At length came the masquerade-scene, and in a short time the French

dancers appeared. Just then, a short, fat, red-faced and very vulgar

Englishwoman who sat behind Madeline and Juliet, gave each of them a

twitch on the shoulder, saying, in a broad Yorkshire dialect, "I'll

thank you gals or ladies or whatsomdever you be, to take off your

bunnets and let a body have some chance of seeing the show; for I've

been popping my ead back and furrads atween you ever sence you comed

hin, and thof I've as good a right to see as any body else, I've ardly

got a squint at the hactors yet."

The girls were now in a most critical dilemma. To take off their bonnets

seemed out of the question, as the exposure of their heads would no

doubt betray them, and their fear and perplexity were so great that they

had not presence of mind either to speak or move.

"Don't pertend that you don't ear me," said the Englishwoman, giving

them both a hard push forward with her huge hands. "I bees a true King

Georgeswoman, and won't be put upon by none of the Yankees, not I, thof

I _am_ come to their country. I pays my money as well as you, and I've

jist as good a right to see the show; and if you won't take off them big

bunnets, I'll be bound I'll make you, if there's even a row about it.

I've raised a row afore this time when I've been put upon."

"Oh! let us go, let us go," said Juliet, gasping with terror, and

seizing Madeline's arm.

"Honly wait," continued the Englishwoman, "till I tells my usband, who

sets ahind here, to call 'turn 'em out.' You _may_ be ladies. But I bees

an onest oman, and if I've come to a land of liberty, the more reason

that I should make free to speak my mind; and if we're all hequal, why

then nobody han't no right to put upon me."

By this time the two girls, in an agony of trepidation, had scrambled

over the benches and got to the door, expecting every instant to hear

the dreaded words, "turn them out," and to see Edward's eyes directed

towards them, with those of the whole audience. Scarcely conscious of

what they were doing, they ran down the gallery-stairs, and flew out of

the door into the street. As is usual toward the latter part of the

play, a number of boys had collected about the fruit-stalls waiting for

checks, that they might gain admittance to see the farce; and as

Madeline ran past them, her cloak flew open, and the moonbeams shone

brightly on a brilliant ring which she always wore on her fore-finger.

This with something in their appearance that would cause even

unpractised eyes to suspect that they were young ladies, attracted the

attention of the boys, who stared at them with surprise and curiosity.

Madeline and Juliet ran down the street in breathless terror. They had

gone about a square from the theatre before they recollected that their

way home lay in a contrary direction, and that they ought to go _up_ the

street instead of _down_. "Oh! we are going _from_ home instead of

_towards_ it," exclaimed Juliet; and they immediately turned about and

ran up Chestnut street. They again passed the theatre, terrified,

bewildered, their bonnets falling back and discovering their frightened

faces in full view; Madeline's cloak half untied and flying out behind

her, and Juliet still grasping one corner of her shawl (which had fallen

entirely off her shoulders) and dragging it after her along the

pavement. On seeing them running back in this forlorn condition, the

boys set up a loud shout, and calling out "Hurrah for the ladies,"

pursued them up Chestnut street.

A young gentleman who had left the theatre a few minutes before, and was

walking leisurely up the street, turned round to discover the meaning of

all the noise that was coming after him, and caught Juliet, breathless

and almost dead, by her two hands. "Juliet," he exclaimed, "my sister

Juliet!" "Oh, Edward!" she shrieked, and fell into his arms drowned in

tears.

"Save me, save me," cried Madeline, catching him by the coat. "Madeline

too!" said Edward. "What does all this mean?"

Another gentleman now came up, and ordered off the boys, reprimanding

them severely for chasing two unprotected females; and Edward taking one

of the girls under each arm, walked on in silence, much affected by the

sobbing of Juliet.

Madeline soon recovered herself, and attempted an explanation of the

strange predicament in which he had found them; passing it off as a very

good joke, and a further proof of her ungovernable volatility.

Edward remained silent. He would not reproach her, but he determined in

his mind what course to pursue. He took leave of Madeline at her own

door, and on entering his father's house, he told Juliet that she had

better, as soon as possible, divest herself of her disguise. Juliet

could not speak, but she wept on her brother's shoulder; and Edward

kissed her cheek, and bade her good night.

She retired to bed, but she could not sleep; and in the morning she rose

earlier than usual, and went into the parlour, where she knew she would

find Edward. She looked very pale, and her eyes were swimming in tears.

"Oh! Edward," said she, "what did my father and mother say, when they

came home last night, and you told them all that happened?"

"I told them nothing," replied Edward, "I love you too well to betray

you. I have kept your secret, and I shall never disclose it. But I must

have a recompense."

_Juliet._ Any, any recompense, dearest Edward. What can you ask that I

could possibly refuse.

_Edward._ I require you, from this day, to give up all acquaintance with

Madeline Malcolm. Your infatuation for a girl who, under the name of

wildness and volatility, sets all propriety at defiance, is to me

astonishing. Henceforward let there be no more intimacy between you. It

must be checked before it leads to consequences still worse than the

adventures of last night.

_Juliet._ I acknowledge that Madeline is too regardless of decorum, and

that she says and does many strange and improper things: but then she

has so good a heart.

_Edward._ Tell me one proof of it. You have fallen into the common

error of supposing that all persons who profess to be giddy, wild, and

reckless, have kind feelings and good hearts. On the contrary, they may

too often be classed with the most selfish, cold, and heartless people

in the world; for they have seldom either sense or sensibility, and

while resolutely bent on the gratification of their own whims, are

generally regardless of the peace and convenience of those about them.

When I first went to college I thought as you do. I supposed that the

most careless, noisy, and desperate boys must necessarily have kind and

generous feelings. But I found the contrary to my cost; and I am now

convinced, that, with some few exceptions, the best hearts are generally

united with the best heads and the best manners.

_Juliet._ But even if I never visit Madeline myself, how shall I prevent

her running in to me as she does, two or three times a day?

_Edward._ Very easily. Write her a concise note, intimating that you do

not consider it proper to continue your acquaintance with her.

_Juliet._ Oh! Edward, I never can do that.

_Edward._ Is not this the recompense I am entitled to, for keeping your

secret?

_Juliet._ Indeed, Edward, you are too cruel.

_Edward._ Severe, perhaps, but not cruel. The exigency of the case

requires decisive measures. "I am cruel only to be kind," and you will

thank me for it hereafter.

_Juliet._ Well then, I _will_ write the note. And if it _must be done_ I

will do it immediately; for if I allow myself to think about it long, it

will grieve me so much that I shall never have resolution to go through

with it. (_She goes to the desk and writes._) There now, Edward, read

this note.

_Edward_, (_reading_.) "Though convinced that it is better our intimacy

should cease, it is not without regret that I decline all further

intercourse with Madeline Malcolm. For her health and happiness I offer

my best wishes; but in future we can only meet as strangers.

"JULIET LANSDOWNE."

Now seal and send it.

_Juliet._ Oh, Edward! it is hard to give up Madeline. But I believe you

are right, and I ought not to regret it.

_Edward._ I _know_ I am right.

Juliet then rang the bell for a servant, to whom with a quivering lip

and hesitating hand she gave the note, desiring him to leave it next

door for Miss Malcolm.

After breakfast, when Juliet was again alone with her brother, she said

to him, "Edward, I have never yet concealed any thing from my parents. I

think if I were to disclose to them the whole truth, I should feel less

miserable."

Edward approved of this determination, and they went together to their

mother, to whom Juliet candidly related the whole history of their going

to the theatre in disguise. She kindly endeavoured to throw as little

blame on Madeline as possible; and Edward tried to apologize for

Juliet's partiality for this dangerous girl, and for the yielding

gentleness of disposition with which his sister had allowed herself to

be influenced by her; and for her want of judgment in not perceiving the

faults of Madeline in as strong a light as they appeared to every one

else.

Mrs. Lansdowne's pleasure, on finding that her daughter had consented to

give up this very improper intimacy, counterbalanced her regret at

Juliet's having been persuaded by Madeline to join in the folly and

indecorum of the preceding evening. For this, however, she thought the

girls had been sufficiently punished by all they had suffered at the

theatre, and during their ignominious flight from it.

Madeline's parents had no suspicion of her having been at the play in

disguise, and the idea of confessing it to them never for a moment

entered her head. She was highly indignant at Juliet's note; and

fortunately her resentment was too great to allow her to make any

attempt at renewing their intimacy. She took care, however, to let no

one suppose that the acquaintance had ceased by Juliet's desire; telling

every body that Juliet Lansdowne was a little fool, and that she had

grown quite tired of her.

In the spring, Mr. Malcolm removed with his family to New York, and

their house next door to Mr. Lansdowne's was immediately taken by the

father of Cecilia Selden who had again become the intimate friend of

Juliet.

THE END.

Transcriber's Note:

Punctuation has been standardised. Hyphenation and spelling have been

retained as appear in the original publication except as follows:

Page 6

Mrs. Evering had a very excellant cook, a _changed to_

Mrs. Evering had a very excellent cook, a

Page 35

vous remercie_,--_Il fait beau-tems_ _changed to_

vous remercie_,--_Il fait beau-temps_

Page 72

and then she counted all the window sat _changed to_

and then she counted all the windows at

Page 109

I will have _them_. They will de _changed to_

I will have _them_. They will do

Page 114

kindness, and feeling really some embarrasment _changed to_

kindness, and feeling really some embarrassment

Stories for Helen · 第 6 / 6 段