I sat silent.

'She wants you to go over to the place with her to-morrow,' Dick

said. 'You know the place, don't you? It's only about three miles

away up the old wagon road; you've been there, haven't you?'

'Yes,' I said. 'There's a wooden cross where they're buried or

should be. I had it renewed two years ago. Didn't I ever tell you

about it? Haven't you been there yourself lately?'

'No,' said Dick. 'I don't fancy the place somehow. But I was

asking about it only this afternoon. The boys tell me there are

some trees there still; white men's trees.'

'Yes,' I said, 'yellow peach-stocks and one gumtree you get it

against the skyline looking up from the spruit. The old pole and

daub house dropped to pieces long ago. I do hope that cross is

standing all right still. I blame myself for not having seen

about it this last year or two.'

The cross had fallen down and the place looked generally forlorn

when we reached it next day. I was troubled about my companion.

She was fair and tall and quiet. When she did talk on the way she

talked about commonplace subjects. But when she saw the forsaken

place and the displaced cross the veil fell. She clutched her

son's arm hard, and I left them together. I went off with the

Mashona boy and the mules out of the way. I had no inspiration at

the moment what to say or what to do. I did not come back for

half an hour.

She told me on the drive back that she wanted to provide somewhat

of a memorial. 'It's been left too long,' she said. 'But you can

understand how sore I was before and how I shrank from coming.'

She told me that one great grief of hers was that she had no good

likeness of her children as they were at that dreadful time. I

was embarrassed and silent. 'What can I do to help you?' I was

thinking over and over again, 'Shall I show the picture? Yes,

right or wrong, I must.'

I didn't know how to begin to tell her about it. I prayed for

words. Then I began in curt crisp sentences to tell her. 'You may

not like it. You must not be disappointed,' I said. 'Why?' she

asked. But I did not try to explain. I would let the picture

plead its own point of view. When we were back I asked Dick for

it, and I knocked at her room door and gave if to her.

Then I went out and watched a team ploughing, till Dick called me

in.

At lunch the guests were very quiet and subdued, but seemed quite

cheerful. Afterwards, before I started for home, she came and

talked to me alone.

'Is this the scene of the picture?' she asked me, as she led me

across the yard. 'This grass plot between these rocks and those

trees?'

'Yes, it's just here apparently,' I said. 'You see that great

tree there. One can hardly mistake it.'

'I remember the spot long ago,' she said. 'I came down to my

sister's to leave the children with her for a country holiday

just before that time. We were staying at that place we went to

this morning; they called it Happy Valley, and we drove over to

this place where there was a store. It was only a month or two

before the time May Day, I think. I remember my children playing

hide-and-seek here with the piccaninnies; yes, playing other

games too.' Her lips quivered, but she went on quite steadily.

'Those piccaninnies in that picture do you know any of their

faces?'

'Yes,' I said, 'I knew two that were burnt, and did not get

better; two I used to come and see. And Dick says he recognizes

two or three little chaps that have died since he came here to

live after the "Rebellion" was over.'

'And how do you explain it?' she asked gently, 'this vision of

dead children so charmingly colored, so color-blind from a South

African point of view?'

Cinderella in the South: Twenty-Five South African Tales · 第 55 / 87 题