CHAPTER V

Redy and Smaly watch the review of the troops: Smaly and the

Mother of the Crow discourse about soldiers: The Chief

Contractor distributes the food, and the Wigs pass through a

curious little door: The Soy powder makes the provisions

grow.

The Wigs now began to form themselves into a semicircle, the smallest

nearest the door, and the others standing behind them so that they could

see over their heads.

It was a half-holiday for Laptitza, the second daughter of the Prisoner,

and Papylick brought her in so that she could see the review of the

troops.

Laptitza was shown to a low chair in the midst of the semicircle formed

by the Wigs.

Laptitza was so beautiful that it would not have been possible to have

painted her portrait.

* * * * *

The soldiers arrived in Indian file, one behind the other.

"There are a hundred and two of them," announced the Chief Contractor,

looking furtively at Smaly. He shot this look through the eyeholes of

the mask which he had just slipped on and which appeared to be made in

two halves, for while one half expressed severe authority, the other

was all gentleness.

[Illustration: ONE HALF EXPRESSED SEVERE AUTHORITY, THE OTHER WAS ALL

GENTLENESS]

"One hundred and two," repeated Smaly in a perfectly expressionless

voice.

"My brother used to have only one hundred," said the Despoiler, "but I

made him understand that they could not possibly march until they had

one at the head and one at the tail, and that makes one hundred and

two." It was now the Despoiler's turn to look slyly at the two little

human beings and see how they took his remark.

* * * * *

The soldiers came on in a straight line towards the great door of the

kitchen. They had an extraordinarily complicated method of marching,

taking two steps in advance and then one backwards, and this was made

all the more difficult for them because discipline enjoined that each

man should place his feet accurately in the footsteps of the leader.

This man's feet, by an ingenious arrangement, left white marks in the

ground.

When the leading soldier arrived at the door, since it was not permitted

him to turn his back upon such an august assembly, he had to take his

departure marching backwards, and so had all those who followed after

him. From that moment there were two long lines of soldiers, one going

forwards, the other going backwards; but all the soldiers had their

noses, their chests, their knees, and their big toes pointing in the

same direction--the door of the kitchen.

When the review was over, the Chief Contractor was so pleased that he

decided that they must have a similar review every week. He had a fence

erected round the traces left by the soldiers' feet, so that they would

not be effaced, but could be used again each week.

Just as this was finished Smaly noticed that the eye of the Mother of

the Crow was regarding him steadfastly. Suddenly the eye winked as

though to signal him to approach. Smaly began to walk towards the eye;

but it occurred to him on reflection that it was towards the Mother of

the Crow herself that he ought to turn his steps, and not towards her

eye, which, after all, was merely hung in a locket round the neck of her

son. Therefore he turned and approached the oyster-shell, where the

Mother of the Crow was seated.

The Wigs were no longer taking any notice of him; they were eating

ices, and chatting together in their mellifluous voices. They had all

put on thick gloves, for the warmth of the fresh pastry of which their

hands were composed would have melted the ices.

[Illustration: HE DECIDED THAT THEY MUST HAVE A SIMILAR REVIEW EVERY

WEEK]

* * * * *

"None of them really knows what a soldier is," said the Mother of the

Crow in a low voice to Smaly.

"Oh," said Smaly; "but _you_ know, don't you?"

"Certainly I know. Soldiers are beings who cut up the meat that men like

you eat, who hack down big trees, who kill the beautiful horned animals

for food. You see I know perfectly well what a soldier is, and one can

always tell a real soldier because he carries big knives, axes, saws,

razors, and scythes."

"H'm! Not at all," contradicted Smaly with the air of one beginning a

lecture. "A soldier is a man who fights other soldiers."

"What?" asked the Mother of the Crow. "How is that possible when they

are both the same thing?"

"I assure you that it is so," replied Smaly.

The Mother of the Crow reflected; but catching sight of the Wigs, who

were putting the soldiers back in their boxes at the end of the

courtyard, she began again.

[Illustration: THEY HAD ALL PUT ON THICK GLOVES]

"He," she said, nodding her head towards the Chief Contractor, "has no

idea of what a soldier is. He has never seen one excepting in a painting

that a cousin sent him. It is a painting that represents a court in full

dress. There are several soldiers with knives standing round the cousin,

who is the President of the Republic of Pasenipus. They wear

breastplates of gold to prevent the blood of the animals they kill

soiling their fine coats. The Chief Contractor thought that these

breastplates must be eggs, and, as you see, these soldiers are just eggs

with legs. The Chief Contractor has had oxeye daisies fastened to their

heels, because in the picture there were golden daisies fastened to the

boots of the soldiers."

[Illustration: WIGS, WHO WERE PUTTING THE SOLDIERS BACK IN THEIR BOXES]

[Illustration: LAPTITZA AND PAPYLICK

_Page 59_]

[Illustration: PRESIDENT OF THE REPUBLIC OF PASENIPUS]

"Those must have been spurs!" explained Smaly absently, his attention

being distracted by a curious rattling noise from afar off.

"I don't know what spurs are," admitted the Mother of the Crow; "but the

Chief Contractor doesn't even know what the shield is that each soldier

carries to protect his face from the horns of the animals. He doesn't

even know that soldiers carry knives," she added, "but has put in his

soldiers' hands flowers with long stalks. He doesn't know what a helmet

is, for he thought that soldiers must be a sort of bird with a plume on

their heads."

Smaly didn't mind. He had very much admired the feathered heads, and,

above all, he admired the shields, which were made of pearly shell-fish,

but before the review the Wigs had eaten the contents of these beautiful

shields lest the shell-fish should all have hidden their faces from

fright.

* * * * *

When the Wigs had placed the soldiers in the boxes the Young Stork and

Papylick came towards Smaly. The Stork took charge of the Mother of the

Crow to conduct her back to her house, which was in a cosy nook in a

great tree of coral.

Smaly and Redy now wished to go, but Papylick informed them that neither

the sun nor moon having yet set, it was not possible, and so the little

husband and wife sat down on their heels in the doorway of the kitchen.

The rattling sound had now come nearer, and the Chief Contractor

appeared in the public square surrounded by Wigs pushing wheelbarrows

and turning rattles.

[Illustration: TO CONDUCT HER BACK TO HER HOUSE, WHICH WAS IN A COSY

NOOK IN A GREAT TREE OF CORAL]

These Wigs laid the rattles in the wheelbarrows, and everything became

quiet once more.

Then the Chief Contractor advanced boldly into the full sunshine, and

the Wigs, who watched him put one foot in front of the other, prepared

also to advance.

The Chief Contractor had made a few changes in his costume. He still

wore his big ring and his box marked "Soy"; but a huge hat now covered

his head. Little shelves were hung all about his person, and on these

and on his hat were placed pots and jars, cakes and flagons. He had many

more than the Confectioner, who, after all, was only his lieutenant. He

carried a quiverful of ebony knives, and an urn from which stuck out

long bamboo spoons. His masks were slung from the end of a stick. He

touched his lips with his magic ring, then he agitated the castanets

which hung at his knee, and cried:

"Food, food! Come in by the door, come in by the door," and he shut his

mouth up again quickly with his left thumb.

"I don't see a door, or even a place for a door. There isn't anything,"

said Smaly to Papylick.

"There it is," said Redy, pointing towards a little door which stood in

the middle of the square. "There's no wall, but that is a door. See,

it's open," she added.

"But what's the good of that door," cried Smaly to the Chocolate Grub,

which had come up beside him and was waiting with the others to go and

get his provisions.

[Illustration: THE CONFECTIONER]

"I know nothing about doors," said the Grub sharply. "You must ask some

specialist in such matters; some one who knows about draughts and

opening and shutting. Some one, in fact, who looks like a doorkeeper,"

and the Grub withdrew proudly.

[Illustration: "NEVERTHELESS IT'S SO NARROW THAT ONLY ONE PERSON CAN GO

THROUGH AT A TIME"]

Smaly realized that he had been lacking in tact to mention the word

"door" to the Grub, who always pretended that he was not a doorkeeper.

Papylick explained to the two little people:

"If there weren't a door the people would simply tear the Chief

Contractor to bits to get at the food."

"But----" began Smaly.

"And anyway the door was open," said Redy.

"That's true," replied Papylick, "but nevertheless it's so narrow that

only one person can go through at a time."

[Illustration: THE SONG WENT ON]

And, indeed, each Wig was passing singly through the little door to

receive in his pot or pan a drop of gooseberry jam or a morsel of cake

or apple, or one or two cherry-stones.

The Chief Contractor served out his goods with his bamboo spoons. When

the Wigs were served they made their way in single file towards two

posts which stood in the square, and passed very carefully between them

so as not to spill any of their precious provisions.

And every one had received from the Contractor a little powder in a box

like a small snuff-box labelled "Soy."

* * * * *

Back in their kitchen the Wigs sprinkled a pinch of the Soy powder on

their crumbs of cake and spots of jam, and then taking hands danced

slowly round the table, singing, while the little crumbs of food began

to grow bigger and bigger. The fragments of cake became whole cakes, the

spots of jam swelled to marvellous jellies, and the cherry-stones became

baskets full of the most succulent fruits. When they had finished their

song they did not shut their mouths up again, thereby attaining two

excellent results--the song went on and on while they could eat their

dessert at their ease.

[Illustration]

The City Curious · 第 5 / 15 章