CHAPTER IX

MILITARY PYROTECHNY

The use of pyrotechnic mixtures for military purposes is the basis of

artillery, and one might almost say the foundation of chemistry. Before

the age of the alchemist men were at work endeavouring to produce some

weapon which would give them an advantage over their enemies. Of the

natural phenomena none made so strong an appeal as fire, which from

earliest times had been a mysterious and therefore terrible element.

The early use of fire or pyrotechnic mixtures gave the users so decided

an advantage over their enemies that their use was chronicled by

historians of the day either on the side of the victors as a pæan of

praise for their invincible weapon, or as an excuse for defeat on the

side of the vanquished.

Such reports are necessarily vague and exaggerated, vague because

the writer had no technical knowledge of the subject, and the users

naturally wished for secrecy and exaggerated because exaggeration

increased the value of the weapon.

It is from such reports that we obtain our information about Greek fire

and similar compositions, and when one considers that the translations

were generally biased, in most cases unintentionally but still biased,

in favour of reading into passages referring to fire or projectiles an

early reference to gunpowder, guns or some unknown pyrotechnic effect,

it is obvious that all information so gained must be accepted with a

considerable amount of reserve.

The translators, too, in many cases were men of no technical knowledge,

which made them even more prone to fall into errors which would be

avoided by the expert.

Of the mass of writing dealing with the subject, the work of two

writers stands out prominently—the late Mr. Oscar Guttman in his

“History of Explosives,” and Col. H. W. L. Hime in his “Origin of

Artillery,” whose observations cover the field of information on the

subject, although approaching from slightly different angles.

Neither, however, gives an exact explanation satisfactorily covering

the projection of Greek or sea fire. Col. Hime, rejecting earlier

theories, goes somewhat to the other extreme: he denies the knowledge

of saltpetre before the twelfth century, but attempts to explain the

phenomenon by the use of phosphide of calcium.

He premises four conditions to be filled by the weapon or apparatus.

These conditions are fulfilled by the explanation already briefly

touched upon on page 15, and the writer is convinced that this simple

although apparently little known phenomenon is the true explanation of

the terrible, mysterious Greek or sea fire.

If a mixture of saltpetre, pitch, and sulphur is charged into a long

tube sufficiently strong and ignited it will burn, giving off dense

smoke, for a short time, when it appears to choke momentarily. This

choking is followed by a more or less violent outburst, which may

be likened to a “cough,” projecting a burning mass of composition

to a considerable distance; the action is repeated with surprising

regularity during the burning of the whole of the composition

throughout the length of the tube, and will, the writer is confident,

satisfy any unbiased observer that here is the true explanation of the

phenomenon.

Let us see how the requirements mentioned by Col. Hime are fulfilled.

The first, “It was a wet fire,” _i.e._, its action necessarily

connected in some way with water or the sea, and as a matter of fact it

was used at sea with great success on many occasions. May not a “wet

fire” be a way of saying “a molten, viscous mass of fire”? The masses

would float and although some might become extinguished, some would

probably burn on the surface of the water; also its use at sea would,

with a range up to a hundred yards, be quite as easy as on land.

Secondly, “Its composition was such as could be kept secret at

Constantinople.” If, as Col. Hime says, saltpetre as such was unknown

at the time, it was only as a separate kind of salt. It was undoubtedly

known, but not distinguished from sea salt or nitrate of soda. Would

not this fact render the concealment of the ingredients used more easy?

Thirdly, “It burned with much noise and smoke.” Allowing for some

slight exaggeration the first condition is fulfilled, as undoubtedly is

the latter.

Fourthly, “It was necessarily connected in some way with syphons.” As

Col. Hime points out, there is ambiguity between the word syphon and

tube, and if the latter word meets the facts it seems the more likely

rendering.

The writer saw this effect produced during experiments with

smoke-producing compositions, and it is probable that the mixture in

question was not in the most effective proportions, but so striking was

the result that there is little doubt that experiments on such lines

would produce a terrible and effective weapon under the conditions of

warfare then in existence.

The “Dictionnaire Mobilier Français” gives a diagram of a weapon of a

somewhat similar nature stated to have been used by the Arabs in the

fifteenth century. The illustration shows what is virtually a Roman

candle, and appears plausible until one considers the facts. What is

most probable is that the weapon, which was of an incendiary nature,

was similar to that described above, which fulfils the requirements of

the description without assuming a knowledge of compositions which at

the time did not exist.

From the period of Greek fire onward military and recreative pyrotechny

appear to have marched side by side.

As we have seen, the progress in the latter branch was extremely slow,

so with the former, and it was not until the introduction of modern or

comparatively modern methods that real progress commenced.

With the progress came divergence, the introduction of the rifled bore

in artillery, and of nitro compounds and high explosives whose dynamic

force exceeds many times that of gunpowder, which however useful they

might be to the artillerist, were of little value to the recreative

pyrotechnist. It was not until the great war that the resources of

pyrotechny were fully realised and utilised by the military. It is

curious to note that just as the tactics and methods of warfare

eventually adopted—although on an unprecedentedly large scale—were

in a great measure those of centuries before, so military pyrotechny

returned to ideas just as antiquated. With the advantages of modern

science, and by the assistance of knowledge gained in the development

of recreative pyrotechny, the progress made in a month or so in

military pyrotechny during the war may, without exaggerating, be said

to have exceeded that of previous centuries.

Speaking generally, the use of pyrotechny in warfare, or indeed any

science, has two objectives, the first to destroy or embarrass the

troops of the enemy, and secondly, to assist one’s own.

Until the late war it was the first of these which received by far the

greater attention, and it is but natural that the introduction of the

modern methods mentioned above should have provided means which left

pyrotechnics far behind. In the second division, however, pyrotechny

triumphed.

Of the offensive type the earliest use of pyrotechny was the

incendiary. Greek fire, wild fire, and similar compositions have been

used from time immemorial to set fire to enemies’ works or ships or to

injure his personnel. And just as incendiary compositions antedated

the propellant, so the incendiary shell appears to have preceded the

explosive.

Incendiary projectiles of the past were known as carcasses; the

earliest form appears to have been a canvas bag or container pitched

over on the outside and bound with iron hoops, which, from their

likeness to the ribs of a corpse—according to “Chambers’ Encyclopædia”

(1741)—suggested the name.

The fireball was similarly constructed and designed for hand

projection, bearing the same relation to the carcass as does the

grenade to the bomb.

The composition in most incendiary missiles consisted of a mixture of

saltpetre, sulphur, and pitch, with or without the addition of mealed

gunpowder.

The most recent form of carcass was a spherical shell of iron, having

three vents, and filled with incendiary composition. This projectile

became obsolete in the Service at the end of the last century.

Another form of pyrotechnic projectile was that designed to give out

smoke, either with the idea of rendering the atmosphere of works or

casemates unbearable to the defenders (a principle revived in the late

war by the use of poison gas), or to hinder them by obscuring their

vision either by firing a smoke cloud in their (the enemy’s) works, or

so placed as to hide one’s own troops.

It is open to discussion if the use of smoke is not indeed of greater

antiquity than that of incendiary missiles, but it is probable that

its origin was its production by the combustion of grass or similar

material, and not with pyrotechnic composition.

Read’s “Weekly Journal” of October 25th, 1760, in an account of a

review in Hyde Park, mentions as the concluding item of the manœuvres,

that “pieces of a new construction, of a globular form, were set on

fire, which occasioned such a smoke as to render all persons within a

considerable distance entirely invisible, and thereby the better in

time of action to secure a retreat.” There can be little doubt that

this is one of the first demonstrations, at any rate in this country,

of the use of smoke balls.

The Chinese made use of both projectiles many centuries ago, and the

smoke—or stink-pot—was in use by them until comparatively recently.

Smoke balls from 4⅖th inches up to 13 inches calibre were included in

the official list of projectiles for smooth-bore guns until about 1873,

when with ground light balls they became obsolete. The latter, as their

name suggests, were intended to be burnt on the ground and light up

enemy working parties, etc. This also was the object of the parachute

light-ball, which was fitted with a time fuse and an opening charge;

upon opening, a light was ignited suspended from a parachute. This

method appears to have been invented in Denmark in 1820, and they were

used in Austria the following year.

Another class of war store which naturally suggests itself is that used

to give light for the purpose of signalling. The light is either burnt

on the ground as a hand light or fitted to a rocket. Fireworks for

this purpose have been in use from earliest times, being the logical

development of the signal beacon, but it was not until the introduction

of genuine colour—that is to say, colour distinguishable at a long

distance—that they reached their full standard of utility.

It is, however, the rocket which has received most attention for

military purposes, and certainly with good reason. Here was a

projectile which, in the days of smooth-bore ordnance had a good

range and required no heavy gun or transport. Moreover, it formed

its own time fuse. Congreve wrote: “Rockets are ammunition without

ordnance, the soul of artillery without the body.” Many methods of

fitting up rockets for warlike purposes have been evolved, invented and

re-invented, most of which for practical purposes were useless.

It is the military use of the rocket, however, which presents the most

interesting study in military pyrotechny.

There are several early references to what is supposed to be the use of

rockets in warfare. The Paduans are stated to have burned the town of

Mestre with these projectiles.

Orleans used rockets in its defence in 1429, and Dunois fired them in

1449, when besieging the town of Pont-Andemer. In 1452 they were used

against Bordeaux, and the following year at Gand.

Rockets were employed in 1586 for lighting purposes and as projectiles

against cavalry. The description seems to indicate a method of fitting

up to produce a similar effect to a shrapnel shell.

Hanselet, writing in 1630, refers to rockets with grenades attached.

Casimir Siemienowitz, Lieut.-General of the Ordnance to the King of

Poland, published in 1650 his “Great Art of Artillery,” which contains

a treatise on fireworks both for civil and military purposes. He refers

to a work on the military use of fireworks written ninety years before,

and speaks of rockets up to 100 lbs. and describes their construction.

A French work published in 1561, entitled “Treatise upon several kinds

of War-Fireworks,” suggests a rocket case of varnished leather.

It is on record that in 1688 trials were made in Berlin with rockets

of 50 lbs. and 120 lbs., which carried a bomb weighing 16 lbs. The

composition was nine parts saltpetre, four parts sulphur, and three

parts charcoal. The case is stated to have been of wood covered with

linen.

Hyder Ali is credited with making considerable use of rockets

against our troops in India; he is said to have had a corps of 1,200

“rocketers” in 1788, whilst later on, his son, Tippoo Sahib, employed

as many as 5,000, and Captain Moritz Myer, writing in 1836, ascribes to

experience of these weapons so gained the efforts made in England to

bring them to perfection.

He also describes the Indian rocket as “an iron envelope about 8 inches

long and 1½ inches in diameter, with sharp points at the top. The stick

of bamboo 8 or 10 feet long, but sometimes consisting of an iron rod.

They were hand-thrown by the rocketers, and did much damage to the

cavalry.”

This description, which, to say the least, is unconvincing, would seem

rather to refer to some other pyrotechnic missile.

Whatever may have been the cause, there was undoubtedly great interest

in the subject of rockets during the first half of the nineteenth

century. Sir William Congreve is perhaps best known in connection with

the work of this period. His efforts, however, were rather directed to

the development of existing ideas than to invention.

In 1804, after experiments at the Royal Laboratory, Woolwich, a

flotilla of boats was fitted out under his direction for the purpose

of bombarding Boulogne Harbour with incendiary rockets from frames

fixed on the decks. The first attempt ended in a fiasco owing to heavy

weather, but the following year better results were obtained, although

the rockets were deflected by the wind and did more damage in the town

than in the harbour.

In 1807 Congreve personally superintended their use at Copenhagen

with even better effect, and they were again used in the Walcheren

Expedition and in an attack on the island of Aix.

These rockets were all of an incendiary nature, with paper cases, and

fired at an elevation of 55 degrees. Myer gives the proportion of

the composition as 62.44 saltpetre, 23.18 charcoal, 14.38 sulphur.

This writer gives Congreve’s rockets little credit for efficiency,

but admits that they “attracted great attention and were regarded as

formidable.” He remarks that at the siege of Flessingen “the rockets

acted so badly that the English themselves said that they did more harm

to the battery than the besieged town.” He also states that as a result

of finding an “unburnt specimen” in the town after the bombardment of

Copenhagen trials were conducted by Captain Schuhmacher, although how

an unburnt rocket could reach the town is not clear; possibly he means

from a reconstruction of the remains collected.

These trials seem to have been successful, and in 1808 a rocket brigade

was formed.

In 1809 Admiral Cochrane used rockets upon the town of Callao, in

1810 they were used against Cadiz, and in 1813 in the battle of

Leipsic, where the commanding officer, Captain Bogeu, was killed, and

at the siege of Dantzic. It is interesting to note that during that

year they were used for propaganda purposes. At the siege of Glogau

proclamations, etc., were printed on thin paper and fastened to the

sticks with light thread. Rockets were used with effect at Waterloo,

the rocket detachment being directed by Sergeant Dunnet.

In 1813 Colonel Augustin, of the Austrian army, saw the English rocket

batteries in action and trials of Congreve rockets in London, and the

following year visited Copenhagen, where by arrangement between the

two Powers he was instructed by Schuhmacher in his method of rocket

construction.

The Austrian Government as a result established shortly afterwards an

extensive factory at Weinerisch-Neustadt for the manufacture of war

rockets.

Much work and ingenuity was expended about this time in seeking to

eliminate the necessity of the rocket stick. Congreve is credited with

introducing fins similar in action to the feathers on an arrow; this,

however, had been done nearly one hundred years previously, and Frézier

illustrates the method in his treatise.

A Mr. Heath, of Boston, is credited with having reached a range of two

and a half-miles with a five-pound rocket of this type.

Garnier in 1813 proposed to avoid the alteration in position of the

centre of gravity by using a wire or chain with a weight at the end

fastened to the centre of the rocket and hanging vertically. From

Ruggieri’s book it would appear that this idea had often been tried

previously.

However, the most successful series of inventions were those based on

the principle of the rifle, that to give the rocket a rotary motion in

its passage through the air.

In 1815 successful trials were made in America with rockets of the

rotary type, rotation being imparted by means of holes bored through

the case into the composition in an oblique direction.

Congreve established a factory at Bow for the manufacture of rockets

for the East India Company, and Captain Parlby, of the Bengal

Artillery, manufactured similar rockets, both being made to rotate,

probably on similar lines to the American model. The “Calcutta Journal”

of the period contains a discussion of the rival merits of Congreve’s

and Parlby’s rockets.

Hale patented a rocket constructed on similar lines as late as 1844,

the holes at the side of the case being nearly tangential. He also

gave his name to a service rocket—Hale’s 24 pr. and 9 pr. These were

constructed of iron with a wooden head, fitted metal plug at the base

with three vents, a tail piece or flange continuing from the base so as

to enclose half the periphery of each jet. This arrangement imparts a

rotary motion to the rocket.

In 1853 Macintosh patented a method of rotating the tube from which the

rocket was fired so as to give an initial rotary movement before the

flight commences.

The following year Fitzmaurice patented the idea of causing rotation by

a screw-shaped head, and Court a method by which the fire impinged on

surfaces inclined to the axis of the rocket.

In 1826 Congreve patented a method of fixing two or more rockets

together so that the heading of one ignited the next and so obtained a

longer time of burning; this method is, however, again anticipated in

Frézier’s book.

About this time all the leading Powers in Europe were manufacturing

rockets for war purposes, factories for their manufacture being

established at Warsaw, Turin, Toulon, and Metz. The Russians used them

at this period in their war with Turkey, firing them in salvoes of nine.

In 1831 a series of trials were made by the Swiss military authorities

of 6 lb. rockets fired from a 6 ft. tube, when a range of from 18–1900

yards was obtained, and three hits registered out of five were made at

1,100 yards.

Although great interest was aroused by the rocket for war purposes, it

quickly subsided, and it is now practically only used for signalling

and line-carrying purposes.

William Bourne, who describes himself as a “poor gunner,” the first

to produce an original book on artillery in this country, as distinct

from translation of continental works, makes the following observations

on military pyrotechnics: “Divers gunners and other men have devised

sundry sorts of fireworks for the annoyance of their enemies, yet as

far as I have ever seen or heard, I never knew any good service done by

it, either by sea or land, but only by powder, and that has done great

service for that the force of it is so mighty and cometh with such a

terror. But for their other fireworks it is rather meet to be used in

the time of pleasure in the night rather than for any service.”

Pyrotechnics: The History and Art of Firework Making · 第 9 / 11 章