“I have not seen Hugh the day, Deb. The old man says his watch lasts
till the mornin'.”
The woman sprang up, and hastily began to arrange some bread and flitch
in a tin pail, and to pour her own measure of ale into a bottle. Tying
on her bonnet, she blew out the candle.
“Lay ye down, Janey dear,” she said, gently, covering her with the old
rags. “Hur can eat the potatoes, if hur's hungry.
“Where are ye goin', Deb? The rain's sharp.”
“To the mill, with Hugh's supper.”
“Let him bide till th' morn. Sit ye down.”
“No, no,”--sharply pushing her off. “The boy'll starve.”
She hurried from the cellar, while the child wearily coiled herself up
for sleep. The rain was falling heavily, as the woman, pail in hand,
emerged from the mouth of the alley, and turned down the narrow street,
that stretched out, long and black, miles before her. Here and there a
flicker of gas lighted an uncertain space of muddy footwalk and gutter;
the long rows of houses, except an occasional lager-bier shop, were
closed; now and then she met a band of millhands skulking to or from
their work.
Not many even of the inhabitants of a manufacturing town know the vast
machinery of system by which the bodies of workmen are governed, that
goes on unceasingly from year to year. The hands of each mill are
divided into watches that relieve each other as regularly as the
sentinels of an army. By night and day the work goes on, the unsleeping
engines groan and shriek, the fiery pools of metal boil and surge. Only
for a day in the week, in half-courtesy to public censure, the fires are
partially veiled; but as soon as the clock strikes midnight, the great
furnaces break forth with renewed fury, the clamor begins with fresh,
breathless vigor, the engines sob and shriek like “gods in pain.”
As Deborah hurried down through the heavy rain, the noise of these
thousand engines sounded through the sleep and shadow of the city like
far-off thunder. The mill to which she was going lay on the river, a
mile below the city-limits. It was far, and she was weak, aching from
standing twelve hours at the spools. Yet it was her almost nightly walk
to take this man his supper, though at every square she sat down to
rest, and she knew she should receive small word of thanks.
Perhaps, if she had possessed an artist's eye, the picturesque oddity
of the scene might have made her step stagger less, and the path seem
shorter; but to her the mills were only “summat deilish to look at by
night.”
The road leading to the mills had been quarried from the solid rock,
which rose abrupt and bare on one side of the cinder-covered road, while
the river, sluggish and black, crept past on the other. The mills for
rolling iron are simply immense tent-like roofs, covering acres of
ground, open on every side. Beneath these roofs Deborah looked in on a
city of fires, that burned hot and fiercely in the night. Fire in every
horrible form: pits of flame waving in the wind; liquid metal-flames
writhing in tortuous streams through the sand; wide caldrons filled
with boiling fire, over which bent ghastly wretches stirring the
strange brewing; and through all, crowds of half-clad men, looking
like revengeful ghosts in the red light, hurried, throwing masses of
glittering fire. It was like a street in Hell. Even Deborah muttered, as
she crept through, “looks like t' Devil's place!” It did,--in more ways
than one.
She found the man she was looking for, at last, heaping coal on a
furnace. He had not time to eat his supper; so she went behind the
furnace, and waited. Only a few men were with him, and they noticed her
only by a “Hyur comes t'hunchback, Wolfe.”
Deborah was stupid with sleep; her back pained her sharply; and her
teeth chattered with cold, with the rain that soaked her clothes and
dripped from her at every step. She stood, however, patiently holding
the pail, and waiting.
“Hout, woman! ye look like a drowned cat. Come near to the fire,”--said
one of the men, approaching to scrape away the ashes.
She shook her head. Wolfe had forgotten her. He turned, hearing the man,
and came closer.
“I did no' think; gi' me my supper, woman.”
She watched him eat with a painful eagerness. With a woman's quick
instinct, she saw that he was not hungry,--was eating to please her. Her
pale, watery eyes began to gather a strange light.
“Is't good, Hugh? T' ale was a bit sour, I feared.”
“No, good enough.” He hesitated a moment. “Ye're tired, poor lass! Bide
here till I go. Lay down there on that heap of ash, and go to sleep.”
He threw her an old coat for a pillow, and turned to his work. The
heap was the refuse of the burnt iron, and was not a hard bed; the
half-smothered warmth, too, penetrated her limbs, dulling their pain and
cold shiver.
Miserable enough she looked, lying there on the ashes like a limp,
dirty rag,--yet not an unfitting figure to crown the scene of hopeless
discomfort and veiled crime: more fitting, if one looked deeper into the
heart of things, at her thwarted woman's form, her colorless life, her
waking stupor that smothered pain and hunger,--even more fit to be a
type of her class. Deeper yet if one could look, was there nothing worth
reading in this wet, faded thing, halfcovered with ashes? no story of a
soul filled with groping passionate love, heroic unselfishness, fierce
jealousy? of years of weary trying to please the one human being whom
she loved, to gain one look of real heart-kindness from him? If
anything like this were hidden beneath the pale, bleared eyes, and dull,
washed-out-looking face, no one had ever taken the trouble to read its
faint signs: not the half-clothed furnace-tender, Wolfe, certainly. Yet
he was kind to her: it was his nature to be kind, even to the very rats
that swarmed in the cellar: kind to her in just the same way. She knew
that. And it might be that very knowledge had given to her face its
apathy and vacancy more than her low, torpid life. One sees that
dead, vacant look steal sometimes over the rarest, finest of women's
faces,--in the very midst, it may be, of their warmest summer's day; and
then one can guess at the secret of intolerable solitude that lies hid
beneath the delicate laces and brilliant smile. There was no warmth, no
brilliancy, no summer for this woman; so the stupor and vacancy had time
to gnaw into her face perpetually. She was young, too, though no one
guessed it; so the gnawing was the fiercer.
She lay quiet in the dark corner, listening, through the monotonous din
and uncertain glare of the works, to the dull plash of the rain in the
far distance, shrinking back whenever the man Wolfe happened to look
towards her. She knew, in spite of all his kindness, that there was that
in her face and form which made him loathe the sight of her. She felt by
instinct, although she could not comprehend it, the finer nature of
the man, which made him among his fellow-workmen something unique, set
apart. She knew, that, down under all the vileness and coarseness of his
life, there was a groping passion for whatever was beautiful and pure,
that his soul sickened with disgust at her deformity, even when his
words were kindest. Through this dull consciousness, which never left
her, came, like a sting, the recollection of the dark blue eyes and
lithe figure of the little Irish girl she had left in the cellar. The
recollection struck through even her stupid intellect with a vivid glow
of beauty and of grace. Little Janey, timid, helpless, clinging to Hugh
as her only friend: that was the sharp thought, the bitter thought, that
drove into the glazed eyes a fierce light of pain. You laugh at it? Are
pain and jealousy less savage realities down here in this place I am
taking you to than in your own house or your own heart,--your heart,
which they clutch at sometimes? The note is the same, I fancy, be the
octave high or low.
If you could go into this mill where Deborah lay, and drag out from the
hearts of these men the terrible tragedy of their lives, taking it as a
symptom of the disease of their class, no ghost Horror would terrify
you more. A reality of soul-starvation, of living death, that meets you
every day under the besotted faces on the street,--I can paint nothing
of this, only give you the outside outlines of a night, a crisis in the
life of one man: whatever muddy depth of soul-history lies beneath you
can read according to the eyes God has given you.
Wolfe, while Deborah watched him as a spaniel its master, bent over the
furnace with his iron pole, unconscious of her scrutiny, only stopping
to receive orders. Physically, Nature had promised the man but little.
He had already lost the strength and instinct vigor of a man, his
muscles were thin, his nerves weak, his face ( a meek, woman's face)
haggard, yellow with consumption. In the mill he was known as one of
the girl-men: “Molly Wolfe” was his sobriquet. He was never seen in
the cockpit, did not own a terrier, drank but seldom; when he did,
desperately. He fought sometimes, but was always thrashed, pommelled to
a jelly. The man was game enough, when his blood was up: but he was no
favorite in the mill; he had the taint of school-learning on him,--not
to a dangerous extent, only a quarter or so in the free-school in fact,
but enough to ruin him as a good hand in a fight.
For other reasons, too, he was not popular. Not one of themselves, they
felt that, though outwardly as filthy and ash-covered; silent, with
foreign thoughts and longings breaking out through his quietness in
innumerable curious ways: this one, for instance. In the neighboring
furnace-buildings lay great heaps of the refuse from the ore after the
pig-metal is run. Korl we call it here: a light, porous substance, of
a delicate, waxen, flesh-colored tinge. Out of the blocks of this korl,
Wolfe, in his off-hours from the furnace, had a habit of chipping and
moulding figures,--hideous, fantastic enough, but sometimes strangely
beautiful: even the mill-men saw that, while they jeered at him. It was
a curious fancy in the man, almost a passion. The few hours for rest he
spent hewing and hacking with his blunt knife, never speaking, until his
watch came again,--working at one figure for months, and, when it was
finished, breaking it to pieces perhaps, in a fit of disappointment. A
morbid, gloomy man, untaught, unled, left to feed his soul in grossness
and crime, and hard, grinding labor.
I want you to come down and look at this Wolfe, standing there among the
lowest of his kind, and see him just as he is, that you may judge him
justly when you hear the story of this night. I want you to look back,
as he does every day, at his birth in vice, his starved infancy; to
remember the heavy years he has groped through as boy and man,--the
slow, heavy years of constant, hot work. So long ago he began, that he
thinks sometimes he has worked there for ages. There is no hope that it
will ever end. Think that God put into this man's soul a fierce thirst
for beauty,--to know it, to create it; to be--something, he knows not
what,--other than he is. There are moments when a passing cloud, the sun
glinting on the purple thistles, a kindly smile, a child's face, will
rouse him to a passion of pain,--when his nature starts up with a mad
cry of rage against God, man, whoever it is that has forced this vile,
slimy life upon him. With all this groping, this mad desire, a great
blind intellect stumbling through wrong, a loving poet's heart, the man
was by habit only a coarse, vulgar laborer, familiar with sights and
words you would blush to name. Be just: when I tell you about this
night, see him as he is. Be just,--not like man's law, which seizes on
one isolated fact, but like God's judging angel, whose clear, sad
eye saw all the countless cankering days of this man's life, all the
countless nights, when, sick with starving, his soul fainted in him,
before it judged him for this night, the saddest of all.
I called this night the crisis of his life. If it was, it stole on him
unawares. These great turning-days of life cast no shadow before, slip
by unconsciously. Only a trifle, a little turn of the rudder, and the
ship goes to heaven or hell.
Wolfe, while Deborah watched him, dug into the furnace of melting iron
with his pole, dully thinking only how many rails the lump would yield.
It was late,--nearly Sunday morning; another hour, and the heavy work
would be done, only the furnaces to replenish and cover for the next
day. The workmen were growing more noisy, shouting, as they had to do,
to be heard over the deep clamor of the mills. Suddenly they grew less
boisterous,--at the far end, entirely silent. Something unusual had
happened. After a moment, the silence came nearer; the men stopped their
jeers and drunken choruses. Deborah, stupidly lifting up her head,
saw the cause of the quiet. A group of five or six men were slowly
approaching, stopping to examine each furnace as they came. Visitors
often came to see the mills after night: except by growing less noisy,
the men took no notice of them. The furnace where Wolfe worked was near
the bounds of the works; they halted there hot and tired: a walk over
one of these great foundries is no trifling task. The woman, drawing out
of sight, turned over to sleep. Wolfe, seeing them stop, suddenly roused
from his indifferent stupor, and watched them keenly. He knew some
of them: the overseer, Clarke,--a son of Kirby, one of the
mill-owners,--and a Doctor May, one of the town-physicians. The other
two were strangers. Wolfe came closer. He seized eagerly every chance
that brought him into contact with this mysterious class that shone down
on him perpetually with the glamour of another order of being. What made
the difference between them? That was the mystery of his life. He had
a vague notion that perhaps to-night he could find it out. One of the
strangers sat down on a pile of bricks, and beckoned young Kirby to his
side.
“This is hot, with a vengeance. A match, please?”--lighting his cigar.
“But the walk is worth the trouble. If it were not that you must have
heard it so often, Kirby, I would tell you that your works look like
Dante's Inferno.”
Kirby laughed.
“Yes. Yonder is Farinata himself in the burning tomb,”--pointing to some
figure in the shimmering shadows.
“Judging from some of the faces of your men,” said the other, “they bid
fair to try the reality of Dante's vision, some day.”
Young Kirby looked curiously around, as if seeing the faces of his hands
for the first time.
“They're bad enough, that's true. A desperate set, I fancy. Eh, Clarke?”
The overseer did not hear him. He was talking of net profits just
then,--giving, in fact, a schedule of the annual business of the firm to
a sharp peering little Yankee, who jotted down notes on a paper laid on
the crown of his hat: a reporter for one of the city-papers, getting up
a series of reviews of the leading manufactories. The other gentlemen
had accompanied them merely for amusement. They were silent until the
notes were finished, drying their feet at the furnaces, and sheltering
their faces from the intolerable heat. At last the overseer concluded
with--
“I believe that is a pretty fair estimate, Captain.”
“Here, some of you men!” said Kirby, “bring up those boards. We may as
well sit down, gentlemen, until the rain is over. It cannot last much
longer at this rate.”
“Pig-metal,”--mumbled the reporter,--“um! coal facilities,--um! hands
employed, twelve hundred,--bitumen,--um!--all right, I believe, Mr.
Clarke;--sinking-fund,--what did you say was your sinking-fund?”
“Twelve hundred hands?” said the stranger, the young man who had first
spoken. “Do you control their votes, Kirby?”
“Control? No.” The young man smiled complacently. “But my father brought
seven hundred votes to the polls for his candidate last November.
No force-work, you understand,--only a speech or two, a hint to form
themselves into a society, and a bit of red and blue bunting to make
them a flag. The Invincible Roughs,--I believe that is their name. I
forget the motto: 'Our country's hope,' I think.”
There was a laugh. The young man talking to Kirby sat with an amused
light in his cool gray eye, surveying critically the half-clothed
figures of the puddlers, and the slow swing of their brawny muscles. He
was a stranger in the city,--spending a couple of months in the
borders of a Slave State, to study the institutions of the South,--a
brother-in-law of Kirby's,--Mitchell. He was an amateur gymnast,--hence
his anatomical eye; a patron, in a blase' way, of the prize-ring; a man
who sucked the essence out of a science or philosophy in an indifferent,
gentlemanly way; who took Kant, Novalis, Humboldt, for what they were
worth in his own scales; accepting all, despising nothing, in heaven,
earth, or hell, but one-idead men; with a temper yielding and brilliant
as summer water, until his Self was touched, when it was ice, though
brilliant still. Such men are not rare in the States.
As he knocked the ashes from his cigar, Wolfe caught with a quick
pleasure the contour of the white hand, the blood-glow of a red ring he
wore. His voice, too, and that of Kirby's, touched him like music,--low,
even, with chording cadences. About this man Mitchell hung the
impalpable atmosphere belonging to the thoroughbred gentleman, Wolfe,
scraping away the ashes beside him, was conscious of it, did obeisance
to it with his artist sense, unconscious that he did so.
The rain did not cease. Clarke and the reporter left the mills; the
others, comfortably seated near the furnace, lingered, smoking
and talking in a desultory way. Greek would not have been more
unintelligible to the furnace-tenders, whose presence they soon forgot
entirely. Kirby drew out a newspaper from his pocket and read aloud some
article, which they discussed eagerly. At every sentence, Wolfe listened
more and more like a dumb, hopeless animal, with a duller, more stolid
look creeping over his face, glancing now and then at Mitchell, marking
acutely every smallest sign of refinement, then back to himself, seeing
as in a mirror his filthy body, his more stained soul.
Never! He had no words for such a thought, but he knew now, in all the
sharpness of the bitter certainty, that between them there was a great
gulf never to be passed. Never!
The bell of the mills rang for midnight. Sunday morning had dawned.
Whatever hidden message lay in the tolling bells floated past these men
unknown. Yet it was there. Veiled in the solemn music ushering the risen
Saviour was a key-note to solve the darkest secrets of a world gone
wrong,--even this social riddle which the brain of the grimy puddler
grappled with madly to-night.
The men began to withdraw the metal from the caldrons. The mills were
deserted on Sundays, except by the hands who fed the fires, and those
who had no lodgings and slept usually on the ash-heaps. The three
strangers sat still during the next hour, watching the men cover the
furnaces, laughing now and then at some jest of Kirby's.
“Do you know,” said Mitchell, “I like this view of the works better than
when the glare was fiercest? These heavy shadows and the amphitheatre
of smothered fires are ghostly, unreal. One could fancy these red
smouldering lights to be the half-shut eyes of wild beasts, and the
spectral figures their victims in the den.”
Kirby laughed. “You are fanciful. Come, let us get out of the den. The
spectral figures, as you call them, are a little too real for me to
fancy a close proximity in the darkness,--unarmed, too.”
The others rose, buttoning their overcoats, and lighting cigars.
“Raining, still,” said Doctor May, “and hard. Where did we leave the
coach, Mitchell?”
“At the other side of the works.--Kirby, what's that?”
Mitchell started back, half-frightened, as, suddenly turning a corner,
the white figure of a woman faced him in the darkness,--a woman, white,
of giant proportions, crouching on the ground, her arms flung out in
some wild gesture of warning.
“Stop! Make that fire burn there!” cried Kirby, stopping short.
The flame burst out, flashing the gaunt figure into bold relief.
Mitchell drew a long breath.
“I thought it was alive,” he said, going up curiously.
The others followed.
“Not marble, eh?” asked Kirby, touching it.
One of the lower overseers stopped.
“Korl, Sir.”
“Who did it?”
“Can't say. Some of the hands; chipped it out in off-hours.”
“Chipped to some purpose, I should say. What a flesh-tint the stuff has!
Do you see, Mitchell?”
“I see.”
He had stepped aside where the light fell boldest on the figure, looking
at it in silence. There was not one line of beauty or grace in it: a
nude woman's form, muscular, grown coarse with labor, the powerful limbs
instinct with some one poignant longing. One idea: there it was in the
tense, rigid muscles, the clutching hands, the wild, eager face, like
that of a starving wolf's. Kirby and Doctor May walked around it,
critical, curious. Mitchell stood aloof, silent. The figure touched him
strangely.
“Not badly done,” said Doctor May, “Where did the fellow learn that
sweep of the muscles in the arm and hand? Look at them! They are
groping, do you see?--clutching: the peculiar action of a man dying of
thirst.”
“They have ample facilities for studying anatomy,” sneered Kirby,
glancing at the half-naked figures.
“Look,” continued the Doctor, “at this bony wrist, and the strained
sinews of the instep! A working-woman,--the very type of her class.”
“God forbid!” muttered Mitchell.
“Why?” demanded May, “What does the fellow intend by the figure? I
cannot catch the meaning.”
“Ask him,” said the other, dryly, “There he stands,”--pointing to Wolfe,
who stood with a group of men, leaning on his ash-rake.
The Doctor beckoned him with the affable smile which kind-hearted men
put on, when talking to these people.
“Mr. Mitchell has picked you out as the man who did this,--I'm sure I
don't know why. But what did you mean by it?”
“She be hungry.”
Wolfe's eyes answered Mitchell, not the Doctor.
“Oh-h! But what a mistake you have made, my fine fellow! You have given
no sign of starvation to the body. It is strong,--terribly strong. It
has the mad, half-despairing gesture of drowning.”
Wolfe stammered, glanced appealingly at Mitchell, who saw the soul of
the thing, he knew. But the cool, probing eyes were turned on himself
now,--mocking, cruel, relentless.
“Not hungry for meat,” the furnace-tender said at last.
“What then? Whiskey?” jeered Kirby, with a coarse laugh.
Wolfe was silent a moment, thinking.
“I dunno,” he said, with a bewildered look. “It mebbe. Summat to make
her live, I think,--like you. Whiskey ull do it, in a way.”
The young man laughed again. Mitchell flashed a look of disgust
somewhere,--not at Wolfe.
“May,” he broke out impatiently, “are you blind? Look at that woman's
face! It asks questions of God, and says, 'I have a right to know,' Good
God, how hungry it is!”