LIFE IN THE IRON-MILLS

by Rebecca Harding Davis

“Is this the end?

O Life, as futile, then, as frail!

What hope of answer or redress?”

A cloudy day: do you know what that is in a town of iron-works? The sky

sank down before dawn, muddy, flat, immovable. The air is thick, clammy

with the breath of crowded human beings. It stifles me. I open the

window, and, looking out, can scarcely see through the rain the grocer's

shop opposite, where a crowd of drunken Irishmen are puffing Lynchburg

tobacco in their pipes. I can detect the scent through all the foul

smells ranging loose in the air.

The idiosyncrasy of this town is smoke. It rolls sullenly in slow folds

from the great chimneys of the iron-foundries, and settles down in

black, slimy pools on the muddy streets. Smoke on the wharves, smoke on

the dingy boats, on the yellow river,--clinging in a coating of greasy

soot to the house-front, the two faded poplars, the faces of the

passers-by. The long train of mules, dragging masses of pig-iron through

the narrow street, have a foul vapor hanging to their reeking sides.

Here, inside, is a little broken figure of an angel pointing upward from

the mantel-shelf; but even its wings are covered with smoke, clotted

and black. Smoke everywhere! A dirty canary chirps desolately in a

cage beside me. Its dream of green fields and sunshine is a very old

dream,--almost worn out, I think.

From the back-window I can see a narrow brick-yard sloping down to

the river-side, strewed with rain-butts and tubs. The river, dull and

tawny-colored, (la belle riviere!) drags itself sluggishly along, tired

of the heavy weight of boats and coal-barges. What wonder? When I was a

child, I used to fancy a look of weary, dumb appeal upon the face of the

negro-like river slavishly bearing its burden day after day. Something

of the same idle notion comes to me to-day, when from the street-window

I look on the slow stream of human life creeping past, night and

morning, to the great mills. Masses of men, with dull, besotted faces

bent to the ground, sharpened here and there by pain or cunning; skin

and muscle and flesh begrimed with smoke and ashes; stooping all night

over boiling caldrons of metal, laired by day in dens of drunkenness and

infamy; breathing from infancy to death an air saturated with fog and

grease and soot, vileness for soul and body. What do you make of a case

like that, amateur psychologist? You call it an altogether serious thing

to be alive: to these men it is a drunken jest, a joke,--horrible to

angels perhaps, to them commonplace enough. My fancy about the river was

an idle one: it is no type of such a life. What if it be stagnant and

slimy here? It knows that beyond there waits for it odorous sunlight,

quaint old gardens, dusky with soft, green foliage of apple-trees, and

flushing crimson with roses,--air, and fields, and mountains. The future

of the Welsh puddler passing just now is not so pleasant. To be stowed

away, after his grimy work is done, in a hole in the muddy graveyard,

and after that, not air, nor green fields, nor curious roses.

Can you see how foggy the day is? As I stand here, idly tapping the

windowpane, and looking out through the rain at the dirty back-yard and

the coalboats below, fragments of an old story float up before me,--a

story of this house into which I happened to come to-day. You may think

it a tiresome story enough, as foggy as the day, sharpened by no sudden

flashes of pain or pleasure.--I know: only the outline of a dull life,

that long since, with thousands of dull lives like its own, was vainly

lived and lost: thousands of them, massed, vile, slimy lives, like those

of the torpid lizards in yonder stagnant water-butt.--Lost? There is a

curious point for you to settle, my friend, who study psychology in a

lazy, dilettante way. Stop a moment. I am going to be honest. This is

what I want you to do. I want you to hide your disgust, take no heed

to your clean clothes, and come right down with me,--here, into the

thickest of the fog and mud and foul effluvia. I want you to hear this

story. There is a secret down here, in this nightmare fog, that has lain

dumb for centuries: I want to make it a real thing to you. You, Egoist,

or Pantheist, or Arminian, busy in making straight paths for your feet

on the hills, do not see it clearly,--this terrible question which men

here have gone mad and died trying to answer. I dare not put this secret

into words. I told you it was dumb. These men, going by with drunken

faces and brains full of unawakened power, do not ask it of Society or

of God. Their lives ask it; their deaths ask it. There is no reply. I

will tell you plainly that I have a great hope; and I bring it to you

to be tested. It is this: that this terrible dumb question is its own

reply; that it is not the sentence of death we think it, but, from the

very extremity of its darkness, the most solemn prophecy which the world

has known of the Hope to come. I dare make my meaning no clearer, but

will only tell my story. It will, perhaps, seem to you as foul and dark

as this thick vapor about us, and as pregnant with death; but if your

eyes are free as mine are to look deeper, no perfume-tinted dawn will be

so fair with promise of the day that shall surely come.

My story is very simple,--Only what I remember of the life of one

of these men,--a furnace-tender in one of Kirby & John's

rolling-mills,--Hugh Wolfe. You know the mills? They took the great

order for the lower Virginia railroads there last winter; run usually

with about a thousand men. I cannot tell why I choose the half-forgotten

story of this Wolfe more than that of myriads of these furnace-hands.

Perhaps because there is a secret, underlying sympathy between that

story and this day with its impure fog and thwarted sunshine,--or

perhaps simply for the reason that this house is the one where the

Wolfes lived. There were the father and son,--both hands, as I said,

in one of Kirby & John's mills for making railroad-iron,--and Deborah,

their cousin, a picker in some of the cotton-mills. The house was rented

then to half a dozen families. The Wolfes had two of the cellar-rooms.

The old man, like many of the puddlers and feeders of the mills, was

Welsh,--had spent half of his life in the Cornish tin-mines. You may

pick the Welsh emigrants, Cornish miners, out of the throng passing the

windows, any day. They are a trifle more filthy; their muscles are not

so brawny; they stoop more. When they are drunk, they neither yell, nor

shout, nor stagger, but skulk along like beaten hounds. A pure,

unmixed blood, I fancy: shows itself in the slight angular bodies and

sharply-cut facial lines. It is nearly thirty years since the Wolfes

lived here. Their lives were like those of their class: incessant

labor, sleeping in kennel-like rooms, eating rank pork and molasses,

drinking--God and the distillers only know what; with an occasional

night in jail, to atone for some drunken excess. Is that all of their

lives?--of the portion given to them and these their duplicates swarming

the streets to-day?--nothing beneath?--all? So many a political reformer

will tell you,--and many a private reformer, too, who has gone among

them with a heart tender with Christ's charity, and come out outraged,

hardened.

One rainy night, about eleven o'clock, a crowd of half-clothed women

stopped outside of the cellar-door. They were going home from the

cotton-mill.

“Good-night, Deb,” said one, a mulatto, steadying herself against the

gas-post. She needed the post to steady her. So did more than one of

them.

“Dah's a ball to Miss Potts' to-night. Ye'd best come.”

“Inteet, Deb, if hur'll come, hur'll hef fun,” said a shrill Welsh voice

in the crowd.

Two or three dirty hands were thrust out to catch the gown of the woman,

who was groping for the latch of the door.

“No.”

“No? Where's Kit Small, then?”

“Begorra! on the spools. Alleys behint, though we helped her, we dud.

An wid ye! Let Deb alone! It's ondacent frettin' a quite body. Be the

powers, an we'll have a night of it! there'll be lashin's o' drink,--the

Vargent be blessed and praised for't!”

They went on, the mulatto inclining for a moment to show fight, and drag

the woman Wolfe off with them; but, being pacified, she staggered away.

Deborah groped her way into the cellar, and, after considerable

stumbling, kindled a match, and lighted a tallow dip, that sent a yellow

glimmer over the room. It was low, damp,--the earthen floor covered with

a green, slimy moss,--a fetid air smothering the breath. Old Wolfe lay

asleep on a heap of straw, wrapped in a torn horse-blanket. He was a

pale, meek little man, with a white face and red rabbit-eyes. The woman

Deborah was like him; only her face was even more ghastly, her lips

bluer, her eyes more watery. She wore a faded cotton gown and a

slouching bonnet. When she walked, one could see that she was deformed,

almost a hunchback. She trod softly, so as not to waken him, and went

through into the room beyond. There she found by the half-extinguished

fire an iron saucepan filled with cold boiled potatoes, which she put

upon a broken chair with a pint-cup of ale. Placing the old candlestick

beside this dainty repast, she untied her bonnet, which hung limp and

wet over her face, and prepared to eat her supper. It was the first

food that had touched her lips since morning. There was enough of it,

however: there is not always. She was hungry,--one could see that easily

enough,--and not drunk, as most of her companions would have been

found at this hour. She did not drink, this woman,--her face told that,

too,--nothing stronger than ale. Perhaps the weak, flaccid wretch had

some stimulant in her pale life to keep her up,--some love or hope, it

might be, or urgent need. When that stimulant was gone, she would take

to whiskey. Man cannot live by work alone. While she was skinning the

potatoes, and munching them, a noise behind her made her stop.

“Janey!” she called, lifting the candle and peering into the darkness.

“Janey, are you there?”

A heap of ragged coats was heaved up, and the face of a young girl

emerged, staring sleepily at the woman.

“Deborah,” she said, at last, “I'm here the night.”

“Yes, child. Hur's welcome,” she said, quietly eating on.

The girl's face was haggard and sickly; her eyes were heavy with sleep

and hunger: real Milesian eyes they were, dark, delicate blue, glooming

out from black shadows with a pitiful fright.

“I was alone,” she said, timidly.

“Where's the father?” asked Deborah, holding out a potato, which the

girl greedily seized.

“He's beyant,--wid Haley,--in the stone house.” (Did you ever hear the

word tail from an Irish mouth?) “I came here. Hugh told me never to stay

me-lone.”

“Hugh?”

“Yes.”

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