CHAPTER III

THE COAST FROM WHITBY TO REDCAR

Along the three miles of sand running northwards from Whitby at the foot

of low alluvial cliffs, I have seen some of the finest sea-pictures on

this part of the coast. But although I have seen beautiful effects at

all times of the day, those that I remember more than any others are the

early mornings, when the sun was still low in the heavens, when,

standing on that fine stretch of yellow sand, one seemed to breathe an

atmosphere so pure, and to gaze at a sky so transparent, that some of

those undefined longings for surroundings that have never been realized

were instinctively uppermost in the mind. It is, I imagine, that vague

recognition of perfection which has its effect on even superficial minds

when impressed with beautiful scenery, for to what other cause can be

attributed the remark one hears, that such scenes 'make one feel good'?

Heavy waves, overlapping one another in their fruitless bombardment of

the smooth shelving sand, are filling the air with a ceaseless thunder.

The sun, shining from a sky of burnished gold, throws into silhouette

the twin lighthouses at the entrance to Whitby Harbour, and turns the

foaming wave-tops into a dazzling white, accentuated by the long shadows

of early day. Away to the north-west is Sandsend Ness, a bold headland

full of purple and blue shadows, and straight out to sea, across the

white-capped waves, are two tramp steamers, making, no doubt, for South

Shields or some port where a cargo of coal can be picked up. They are

plunging heavily, and every moment their bows seem to go down too far

to recover.

On mornings when the sea is quieter there are few who can resist the

desire to plunge into the blue waters, for at seven o'clock the shore is

so entirely deserted that one seems to be bathing from some primeval

shore where no other forms of life may be expected than some giant

crustaceans. This thought, perhaps, prompted the painful sensations I

allowed to prey upon me one night when I was walking along this

particular piece of shore from Whitby. I had decided to save time over

the road to Sandsend by getting on to the beach at Upgang, where the

lifeboat-house stands, by the entrance to a small beck. So dark was the

night that I could scarcely be sure that I had not lost my way, until I

had carefully felt the walls of the boat-house. Then I stepped

cautiously on to the sand, which I discovered as soon as my feet began

sinking at every step.

The harbour lights of Whitby were bright enough, but in the other

direction I could be sure of nothing. At first I seemed to have made a

mistake as to the state of the tide, for there appeared to be a

whiteness nearly up to the base of the cliffs; but this proved to be the

suffused glow from the lighthouses. Rain had been falling heavily for

the last few days, and had produced so many wide streams across the sand

that my knowledge of the usual ones merely hampered me. At first I began

stepping carefully over large black hollows in the sand, and then a

great black mark would show itself, which, offering no resistance to my

stick as I drew it across its surface, I could only imagine to be caused

by a flood of ink poured upon the beach by some horrible squid. My

musings on whether sea-monsters did ever disport themselves on the shore

under the cover of sufficiently dark nights would be broken into by

discovering that I had plunged into a stream of undiscoverable

dimensions, whose existence only revealed itself by the splash of my

boots. Retreating cautiously, I would take a run, and then a terrific

leap into the darkness, sometimes finding myself on firm dry sand, and

as frequently in the water.

I had decided that I should probably not reach Sandsend until daylight,

when a red lamp near the railway-bridge shone out as a beacon, and I

realized that I would soon be safe from the tentacles of sea-monsters.

When I awoke next morning, I dashed out on to the beach, and commenced

to walk rapidly in the direction of Whitby, in the hope that the tide

had left some of those black stains still showing. I wanted, also, to

examine some of the queer ridges I had so often stepped over, and some

of the rivers I had leapt. The rivers were there wide enough in places,

but nothing in the way of a ridge or any signs of those inky patches

could I discern. Careful examination showed, however, that here and

there the smooth shore was covered with sand of a rather reddish hue,

quite unworthy of remark in daylight. The foolishness of my

apprehensions seems apparent, but nevertheless I urge everyone to choose

a moonlit night and a companion of some sort for traversing these three

miles after sunset.

The two little becks finding their outlet at East Row and Sandsend are

lovely to-day; but their beauty must have been much more apparent before

the North-Eastern Railway put their black lattice girder bridges across

the mouth of each valley. But now that familiarity with these bridges,

which are of the same pattern across every wooded ravine up the

coast-line to Redcar, has blunted my impressions, I can think of the

picturesqueness of East Row without remembering the railway. It was in

this glen, where Lord Normanby's lovely woods make a background for the

pretty tiled cottages, the mill, and the old stone bridge, which make up

East Row, that the Saxons chose a home for their god Thor. [Since this

was written one or two new houses have been allowed to mar the

simplicity of the valley.--G. H.] Here they built some rude form of

temple, afterwards, it seems, converted into a hermitage. This was how

the spot obtained the name Thordisa, a name it retained down to 1620,

when the requirements of workmen from the newly-started alum-works at

Sandsend led to building operations by the side of the stream. The

cottages which arose became known afterwards as East Row.

A very little way inland is the village of Dunsley, which may have been

in existence in Roman times, for Ptolemy mentions Dunus Sinus as a bay

frequently used by the Romans as a landing-place. The foundations of

some ancient building can easily be traced in the rough grass at the

village cross-roads, now overlooked by a new stone house. But whatever

surprises Dunsley may have in store for those who choose to dig in the

likely places, the hamlet need not keep one long, for on either hand

there is a choice of breezy moorland or the astonishing beauties of

Mulgrave Woods. Before I knew this part of Yorkshire, and had merely

read of the woods as a sight to be visited from Whitby, I was prepared

for something at least as hackneyed as Hayburn Wyke. I was prepared for

direction-boards and artificial helps to the charms of certain aspects

of the streams. I certainly never anticipated that I should one day sigh

for a direction-board in this forest.

It was on my second visit to the woods that I determined to find a

particularly dramatic portion of one of the streams. My first ramble had

been in summer. I had been with one who knew the paths well, but now it

was late autumn and I was alone. I explored the paths for hours, and

traversed long glades ablaze with red and gold. I peered down through

the yellow leaves to the rushing streams below, where I could see the

great moss-grown boulders choking the narrow channels. But this

particular spot had gone. I was almost in despair, when two labourers by

great luck happened to come along one of the tracks. With their help I

found the place I was searching for, and the result of the time spent

there is given in one of the illustrations to this chapter. Go where you

will in Yorkshire, you will find no more fascinating woodland scenery

than this. From the broken walls and towers of the old Norman castle the

views over the ravines on either hand--for the castle stands on a lofty

promontory in a sea of foliage--are entrancing; and after seeing the

astoundingly brilliant colours with which autumn paints these trees,

there is a tendency to find the ordinary woodland commonplace. The

narrowest and deepest gorge is hundreds of feet deep in the shale. East

Row Beck drops into this canyon in the form of a waterfall at the upper

end, and then almost disappears among the enormous rocks strewn along

its circumscribed course. The humid, hothouse atmosphere down here

encourages the growth of many of the rarer mosses, which entirely cover

all but the newly-fallen rocks.

We can leave the woods by a path leading near Lord Normanby's modern

castle, and come out on to the road close to Lythe Church, where a great

view of sea and land is spread out towards the south. The long curving

line of white marks the limits of the tide as far as the entrance to

Whitby Harbour. The abbey stands out in its loneliness as of yore, and

beyond it are the black-looking, precipitous cliffs ending at Saltwick

Nab. Lythe Church, standing in its wind-swept graveyard full of

blackened tombstones, need not keep us, for, although its

much-modernized exterior is simple and ancient-looking, the interior is

devoid of any interest. It is the same tale at nearly every village in

this district, and to those who are able to grow enthusiastic in

antiquarian matters some parts of the county are disappointing. In East

Anglia and the southern counties even the smallest hamlets have often a

good church, with a conspicuous tower or spire; but in how many villages

in this riding do you find no church at all, as in the case of Staithes

and Runswick? Many of the old churches of Yorkshire were in a state of

great dilapidation at the beginning of last century, and a great effort

having been initiated by the then Archbishop, a fund was instituted to

help the various parishes to restore their buildings. It was a period

when architecture was at a low ebb, and the desire to sweep away

antiquity was certainly strong, for those churches not rebuilt from the

ground were so hacked and renovated that their interest and

picturesqueness has vanished. The churches at Pickering, Middleton,

Lastingham, and Kirkdale must, however, be pointed out as priceless

exceptions.

The road drops down a tremendous hill into Sandsend, where they talk of

going 'up t' bonk' to Lythe Church. A little chapel of ease in the

village accommodates the old and delicate folk, but the youth and the

generally able-bodied of Sandsend must climb the hill every Sunday. The

beck forms an island in the village, and the old stone cottages, bright

with new paint and neatly-trained creepers, stand in their gardens on

either side of the valley in the most picturesque fashion.

The walk along the rocky shore to Kettleness is dangerous unless the

tide is carefully watched, and the road inland through Lythe village is

not particularly interesting, so that one is tempted to use the railway,

which cuts right through the intervening high ground by means of two

tunnels. The first one is a mile long, and somewhere near the centre has

a passage out to the cliffs, so that even if both ends of the tunnel

collapsed there would be a way of escape. But this is small comfort when

travelling from Kettleness, for the down gradient towards Sandsend is

very steep, and in the darkness of the tunnel the train gets up a

tremendous speed, bursting into the open just where a precipitous drop

into the sea could be most easily accomplished.

The station at Kettleness is on the top of the huge cliffs, and to reach

the shore one must climb down a zigzag path. It is a broad and solid

pathway until halfway down, where it assumes the character of a

goat-track, being a mere treading down of the loose shale of which the

enormous cliff is formed. The sliding down of the crumbling rock

constantly carries away the path, but a little spade-work soon makes the

track firm again. This portion of the cliff has something of a history,

for one night in 1829 the inhabitants of many of the cottages originally

forming the village of Kettleness were warned of impending danger by

subterranean noises. Fearing a subsidence of the cliff, they betook

themselves to a small schooner lying in the bay. This wise move had not

long been accomplished, when a huge section of the ground occupied by

the cottages slid down the great cliff and the next morning there was

little to be seen but a sloping mound of lias shale at the foot of the

precipice. The villagers recovered some of their property by digging,

and some pieces of broken crockery from one of the cottages are still to

be seen on the shore near the ferryman's hut, where the path joins

the shore.

This sandy beach, lapped by the blue waves of Runswick Bay, is one of

the finest spots on the rocky coast-line of Yorkshire. A trickling

waterfall drops perpendicularly down the blackish rocks from a

considerable height, while above it are the towering cliffs of shale,

perfectly bare in one direction, and clothed with grass and bracken in

another. At the foot of the rocks a layer of jet appears a few inches

above the sand.

You look northwards across the sunlit sea to the rocky heights hiding

Port Mulgrave and Staithes, and on the further side of the bay you see

tiny Runswick's red roofs, one above the other, on the face of the

cliff. Here it is always cool and pleasant in the hottest weather, and

from the broad shadows cast by the precipices above one can revel in the

sunny land and sea-scapes without that fishy odour so unavoidable in the

villages. When the sun is beginning to climb down the sky in the

direction of Hinderwell, and everything is bathed in a glorious golden

light, the ferryman will row you across the bay to Runswick, but a

scramble over the rocks on the beach will be repaid by a closer view of

the now half-filled-up Hob Hole. The fisher-folk believed this cave to

be the home of a kindly-disposed fairy or hob, who seems to have been

one of the slow-dying inhabitants of the world of mythology implicitly

believed in by the Saxons. And these beliefs died so hard in these

lonely Yorkshire villages that until recent times a mother would carry

her child suffering from whooping-cough along the beach to the mouth of

the cave. There she would call in a loud voice, 'Hob-hole Hob! my

bairn's gotten t'kink cough. Tak't off, tak't off.' One can see the

child's parents gazing fearfully into the black depths of the cavern,

penetrating the cliff for 70 feet, and finally turning back to the

village in the full belief that the hob would stay the disease.

The steep paths and flights of roughly-built steps that wind above and

below the cottages are the only means of getting about in Runswick. The

butcher's cart every Saturday penetrates into the centre of the village

by the rough track which is all that is left of the good firm road from

Hinderwell after it has climbed down the cliff. To this central

position, close to the post-box, the householders come to buy their

supply of meat for Sunday, having their purchases weighed on scales

placed on the flap at the back of the cart. While the butcher is doing

his thriving trade the postman arrives to collect letters from the

pillar-box, Placing a small horn to his lips, he blows a blast to warn

the villagers that the post is going, and, having waited for the last

letter, climbs slowly up the steep pathway to Hinderwell.

Halfway up to the top he pauses and looks over the fruit-trees and the

tiles and chimney-pots below him, to the bright blue waters of the bay,

with Kettleness beyond, now all pink and red in the golden light of late

afternoon. This scene is more suggestive of the Mediterranean than

Yorkshire, for the blueness of the sea seems almost unnatural, and the

golden greens of the pretty little gardens among the houses seem perhaps

a trifle theatrical; but the fisher-folk play their parts too well, and

there is nothing make-believe about the delicious bread-and-butter and

the newly-baked cakes which accompany the tea awaiting us in a

spotlessly clean cottage close by.

The same form of disaster which destroyed Kettleness village caused the

complete ruin of Runswick in 1666, for one night, when some of the

fisher-folk were holding a wake over a corpse, they had unmistakable

warnings of an approaching landslip. The alarm was given, and the

villagers, hurriedly leaving their cottages, saw the whole place slide

downwards and become a mass of ruins. No lives were lost, but, as only

one house remained standing, the poor fishermen were only saved from

destitution by the sums of money collected for their relief.

Architecturally speaking, Hinderwell is a depressing village, and there

is little to remember about the place except an extraordinary block of

two or three shops, suitable only for a business street in a big city,

but dumped right into the middle of this village of low cottages. The

church is modern enough to be uninteresting, but in the graveyard St.

Hilda's Well, from which the name Hinderwell is a corruption, may

still be seen.

In 1603 there was a sudden and terrible outbreak of plague in the

village. It only lasted from September 1 to November 10, but in that

short time forty-nine people died. It seems that the infection was

brought by some men from a 'Turkey ship' that had been stranded on the

coast, but, strangely enough, the disease does not appear to have been

carried into the other villages in the neighbourhood.

Scarcely two miles from Hinderwell is the fishing-hamlet of Staithes,

wedged into the side of a deep and exceedingly picturesque beck.

Here--and it is the same at Runswick--one is obliged to walk warily

during the painter's season, for fear of either obstructing the view of

the man behind the easel you have just passed, or out of regard for the

feelings of some girls just in front. There are often no more chances of

standing still in Staithes than may be enjoyed on a popular golf-links

on a fine Saturday afternoon. These folk at Staithes do not disturb one

with cries of 'Fore!' but with that blank Chinaman's stare which comes

to anyone who paints in public.

The average artist is a being who is quite unable to recognise

architectural merit. He sees everything to please him if the background

of his group be sufficiently tumble-down and derelict. If this be

incorrect, how could such swarms of artistic folk paint and actually

lodge in Staithes? The steep road leading past the station drops down

into the village, giving a glimpse of the beck crossed by its ramshackle

wooden foot-bridge--the view one has been prepared for by guide-books

and picture postcards. Lower down you enter the village street. Here the

smell of fish comes out to greet you, and one would forgive the place

this overflowing welcome if one were not so shocked at the dismal aspect

of the houses on either side of the way. Many are of comparatively

recent origin, others are quite new, and a few--a very few--are old; but

none have any architectural pretensions or any claims to

picturesqueness, and only a few have the neat and respectable look one

is accustomed to expect after seeing Robin Hood's Bay.

Staithes had filled me with so much pleasant expectancy that my first

walk down this street of dirty, ugly houses had brought me into a

querulous frame of mind, and I wondered irritably why the women should

all wear lilac-coloured bonnets, when a choice of colour is not

difficult as far as calico is concerned. Those women who were in

mourning had dyed theirs black, and these assorted well with the colour

of the stone of many of the houses.

I hurried down on to the little fish-wharf--a wooden structure facing

the sea--hoping to find something more cheering in the view of the

little bay, with its bold cliffs, and the busy scene where the cobles

were drawn up on the shingle. Here my spirits revived, and I began to

find excuses for the painters. The little wharf, in a bad state of

repair, like most things in the place, was occupied by groups of

stalwart fisher-folk, men and women.

The men were for the most part watching their women-folk at work. They

were also to an astonishing extent mere spectators in the arduous work

of hauling the cobles one by one on to the steep bank of shingle. A

tackle hooked to one of the baulks of timber forming the staith was

being hauled at by five women and two men! Two others were in a listless

fashion leaning their shoulders against the boat itself. With the last

'Heave-ho!' at the shortened tackle the women laid hold of the nets, and

with casual male assistance laid them out on the shingle, removed any

fragments of fish, and generally prepared them for stowing in the

boat again.

It is evidently an accepted state of things at Staithes that the work of

putting out to sea and the actual catching of the fish is sufficient for

the men-folk, for the feminine population do their arduous tasks with a

methodical matter-of-factness which surprises only the stranger. I was

particularly struck on one occasion with the sight of a good-looking and

very neatly dressed young fishwife who was engaged in that very

necessary but exceedingly unpleasant task of cutting open fish and

removing the perishable portions. With unerring precision the sharp

knife was plunged into each cod or haddock, and the fish was in its

marketable condition in shorter time than one can write. A little boy

plunged them into a pail of ruddy-looking water, and from thence into

the regulation fish box or basket that finds its way to the Metropolis.

A change has come over the inhabitants of Staithes since 1846, when Mr.

Ord describes the fishermen as 'exceedingly civil and courteous to

strangers, and altogether free from that low, grasping knavery peculiar

to the larger class of fishing-towns.' Without wishing to be

unreasonably hard on Staithes, I am inclined to believe that this

character is infinitely better than these folk deserve, and even when

Mr. Ord wrote of the place I have reason to doubt the civility shown by

them to strangers. It is, according to some who have known Staithes for

a long while, less than fifty years ago that the fisher-folk were

hostile to a stranger on very small provocation, and only the entirely

inoffensive could expect to sojourn in the village without being a

target for stones. The incursion of the artistic hordes has been a great

factor in the demoralization of the village, for who would not be

mercenary when besought at all hours of the day to stand before a canvas

or a camera? Thus, the harmless stranger who strays on to the staith

with a camera is obliged to pay for 'an afternoon's 'baccy' if he want

an opportunity to obtain more than a snapshot of a picturesque group. He

may try to capture a lonely old fisherman by asking if he would mind

standing still for 'just one second,' but the old fellow will move away

instantly unless his demand for payment be readily complied with.

No doubt many of the superstitions of Staithes people have languished or

died out in recent years, and among these may be included a particularly

primitive custom when the catches of fish had been unusually small. Bad

luck of this sort could only be the work of some evil influence, and to

break the spell a sheep's heart had to be procured, into which many pins

were stuck. The heart was then burnt in a bonfire on the beach, in the

presence of the fishermen, who danced round the flames.

In happy contrast to these heathenish practices was the resolution

entered into and signed by the fishermen of Staithes, in August, 1835,

binding themselves 'on no account whatever' to follow their calling on

Sundays, 'nor to go out with our boats or cobbles to sea, either on the

Saturday or Sunday evenings.' They also agreed to forfeit ten shillings

for every offence against the resolution, and the fund accumulated in

this way, and by other means, was administered for the benefit of aged

couples and widows and orphans.

The men of Staithes are known up and down the east coast of Great

Britain as some of the very finest types of fishermen. Their cobles,

which vary in size and colour, are uniform in design and the brilliance

of their paint. Brick red, emerald green, pungent blue and white, are

the most favoured colours, but orange, pink, yellow, and many others,

are to be seen.

Not only are fish of the present age in evidence at Staithes, but

nowhere along this coast can one find better examples of those of the

Jurassic period. When the tide has exposed the scaur which runs out from

Colburn Nab, at the mouth of the beck, a one can examine masses of

recently fallen rocks, the new faces of which are almost invariably

covered with ammonites or clusters of fossil bivalves. The only

hindrance to a close examination of these new falls from the cliffs is

the serious danger of another fall occurring at the same spot. The

fisher-folk are very kind in pointing out this peril to ardent

geologists and those of a less scientific outlook, who merely enjoy the

exercise of scrambling over great masses of rock. After having been

warned that most of the face of the cliff above is 'qualified' to come

down at any moment, there is a strong inclination to betake one's self

to a safe distance, where, unfortunately, the wear and tear of the waves

have in most cases so battered the traces of early marine life that

there is little to attack with the hammer to compare with what can be

seen in the new falls. The scaur also presents an interesting feature in

its round ironstone nodules, half embedded in the smooth rocky floor.

Looking northwards there is a grand piece of coast scenery. The masses

of Boulby Cliffs, rising 660 feet from the sea, are the highest on the

Yorkshire coast. The waves break all round the rocky scaur, and fill the

air with their thunder, while the strong wind blows the spray into

beards which stream backwards from the incoming crests.

The upper course of Staithes Beck consists of two streams, flowing

through deep, richly-wooded ravines. They follow parallel courses very

close to one another for three or four miles, but their sources extend

from Lealholm Moor to Wapley Moor. Kilton Beck runs through another

lovely valley densely clothed in trees, and full of the richest woodland

scenery. It becomes more open in the neighbourhood of Loftus, and from

thence to the sea at Skinningrove the valley is green and open to the

heavens. Loftus is on the borders of the Cleveland mining district, and

it is for this reason that the town has grown to a considerable size.

But although the miners' new cottages are unpicturesque, and the church

only dates from 1811, the situation is pretty, owing to the profusion of

trees among the houses. Skinningrove has railway-sidings and

branch-lines running down to it, and on the hill above the cottages

stands a cluster of blast-furnaces. In daylight they are merely ugly,

but at night, with tongues of flame, they speak of the potency of

labour. I can still see that strange silhouette of steel cylinders and

connecting girders against a blue-black sky, with silent masses of flame

leaping into the heavens.

It was long before iron-ore was smelted here, before even the old

alum-works had been started, that Skinningrove attained to some sort of

fame through a wonderful visit, as strange as any of those recounted by

Mr. Wells. It was in the year 1535--for the event is most carefully

recorded in a manuscript of the period--that some fishermen of

Skinningrove caught a Sea Man. This was such an astounding fact to

record that the writer of the old manuscript explains that 'old men that

would be loath to have their credyt crackt by a tale of a stale date,

report confidently that ... a _sea-man_ was taken by the fishers.' They

took him up to an old disused house, and kept him there for many weeks,

feeding him on raw fish, because he persistently refused the other sorts

of food offered him. To the people who flocked from far and near to

visit him he was very courteous, and he seems to have been particularly

pleased with any 'fayre maydes' who visited him, for he would gaze at

them with a very earnest countenance, 'as if his phlegmaticke breaste

had been touched with a sparke of love.' The Sea Man was so well behaved

that the fisher-folk began to feel sufficiently sure of his desire to

live with them to cease to keep watch on his movements. 'One day,' we

are told, 'he prively stoale out of Doores, and ere he coulde be

overtaken recovered the sea, whereinto he plunged himself; yet as one

that woulde not unmanerly depart without taking of his leave, from the

mydle upwardes he raysed his shoulders often above the waves, and

makinge signes of acknowledgeing his good enterteinment to such as

beheld him on the shore, as they interpreted yt;--after a pretty while

he dived downe and appeared no more.'

This strangely detailed account says that instead of a voice the Sea Man

'skreaked,' but this is of small interest compared to whether he had a

tail or any fish-like attributes. The fact that he escaped would suggest

the presence of legs, but the historian is silent on this

all-important matter.

The lofty coast-line we have followed all the way from Sandsend

terminates abruptly at Huntcliff Nab, the great promontory which is

familiar to visitors to Saltburn. Low alluvial cliffs take the place of

the rocky precipices, and the coast becomes flatter and flatter as you

approach Redcar and the marshy country at the mouth of the Tees. The

original Saltburn, consisting of a row of quaint fishermen's cottages,

still stands entirely alone, facing the sea on the Huntcliff side of the

beck, and from the wide, smooth sands there is little of modern Saltburn

to be seen besides the pier. For the rectangular streets and blocks of

houses have been wisely placed some distance from the edge of the grassy

cliffs, leaving the sea-front quite unspoiled. It would, perhaps, be

well to own that I have never seen Saltburn during the summer season,

and for this reason I may think better of the resort than if my visit

had been in midsummer. It was during October. The sun was shining

brightly, and a strong wind was blowing off the land. The wide,

new-looking streets were spotlessly clean, and in most of them there was

no sign of life at all. It was the same on the broad sweep of sands, for

when I commenced a drawing on the cliffs the only living creatures I

could see were two small dogs. About noon a girls' school was let loose

upon the sands, and for half an hour a furious game of hockey was

fought. Then I was left alone again, with the great expanse of sea, the

yellow margin of sand, and the reddish-brown cliffs, all beneath the

wind-swept sky.

The elaborately-laid-out gardens on the steep banks of Skelton Beck are

the pride and joy of Saltburn, for they offer a pleasant contrast to the

bare slopes on the Huntcliff side and the flat country towards

Kirkleatham. But in this seemingly harmless retreat there used to be

heard horrible groanings, and I have no evidence to satisfy me that they

have altogether ceased. For in this matter-of-fact age such a story

would not be listened to, and thus those who hear the sounds may be

afraid to speak of them. The groanings were heard, they say, 'when all

wyndes are whiste and the sea restes unmoved as a standing poole.' At

times they were so loud as to be heard at least six miles inland, and

the fishermen feared to put out to sea, believing that the ocean was 'as

a greedy Beaste raginge for Hunger, desyers to be satisfyed with men's

carcases.' There were also at that time certain rocks towards Huntcliff

Nab, left bare at low-tide, where 'Seales in greate Heardes like Swine'

were to be seen basking in the sun. 'For their better scuritye,' says

the old writer, 'they put in use a kind of military discipline, warily

preparing against a soddaine surprize, for on the outermost Rocke one

great Seale or more keepes sentinell, which upon the first inklinge of

any danger, giveth the Alarme to the rest by throweing of Stones, or

making a noise in the water, when he tumbles down from the Rocke, the

rest immediately doe the like, insomuch that yt is very hard to overtake

them by cunning.'

In 1842 Redcar was a mere village, though more apparent on the map than

Saltburn; but, like its neighbour, it has grown into a great

watering-place, having developed two piers, a long esplanade other

features, which I am glad to leave to those for whom they were made, and

betake myself to the more romantic spots so plentiful in this

broad county.

Yorkshire—Coast and Moorland Scenes · 第 3 / 9 章