A FRENCH FASHIONABLE LETTER.

“MY DEAR VICTOR—It is six in the morning: I have just come from the

English Ambassador’s ball, and as my plans, for the day do not admit of

my sleeping, I write you a line; for, at this moment, saturated as I am

with the enchantments of a fairy night, all other pleasures would be

too wearisome to keep me awake, except that of conversing with you.

Indeed, were I not to write to you now, when should I find the

possibility of doing so? Time flies here with such a frightful

rapidity, my pleasures and my affairs whirl onwards together in such a

torrentuous galopade, that I am compelled to seize occasion by the

forelock; for each moment has its imperious employ. Do not then accuse

me of negligence: if my correspondence has not always that regularity

which I would fain give it, attribute the fault solely to the whirlwind

in which I live, and which carries me hither and thither at its will.

“However, you are not the only person with whom I am behindhand: I

assure you, on the contrary, that you are one of a very numerous and

fashionable company, to whom, towards the discharge of my debts, I

propose to consecrate four hours to-day. I give you the preference to

all the world, even to the lovely Duchess of San Severino, a delicious

Italian, whom, for my special happiness, I met last summer at the

Waters of Aix. I have also a most important negotiation to conclude

with one of our Princes of Finance: but n’importe, I commence with

thee: friendship before love or money—friendship before everything. My

despatches concluded, I am engaged to ride with the Marquis de

Grigneure, the Comte de Castijars, and Lord Cobham, in order that we

may recover, for a breakfast at the Rocher de Cancale that Grigneure

has lost, the appetite which we all of us so cruelly abused last night

at the Ambassador’s gala. On my honor, my dear fellow, everybody was of

a caprice prestigieux and a comfortable mirobolant. Fancy, for a

banquet-hall, a royal orangery hung with white damask; the boxes of the

shrubs transformed into so many sideboards; lights gleaming through the

foliage; and, for guests, the loveliest women and most brilliant

cavaliers of Paris. Orleans and Nemours were there, dancing and eating

like simple mortals. In a word, Albion did the thing very handsomely,

and I accord it my esteem.

“Here I pause, to call for my valet-de-chambre, and call for tea; for

my head is heavy, and I’ve no time for a headache. In serving me, this

rascal of a Frédéric has broken a cup, true Japan, upon my honor—the

rogue does nothing else. Yesterday, for instance, did he not thump me

prodigiously, by letting fall a goblet, after Cellini, of which the

carving alone cost me three hundred francs? I must positively put the

wretch out of doors, to ensure the safety of my furniture; and in

consequence of this, Eneas, an audacious young negro, in whom wisdom

hath not waited for years—Eneas, my groom, I say, will probably be

elevated to the post of valet-de-chambre. But where was I? I think I

was speaking to you of an oyster breakfast, to which, on our return

from the Park (du Bois), a company of pleasant rakes are invited. After

quitting Borel’s, we propose to adjourn to the Barrière du Combat,

where Lord Cobham proposes to try some bull-dogs, which he has brought

over from England—one of these, O’Connell (Lord Cobham is a Tory,) has

a face in which I place much confidence; I have a bet of ten louis with

Castijars on the strength of it. After the fight, we shall make our

accustomed appearance at the ‘Cafe de Paris,’ (the only place, by the

way, where a man who respects himself may be seen,)—and then away with

frocks and spurs, and on with our dress-coats for the rest of the

evening. In the first place, I shall go doze for a couple of hours at

the Opera, where my presence is indispensable; for Coralie, a charming

creature, passes this evening from the rank of the RATS to that of the

TIGERS, in a pas-de-trois, and our box patronizes her. After the Opera,

I must show my face to two or three salons in the Faubourg St. Honoré;

and having thus performed my duties to the world of fashion, I return

to the exercise of my rights as a member of the Carnival. At two

o’clock all the world meets at the Théâtre Ventadour: lions and

tigers—the whole of our menagerie will be present. Evoé! off we go!

roaring and bounding Bacchanal and Saturnal; ’tis agreed that we shall

be everything that is low. To conclude, we sup with Castijars, the most

‘furiously dishevelled’ orgy that ever was known.”

The rest of the letter is on matters of finance, equally curious and

instructive. But pause we for the present, to consider the fashionable

part: and caricature as it is, we have an accurate picture of the

actual French dandy. Bets, breakfasts, riding, dinners at the “Café de

Paris,” and delirious Carnival balls: the animal goes through all such

frantic pleasures at the season that precedes Lent. He has a wondrous

respect for English “gentlemen-sportsmen;” he imitates their

clubs—their love of horse-flesh: he calls his palefrenier a groom,

wears blue birds’s-eye neck-cloths, sports his pink out hunting, rides

steeple-chases, and has his Jockey Club. The “tigers and lions” alluded

to in the report have been borrowed from our own country, and a great

compliment is it to Monsieur de Bernard, the writer of the above

amusing sketch, that he has such a knowledge of English names and

things, as to give a Tory lord the decent title of Lord Cobham, and to

call his dog O’Connell. Paul de Kock calls an English nobleman, in one

of his last novels, Lord Boulingrog, and appears vastly delighted at

the verisimilitude of the title.

For the “rugissements et bondissements, bacchanale et saturnale, galop

infernal, ronde du sabbat tout le tremblement,” these words give a most

clear, untranslatable idea of the Carnival ball. A sight more hideous

can hardly strike a man’s eye. I was present at one where the four

thousand guests whirled screaming, reeling, roaring, out of the

ball-room in the Rue St. Honoré, and tore down to the column in the

Place Vendôme, round which they went shrieking their own music, twenty

miles an hour, and so tore madly back again. Let a man go alone to such

a place of amusement, and the sight for him is perfectly terrible: the

horrid frantic gayety of the place puts him in mind more of the

merriment of demons than of men: bang, bang, drums, trumpets, chairs,

pistol-shots, pour out of the orchestra, which seems as mad as the

dancers; whiz, a whirlwind of paint and patches, all the costumes under

the sun, all the ranks in the empire, all the he and she scoundrels of

the capital, writhed and twisted together, rush by you; if a man falls,

woe be to him: two thousand screaming menads go trampling over his

carcass: they have neither power nor will to stop.

A set of Malays drunk with bhang and running amuck, a company of

howling dervishes, may possibly, in our own day, go through similar

frantic vagaries; but I doubt if any civilized European people but the

French would permit and enjoy such scenes. Yet our neighbors see little

shame in them; and it is very true that men of all classes, high and

low, here congregate and give themselves up to the disgusting worship

of the genius of the place.—From the dandy of the Boulevard and the

“Café Anglais,” let us turn to the dandy of “Flicoteau’s” and the Pays

Latin—the Paris student, whose exploits among the grisettes are so

celebrated, and whose fierce republicanism keeps gendarmes for ever on

the alert. The following is M. de Bernard’s description of him:—

“I became acquainted with Dambergeac when we were students at the Ecole

de Droit; we lived in the same Hotel on the Place du Panthéon. No

doubt, madam, you have occasionally met little children dedicated to

the Virgin, and, to this end, clothed in white raiment from head to

foot: my friend, Dambergeac, had received a different consecration. His

father, a great patriot of the Revolution, had determined that his son

should bear into the world a sign of indelible republicanism; so, to

the great displeasure of his godmother and the parish curate,

Dambergeac was christened by the pagan name of Harmodius. It was a kind

of moral tricolor-cockade, which the child was to bear through the

vicissitudes of all the revolutions to come. Under such influences, my

friend’s character began to develop itself, and, fired by the example

of his father, and by the warm atmosphere of his native place,

Marseilles, he grew up to have an independent spirit, and a grand

liberality of politics, which were at their height when first I made

his acquaintance.

“He was then a young man of eighteen, with a tall, slim figure, a broad

chest, and a flaming black eye, out of all which personal charms he

knew how to draw the most advantage; and though his costume was such as

Staub might probably have criticised, he had, nevertheless, a style

peculiar to himself—to himself and the students, among whom he was the

leader of the fashion. A tight black coat, buttoned up to the chin,

across the chest, set off that part of his person; a low-crowned hat,

with a voluminous rim, cast solemn shadows over a countenance bronzed

by a southern sun: he wore, at one time, enormous flowing black locks,

which he sacrificed pitilessly, however, and adopted a Brutus, as being

more revolutionary: finally, he carried an enormous club, that was his

code and digest: in like manner, De Retz used to carry a stiletto in

his pocket by way of a breviary.

“Although of different ways of thinking in politics, certain sympathies

of character and conduct united Dambergeac and myself, and we speedily

became close friends. I don’t think, in the whole course of his three

years’ residence, Dambergeac ever went through a single course of

lectures. For the examinations, he trusted to luck, and to his own

facility, which was prodigious: as for honors, he never aimed at them,

but was content to do exactly as little as was necessary for him to

gain his degree. In like manner he sedulously avoided those horrible

circulating libraries, where daily are seen to congregate the ‘reading

men’ of our schools. But, in revenge, there was not a milliner’s shop,

or a lingère’s, in all our quartier Latin, which he did not

industriously frequent, and of which he was not the oracle. Nay, it was

said that his victories were not confined to the left bank of the

Seine; reports did occasionally come to us of fabulous adventures by

him accomplished in the far regions of the Rue de la Paix and the

Boulevard Poissonnière. Such recitals were, for us less favored

mortals, like tales of Bacchus conquering in the East; they excited our

ambition, but not our jealousy; for the superiority of Harmodius was

acknowledged by us all, and we never thought of a rivalry with him. No

man ever cantered a hack through the Champs Elysées with such elegant

assurance; no man ever made such a massacre of dolls at the

shooting-gallery; or won you a rubber at billiards with more easy

grace; or thundered out a couplet out of Béranger with such a roaring

melodious bass. He was the monarch of the Prado in winter: in summer of

the Chaumière and Mont Parnasse. Not a frequenter of those fashionable

places of entertainment showed a more amiable laisser-aller in the

dance—that peculiar dance at which gendarmes think proper to blush, and

which squeamish society has banished from her salons. In a word,

Harmodius was the prince of mauvais sujets, a youth with all the

accomplishments of Göttingen and Jena, and all the eminent graces of

his own country.

“Besides dissipation and gallantry, our friend had one other vast and

absorbing occupation—politics, namely; in which he was as turbulent and

enthusiastic as in pleasure. La Patrie was his idol, his heaven, his

nightmare; by day he spouted, by night he dreamed, of his country. I

have spoken to you of his coiffure à la Sylla; need I mention his pipe,

his meerschaum pipe, of which General Foy’s head was the bowl; his

handkerchief with the Charte printed thereon; and his celebrated

tricolor braces, which kept the rallying sign of his country ever close

to his heart? Besides these outward and visible signs of sedition, he

had inward and secret plans of revolution: he belonged to clubs,

frequented associations, read the Constitutionnel (Liberals, in those

days, swore by the Constitutionnel), harangued peers and deputies who

had deserved well of their country; and if death happened to fall on

such, and the Constitutionnel declared their merit, Harmodius was the

very first to attend their obsequies, or to set his shoulder to their

coffins.

“Such were his tastes and passions: his antipathies were not less

lively. He detested three things: a Jesuit, a gendarme, and a claqueur

at a theatre. At this period, missionaries were rife about Paris, and

endeavored to re-illume the zeal of the faithful by public preachings

in the churches. ‘Infâmes jesuites!’ would Harmodius exclaim, who, in

the excess of his toleration, tolerated nothing; and, at the head of a

band of philosophers like himself, would attend with scrupulous

exactitude the meetings of the reverend gentlemen. But, instead of a

contrite heart, Harmodius only brought the abomination of desolation

into their sanctuary. A perpetual fire of fulminating balls would bang

from under the feet of the faithful; odors of impure assafoetida would

mingle with the fumes of the incense; and wicked drinking choruses

would rise up along with the holy canticles, in hideous dissonance,

reminding one of the old orgies under the reign of the Abbot of

Unreason.

“His hatred of the gendarmes was equally ferocious: and as for the

claqueurs, woe be to them when Harmodius was in the pit! They knew him,

and trembled before him, like the earth before Alexander; and his

famous war-cry, ‘La Carte au chapeau!’ was so much dreaded, that the

‘entrepreneurs de succès dramatiques’ demanded twice as much to do the

Odeon Theatre (which we students and Harmodius frequented), as to

applaud at any other place of amusement: and, indeed, their double pay

was hardly gained; Harmodius taking care that they should earn the most

of it under the benches.”

This passage, with which we have taken some liberties, will give the

reader a more lively idea of the reckless, jovial, turbulent Paris

student, than any with which a foreigner could furnish him: the

grisette is his heroine; and dear old Béranger, the cynic-epicurean,

has celebrated him and her in the most delightful verses in the world.

Of these we may have occasion to say a word or two anon. Meanwhile let

us follow Monsieur de Bernard in his amusing descriptions of his

countrymen somewhat farther; and, having seen how Dambergeac was a

ferocious republican, being a bachelor, let us see how age, sense, and

a little government pay—the great agent of conversions in France—nay,

in England—has reduced him to be a pompous, quiet, loyal supporter of

the juste milieu: his former portrait was that of the student, the

present will stand for an admirable lively likeness of

The Paris Sketch Book of Mr. M. A. Titmarsh · 第 34 / 65 题