The Huyghenean eye-piece which we have described is the best for

merely optical purposes, but when it is required to measure the

magnified image, we use the eye-piece invented by Mr. Ramsden, and

called, from its purpose, the micrometer eye-piece. When it is stated

that we sometimes require to measure portions of animal or vegetable

matter a hundred times smaller than any divisions that can be

artificially made on any measuring instrument, the advantage of

applying the scale to the magnified image will be obvious, as compared

with the application of engraved or mechanical micrometers to the

stage of the instrument.

The arrangement is shown in Fig. 21, where E E and F F are the eye and

field glass, the latter having now its plane face towards the object.

The rays from the object are here made to converge at A A, immediately

in front of the field-glass, and here also is placed a plane glass on

which are engraved divisions of a hundredth of an inch or less. The

markings of these divisions come into focus therefore at the same time

as the image of the object, and both are distinctly seen together.

Thus the measure of the magnified image is given by mere inspection,

and the value of such measures in reference to the real object may be

obtained thus, which, when once obtained, is constant for the same

object-glass. Place on the stage of the instrument a divided scale the

value of which is known, and viewing this scale as the microscopic

object, observe how many of the divisions on the scale attached to the

eye-piece correspond with one of those in the magnified image. If, for

instance, ten of those in the eye-piece correspond with one of those in

the image, and if the divisions are known to be equal, then the image

is ten times larger than the object, and the dimensions of the object

are ten times less than indicated by the micrometer. If the divisions

on the micrometer and on the magnified scale were not equal, it

becomes a mere rule-of-three sum, but in general this trouble is taken

by the maker of the instrument, who furnishes a table showing the

value of each division of the micrometer for every object-glass with

which it may be used.

[Illustration: Fig. 21.]

While on the subject of measuring it may be well to explain the mode

of ascertaining the magnifying power of the compound microscope, which

is generally taken on the assumption before mentioned, that the naked

eye sees most distinctly at the distance of ten inches.

Place on the stage of the instrument, as before, a known divided

scale, and when it is distinctly seen, hold a rule at ten inches

distance from the disengaged eye, so that it may be seen by that eye,

overlapping or lying by side of the magnified picture of the other

scale. Then move the rule till one or more of its known divisions

correspond with a number of those in the magnified scale, and a

comparison of the two gives the magnifying power.

Having now explained the optical principles of the achromatic compound

microscope, it remains only to describe the mechanical arrangements

for giving those principles their full effect. The mechanism of a

microscope is of much more importance than might be imagined by those

who have not studied the subject. In the first place, steadiness, or

freedom from vibration, and most particularly freedom from any

vibrations which are not equally communicated to the object under

examination, and to the lenses by which it is viewed, is a point of

the utmost consequence. When, for instance, the body containing the

lenses is screwed by its lower extremity to a horizontal arm, we have

one of the most vibratory forms conceivable; it is precisely the form

of the inverted pendulum, which is expressly contrived to indicate

otherwise insensible vibrations. The tremor necessarily attendant on

such an arrangement is magnified by the whole power of the instrument;

and as the object on the stage partakes of this tremor in a

comparatively insensible degree, the image is seen to oscillate so

rapidly, as in some cases to be wholly undistinguishable. Such

microscopes cannot possibly be used with high powers in ordinary

houses abutting on any paved streets through which carriages are

passing, nor indeed are they adapted to be used in houses in which the

ordinary internal sources of shaking exist.

One of the best modes of mounting a compound microscope is shown in

the annexed view (Fig. 22), which, though too minute to exhibit all

the details, will serve to explain the chief features of the

arrangement.

A massy pillar A is screwed into a solid tripod B, and is surmounted

by a strong joint at C, on which the whole instrument turns, so as to

enable it to take a perfectly horizontal or vertical position, or any

intermediate angle, such, for instance, as that shown in the

engraving.

This movable portion of the instrument consists of one solid casting D

E F G; from F to G being a thick pierced plate carrying the stage and

its appendages. The compound body H is attached to the bar D E, and

moves up and down upon it by a rack and pinion worked by either of the

milled heads K. The piece D E F G is attached to the pillar by the

joint C, which being the source of the required movement in the

instrument, is obviously its weakest part, and about which no doubt

considerable vibration takes place. But inasmuch as the piece D E F G

of necessity transmits such vibrations equally to the body of the

microscope and to the objects on the stage, they hold always the same

relative position, and no _visible_ vibration is caused, how much

soever may really exist. To the under side of the stage is attached a

circular stem L, on which slides the mirror M, plane on one side and

concave on the other, to reflect the light through the aperture in the

stage. Beneath the stage is a circular revolving plate containing

three apertures of various sizes, to limit the angle of the pencil of

light which shall be allowed to fall on the object under examination.

Besides these conveniences the stage has a double movement produced by

two racks at right angles to each other, and worked by milled heads

beneath. It has also the usual appendages of forceps to hold minute

objects, and a lens to condense the light upon them, all of which are

well understood, and if not, will be rendered more intelligible by a

few minutes’ examination of a microscope than by the most lengthened

description. One other point remains to be noticed. The movement

produced by the milled head K is not sufficiently delicate to adjust

the focus of very powerful lenses, nor indeed is any rack movement.

Only the finest screws are adapted to this purpose; and even these are

improved by means for reducing the rapidity of the screw’s movement.

For this purpose the lower end of the compound body H, which carries

the object-glass, consists of a piece of smaller tube sliding in

parallel guides in the main body, and kept constantly pressed upwards

by a spiral spring but it can be drawn downward by a lever crossing

the body, and acted on by an extremely fine screw whose milled head

is seen at N, and the fineness of which is tripled by means of the

lever through which it acts on the object-glass. The instrument is of

course roughly adjusted by the rack movement, and finished by the

screw, or by such other means as are chosen for the purpose. One very

ingenious contrivance, but applied to the stage, instead of the body

of the microscope, invented by Mr. Powell, will be found described in

the 50th volume of the Transactions of the Society of Arts.

[Illustration: Fig. 22.]

The greater part of the directions for viewing and illuminating

objects given in reference to the simple microscope are applicable to

the compound. An argand lamp placed in the focus of a large detached

lens so as to throw parallel rays upon the mirror, is the best

artificial light; and for opaque objects the light so thrown up may be

reflected by metallic specula (called, from their inventor,

Lieberkhuns) attached to the object-glasses.

It has been recently proposed by Sir David Brewster and by M. Dujardin

to render the Wollaston condenser achromatic, and they have

accordingly been made with three pairs of achromatic lenses instead of

the single lens before described, with very excellent effect. The

last-mentioned gentleman has also projected an ingenious apparatus,

called the Hyptioscope, attached to the eye-piece for the purpose of

erecting the magnified picture.

The erector commonly applied to the compound microscope consists of a

pair of lenses acting like the erecting eye-piece of the telescope.

But this, though it is convenient for the purpose of dissection, very

much impairs the optical performance of the instrument.

[Illustration: Fig. 23.]

For drawing the images presented by the microscope the best apparatus

consists of a mirror M (Fig. 23), composed of a thin piece of rather

dark-colored glass cemented on to a piece of plate-glass inclined at

an angle of 45° in front of the eye-glass E. The light escaping from

the eye-glass is assisted in its reflection upwards to the eye by the

dark glass, which effects the further useful purpose of rendering the

paper less brilliant, and thus enabling the eye better to see the

reflected image. The lens L below the reflector is to cause the light

from the paper and pencil to diverge from the same distance as that

received from the eye-glass; in other words, to cause it to reach the

eye in parallel lines.

[Illustration: Fig. 24.]

Dr. Wollaston’s camera lucida, as shown in Fig. 24, is sometimes

attached to the eye-piece of the microscope for the same purpose. In

this instrument the rays suffer two internal reflections within the

glass prism, as will be seen explained in the article “Camera Lucida.”

In this minute figure we have omitted to trace the reflected rays,

merely to avoid confusion.

[Illustration: Fig. 25.]

[Illustration: Fig. 26.]

[Illustration: Fig. 27.]

Annexed are four engravings of microscopic objects, the true character

of which it is, however, impossible to give in wood, and is difficult

indeed to accomplish by any description of engraving.

[Illustration: Fig. 28.]

Fig. 25 shows a scale of the small insect called Podura Plumbea, the

common Skiptail, magnified about five hundred times. To define the

markings on this scale clearly is the highest test of a deep

achromatic object-glass; and this drawing is given rather to explain

what the observer should look for, than as a very correct

representation. Fig. 26 is a scale or feather of the Menelaus

Butterfly; Fig. 27 is the hair of a singular insect, the Dermestes;

and Fig. 28 is a longitudinal cutting of fir, showing the circular

glands on the vessels which distinguish coniferous woods. These latter

objects may be seen by half-inch or quarter-inch achromatic glasses.

Opaque objects are generally better exhibited by inch and two-inch

glasses, when a general view of them is required, and by higher powers

when we wish to examine their minute structure. In the latter case the

light must be obtained by condensing lenses instead of the metallic

specula.

Although the reflecting microscope is now very little used, it may be

expected that we should mention it. In this instrument, at Fig. 29,

the object O is reflected by the inclined face of the mirror M, and

the rays are again reflected and converged by the ellipsoidal

reflector R R, which effects the same purpose as the object-glass of

the compound microscope. It forms an image which is not susceptible of

the over-correction as to color before described, and which therefore

becomes colored in passing through the eye-piece. This fact, and the

loss of light by reflection, will probably always render the

reflecting microscope inferior to the achromatic refracting.

[Illustration: Fig. 29.]

The solar microscope has been so nearly superseded by the

oxy-hydrogen, that a brief description of the latter must suffice,

particularly as their optical principles are similar.

The primary object in both is to throw an intense light upon the

object, which is sometimes done by mirrors, and sometimes by lenses.

In Fig. 30, L represents the cylinder of burning lime, R R the

reflector, which concentrates the light upon the object O O; the rays

from which, passing through the two plano-convex lenses, are brought

to foci upon a screen placed at a great distance, and upon which is

formed the magnified image.

[Illustration: Fig. 30.]

Fig. 31 shows a combination of lenses to condense the light upon the

object. In either case the optical arrangements by which the image is

formed admit of the same perfection as those which have been described

for the compound microscopes. A few achromatic glasses for

oxy-hydrogen microscopes have been made, and they will ultimately

become valuable instruments for illustrating lectures on natural

history and physiology. One made by Mr. Ross was exhibited a few

months since at the Society of Arts to illustrate a lecture on the

physiology of woods. It should be observed, however, that the

oxy-hydrogen or solar microscope requires either a spherical screen,

or that the objects should be mounted between spherical glasses, in

order to bring the whole into focus at one time. This latter plan was

adopted on the occasion just mentioned with perfect success.

[Illustration: Fig. 31.]

The Microscope · 第 3 / 3 段