HEROISM[309]

"Paradise is under the shadow of swords,"[310]

_Mahomet._

1. In the elder English dramatists,[311] and mainly in the plays of

Beaumont and Fletcher,[312] there is a constant recognition of

gentility, as if a noble behavior were as easily marked in the society

of their age, as color is in our American population. When any Rodrigo,

Pedro, or Valerio[313] enters, though he be a stranger, the duke or

governor exclaims, This is a gentleman,--and proffers civilities without

end; but all the rest are slag and refuse. In harmony with this delight

in personal advantages, there is in their plays a certain heroic cast of

character and dialogue,--as in Bonduca, Sophocles, the Mad Lover, the

Double Marriage,[314]--wherein the speaker is so earnest and cordial,

and on such deep grounds of character, that the dialogue, on the

slightest additional incident in the plot, rises naturally into poetry.

Among many texts, take the following. The Roman Martius has conquered

Athens--all but the invincible spirits of Sophocles, the duke of Athens,

and Dorigen, his wife. The beauty of the latter inflames Martius, and he

seeks to save her husband; but Sophocles will not ask his life, although

assured, that a word will save him, and the execution of both proceeds.

"_Valerius._ Bid thy wife farewell.

_Soph._ No, I will take no leave. My Dorigen,

Yonder, above, 'bout Ariadne's crown.[315]

My spirit shall hover for thee. Prithee, haste.

_Dor._ Stay, Sophocles--with this, tie up my sight;

Let not soft nature so transformed be,

And lose her gentler sexed humanity,

To make me see my lord bleed. So, 'tis well;

Never one object underneath the sun

Will I behold before my Sophocles:

Farewell; now teach the Romans how to die.

_Mar._ Dost know what 'tis to die?

_Soph._ Thou dost not, Martius,

And therefore, not what 'tis to live; to die

Is to begin to live. It is to end

An old, stale, weary work, and to commence

A newer and a better. 'Tis to leave

Deceitful knaves for the society

Of gods and goodness. Thou, thyself, must part

At last, from all thy garlands, pleasures, triumphs,

And prove thy fortitude what then 'twill do.

_Val._ But art not grieved nor vexed to leave thy life thus?

_Soph._ Why should I grieve or vex for being sent

To them I ever loved best? Now, I'll kneel,

But with my back toward thee; 'tis the last duty

This trunk can do the gods.

_Mar._ Strike, strike, Valerius,

Or Martius' heart will leap out at his mouth:

This is a man, a woman! Kiss thy lord,

And live with all the freedom you were wont.

O love! thou doubly hast afflicted me

With virtue and with beauty. Treacherous heart,

My hand shall cast thee quick into my urn,

Ere thou transgress this knot of piety.

_Val._ What ails my brother?

_Soph._ Martius, oh Martius,

Thou now hast found a way to conquer me.

_Dor._ O star of Rome! what gratitude can speak

Fit words to follow such a deed as this?

_Mar._ This admirable duke, Valerius,

With his disdain of fortune and of death,

Captived himself, has captived me,

And though my arm hath ta'en his body here,

His soul hath subjugated Martius' soul.

By Romulus,[316] he is all soul, I think;

He hath no flesh, and spirit cannot be gyved;

Then we have vanquished nothing; he is free,

And Martius walks now in captivity."

2. I do not readily remember any poem, play, sermon, novel, or

oration, that our press vents in the last few years, which goes to the

same tune. We have a great many flutes and flageolets, but not often

the sound of any fife. Yet, Wordsworth's Laodamia, and the ode of

"Dion,"[317] and some sonnets, have a certain noble music; and

Scott[318] will sometimes draw a stroke like the portrait of Lord

Evandale, given by Balfour of Burley.[319] Thomas Carlyle,[320] with

his natural taste for what is manly and daring in character, has

suffered no heroic trait in his favorites to drop from his

biographical and historical pictures. Earlier, Robert Burns[321] has

given us a song or two. In the Harleian Miscellanies,[322] there is an

account of the battle of Lutzen,[323] which deserves to be read. And

Simon Ockley's[324] History of the Saracens recounts the prodigies of

individual valor with admiration, all the more evident on the part of

the narrator, that he seems to think that his place in Christian

Oxford[325] requires of him some proper protestations of abhorrence.

But if we explore the literature of Heroism, we shall quickly come to

Plutarch,[326] who is its Doctor and historian. To him we owe the

Brasidas,[327] the Dion,[328] the Epaminondas,[329] the Scipio[330] of

old, and I must think we are more deeply indebted to him than to all

the ancient writers. Each of his "Lives" is a refutation to the

despondency and cowardice of our religious and political theorists. A

wild courage, a Stoicism[331] not of the schools, but of the blood,

shines in every anecdote, and has given that book its immense fame.

3. We need books of this tart cathartic virtue, more than books of

political science, or of private economy. Life is a festival only to

the wise. Seen from the nook and chimney-side of prudence, it wears a

ragged and dangerous front. The violations of the laws of nature by

our predecessors and our contemporaries are punished in us also. The

disease and deformity around us certify the infraction of natural,

intellectual, and moral laws, and often violation on violation to

breed such compound misery. A lockjaw that bends a man's head back to

his heels, hydrophobia that makes him bark at his wife and babes,

insanity that makes him eat grass; war, plague, cholera, famine

indicate a certain ferocity in nature, which, as it had its inlet by

human crime, must have its outlet by human suffering. Unhappily,

almost no man exists who has not in his own person become, to some

amount, a stockholder in the sin, and so made himself liable to a

share in the expiation.

4. Our culture, therefore, must not omit the arming of the man. Let

him hear in season that he is born into the state of war, and that the

commonwealth and his own well-being require that he should not go

dancing in the weeds of peace, but warned, self-collected, and neither

defying nor dreading the thunder, let him take both reputation and

life in his hand, and, with perfect urbanity, dare the gibbet and the

mob by the absolute truth of his speech, and the rectitude of his

behavior.

5. Toward all this external evil, the man within the breast assumes a

warlike attitude, and affirms his ability to cope single-handed with

the infinite army of enemies. To this military attitude of the soul we

give the name of Heroism. Its rudest form is the contempt for safety

and ease, which makes the attractiveness of war. It is a self-trust

which slights the restraints of prudence, in the plenitude of its

energy and power to repair the harms it may suffer. The hero is a mind

of such balance that no disturbances can shake his will, but

pleasantly, and, as it were, merrily, he advances to his own music,

alike in frightful alarms, and in the tipsy mirth of universal

dissoluteness. There is somewhat not philosophical in heroism; there

is somewhat not holy in it; it seems not to know that other souls are

of one texture with it; it has pride; it is the extreme of individual

nature. Nevertheless, we must profoundly revere it. There is somewhat

in great actions, which does not allow us to go behind them. Heroism

feels and never reasons, and therefore is always right; and although a

different breeding, different religion, and greater intellectual

activity, would have modified or even reversed the particular action,

yet for the hero, that thing he does is the highest deed, and is not

open to the censure of philosophers or divines. It is the avowal of

the unschooled man, that he finds a quality in him that is negligent

of expense, of health, of life, of danger, of hatred, of reproach, and

knows that his will is higher and more excellent than all actual and

all possible antagonists.

6. Heroism works in contradiction to the voice of mankind, and in

contradiction, for a time, to the voice of the great and good. Heroism

is an obedience[332] to a secret impulse of an individual's character.

Now to no other man can its wisdom appear as it does to him, for every

man must be supposed to see a little further on his own proper path

than any one else. Therefore, just and wise men take umbrage at his

act, until after some little time be past: then they see it to be in

unison with their acts. All prudent men see that the action is clean

contrary to a sensual prosperity; for every heroic act measures itself

by its contempt of some external good. But it finds its own success

at last, and then the prudent also extol.

7. Self-trust is the essence of heroism. It is the state of the soul

at war, and its ultimate objects are the last defiance of falsehood

and wrong, and the power to bear all that can be inflicted by evil

agents. It speaks the truth, and it is just, generous, hospitable,

temperate, scornful of petty calculations, and scornful of being

scorned. It persists; it is of an undaunted boldness, and of a

fortitude not to be wearied out. Its jest is the littleness of common

life. That false prudence which dotes on health and wealth is the butt

and merriment of heroism. Heroism, like Plotinus,[333] is almost

ashamed of its body. What shall it say, then, to the sugar-plums, and

cats'-cradles, to the toilet, compliments, quarrels, cards, and

custard, which rack the wit of all human society. What joys has kind

nature provided for us dear creatures! There seems to be no interval

between greatness and meanness. When the spirit is not master of the

world then it is its dupe. Yet the little man takes the great hoax so

innocently, works in it so headlong and believing, is born red, and

dies gray, arranging his toilet, attending on his own health, laying

traps for sweet food and strong wine, setting his heart on a horse or

a rifle, made happy with a little gossip or a little praise, that the

great soul cannot choose but laugh at such earnest nonsense. "Indeed,

these humble considerations[334] make me out of love with greatness.

What a disgrace is it to me to take note how many pairs of silk

stockings thou hast, namely, these and those that were the

peach-colored ones; or to bear the inventory of thy shirts, as one for

superfluity, and one other for use!"

8. Citizens, thinking after the laws of arithmetic, consider the

inconvenience of receiving strangers at their fireside, reckon

narrowly the loss of time and the unusual display: the soul of a

better quality thrusts back the unreasonable economy into the vaults

of life, and says, I will obey the God, and the sacrifice and the fire

he will provide. Ibn Hankal,[335] the Arabian geographer, describes a

heroic extreme in the hospitality of Sogd, in Bokhar,[336] "When I was

in Sogd I saw a great building, like a palace, the gates of which were

open and fixed back to the wall with large nails. I asked the reason,

and was told that the house had not been shut, night or day, for a

hundred years. Strangers may present themselves at any hour, and in

whatever number; the master has amply provided for the reception of

the men and their animals, and is never happier than when they tarry

for some time. Nothing of the kind have I seen in any other country."

The magnanimous know very well that they who give time, or money, or

shelter, to the stranger--so it be done for love, and not for

ostentation--do, as it were, put God under obligation to them, so

perfect are the compensations of the universe. In some way the time

they seem to lose is redeemed, and the pains they seem to take

remunerate themselves. These men fan the flame of human love, and

raise the standard of civil virtue among mankind. But hospitality must

be for service, and not for show, or it pulls down the host. The brave

soul rates itself too high to value itself by the splendor of its

table and draperies. It gives what it hath, and all it hath, but its

own majesty can lend a better grace to bannocks[337] and fair water

than belong to city feasts.

9. The temperance of the hero proceeds from the same wish to do no

dishonor to the worthiness he has. But he loves it for its elegancy,

not for its austerity. It seems not worth his while to be solemn, and

denounce with bitterness flesh-eating or wine-drinking, the use of

tobacco, or opium, or tea, or silk, or gold. A great man scarcely

knows how he dines, how he dresses; but without railing or precision,

his living is natural and poetic. John Eliot,[338] the Indian Apostle,

drank water, and said of wine,--"It is a noble, generous liquor, and

we should be humbly thankful for it, but, as I remember, water was

made before it." Better still is the temperance of king David[339] who

poured out on the ground unto the Lord the water which three of his

warriors had brought him to drink, at the peril of their lives.

10. It is told of Brutus,[340] that when he fell on his sword, after

the battle of Philippi,[341] he quoted a line of Euripides,[342]--"O

virtue! I have followed thee through life, and I find thee at last but

a shade." I doubt not the hero is slandered by this report. The heroic

soul does not sell its justice and its nobleness. It does not ask to

dine nicely, and to sleep warm. The essence of greatness is the

perception that virtue is enough. Poverty is its ornament. It does not

need plenty, and can very well abide its loss.

11. But that which takes my fancy most, in the heroic class, is the

good humor and hilarity they exhibit. It is a height to which common

duty can very well attain, to suffer and to dare with solemnity. But

these rare souls set opinion, success, and life, at so cheap a rate,

that they will not soothe their enemies by petitions, or the show of

sorrow, but wear their own habitual greatness. Scipio,[343] charged

with peculation, refuses to do himself so great a disgrace as to wait

for justification, though he had the scroll of his accounts in his

hands, but tears it to pieces before the tribunes. Socrates'[344]

condemnation of himself to be maintained in all honor in the

Prytaneum,[345] during his life, and Sir Thomas More's[346]

playfulness at the scaffold, are of the same strain. In Beaumont and

Fletcher's "Sea Voyage," Juletta tells the stout captain and his

company,

_Jul._ Why, slaves, 'tis in our power to hang ye.

_Master._ Very likely,

'Tis in our powers, then, to be hanged, and scorn ye.

These replies are sound and whole. Sport is the bloom and glow of a

perfect health. The great will not condescend to take anything

seriously; all must be as gay as the song of a canary, though it were

the building of cities, or the eradication of old and foolish

churches and nations, which have cumbered the earth long thousands of

years. Simple hearts put all the history and customs of this world

behind them, and play their own play in innocent defiance of the

Blue-Laws[347] of the world; and such would appear, could we see the

human race assembled in vision, like little children frolicking

together; though, to the eyes of mankind at large, they wear a stately

and solemn garb of works and influences.

12. The interest these fine stories have for us, the power of a

romance over the boy who grasps the forbidden book under his bench at

school, our delight in the hero, is the main fact to our purpose. All

these great and transcendent properties are ours. If we dilate in

beholding the Greek energy, the Roman pride, it is that we are already

domesticating the same sentiment. Let us find room for this great

guest in our small houses. The first step of worthiness will be to

disabuse us of our superstitious associations with places and times,

with number and size. Why should these words, Athenian, Roman, Asia,

and England, so tingle in the ear? Where the heart is, there the

muses, there the gods sojourn, and not in any geography of fame.

Massachusetts, Connecticut River, and Boston Bay, you think paltry

places, and the ear loves names of foreign and classic topography. But

here we are; and, if we will tarry a little, we may come to learn that

here is best. See to it only that thyself is here;--and art and

nature, hope and fate, friends, angels, and the Supreme Being, shall

not be absent from the chamber where thou sittest. Epaminondas,[348]

brave and affectionate, does not seem to us to need Olympus[349] to

die upon, nor the Syrian sunshine. He lies very well where he is. The

Jerseys[350] were handsome ground enough for Washington to tread, and

London streets for the feet of Milton.[351] A great man makes his

climate genial in the imagination of men, and its air the beloved

element of all delicate spirits. That country is the fairest, which is

inhabited by the noblest minds. The pictures which fill the

imagination in reading the actions of Pericles,[352] Xenophon,[353]

Columbus,[354] Bayard,[355] Sidney,[356] Hampden,[357] teach us how

needlessly mean our life is, that we, by the depth of our living,

should deck it with more than regal or national splendor, and act on

principles that should interest man and nature in the length of our

days.

13. We have seen or heard of many extraordinary young men, who never

ripened, or whose performance in actual life was not extraordinary.

When we see their air and mien, when we hear them speak of society, or

books, or religion, we admire their superiority; they seem to throw

contempt on our entire polity and social state; theirs is the tone of

a youthful giant, who is sent to work revolutions. But they enter an

active profession, and the forming Colossus[358] shrinks to the common

size of man. The magic they used was the ideal tendencies, which

always make the Actual ridiculous; but the tough world had its revenge

the moment they put their horses of the sun to plow in its furrow.

They found no example and no companion, and their heart fainted. What

then? The lesson they gave in their first aspirations, is yet true;

and a better valor and a purer truth shall one day organize their

belief. Or why should a woman liken herself to any historical woman,

and think, because Sappho,[359] or Sévigné,[360] or De Staël,[361] or

the cloistered souls who have had genius and cultivation, do not

satisfy the imagination and the serene Themis,[362] none

can,--certainly not she. Why not? She has a new and unattempted

problem to solve, perchance that of the happiest nature that ever

bloomed. Let the maiden, with erect soul, walk serenely on her way,

accept the hint of each new experience, search, in turn, all the

objects that solicit her eye, that she may learn the power and the

charm of her new-born being which is the kindling of a new dawn in the

recesses of space. The fair girl, who repels interference by a decided

and proud choice of influences, so careless of pleasing, so wilful and

lofty, inspires every beholder with somewhat of her own nobleness. The

silent heart encourages her; O friend, never strike sail to a fear!

Come into port greatly, or sail with God the seas. Not in vain you

live, for every passing eye is cheered and refined by the vision.

14. The characteristic of a genuine heroism is its persistency. All

men have wandering impulses, fits and starts of generosity. But when

you have chosen your part, abide by it, and do not weakly try to

reconcile yourself with the world. The heroic cannot be the common,

nor the common the heroic. Yet we have the weakness to expect the

sympathy of people in those actions whose excellence is that they

outrun sympathy, and appeal to a tardy justice. If you would serve

your brother, because it is fit for you to serve him, do not take back

your words when you find that prudent people do not commend you.

Adhere to your own act, and congratulate yourself if you have done

something strange and extravagant, and broken the monotony of a

decorous age. It was a high counsel[363] that I once heard given to a

young person,--"Always do what you are afraid to do." A simple manly

character need never make an apology, but should regard its past

action with the calmness of Phocion,[364] when he admitted that the

event of the battle was happy, yet did not regret his dissuasion from

the battle.

15. There is no weakness or exposure for which we cannot find

consolation in the thought,--this is a part of my constitution, part

of my relation and office to my fellow-creature. Has nature covenanted

with me that I should never appear to disadvantage, never make a

ridiculous figure? Let us be generous of our dignity as well as of our

money. Greatness once and forever has done with opinion. We tell our

charities, not because we wish to be praised for them, not because we

think they have great merit, but for our justification. It is a

capital blunder; as you discover, when another man recites his

charities.

16. To speak the truth, even with some austerity, to live with some

rigor of temperance, or some extremes of generosity, seems to be an

asceticism which common good-nature would appoint to those who are at

ease and in plenty, in sign that they feel a brotherhood with the

great multitude of suffering men. And not only need we breathe and

exercise the soul by assuming the penalties of abstinence, of debt, of

solitude, of unpopularity, but it behooves the wise man to look with a

bold eye into those rarer dangers which sometimes invade men, and to

familiarize himself with disgusting forms of disease, with sounds of

execration, and the vision of violent death.

17. Times of heroism are generally times of terror, but the day never

shines in which this element may not work. The circumstances of man,

we say, are historically somewhat better in this country, and at this

hour, than perhaps ever before. More freedom exists for culture. It

will not now run against an ax at the first step out of the beaten

track of opinion. But whoso is heroic will always find crises to try

his edge. Human virtue demands her champions and martyrs, and the

trial of persecution always proceeds. It is but the other day that the

brave Lovejoy[365] gave his breast to the bullets of a mob, for the

rights of free speech and opinion, and died when it was better not to

live.

18. I see not any road to perfect peace which a man can walk, but to

take counsel of his own bosom. Let him quit too much association, let

him go home much, and establish himself in those courses he approves.

The unremitting retention of simple and high sentiments in obscure

duties is hardening the character to that temper which will work with

honor, if need be, in the tumult, or on the scaffold. Whatever

outrages have happened to men may befall a man again; and very easily

in a republic, if there appear any signs of a decay of religion.

Coarse slander, fire, tar and feathers, and the gibbet, the youth may

freely bring home to his mind, and with what sweetness of temper he

can, and inquire how fast he can fix his sense of duty, braving such

penalties, whenever it may please the next newspaper and a sufficient

number of his neighbors to pronounce his opinions incendiary.

19. It may calm the apprehension of calamity in the most susceptible

heart to see how quick a bound nature has set to the utmost infliction

of malice. We rapidly approach a brink over which no enemy can follow

us.

"Let them rave:[366]

Thou art quiet in thy grave."

In the gloom of our ignorance of what shall be, in the hour when we

are deaf to the higher voices, who does not envy them who have seen

safely to an end their manful endeavor? Who that sees the meanness of

our politics, but inly congratulates Washington that he is long

already wrapped in his shroud, and forever safe; that he was laid

sweet in his grave, the hope of humanity not yet subjugated in him?

Who does not sometimes envy the good and brave, who are no more to

suffer from the tumults of the natural world, and await with curious

complacency the speedy term of his own conversation with finite

nature? And yet the love that will be annihilated sooner than

treacherous has already made death impossible, and affirms itself no

mortal, but a native of the deeps of absolute and inextinguishable

being.

Essays by Ralph Waldo Emerson · 第 32 / 51 题