eccomi quá, here

I come!" This in answer to a querulous call from the invalid's room.

When she returned to the kitchen Giannella's bad temper had

disappeared. She was standing at the window amusing herself with

feeding Fra Tommaso's pigeons, who looked upon her as their

supplementary Providence, since she always had crumbs and corn in store

for them. The wide window sill so near the deep palace eaves was

shady in the hot hours, and the pretty tame creatures often haunted

it, strutting up and down, carrying on their little sham fights over

tempting morsels or boldly hopping on Giannella's shoulder to ask for

more. She was quite unconscious that she was ever watched from across

the way at these moments, but, to tell the truth, Rinaldo trespassed

unwarrantably on Fra Tommaso's premises and wasted a good deal of time

in the occupation of feeding his eyes on the sight of his goddess and

the preoccupation of preventing her or anyone else from finding it out.

Themistocles was bolder. He had taken to Fra Tommaso's loggia and his

own kin there very kindly, and had wheeled towards Giannella's window

more than once in the wake of the rest; but he had never settled there

till this morning, when he at last permitted himself to be courted and

captured.

"Fra Tommaso has got a new pigeon and a fine name for it too," said

Giannella as Mariuccia entered. She had made up her mind to pardon her

old friend and this seemed a good way of opening up a reconciliation.

"See, is he not a beauty? And he has a silver band round his neck, with

'Themistocles' on it. What grandeur! Fra Tommaso grows extravagant in

his old age. Ah, ungrateful one," she cried, as the bird slipped from

her hand and soared away over the convent roof, "being full you depart,

but you will return with great love when you are hungry again."

"That reminds me," Mariuccia replied, catching at the flag of truce,

"that gentleman who brought the medicine just now spoke of Fra Tommaso.

He seems a nice quiet young man."

"Who? Fra Tommaso?" Giannella asked. "He seems to me a nice talkative

old one." And she laughed, being too full of happiness to quarrel long

with anyone to-day. Her troubles seemed to have vanished into air.

The padrone was out of sight and mind, and the sun was rising on her

horizon at last.

After this it was impossible to refuse to speak to Rinaldo when she met

him in the mornings, and the little conversations in the back court of

San Severino became very friendly and intimate. Rinaldo always began

with eager inquiries after the health of the illustrious Professor, as

if his peace of mind depended on the answer. Then he hoped that the

most respectable Sora Mariuccia was well. After that, conventionalities

were forgotten. In the most natural way in the world each came to know

all about the other. Rinaldo had learned Giannella's limited life

story from her own lips, had had to avow his admiration of Mariuccia's

goodness--"She is an angel, that woman," Giannella declared one

morning, her eyes suffused with emotion; "she seems cross and rough,

but she has a heart of gold. Oh, you will love her when you know her

better."

And Rinaldo, his heart quite full of another love, proclaimed that

he already felt for the good woman the affection of a son. There was

nothing he would not do to prove it. Let Giannella try him. Meanwhile,

would she not persuade Sora Mariuccia to bring her to his studio some

Sunday afternoon? They could have a little refreshment on the terrace,

and he would get his friend, Peppino Sacchetti, who sang divinely, to

come and bring his mandolin, and though indeed the pictures were not

worth looking at, the signorina would be amused at the antics of the

pigeon, Themistocles, who would dance about when Peppino played, and

was altogether a most sagacious bird.

The first part of this speech opened up a dizzy vista of happiness not

to be contemplated for a moment when one had only one old frock and

one's shoes were going to pieces. So, with a determined gulp, Giannella

ignored it and replied to the last words only.

"Oh, he is yours then, the one with the silver collar? I thought he

belonged to Fra Tommaso. Why, he comes to see me every day."

"Beato lui, too happy bird!" cried Rinaldo, with sudden passion in eyes

and voice. "My little sister sent him to me from Orbetello, saying

he would bring me good fortune. It is he who is fortunate." Then, as

the color flushed up in Giannella's cheek at his cry, he went on more

quietly, "Signorina, I am coming to-morrow to bring Sora Mariuccia

something from the vigna--poor stuff, but fresher than we get in the

city. Then I shall myself invite her for next Sunday. What kind of

ice-cream do you like best."

"Framboise," she replied, without a moment's hesitation. Then

she remembered. Such pleasures were not for her. She turned away

to hide the silly tears that would come into her eyes, and said

chokingly, "Oh, please do not speak of it, Signor Goffi. It is quite

impossible--there are good reasons. We never go anywhere--we could not

come."

Rinaldo was silent, looking at the averted head where the gold gleamed

royally through the carefully mended lace. His trained eye took in the

poverty of the thin black dress with its neat little darns here and

there; it clothed the delicate young form very kindly, but it was a

thousand times unworthy of such honor. Being artist as well as lover,

he understood, and his heart was so hot with love and pity that for

the first time in his life words failed him. Giannella moved towards

the outer gate of the court, and he followed dumbly, aching to find

expression for what he felt. But there was nothing to say which would

not have been an offense; he could not offer sympathy where he had no

right to seem to understand. His Latin tact came to his aid, however,

as he held the door open for her to pass out.

"We will put off our party a little, then, signorina," he said, gentle

detaining her. "The weather is warm just now. Perhaps it would please

you better to come to the vigna, some day when the grapes are ripe? It

will be cooler then." And he added to himself, "And by that time, my

beautiful heart, you will have a Sunday dress of splendid blue silk,

and a gold chain to match your hair, and you will go to your own, for

the vigna will belong to you. We will be married on the first Sunday in

October, and what a sposina you will make!"

Giannella murmured something and hastened away towards the Piazza

Santafede, and Rinaldo stood looking after her till she disappeared.

Then he regained his studio in haste, and applied himself to the

picture for the rich foreigner. He was to receive five hundred scudi

for it, and that was just the sum he wanted to put the apartment in

order and buy his wedding gifts for his bride. He had been tempted to

commit the extravagance of having a living model this time, so as to

get on faster; but he reflected that the hired peasant would not look

much more like a real cardinal than the ever-obedient but rickety clay

figure, and then--three pauls an hour! No, it was not to be thought

of--when one had set one's mind on that other extravagance, that holy

folly of marriage.

"Come along, your Eminence," he exclaimed as he knocked Themistocles

off the ragged head and crowned it with a red skullcap. Then he got

his old friend seated in the cherub-crowned chair, pinned the red

tablecloth round him in dignified folds, and in half-an-hour had

forgotten that he was not contemplating a live dignitary of the Church.

Towards evening the friend of whom he had spoken to Giannella, Peppino

Sacchetti, came to tempt him away to the Tiber for a row and a swim

before the sun went down.

"Capperi, Nalduccio," he cried as he looked from the model to the

picture, "but you have a fine big imagination! I could not have drawn

that from our old manikin. I see Themistocles has been trying to mend

that bump on its nose. When are you going to have living models? You

are a rich man, you rascal, and you can pay for them now. I wish I

could."

"Peppino mio," replied Rinaldo, as he worked his palette off his thumb

and prepared to wash his brushes, "I shall have a living model, and

a very beautiful one, next October. Meanwhile I have an imagination

which is neither fine nor big--but, thank Heaven, extremely obedient.

It saves me much money. While I am painting, I see a cardinal, and I

am most respectful to him. I address that person in the tablecloth

as 'your Eminence' and push him into his place with reverence when

he tumbles down. When the rich foreigner receives the picture, he

also sees a cardinal, and he admires him, for he has probably never

cast eyes on a real one. The picture goes with him to his nasty cold

heretic country where there are no cardinals. Everybody admires it,

and the naturally good of heart wish that they belonged to a Church

governed by noble ecclesiastics with pink cheeks and Chinese white

hair and beautiful taper fingers (I always draw the hands from those

same old casts), and if God is good to them they come to Rome and save

their souls. I obtain all these fine results and save many precious

scudi--because I have an obedient imagination. Cultivate one, Peppino

mio, it is as good as a savings bank."

Giannella · 第 11 / 26 章