INTRODUCTION.

1. FRENCH LITERATURE AND ITS DIVISIONS.--Towards the middle of the fifth

century the Franks commenced their invasions of Gaul, which ended in the

conquest of the country, and the establishment of the French monarchy

under Clovis. The period from Clovis to Charlemagne (487-768) is the most

obscure of the Dark Ages. The principal writers, whose names have been

preserved, are St. Rémy, the archbishop of Rheims (d. 535), distinguished

for his eloquence, and Gregory of Tours (d. 595), whose contemporary

history is valuable for the good faith in which it is written, in spite of

the ignorance and credulity which it displays. The genius of Charlemagne

(r. 768-814) gave a new impulse to learning. By his liberality he

attracted the most distinguished scholars to his court, among others

Alcuin, from England, whom he chose for his instructor; he established

schools of theology and science, and appointed the most learned professors

to preside over them. But in the century succeeding his death the country

relapsed into barbarism.

In the south of France, Provence early became an independent kingdom, and

consolidating its language, laws, and manners, at the close of the

eleventh century it gave birth to the literature of the Troubadours; while

in the north, the language and literature of the Trouvères, which were the

germs of the national literature of France, were not developed until a

century later.

In the schools established by Charlemagne for the education of the clergy,

the scholastic philosophy originated, which prevailed throughout Europe in

the Middle Ages. The most distinguished schoolmen or scholastics in France

during this period are Roscellinus (fl. 1092), the originator of the

controversy between the Nominalists and Realists, which occupied so

prominent a place in the philosophy of the time; Abelard (1079-1142),

equally celebrated for his learning, and for his unfortunate love for

Héloïse; St. Bernard (1091-1153), one of the most influential

ecclesiastics of the Middle Ages; and Thomas Aquinas (1227-1274) and

Bonaventure (1221-1274), Italians who taught theology and philosophy at

Paris, and who powerfully influenced the intellect of the age.

Beginning with the Middle Ages, the literary history of France may be

divided into three periods. The first period extends from 1000 to 1500,

and includes the literature of the Troubadours, the Trouvères, and of the

fifteenth century.

The second period extends from 1500 to 1700, and includes the revival of

the study of classical literature, or the Renaissance, and the golden age

of French literature under Louis XIV.

The third period, extending from 1700 to 1885, comprises the age of

skepticism introduced into French literature by Voltaire, the

Encyclopaedists and others, the Revolutionary era, the literature of the

Empire and of the Restoration, of the Second Empire, and of the present

time.

2. THE LANGUAGE.--After the conquest of Gaul by Julius Caesar, Latin

became the predominant language of the country; but on the overthrow of

the Western Empire it was corrupted by the intermixture of elements

derived from the northern invaders of the country, and from the general

ignorance and barbarism of the times. At length a distinction was drawn

between the language of the Gauls who called themselves Romans, and that

of the Latin writers; and the _Romance_ language arose from the former,

while the Latin was perpetuated by the latter. At the commencement of the

second race of monarchs, German was the language of Charlemagne and his

court, Latin was the written language, and the Romance, still in a state

of barbarism, was the dialect of the people. The subjects of Charlemagne

were composed of two different races, the Germans, inhabiting along and

beyond the Rhine, and the Wallons, who called themselves Romans. The name

of _Welsch_ or _Wallons_, given them by the Germans, was the same as

_Galli_, which they had received from the Latins, and as _Keltai_ or

Celts, which they themselves acknowledged. The language which they spoke

was called after them the _Romance-Wallon_, or rustic Romance, which was

at first very much the same throughout France, except that as it extended

southward the Latin prevailed, and in the north the German was more

perceptible. These differences increased, and the languages rapidly grew

more dissimilar. The people of the south called themselves _Romans-

provençaux_, while the northern tribes added to the name of Romans, which

they had assumed, that of _Wallons_, which they had received from the

neighboring people. The Provençal was called the _Langue d'oc_, and the

Wallon the _Langue d'oui_, from the affirmative word in each language, as

the Italian was then called the _Langue de sí_, and the German the _Langue

de ya_.

The invasion of the Normans, in the tenth century, supplied new elements

to the Romance Wallon. They adopted it as their language, and stamped upon

it the impress of their own genius. It thus became Norman-French. In 1066,

William the Conqueror introduced it into England, and enforced its use

among his new subjects by rigorous laws; thus the popular French became

there the language of the court and of the educated classes, while it was

still the vulgar dialect in France.

From the beginning of the twelfth century, the two dialects were known as

the _Provençal_ and the _French_. The former, though much changed, is

still the dialect of the common people in Provence, Languedoc, Catalonia,

Valencia, Majorca, and Minorca. In the thirteenth century, the northern

French dialect gained the ascendency, chiefly in consequence of Paris

becoming the centre of refinement and literature for all France. The

_Langue d'oui_ was, from its origin, deficient in that rhythm which exists

in the Italian and Spanish languages. It was formed rather by an

abbreviation than by a harmonious transformation of the Latin, and the

metrical character of the language was gradually lost. The French became

thus more accustomed to rhetorical measure than to poetical forms, and the

language led them rather to eloquence than poetry. Francis I. established

a professorship of the French language at Paris, and banished Latin from

the public documents and courts of justice. The Academy, established by

Cardinal Richelieu (1635), put an end to the arbitrary power of usage, and

fixed the standard of pure French, though at the same time it restricted

the power of genius over the language. Nothing was approved by the Academy

unless it was received at court, and nothing was tolerated by the public

that had not been sanctioned by the Academy. The language now acquired the

most admirable precision, and thus recommended itself not only as the

language of science and diplomacy, but of society, capable of conveying

the most discriminating observations on character and manners, and the

most delicate expressions of civility which involve no obligation. Hence

its adoption as the court language in so many European countries. Among

the dictionaries of the French language, that of the Academy holds the

first rank.

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