CHAPTER VIII

HOW IT FEELS TO NAVIGATE THE AIR

Notwithstanding the breakdown I felt nothing but elation that night. The

sentiment of success filled me: I had navigated the air.

I had performed every evolution prescribed by the problem. _The

breakdown itself had not been due to any cause foreseen by the

professional aeronauts._

I had mounted without sacrificing ballast. I had descended without

sacrificing gas. My shifting weights had proved successful, and it would

have been impossible not to recognise the capital triumph of these

oblique flights through the air. No one had ever made them before.

Of course, when starting, or shortly after leaving the ground, one has

sometimes to throw out ballast to balance the machine, as one may have

made a mistake and started with the air-ship far too heavy. What I have

referred to are manoeuvres in the air.

[Illustration: "No. 4" FREE DIAGONAL MOVEMENT UP]

[Illustration: "No. 6." FREE DIAGONAL MOVEMENT DOWN]

My first impression of aerial navigation was, I confess, surprise to

feel the air-ship going straight ahead. It was astonishing to feel the

wind in my face. In spherical ballooning we go with the wind, and do not

feel it. True, in rising and descending the spherical balloonist feels

the friction of the atmosphere, and the vertical oscillation makes the

flag flutter, but in the horizontal movement the ordinary balloon seems

to stand still, while the earth flies past under it.

As my air-ship ploughed ahead the wind struck my face and fluttered my

coat, as on the deck of a transatlantic liner, though in other respects

it will be more accurate to liken aerial to river navigation with a

steamboat. It is not like sail navigation, and all talk about "tacking"

is meaningless. If there is any wind at all it is in a given direction,

so that the analogy with a river current is complete. When there is no

wind at all we may liken it to the navigation of a smooth lake or pond.

It will be well to understand this matter.

Suppose that my motor and propeller push me through the air at the rate

of 20 miles an hour, I am in the position of a steamboat captain whose

propeller is driving him up or down the river at the rate of 20 miles

an hour. Imagine the current to be 10 miles per hour. If he navigates

against the current he accomplishes 10 miles an hour with respect to

the shore, though he has been travelling at the rate of 20 miles an

hour through the water. If he goes with the current he accomplishes 30

miles an hour with respect to the shore, though he has not been going

any faster through the water. This is one of the reasons why it is so

difficult to estimate the speed of an air-ship.

It is also the reason why air-ship captains will always prefer to

navigate for their own pleasure in calm weather, and, when they find an

air current against them, will steer obliquely upward or downward to get

out of it. Birds do the same thing. The sailing yachtsman whistles for

a fair breeze, without which he can do nothing, but the river steamboat

captain will always hug the shore to avoid the freshet, and will time

his descent of the river by the outgoing, rather than the incoming,

tide. We air-shipmen are steamboat captains and not sailing yachtsmen.

The navigator of the air, however, has the one great advantage--he can

leave one current for another. The air is full of varying currents.

Mounting, he will find an advantageous breeze or else a calm. These

are strictly practical considerations, having nothing to do with the

air-ship's ability to battle with the breeze when obliged to do it.

Before going on my first trip I had wondered if I should be sea-sick.

I foresaw that the sensation of mounting and descending obliquely with

my shifting weights might be unpleasant. And I looked forward to a good

deal of pitching (_tangage_), as they say on board ship--of rolling

there would not be so much--but both sensations would be novel in

ballooning, for the spherical balloon gives no sensation of movement at

all.

In my first air-ship, however, the suspension was very long,

approximating that of a spherical balloon. For this reason there

was very little pitching. And, speaking generally, since that time,

though I have been told that on this or that trip my air-ship pitched

considerably, I have never been sea-sick. It may be due in part to the

fact that I am rarely subject to this ill upon the water. Back and forth

between Brazil and France and between France and the United States

I have had experience of all kinds of weather. Once, on the way to

Brazil, the storm was so violent that the grand piano went loose and

broke a lady's leg, yet I was not sea-sick.

I know that what one feels most distressingly at sea is not so much the

movement as that momentary hesitation just before the boat pitches,

followed by the malicious dipping or mounting, which never comes quite

the same, and the shock at top and bottom. All this is powerfully aided

by the smells of the paint, varnish, tar, mingled with the odours of the

kitchen, the heat of the boilers, and the stench of the smoke and the

hold.

In the air-ship there is no smell--all is pure and clean--and the

pitching itself has none of the shocks and hesitations of the boat at

sea. The movement is suave and flowing, which is doubtless owing to the

lesser resistance of the air waves. The pitches are less frequent and

rapid than those at sea; the dip is not brusquely arrested, so that the

mind can anticipate the curve to its end; and there is no shock to give

that queer, "empty" sensation to the solar plexus.

Furthermore, the shocks of a transatlantic liner are due first to the

fore, and then to the after, part of the giant construction rising out

of the water to plunge into it again. The air-ship never leaves its

medium--the air--in which it only swings.

This consideration brings me to the most remarkable of all the

sensations of aerial navigation. On my first trip it actually shocked

me! This is the utterly new sensation of movement in an extra dimension!

Man has never known anything like free vertical existence. Held to the

plane of the earth, his movement "down" has scarcely been more than to

return to it after a short excursion "up," our minds remaining always on

the plane surface even while our bodies may be mounting; and this is so

much the case that the spherical balloonist as he rises has no sense of

movement, but gains the impression that the earth is descending below

him.

_With respect to combinations of vertical and horizontal movements,

man is absolutely without experience of them._ Therefore, as all our

sensations of movement are practically in two dimensions, this is

the extraordinary novelty of aerial navigation that it affords us

experiences--not in the fourth dimension, it is true--but in what

is practically an extra dimension--the third--so that the miracle

is similar. Indeed, I cannot describe the delight, the wonder, and

intoxication of this free diagonal movement onward and upward or onward

and downward, combined at will with brusque changes of direction

horizontally when the air-ship answers to a touch of the rudder! The

birds have this sensation when they spread their great wings and go

tobogganning in curves and spirals through the sky!

Por mares nunca d'antes navegados!

(O'er seas hereto unsailed.)

The line of our great poet echoed in my memory from childhood. After

this first of all my cruises I had it put on my flag.

It is true that spherical ballooning had prepared me for the mere

sensation of height; but that is a very different matter. It is,

therefore, curious that, prepared on this head as I was, the mere

thought of height should have given me my only unpleasant experience.

What I mean is this:

The wonderful new combinations of vertical and horizontal movements,

utterly out of previous human experience, caused me neither surprise

nor trouble. I would find myself ploughing diagonally upward through

the air with a kind of instinctive liberty. And yet when moving

horizontally--as you would say, in the natural position--a glance

downwards at the house-tops disquieted me.

[Illustration: THE HOUSETOPS LOOK SO DANGEROUS]

"What if I should fall?" the thought came. The house-tops looked so

dangerous with their chimney-pots for spikes. One seldom has this

thought in a spherical balloon, because we know that the danger in the

air is _nil_: the great spherical balloon can neither suddenly lose

its gas nor burst. My little air-ship balloon had to support not only

exterior but interior pressure as well--which is not the case with a

spherical balloon, as I shall explain in the next chapter--and any

injury to the cylindrical form of my air-ship balloon by loss of gas

might prove fatal.

While over the house-tops I felt that it would be bad to fall, but as

soon as I left Paris and was navigating over the forest of the Bois de

Boulogne the idea left me entirely. Below there seemed to be an ocean of

greenery, soft and safe.

It was while over the continuation of this greenery in the grassy

_pelouse_ of the Longchamps racecourse that my balloon, having lost a

great deal of its gas, began to double on itself. Previously I had heard

a noise. Looking up, I saw that the long cylinder of the balloon was

beginning to break. Then I was astonished and troubled. I wondered what

I could do.

I could not think of anything to do. I might throw out ballast. That

would cause the air-ship to rise, and the decreased pressure of the

atmosphere would doubtless permit the expanding gas to straighten out

the balloon again taut and strong. But I remembered that I must always

come down again when all the danger would repeat itself, and worse even

than before, from the more gas I should have lost. There was nothing to

do but to go on down instantly.

I remember having the sure idea: "If that balloon cylinder doubles any

more, the ropes by which I am suspended to it will work at different

strengths and will begin to break one by one as I go down!"

For the moment I was sure that I was in the presence of death. Well, I

will tell it frankly, my sentiment was almost entirely that of waiting

and expectation.

"What is coming next?" I thought. "What am I going to see and know in a

few minutes? Whom shall I see after I am dead?"

[Illustration: OVER THE BOIS DE BOULOGNE. BELOW THERE SEEMED TO BE AN

OCEAN OF GREENERY, SOFT AND SAFE]

The thought that I should be meeting my father in a few minutes

thrilled me. Indeed, I think that in such moments there is no room

either for regret or terror. The mind is too full of looking forward.

One is frightened only so long as one still has a chance.

My Airships; The Story of My Life · 第 8 / 24 章