Let us thank these impatient friends, these hurried messenge

CICERO

AND HIS FRIENDS

_A STUDY OF ROMAN SOCIETY IN THE TIME OF CAESAR_

BY

GASTON BOISSIER

OF THE FRENCH ACADEMY

TRANSLATED, WITH AN INDEX AND TABLE OF CONTENTS, BY

ADNAH DAVID JONES

_THIRD EDITION_

LONDON

WARD, LOCK & CO., LIMITED

CONTENTS

PAGE

INTRODUCTION:

CICERO’S LETTERS 1

Importance of private correspondence in ancient times.

Characteristics of Cicero’s letters, 1

CICERO IN PUBLIC AND PRIVATE LIFE:

I. PUBLIC LIFE 22

Severe judgments on Cicero in modern times, 22

i. Circumstances which determined Cicero’s political

attitude. Birth, philosophical ideas, character, 24

ii. Cicero’s political career. An opponent at first of the

aristocracy, 36. Attempts to form a middle party, 46.

The knights, 47. Finally joins the aristocratic party,

51

iii. Judgment on Cicero should be from the point of view of

his contemporaries, 51. Corrupt state of the Roman

people, 64

iv. Cicero’s work for the Republican party after the death

of Caesar, 69. His death, 77

II. PRIVATE LIFE 79

i. Sources of his wealth, 79

ii. His married life, 89

iii. His children, 100

iv. His relations to his slaves, 108. His clients, 113.

Rabirius, 116

ATTICUS 123

i. His reasons for not entering public life, 124. His life

at Athens, 127. His life in Rome, 132

ii. His character in private life, 134

iii. His character in public life, 147

CAELIUS:

THE ROMAN YOUTH IN THE TIME OF CAESAR 159

i. Family and education of Caelius, 160. Influence of women

at Rome, 163. Clodia, 166

ii. Character of Caelius, 176. Joins Caesar’s party, 184

iii. Caesar had no genuine friends, 191. Reasons of Caelius’

enmity to him, 197. His death, 206

CAESAR AND CICERO:

I. CICERO AND THE CAMP OF CAESAR IN GAUL 209

i. Cicero’s return to Rome, 210. State of the city, 211.

Leaves the aristocratic party and joins the triumvirs,

216

ii. Renews his intimacy with Caesar, 224. Pompey and Caesar

compared, 226. Caesar in Gaul, 230

iii. Cicero’s letters to his brother and to Trebatius

supplement the _Commentaries_, 241. Effect produced in

Rome by Caesar’s victories, 251

II. THE VICTOR AND THE VANQUISHED 257

Cicero’s intention to retire from political life, 257

i. Resumes intercourse with Caesar, 260. The exiles

recalled through his influence, 268. The _Pro

Marcello_, 271

ii. Discussion between Cicero and Caesar as to Cato. Cato

not so hard as he is usually considered, his rectitude

made him unpractical, 277. Unfitted to lead a party,

284. Becomes more moderate, 285. His death, 287.

Contrasted with Caesar, 288

iii. Caesar wishes to conciliate the Republican party, 291.

Appoints members of it to public offices, 293. In

spite of this there was a profound discontent with the

new government, 297

BRUTUS:

HIS RELATIONS WITH CICERO 303

i. His family, education, and character, 304. His

friendship with Cicero, 308. Roman ideas of governing

the provinces, 311. Joins Pompey, 317

ii. Brutus’s prospects of high office destroyed by the

battle of Pharsalia. Turns to philosophy. Cicero does

the same and produces his philosophical works, 318

iii. Formation of a new Republican party, 329. Influences

brought to bear on Brutus in order to implicate him in

the conspiracy against Caesar, 330

iv. Causes of the failure of Brutus and his party, 339

OCTAVIUS:

THE POLITICAL TESTAMENT OF AUGUSTUS 359

The Ancyran Inscription, 361

i. The narrative intentionally incomplete, 364. Light

thrown by it on the internal government of Augustus,

368. Relations of Augustus with his soldiers, 369.

With the people, 372. With the senate, 373. His policy

in reconstructing public buildings, 377

ii. The preamble of the Edict of proscription and the

Ancyran Inscription, together, contain the political

life of Augustus, 381. Permanent effect of his policy

on the government of the empire, 386

iii. Publication of Cicero’s letters, 388

CICERO AND HIS FRIENDS

INTRODUCTION

CICERO’S LETTERS

No history is more readily studied now-a-days than that of the last

years of the Roman Republic. Learned works have recently been published

upon this subject in France, England, and Germany,[1] and the public has

read them with avidity. The importance of the subjects which were then

debated, the dramatic character of the events, and the grandeur of the

characters warrant this interest; but the attraction we feel for this

singular epoch is better explained by the fact that it is narrated for

us in Cicero’s letters.

A contemporary said that he who read these letters would not be tempted

to seek the history of that time[2] elsewhere, and in fact we find it

much more living and true in them than in regular works composed

expressly to teach it to us. What more would Asinius Pollio, Livy, or

Cremutius Cordus teach us if we had them preserved? They would give us

their personal opinion; but this opinion is for the most part open to

suspicion because it comes from persons who could not tell the whole

truth, from men like Livy, who wrote at the court of the emperors, or

who hoped, like Pollio, to get their treason pardoned, by blackening the

character of those whom they had betrayed. Instead of receiving a

ready-made opinion it is better to make one for ourselves, and the

perusal of Cicero’s letters enables us to do this. It throws us into the

midst of the events, and lets us follow them day by day. We seem to see

them pass before our eyes, notwithstanding the eighteen centuries that

intervene, and we find ourselves in the unique position of being

sufficiently near the facts to see their real character, and

sufficiently distant to judge them dispassionately.

The importance of these letters is easily explained. The politicians of

those times had more need of correspondence with each other than those

of the present day. The proconsul starting from Rome to govern some

distant province felt that he was withdrawing altogether from political

life. To pass several years in those out-of-the-way countries which the

public rumour of Rome did not reach, was very irksome to men accustomed

to the stir of business, the agitations of parties, or, as they said,

the broad daylight of the Forum. They did indeed receive a sort of

official gazette, the _Acta diurna_, the venerable ancestor of our

_Moniteur_. But it appears as though every official journal is condemned

by its nature to be somewhat insignificant. The Roman journal contained

a rather tame official report of public meetings, a short summary of

important cases tried in the Forum, besides an account of public

ceremonies and accurate notice of atmospheric phenomena or prodigies

occurring in Rome or its neighbourhood. This is not precisely the sort

of news that a praetor or proconsul wished to know, and therefore, in

order to fill up the gaps in the official journal, he had recourse to

paid correspondents, who made “news-letters” for the use of inquisitive

provincials, as was the fashion among ourselves in the last century; but

while, in the eighteenth century, literary men of reputation, intimate

with the nobles and well received by ministers, undertook this duty, the

Roman correspondents were only obscure compilers, workmen as Caelius

calls them, usually chosen among those hungry Greeks whom want made

ready for anything. They had no admittance into the great houses, nor

could they approach the politicians. Their part simply consisted in

running over the town and picking up what they heard or saw in the

streets. They carefully noted theatrical chit-chat, inquired about

actors who had been hissed and gladiators who had been beaten, described

minutely handsome funerals, noted the rumours and ill-natured gossip,

and especially the scandalous tales they could catch.[3] All this

chatter amused for a moment, but did not satisfy those political

personages who wished above all to be kept abreast of affairs, and, in

order to become acquainted with them, they naturally applied to some one

who was in a position to know them. They chose a few trustworthy and

well-informed friends of good position, and through them learnt the

reason and the real character of the facts reported dryly and without

comment by the journals; and while their paid correspondents gave them

only the talk of the town, the others introduced them into the cabinets

of the high politicians, and made them listen to their most private

conversations.

No one felt this need of being kept informed of everything, and, so to

say, of living in the midst of Rome after he had left it, more than

Cicero. No one liked that excitement of public life which statesmen

complain of when they possess it, and never cease to regret when they

have lost it, more than he. We must not believe him too readily when he

says that he is tired of the stormy discussions of the senate; that he

seeks a country where they have not heard of Vatinius or Caesar, and

where they do not trouble themselves about agrarian laws; that he has an

anxious craving to go and forget Rome under the agreeable shades of

Arpinum, or in the delightful neighbourhood of Formiae. As soon as he is

settled down at Formiae or Arpinum, or in some other of those handsome

villas which he proudly calls the gems of Italy, _ocellos Italiae_, his

thoughts naturally return to Rome, and couriers are constantly starting

to go and learn what people are thinking and doing there. He could never

take his eyes off the Forum, whatever he may say. Far or near he must

have what Saint-Simon calls “that smack of business that politicians

cannot do without.” He wished by all means to know the position of

parties, their secret agreements, their internal discords, all those

hidden intrigues that lead up to events and explain them. This is what

he was continually demanding of Atticus, Curio, Caelius, and so many

other great men mixed up in these intrigues either as actors or

spectators, and what he himself narrates to his absent friends in the

most lively manner, and thus the letters that he received or sent

contain, without his intending it, all the history of his time.[4]

The correspondence of political men of our time, when it is published,

is far from having the same importance, because the exchange of

sentiment and thought is not made so much by means of letters now as it

was then. We have invented new methods. The immense publicity of the

press has advantageously replaced those cautious communications which

could not reach beyond a few persons. Now-a-days the newspapers keep a

man informed of what is doing in the world, whatever unfrequented place

he may have retired to. As he learns events almost as soon as they

happen, he receives the excitement as well as the news of them, and has

no need of a well-informed friend to apprise him of them. To seek for

all that the newspapers have destroyed and replaced among us would be an

interesting study. In Cicero’s time letters often took their place and

rendered the same services. They were passed from hand to hand when they

contained news men had an interest in knowing; and those of important

persons which made known their sentiments were read, commented on, and

copied. A politician, who was attacked, defended himself by them before

people whose esteem he desired to preserve, and through them men tried

to form a sort of public opinion in a limited public when the Forum was

silent, as in Caesar’s time. The newspapers have taken up this duty now

and make a business of politics, and as they are incomparably more

convenient, rapid, and diffused, they have taken from correspondence one

of its principal subjects.

It is true that private affairs remain for it, and we are tempted to

think at first that this subject is inexhaustible, and that with the

sentiments and affections of so many kinds that fill our home life it

would always be rich enough. Nevertheless, I think that private

correspondence becomes every day shorter and less interesting, where it

is only a question of feeling and affection. That constant and agreeable

intercourse which filled so large a place in the life of former times,

tends almost to disappear, and one would say that by a strange chance

the facility and rapidity of intercourse, which ought to give it more

animation, have been injurious to it. Formerly, when there was no post,

or when it was reserved for the emperor’s use, as with the Romans, men

were obliged to take advantage of any opportunity that occurred, or to

send their letters by a slave. Then writing was a serious affair. They

did not want the messenger to make a useless journey; letters were made

longer and more complete to avoid the necessity of beginning again too

often; unconsciously they were more carefully finished, by the thought

we naturally give to things that cost trouble and are not very easy.

Even in the time of Madame de Sévigné, when the mails started only once

or twice a week, writing was still a serious business to which every

care was given. The mother, far from her daughter, had no sooner sent

off her letter than she was thinking of the one she would send a few

days later. Thoughts, memories, regrets gathered in her mind during this

interval, and when she took up her pen “she could no longer govern this

torrent.” Now, when we know that we can write when we will, we do not

collect material as Madame de Sévigné did, we do not write a little

every day, we no longer seek to “empty our budget,” or torment ourselves

in order to forget nothing, lest forgetfulness should make the news

stale by coming too late. While the periodical return of the post

formerly brought more order and regularity into correspondence, the

facility we have now for writing when we will causes us to write less

often. We wait to have something to say, which is seldomer than one

thinks. We write no more than is necessary; and this is very little for

a correspondence whose chief pleasure lies in the superfluous, and we

are threatened with a reduction of that little. Soon, no doubt, the

telegraph will have replaced the post; we shall only communicate by this

breathless instrument, the image of a matter-of-fact and hurried

society, which, even in the style it employs, tries to use a little less

than what is necessary. With this new progress the pleasure of private

correspondence, already much impaired, will have disappeared for ever.

But when people had more opportunities for writing letters, and wrote

them better, all did not succeed equally. Some dispositions are fitter

for this work than others. People whose minds move slowly, and who have

need of much reflection before writing, make memoirs and not letters.

The sober-minded write in a regular and methodical manner, but they lack

grace and warmth. Logicians and reasoners have the habit of following up

their thoughts too closely; now, one ought to know how to pass lightly

from one subject to another, in order that the interest may be

sustained, and to leave them all before they are exhausted. Those who

are solely occupied with one idea, who concentrate themselves on it, and

will not leave it, are only eloquent when they speak of it, which is not

enough. To be always agreeable, and on all subjects, as a regular

correspondence demands, one must have a lively and active imagination

which receives the impressions of the moment and changes abruptly with

them. This is the first quality of good letter writers; I will add to

it, if you like, a little artifice. Writing always requires a certain

effort. To succeed in writing we must aim at success, and the

disposition to please must precede the wish to do so. It is natural

enough to wish to please that great public for whom books are written,

but it is the mark of a more exacting vanity to exert one’s powers for a

single person. It has often been asked since La Bruyère, why women

succeed better than men in this kind of writing? Is it not because they

have a greater desire to please and a natural vanity which is, so to

say, always under arms, which neglects no conquest, and feels the need

of making efforts to please everybody?

I think nobody ever possessed these qualities in the same degree as

Cicero. That insatiable vanity, that openness to impressions, that

easiness in letting himself be seized and mastered by events, are found

in his whole life and in all his works. It seems, at first sight, that

there is a great difference between his letters and his speeches, and we

are tempted to ask ourselves how the same man has been able to succeed

in styles so opposed; but astonishment ceases as soon as we look a

little closer. When we seek the really original qualities of his

speeches they are found to be altogether the same that charm us in his

letters. His commonplaces have got rather old, his pathos leaves us

cold, and we often find that there is too much artifice in his rhetoric,

but his narrations and portraits remain living in his speeches. It would

be difficult to find a greater talent than his for narrative and

description, and for representing to the life as he does both events and

men. If he shows them to us so clearly, it is because he has them

himself before his eyes. When he shows us the trader Cherea “with his

eyebrows shaved, and that head which smells of tricks, and in which

malignity breathes,”[5] or the praetor Verres taking an airing in a

litter with eight bearers, like a king of Bithynia, softly lying on

Malta roses,[6] or Vatinius rushing forth to speak, “his eyes starting,

his neck swollen, his muscles stretched,”[7] or the Gallic witnesses,

who walk about the Forum with an air of triumph and head erect,[8] or

the Greek witnesses who chatter without ceasing and gesticulate with the

shoulders,[9] all those characters, in fine, that when once they have

been met with in his works are never forgotten, his powerful and mobile

imagination sees them before painting them. He possesses in a wonderful

degree the faculty of making himself the spectator of what he narrates.

Things strike him, persons attract or repel him with an incredible

vivacity, and he throws himself entirely into the pictures he makes of

them. What passion there is in his narratives! What furious bursts of

anger in his attacks! What frenzy of joy when he describes some ill

fortune of his enemies! How one feels that he is penetrated and

overwhelmed with it, that he enjoys it, that he delights in it and

gloats over it, according to his energetic expressions: _his ego rebus

pascor, his delector, his perfruor!_[10] Saint-Simon, intoxicated with

hatred and joy, expresses himself almost in the same terms in the famous

scene of the “bed of justice,” when he sees the Duke of Maine struck

down and the bastards discrowned. “I, however,” says he, “was dying with

joy, I was even fearing a swoon. My heart, swelled to excess, found no

room to expand.... I triumphed, I avenged myself, I swam in my

vengeance.” Saint-Simon earnestly desired power, and twice he thought he

held it; “but the waters, as with Tantalus, retired from his lips every

time he thought to touch them.” I do not think, however, that we ought

to pity him. He would have ill filled the place of Colbert and Louvois,

and even his good qualities perhaps would have been hurtful to him.

Passionate and irritable, he feels warmly the slightest injury, and

flies into a passion at every turn. The smallest incidents excite him,

and we feel that when he relates them he does so with all his heart.

This ardent sensitiveness which warms all his narratives has made him an

incomparable painter, but as it would always have confused his judgment

it would have made him an indifferent politician. Cicero’s example shows

this well.

We are right then in saying that we find the same qualities in Cicero’s

speeches as in his letters, but they are more evident in his letters,

because he is freer and gives more play to his feelings. When he writes

to any of his friends, he does not reflect so long as when he is to

address the people; he gives his first impressions, and gives them with

life and passion as they rise in him. He does not take the trouble to

polish his style; all that he writes has usually such a graceful air,

something so easy and simple that we cannot suspect preparation or

artifice. A correspondent who wished to please him, having spoken to him

one day of the thunders of his utterance, _fulmina verborum_, he

answered: “What do you think then of my letters? Do you not think that I

write to you in the ordinary style? One must not always keep the same

tone. A letter cannot resemble a pleading or a political speech ... one

uses every-day expressions in it.”[11] Even if he had wished to give

more care to them he could not have found leisure. He had so many to

write to content everybody! Atticus alone sometimes received three in

the same day. So he wrote them where he could—during the sitting of the

senate, in his garden, when he is out walking, on the high-road when he

is travelling. Sometimes he dates them from his dining-room, where he

dictates them to his secretaries between two courses. When he writes

them with his own hand he does not give himself time to reflect any the

more. “I take the first pen I find,” he tells his brother, “and use it

as if it were good.”[12] Thus it was not always easy to decipher him.

When any one complains he does not lack excuses. It is the fault of his

friends’ messengers, who will not wait. “They come all ready to start,

with their travelling caps on, saying that their companions are waiting

for them at the door.”[13] Not to keep them waiting, he must write at

random all that comes into his mind.

Let us thank these impatient friends, these hurried messengers who did

not give Cicero time to make eloquent essays. His letters please us

precisely because they contain the first flow of his emotions, because

they are full of graceful negligence and naturalness. As he does not

take time to disguise himself we see him as he is. His brother said to

him one day, “I saw your own self in your letter.”[14] We are inclined

to say the same thing ourselves every time we read him. If he is so

lively, earnest, and animated when he addresses his friends, it is

because he so easily transports himself in imagination to the places

where they are. “I feel as though I were talking to you,”[15] he writes

to one of them. “I don’t know how it happens,” he says to another, “that

I think I am near you while writing to you.”[16] He gives way to his

passing emotions in his letters even more than in his speeches. When he

arrives at one of his fine country houses that he likes so much, he

gives himself up to the pleasure of seeing it again; it has never seemed

to him so fine. He visits his porticoes, his gymnasia, his garden seats;

he runs to his books, ashamed of having left them. Love of solitude

seizes him so strongly that he never finds himself sufficiently alone.

He ends by disliking his house at Formiae because there are so many

intruders. “It is not a villa,” he says, “it is a public lounge.”[17]

There he finds again the greatest bores in the world, his friend Sebosus

and his friend Arrius, who persists in not returning to Rome, however

much he may entreat him, in order to keep him company and philosophize

with him all day long. “While I am writing to you,” he says to Atticus,

“Sebosus is announced. I have not finished lamenting this when I hear

Arrius saluting me. Is this leaving Rome? What is the use of flying from

others to fall into the hands of these?” I wish, he adds, quoting a fine

verse very likely borrowed from his own works, “I wish to fly to the

mountains of my birthplace, the cradle of my infancy. _In montes patrios

et ad incunabula nostra._”[18] He goes in fact to Arpinum; he extends

his journey to Antium, the wild Antium, where he passes the time

counting the waves. This obscure tranquillity pleases him so much that

he regrets he was not duumvir in this little town rather than consul at

Rome. He has no higher ambition than to be rejoined by his friend

Atticus, to walk with him in the sun, or to talk philosophy “seated on

the little bench beneath the statue of Aristotle.” At this moment he

seems disgusted with public life, he will not hear speak of it. “I am

resolved to think no more about it,”[19] he says. But we know how he

kept this sort of promise. As soon as he is back in Rome he plunges into

the thick of politics; the country and its pleasures are forgotten. We

only detect from time to time a few passing regrets for a calmer life.

“When shall we live then?” _quando vivemus?_ says he sadly in this

whirlwind of business that hurries him on.[20] But these timorous

complaints are soon stifled by the noise and movement of the combat. He

enters and takes part in it with more ardour than anybody. He is still

excited by it when he writes to Atticus, its agitation is shown by his

letters which communicate it to us. We imagine ourselves looking on at

those incredible scenes that take place in the senate when he attacks

Clodius, sometimes by set speeches, sometimes by impetuous questions,

employing against him by turns the heaviest arms of rhetoric and the

lightest shafts of raillery. He is still more sprightly when he

describes the popular assemblies and recounts the scandals of the

elections. “Follow me to the Campus Martius, corruption is rampant,

_sequere me in Campum; ardet ambitus_.”[21] And he shows us the

candidates at work, purse in hand, or the judges in the Forum

shamelessly selling themselves to whoever will pay them, _judices quos

fames magis quam fama commovit_.

As he has the habit of giving way to his impressions and changing with

them, his tone varies from letter to letter. Nothing is more desponding

than those he writes in exile; they are a continual moan; but his

sentences suddenly become majestic and triumphant immediately after his

return from exile. They are full of those flattering superlatives that

he distributes so liberally to those who have served him, _fortissimus_,

_prudentissimus_, _exoptatissimus_, etc., he extols in magnificent terms

the marks of esteem given him by people of position, the authority he

enjoys in the Curia, the credit he has so gloriously reconquered in the

Forum, _splendorem ilium forensem, et in senatu auctoritatem et apud

viros bonos gratiam_.[22] Although he is only addressing his faithful

Atticus, we think we hear an echo of the set orations he has just

pronounced in the senate and before the people. It sometimes happens

that on the gravest occasions he smiles and jokes with a friend who

amuses him. In the thick of his conflict with Antony he writes that

charming letter to Papirius Poetus, in which he advises him in such a

diverting manner to frequent again the good tables, and to give good

dinners to his friends.[23] He does not defy dangers, he forgets them;

but let him meet some timorous person, he soon partakes his fear, his

tone changes at once; he becomes animated, heated; sadness, fear,

emotion carry him without effort to the highest flights of eloquence.

When Caesar threatens Rome, and insolently places his final conditions

before the senate, Cicero’s courage rises, and he uses, when writing to

a single person, those energetic figures of speech which would not be

out of place in a public oration. “What a fate is ours! Must we then

give way to his impudent demands! for so Pompey calls them. In fact has

a more shameless audacity ever been seen?—You have occupied for ten

years a province that the senate has not given you, but which you have

seized yourself by intrigue and violence. The term has arrived which

your caprice alone and not the law has fixed for your power.—But let us

suppose it was the law—the term having arrived, we name your successor,

but you resist and say, ‘Respect my rights.’ And you, what do you do to

ours? What pretext have you for keeping your army beyond the term fixed

by the people, in spite of the senate?—You must give way to me or

fight.—Well then! let us fight, answers Pompey, at least we have the

chance of conquering or of dying free men.”[24]

If I wished to find another example of this agreeable variety and these

rapid changes, I should not turn to Pliny or to those who, like him,

wrote their letters for the public, I should come down to Madame de

Sévigné. She, like Cicero, has a very lively and versatile imagination;

she gives way to her first emotions without reflection; she is caught by

things present, and the pleasure she is enjoying always seems the

highest. It has been remarked that she took pleasure everywhere, not

through that indolence of mind that attaches us to the place where we

are, to avoid the trouble of changing, but by the vivacity of her

character which gave her up entirely to the pleasures of the moment.

Paris does not charm her so much as to prevent her liking the country,

and no one of that age has spoken about nature better than this woman of

fashion who was so much at ease in drawing-rooms, and seemed made for

them. She escapes to Livry the first fine day to enjoy “the triumph of

May,” to “the nightingale, the cuckoo, and the warbler that begin the

spring in the woods.” But Livry is still too fashionable, she must have

a more complete solitude, and she cheerfully retires under her great

trees in Brittany. This time her Paris friends think she will be wearied

to death, having no news to repeat or fine wits to converse with. But

she has taken some serious moral treatise by Nicole with her; she has

found among those neglected books whose last refuge, like that of old

furniture, is the country, some romance of her young days which she

reads again secretly, and in which she is astonished still to find

pleasure. She chats with her tenants, and just as Cicero preferred the

society of the country people to that of the provincial fashionables,

she likes better to talk with her gardener Pilois than with “several who

have preserved the title of esquire in the parliament of Rennes.” She

walks in her Mall, in those solitary alleys where the trees covered with

fine-sounding mottoes almost seem as though they were speaking to each

other; she finds, in fact, so much pleasure in her desert that she

cannot make up her mind to leave it; nevertheless no woman likes Paris

better. Once back there she surrenders herself wholly to the pleasures

of fashionable life. Her letters are full of it. She takes impressions

so readily that we might almost tell in perusing them what books she has

just been reading, at what conversations she has been present, what

drawing-rooms she has just left. When she repeats so pleasantly to her

daughter the gossip of the court we perceive that she has just been

conversing with the graceful and witty Madame de Coulanges, who has

repeated it to her. When she speaks so touchingly of Turenne she has

just left the Hôtel de Bouillon, where the prince’s family are lamenting

his broken fortunes as well as his death. She lectures, she sermonizes

herself with Nicole, but not for long. Let her son come in and tell her

some of those gay adventures of which he has been the hero or the

victim, she recounts boldly the most risky tales on condition of saying

a little later, “Pardon us, Monsieur Nicole!” When she has been visiting

La Rochefoucauld everything turns to morality; she draws lessons from

everything, everywhere she sees some image of life and of the human

heart, even in the viper broth that they are going to give Madame de la

Fayette who is ill. Is not this viper, which though opened and skinned

still writhes, like our old passions? “What do we not do to them? We

treat them with insult, harshness, cruelty, disdain; we wrangle, lament,

and storm, and yet they move. We cannot overcome them. We think, when we

have plucked out their heart, that they are done with and we shall hear

no more of them. But no; they are always alive, they are always moving.”

This ease with which she receives impressions, and which causes her to

adopt so quickly the sentiments of the people she visits, makes her also

feel the shock of the great events she looks on at. The style of her

letters rises when she narrates them, and, like Cicero, she becomes

eloquent unconsciously. Whatever admiration the greatness of the

thoughts and the liveliness of expression in that fine piece of Cicero

upon Caesar that I quoted just now may cause me, I am still more

touched, I admit, by the letter of Madame de Sévigné on the death of

Louvois, and I find more boldness and brilliancy in that terrible

dialogue which she imagines between the minister who demands pardon and

God who refuses it.

These are admirable qualities, but they bring with them certain

disadvantages. Such hasty impressions are often rather fleeting. When

people are carried away by a too vivid imagination, they do not take

time to reflect before speaking, and run the risk of often having to

change their opinion. Thus Madame de Sévigné has contradicted herself

more than once. But being only a woman of fashion, her inconsistency has

not much weight, and we do not look on it as a crime. What does it

matter to us that her opinions on Fléchier and Mascaron have varied,

that after having unreservedly admired the _Princesse de Clèves_ when

she read it alone, she hastened to find a thousand faults in it when her

cousin Bussy condemned it? But Cicero is a politician, and he is

expected to be more serious. We demand that his opinions should have

more coherency; now, this is precisely what the liveliness of his

imagination least permits. He never boasted of being consistent. When he

judges events or men he sometimes passes without scruple, in a few days,

from one extreme to the other. In a letter of the end of October Cato is

called an excellent friend (_amicissimus_), and the way in which he has

acted is declared to be satisfactory; at the beginning of November he is

accused of having been shamefully malevolent in the same affair,[25]

because Cicero seldom judges but by his impressions, and in a mobile

spirit like his, very different but equally vivid impressions follow

each other very quickly.

Another danger, and one still greater, of this excess of imagination

which cannot control itself is that it may give us the lowest and most

false opinion of those who yield to it. Perfect characters are only

found in novels. Good and evil are so intermingled in our nature that

the one is seldom found without the other. The strongest characters have

their weaknesses, and the finest actions do not spring only from the

most honourable motives. Our best affections are not entirely exempt

from selfishness; doubts and wrongful suspicions sometimes trouble the

firmest friendships, and it may happen at certain moments that cupidity

and jealousy, of which one is ashamed the next day, flit rapidly through

the mind of the most honourable persons. The prudent and clever

carefully conceal all those feelings which cannot bear the light; those

whose quick impressions carry them away, like Cicero, speak out, and

they are very much blamed. The spoken or written word gives more

strength and permanence to these fugitive thoughts; they were only

flashes; they are fixed and accentuated by writing; they acquire a

clearness, a relief and importance that they had not in reality. Those

momentary weaknesses, those ridiculous suspicions which spring from

wounded self-esteem, those short bursts of anger, quieted as soon as

reflected on, those unjust thoughts that vexation produces, those

ambitious fits that reason hastens to disavow, never perish when once

they have been confided to a friend. One of these days a prying

commentator will study these too unreserved disclosures, and will use

them, to draw a portrait of the indiscrete person who made them, to

frighten posterity. He will prove by exact and irrefutable quotations

that he was a bad citizen and a bad friend, that he loved neither his

country nor his family, that he was jealous of honest people, and that

he betrayed all parties. It is not so, however, and a wise man will not

be deceived by the artifice of misleading quotations. Such a man well

knows that we must not take these impetuous people literally or give too

much credence to what they say. We must save them from themselves,

refuse to listen to them when they are led astray by passion, and

especially must we distinguish their real and lasting feelings from all

those exaggerations which are merely passing. For these reasons every

one is not fitted to thoroughly understand these letters, every one

cannot read them as they should be read. I mistrust those learned men

who, without any acquaintance with men or experience of life, pretend to

judge Cicero from his correspondence. Most frequently they judge him

ill. They search for the expression of his thought in that commonplace

politeness which society demands, and which no more binds those who use

it than it deceives those who accept it. Those concessions that must be

made if we wish to live together they call cowardly compromises. They

see manifest contradictions in those different shades a man gives to his

opinions, according to the persons he is talking with. They triumph over

the imprudence of certain admissions, or the fatuity of certain praises,

because they do not perceive the fine irony that tempers them. To

appreciate all these shades, to give things their real importance, to be

a good judge of the drift of those phrases which are said with half a

smile, and do not always mean what they seem to say, requires more

acquaintance with life than one usually gets in a German university. If

I must say what I think, I would rather trust a man of the world than a

scholar in this matter, for a delicate appreciation.

Cicero is not the only person whom this correspondence shows us. It is

full of curious details about all those who had friendly or business

relations with him. They were the most illustrious persons of the time,

and they played the chief parts in the revolution that put an end to the

Roman Republic. No one deserves to be studied more than they. It must be

remarked here, that one of Cicero’s failings has greatly benefited

posterity. If it were a question of some one else, of Cato for instance,

how many people’s letters would be missing in this correspondence! The

virtuous alone would find a place in it, and Heaven knows their number

was not then very great. But, happily, Cicero was much more tractable,

and did not bring Cato’s rigorous scruples into the choice of his

friends. A sort of good-nature made him accessible to people of every

opinion; his vanity made him seek praise everywhere. He had dealings

with all parties, a great fault in a politician, for which the shrewd

people of his time have bitterly reproached him, but a fault that we

profit by; hence it happens that all parties are represented in his

correspondence. This obliging humour sometimes brought him into contact

with people whose opinions were the most opposite to his, and he found

himself at certain times in close relations with the worst citizens whom

he has at other times lashed with his invectives. Letters that he had

received from Antony, Dolabella, and Curio still remain, and these

letters are full of expressions of respect and friendship. If the

correspondence went further back we should probably have some of

Catiline’s, and, frankly, I regret the want of them; for if we wish to

judge of the state of a society as of the constitution of a man, it is

not enough to examine the sound parts, we must handle and probe to the

bottom the unsound parts. Thus, all the important men of that time,

whatever their conduct may have been, or to whatever party they may have

belonged, had dealings with Cicero. Memorials of all are found in his

correspondence. A few of their letters still exist, and we have a large

number of those that Cicero wrote to them. The private details he gives

us about them, what he tells us of their opinions, their habits, and

character, allows us to enter freely into their life. Thanks to him, all

those persons indistinctly depicted by history resume their original

appearance; he seems to bring them nearer to us and to make us

acquainted with them; and when we have read his correspondence we can

say that we have just visited the whole Roman society of his time.

The end we have in view in this book is to study closely a few of these

personages, especially those who were most involved in the great

political events of that period. But before beginning this study it is

necessary to make a firm resolution not to bring to it considerations

which belong to our own time. It is too much the custom now-a-days to

seek arms for our present struggles in the history of the past. Smart

allusions and ingenious parallels are most successful. Perhaps Roman

antiquity is so much in fashion only because it gives political parties

a convenient and less dangerous battle-field where, under ancient

costumes, present-day passions may struggle. If the names of Caesar,

Pompey, Cato, and Brutus are quoted on all occasions, these great men

must not be too proud of the honour. The curiosity they excite is not

altogether disinterested, and when they are spoken of it is almost

always to point an epigram or set off a flattery. I wish to avoid this

mistake. These illustrious dead seem to me to deserve something better

than to serve as instruments in the quarrels that divide us, and I have

sufficient respect for their memory and their repose not to drag them

into the arena of our every-day disputes. It should never be forgotten

that it is an outrage to history to subject it to the changing interest

of parties, and that it should be, according to the fine expression of

Thucydides, a work made for eternity.

These precautions being taken, let us penetrate with Cicero’s letters

into the Roman society of that great period, and let us begin by

studying him who offers himself so gracefully to do us the honours.

CICERO IN PUBLIC AND PRIVATE LIFE

I

CICERO’S PUBLIC LIFE

Cicero’s public life is usually severely judged by the historians of our

time. He pays the penalty of his moderation. As this period is only

studied now with political intentions, a man like him who tried to avoid

extremes fully satisfies nobody. All parties agree in attacking him; on

all sides he is laughed at or insulted. The fanatical partisans of

Brutus accuse him of timidity, the warmest friends of Caesar call him a

fool. It is in England and amongst us[26] that he has been least abused,

and that classical traditions have been more respected than elsewhere;

the learned still persist in their old habits and their old admirations,

and in the midst of so many convulsions criticism at least has remained

conservative. Perhaps also the indulgence shown to Cicero in both

countries comes from the experience they have of political life. When a

man has lived in the practice of affairs and in the midst of the working

of parties, he can better understand the sacrifices that the necessities

of the moment, the interest of his friends and the safety of his cause

may demand of a statesman, but he who only judges his conduct by

inflexible theories thought out in solitude and not submitted to the

test of experience becomes more severe towards him. This, no doubt, is

the reason why the German scholars use him so roughly. With the

exception of M. Abeken,[27] who treats him humanely, they are without

pity. Drumann[28] especially overlooks nothing. He has scrutinized his

works and his life with the minuteness and sagacity of a lawyer seeking

the grounds of a lawsuit. He has laid bare all his correspondence in a

spirit of conscientious malevolence. He has courageously resisted the

charm of those confidential disclosures which makes us admire the writer

and love the man in spite of his weaknesses, and by opposing to each

other detached fragments of his letters and discourses he has succeeded

in drawing up a formal indictment, in which nothing is omitted and which

almost fills a volume. M. Mommsen[29] is scarcely more gentle, he is

only less long. Taking a general view of things he does not lose himself

in the details. In two of those compact pages full of facts, such as he

knows how to write, he has found means to heap on Cicero more insults

than Drumann’s whole volume contains. We see particularly that this

pretended statesman was only an egotist and a short-sighted politician,

and that this great writer is only made up of a newspaper novelist and a

special-pleader. Here we perceive the same pen that has just written

down Cato a Don Quixote and Pompey a corporal. As in his studies of the

past he always has the present in his mind, one would say that he looks

for the squireens of Prussia in the Roman aristocracy, and that in

Caesar he salutes in advance that popular despot whose firm hand can

alone give unity to Germany.

How much truth is there in these fierce attacks? What confidence can we

place in this boldness of revolutionary criticism? What judgment must we

pronounce on Cicero’s political conduct? The study of the facts will

teach us.

I.

Three causes generally contribute to form a man’s political opinions—his

birth, his personal reflections, and his temperament. If I were not

speaking here of sincere convictions only, I would readily add a fourth,

which causes more conversions than the others, namely interest, that is

to say, that leaning one has almost in spite of oneself to think that

the most advantageous course is also the most just, and to conform one’s

opinion to the position one holds or wishes for. Let us try and discover

what influence these causes had upon Cicero’s conduct and political

preferences.

Cicero and his friends · 第 1 / 30 段