"To some extent what you say is true; but the main reason of the

Highlander's calmness and self-command in the presence of new and

wonderful objects is pride. To express astonishment at the sight of

an object implies previous ignorance of that object; and no

Highlander worthy of the name will admit that he is ignorant of

anything under the sun. To come back, however, to what we were

speaking about a little while ago,--the differences between the

Highlanders and the Irish--the light-hearted Irishman delights to

'chaff' and to be 'chaffed;' the intenser and more serious-hearted

Highlander can neither do the one nor endure the other. The bit of

badinage which an Irishman will laugh at and brush carelessly aside,

stings the Highlander like a gadfly. When the Highlander is fencing,

the button is always coming off his foil, and the point is in your

arm before you know where you are. If you enter into a gay

wit-combat with a Highlander, it is almost certain to have a serious

ending--just as the old Highland wedding-feasts, beginning with

pledged healths and universal three-times-three, ended in a brawl and

half-a-dozen men dirked."

"Chaff, in common with shoddy, the adulteration of food, and the

tailor-sweating system, is the product of an over-ripe civilisation.

It is the glimmer on the head of the dead cod-fish--putridity become

phosphorescent. It can only thrive in large cities. It is the

offspring of impudence and loquacity. I am not astonished that the

Highlander cannot endure it; it is out of his way altogether. He no

more can use it as a weapon of offence or defence than David could

wear the armour of Saul. Chaff grows in the crowded street, not in

the wilderness. It is the one thing we have brought into perfection

in these later days. It is a weed that grows lustily, because it is

manured with our vices and our decomposed faiths. I don't think the

worse of the Highlander because he cannot chaff or endure being

chaffed. A London cabman would slang Socrates into silence in a

quarter of an hour."

"I suppose," said the Landlord, "when the Skye railway is finished we

poor Highlanders will get our jokes from the South, as we get our tea

and sugar. It's a pity the Board of Directors did not mention that

special import in their prospectus. The shares might have gone off

more rapidly, Pen!"

[Sidenote: Distrust of nature.]

"By the by," said Fellowes, turning to me, "you were speaking the

other day of the curious distrust of Nature, which you consider the

soul of all Celtic poetry and Celtic superstition, and you were

inclined to attribute that distrust and fear to the austerities of

climate and physical conformation, to the rain-cloud, and the

precipice, the sea-foam, and the rock. I agree with you so far; but

I think you lay too much stress on climatic influences and the

haggardness of landscape. That quick sense of two powers--of Nature

and Humanity, of man and a world outside of man--is the root of all

poetry."

"Of course it is. To the Celt, Nature is malign, evil-disposed,

cruel; and his poetry is dreary as the strain of the night wind. To

a Wordsworth, on the other hand, Nature is merciful and tranquil,

deep-thoughted and calm; and as a consequence his poetry is temperate

and humane, cool as a summer evening after the sun has set, and--with

all reverence be it spoken--sometimes tiresomely hortatory."

"Preaching is generally dull work, I fear; and Nature's sermons, even

when reported by Wordsworth, are as dull as some other sermons which

I have heard and read."

"But what I was going to say was, that the sense of malevolence in

Nature which you claim as the central fact of Celtic song and

superstition, is not so much the result of harsh climates and wild

environments as it is a stage in the mental progress of a race. At

one stage of progress, all races fear Nature alike. The South-Sea

Islander, whose bread-fruit falls into his mouth, fears Nature just

as much as the Greenlander, who hunts the white bear on the iceberg

and spears the walrus in the foam. When once man has got the upper

hand of Nature, when he has made her his slave, when her winds sit in

his sails and propel his ships, when she yields him iron whereby she

is more firmly bound to his service, when she gives him coal

wherewith to cook food and to mitigate the rigours of her

winters--when man has got that length, the aboriginal fear dies out

of his heart, the weird Celtic bard goes, and Wordsworth comes. Even

in the Lowlands, scraps of verses still exist--relics of long past

time, and shuddering yet with an obsolete terror--which are as full

of a sense of the malevolence of Nature as any Highland song or tune

you could produce."

"Let me hear one or two."

"Well, here is one which has been occasionally quoted, and which you

have in all likelihood come across in your reading:--

'Says Tweed to Till,

What gars ye rin sae still?

Says Till to Tweed,

Though ye rin wi' speed,

An' I rin slaw,

For ae man that ye droon,

I droon twa.'"

"Yes, it is very striking, and hits the nail on the head exactly.

Sir Walter quotes it somewhere, I think. I have little doubt that

these rhymes suggested to Scott his Voices of the River in the 'Lay,'

which is not that of the kelpie, a creature _in_ the river, but of

the river itself, in spiritual personation."

[Sidenote: "The dowie Dean."]

"That may be, or it may not. But nowhere, that I know of, does that

sense of an evil will, and an alienation from man in nature, find a

profounder and more tragic, if withal a playful, half-humorous

expression than in this curious little Border fragment, unless,

indeed, it be beaten by this from Forfarshire. Of the Dean stream,

wherein, while it was yet golden time with me, I slew many a fine

trout, there existed then a local rhyme of much less artistic and

literary completion than that relating the colloquy between Till and

Tweed, but, as I think, in its rudeness if anything even more

gruesome and grim--

'The dowie Dean,

It rins it lean,

An' every seven year it gets ean.'"

"What a hideous _patois_," quoth the Landlord, "your Forfarshire

people must talk! I can't say I understand a word of your rhymes.

Perhaps you will be good enough to translate."

Fellowes laughed. "I'll do my best,--

'The dowie (quietly dismal) Dean,

It rins it lean, (its lane, lone, solitary,)

An' every seven year it gets ean, (ane, one.)'

There it is now, in Scotch and English, for you. What specially

strikes me in this rhyme is its quiet power of awe, its reflex of the

passionless calm, which, in scorn of contrast with the 'fever and

fret' and flux of human feeling, is the specially frightful thing in

Nature. No need for the Dean to trouble itself to employ kelpies: it

runs quietly, gloomily on, feeding its fine red trout, and sure that

by the serene law of the case when the hour comes the man will, and

will drop to his moist doom, with no trouble given. 'It gets ean'

when the said 'ean' is due; and never having been disappointed, it

runs on 'dowie,' and not disturbing itself, as certain of its food in

season. This it plainly reckons on, somewhat as year after year we

look for strawberries and new potatoes. Then, the 'It rins it lean'

by itself, solitary, sullen, morose, as it were, and in the deeps of

its moody pools, meditating periodical unsocial mischiefs, past and

to come. For haggard, imaginative suggestion, unless it be in the

'Twa Corbies,' I don't know where we can quite equal this. Beside

this primal poetry of man's spiritual instinct of terror our later

verse-developments are the merest nothings."

While I kept repeating over to myself the rude triplet which was new

to me, and creeping as best I could into its fell significance, Pen

said--

"And I suppose, in point of fact, that your gloomy hermit and

murderer of a stream did get 'ean' every seven years. Don't you

think only 'ean' in seven years a somewhat scant allowance? Most

streams are as well supplied, I rather think."

"This septennial victim was in my boyhood considered by the natives

as the toll exacted by, and fated due of the river; and I have heard

the old people reckon back, over 'Jock Tamson that was drowned i' the

year ----, coming hame fou frae the fair;' 'Wull Smith,' fou of

course, also, who, fresh from 'the spring roup of grass parks at the

Hatton in the year ----,' was unexpectedly treated to more water than

he needed for his purposes of grog; and so on. The old inhabitant

would then conclude with a grave--'It's weel kent the burn's nae

canny;' and a confident prediction, with half a shudder in his voice,

that 'ye'll see it winna be lang noo till it maun get anither.' Any

sceptic was at once silenced with--'Weel-a-weel--say yer say o't the

noo, and jist bide till ye see. But dinna ye be daunerin' doon 't

yersel', neist nicht ye're fou, or maybe, my braw man, _ye'll no

see_. I'm no saying but ye'll mak' a bonny corp, giff ye downa swall

wi' the burn-water, yer stamack nae bein' used to't.'"

"Your theory is correct," said the Landlord, turning to Fellowes,

"that the fear of Nature is common to all races, and that as each

race advances in civilisation the terror dies out. The kelpie, for

instance, always lives near a ford--bridge the stream, and the kelpie

dies. Build a road across a haunted hill, and you banish the fairies

of the hill for ever. The kelpie and the fairy are simply spiritual

personations of very rude and common dangers--of being carried away

by the current when you are attempting to cross a river--of being

lost when you are taking a short cut across hills on which there is

no track. Abolish the dangers, and you at the same time abolish

those creatures, Fear and Fancy."

"Rhymes like these are the truest antiques, the most precious

articles of _virtu_. What is the brooch or ring that the fair woman

wore, the brogues in which the shepherd travelled, the sword or

shield with which the warrior fought, compared with a triplet like

that, which is really an authentic bit of the terror that agitated

human hearts long ago?"

[Sidenote: The Skye railway.]

But while we were discussing the Dean flowing on solitarily, every

gurgle silenced with expectation as the hour drew near when its seven

years' hunger would be appeased, Pen and the Landlord had drifted

away to the subject of the Skye railway--this summer and the last a

favourite subject of discussion in the Island.

"You are a great friend of the railway?"

"Of course I am," said the Landlord. "I consider the locomotive the

good wizard of our modern day. Its whistle scares away filth,

mendicancy, and unthrift; ignorance and laziness perish in the glare

of its red eyes. I have seen what it has done for the Hindoo, and I

know what it will do for the Islesman. We hold India by our railways

to-day rather than by our laws or our armies. The swart face of the

stoker is the first sign of the golden age that has become visible in

my time."

"What benefits do you expect the railway will bring with it to Skye?"

"It will bring us in closer contact with the South. By the aid of

the railway we shall be enabled to send our stock to the southern

markets more rapidly, more cheaply, and in better condition, and as a

consequence we will obtain better prices. By aid of the railway the

Islands will be opened up, our mineral treasures will be laid bare,

our marbles will find a market, the Skye apple and the Skye

strawberry will be known in Covent Garden, our fisheries will

flourish as they have never flourished before. The railway will

bring southern capital to us, and humane southern influences. The

railway will send an electric shock through the entire Island.

Everybody's pulse will be quickened; the turf-hut will disappear; and

the Skyeman will no longer be considered a lazy creature: which he is

not--he only seems so because he has never found a proper field for

the display of his activities. There are ten chances to one that

your Skye lad, if left in Skye, will remain a fisherman or a

shepherd; but transplant him to Glasgow, Liverpool, or London, and he

not unfrequently blossoms into a merchant prince. There were quick

and nimble brains under the shock heads of the lads you saw at my

school the other day, and to each of these lads the railway will open

a career great or small, or, at all events, the chance of one."

[Sidenote: The emigrants.]

When the Landlord had ceased speaking, a boy brought the post-bag and

laid it down on the gravel. It was opened, and we got our

letters--the Landlord a number of Indian ones. These he put into his

coat pocket. One he tore open and read. "Hillo, Pen!" he cried,

when he got to the end, "my emigrants are to be at Skeabost on

Thursday; we must go over to see them." Then he marched into the

house, and in a little time thereafter our smoking parliament

dissolved.

_THE EMIGRANTS._

[Sidenote: Emigration.]

The English emigrant is prosaic; Highland and Irish emigrants are

poetical. How is this? The wild-rose lanes of England, one would

think, are as bitter to part from, and as worthy to be remembered at

the antipodes, as the wild coasts of Skye or the green hills of

Ireland. Oddly enough, poet and painter turn a cold shoulder on the

English emigrant, while they expend infinite pathos on the emigrants

from Erin or the Highlands. The Highlander has his Lochaber-no-more,

and the Irishman has the Countess of Gifford's pretty song. The ship

in the offing, and the parting of Highland emigrants on the

sea-shore, has been made the subject of innumerable paintings; and

yet there is a sufficient reason for it all. Young man and maid are

continually parting; but unless the young man and maid are lovers,

the farewell-taking has no attraction for the singer or the artist.

Without the laceration of love, without some tumult of sorrowful

emotion, a parting is the most prosaic thing in the world; with these

it is perhaps the most affecting. "Good-bye" serves for the one; the

most sorrowful words of the poet are hardly sufficient for the other.

Rightly or wrongly, it is popularly understood that the English

emigrant is not mightily moved by regret when he beholds the shores

that gave him birth withdrawing themselves into the dimness of the

far horizon,--although, if true, why it should be so? and if false,

how it has crept into the common belief? are questions not easy to

answer. If the Englishman is obtuse and indifferent in this respect,

the Highlander is not. He has a cat-like love for locality. He

finds it as difficult to part from the faces of the familiar hills as

from the faces of his neighbours. In the land of his adoption he

cherishes the language, the games, and the songs of his childhood;

and he thinks with a continual sadness of the gray-green slopes of

Lochaber, and the thousand leagues of dim, heart-breaking sea tossing

between them and him.

The Celt clings to his birthplace, as the ivy nestles lovingly to its

wall; the Saxon is like the arrowy seeds of the dandelion, that

travel on the wind and strike root afar. This simply means that the

one race has a larger imagination than the other, and an intenser

feeling of association. Emigration is more painful to the Highlander

than it is to the Englishman--this poet and painter have

instinctively felt--and in wandering up and down Skye you come in

contact with this pain, either fresh or in reminiscence, not

unfrequently. Although the member of his family be years removed,

the Skyeman lives in him imaginatively--just as the man who has

endured an operation is for ever conscious of the removed limb. And

this horror of emigration--common to the entire Highlands--has been

increased by the fact that it has not unfrequently been a forceful

matter, that potent landlords have torn down houses and turned out

the inhabitants, have authorised evictions, have deported the

dwellers of entire glens. That the landlords so acting have not been

without grounds of justification may in all probability be true. The

deported villagers may have been cumberers of the ground, they may

have been unable to pay rent, they may have been slowly but surely

sinking into pauperism, their prospect of securing a comfortable

subsistence in the colonies may be considerable, while in their own

glens it maybe nil,--all this may be true; but to have your house

unroofed before your eyes, and made to go on board a ship bound for

Canada, even although the passage-money be paid for you, is not

pleasant. An obscure sense of wrong is kindled in heart and brain.

It is just possible that what is for the landlord's interest may be

for yours also in the long run; but you feel that the landlord has

looked after his own interest in the first place. He wished you

away, and he has got you away; whether you will succeed in Canada is

matter of dubiety. The human gorge rises at this kind of forceful

banishment--more particularly the gorge of the banished!

When Thursday came, the Landlord drove us over to Skeabost, at which

place, at noon, the emigrants were to assemble. He told me on the

way that some of the more sterile portions of his property were

over-populated, and that the people there could no more prosper than

trees that have been too closely planted. He was consequently a

great advocate of emigration. He maintained that force should never

be used, but advice and persuasion only; that when consent was

obtained, there should be held out a helping hand. It was his idea

that if a man went all the way to Canada to oblige you, it was but

fair that you should make his journey as pleasant as possible, and

provide him employment, or, at all events, put him in the way of

obtaining it when he got there. In Canada, consequently, he

purchased lands, made these lands over to a resident relative, and to

the charge of that relative, who had erected houses, and who had

trees to fell, and fields to plough, and cattle to look after, he

consigned his emigrants. He took care that they were safely placed

on shipboard at Glasgow or Liverpool, and his relative was in waiting

when they arrived. When the friendly face died on this side of the

Atlantic, a new friendly face dawned on them on the other. With only

one class of tenant was he inclined to be peremptory. He had no wish

to disturb in their turf hut the old man and woman who had brought up

a family; but when the grown-up son brought home a wife to the same

hut, he was down upon them, like a severing knife, at once. The

young people could not remain there; they might go where they

pleased; he would rather they would go to Canada than anywhere, but

out of the old dwelling they must march. And the young people

frequently jumped at the Landlord's offer--labour and good wages

calling sweetly to them from across the sea. The Landlord had

already sent out a troop of emigrants, of whose condition and

prospects he had the most encouraging accounts, both from themselves

and others, and the second troop were that day to meet him at

Skeabost.

[Sidenote: The emigrants.]

When we got to Skeabost there were the emigrants, to the number

perhaps of fifty or sixty, seated on the lawn. They were dressed as

was their wont on Sundays, when prepared for church. The men wore

suits of blue or gray kelt, the women were wrapped for the most part

in tartan plaids. They were decent, orderly, intelligent, and on the

faces of most was a certain resolved look, as if they had carefully

considered the matter, and had made up their minds to go through with

it. They were of every variety of age too; the greater proportion

young men who had long years of vigorous work in them, who would fell

many a tree, and reap many a field before their joints stiffened:

women, fresh, comely, and strong, not yet mothers, but who would be

grandmothers before their term of activity was past. In the party,

too, was a sprinkling of middle-aged people, with whom the world had

gone hardly, and who were hoping that Canada would prove kinder than

Skye. They all rose and saluted the Landlord respectfully as we

drove down toward the house. The porch was immediately made a hall

of audience. The Landlord sat in a chair, Pen took his seat at the

table, and opened a large scroll-book in which the names of the

emigrants were inscribed. One by one the people came from the lawn

to the porch and made known their requirements:--a man had not yet

made up his passage-money, and required an advance; a woman desired a

pair of blankets; an old man wished the Landlord to buy his cow,

which was about to calve, and warranted an excellent milker. With

each of these the Landlord talked sometimes in Gaelic, more

frequently in English; entered into the circumstances of each, and

commended, rebuked, expostulated, as occasion required. When an

emigrant had finished his story, and made his bargain with the

Landlord, Pen wrote the conditions thereof against his or her name in

the large scroll-book. The giving of audience began about noon, and

it was evening before it was concluded. By that time every emigrant

had been seen, talked with, and disposed of. For each the way to

Canada was smoothed, and the terms set down by Pen in his

scroll-book; and each, as he went away was instructed to hold himself

in readiness on the 15th of the following month, for on that day they

were to depart.

When the emigrants were gone we smoked on the lawn, with the moon

rising behind us. Next morning our party broke up. Fellowes and the

Landlord went off in the mail to Inverness; the one to resume his

legal reading there, the other to catch the train for London. Pen

went to Bracadale, where he had some business to transact preparatory

to going to Ireland, and I drove in to Portree to meet the

southward-going steamer, for vacation was over, and my Summer in Skye

had come to an end.

_HOMEWARDS._

Life is pleasant, but unfortunately one has got to die; vacation is

delightful, but unhappily vacations come to an end. Mine had come to

an end; and sitting in the inn at Portree waiting for the

southward-going steamer, I began to count up my practical and ideal

gains, just as in dirty shillings and half-crowns a cobbler counts up

his of a Saturday night.

[Sidenote: Practical and ideal gains.]

A summer in Skye, Volume 2 (of 2) · 第 9 / 14 段