CHAPTER VII

FABRICS THAT SLENDERIZE

First of all, buy your clothes with deliberation so that they will look

as though they belonged to you, not as though they were bought in a

hurry. Deliberate buying is the economical way. Emergency buying in

clothes is like food from the delicatessen—it’s a “make shift” and an

expensive one.

Buy for suitability, for smartness, and think of all the uses you can

make of a garment before you buy. If it’s a dress, what wrap or hat will

you wear with it? Does it mean new shoes, new hat, and gloves? If so,

then consider the advisability of purchasing another style which would

look well with the accessories you have and are wearing with another

costume. Buy few clothes if you must, but buy the best quality fabrics

your purse will allow. And buy carefully. Being well-dressed is not so

much a matter of money as it is information, for the well-dressed woman

gives evidence of discriminate deliberation, of knowledge applied to

selection, and of a wise choice of accessories as well as essentials. So

take heed and take your time about every purchase so that everything

harmonizes perfectly with what you have and so that every article, from

shoes to hat, has its part in aiding slenderness rather than in

emphasizing stoutness.

FACTS TO KNOW ABOUT MATERIALS

Acquaint yourself with materials, their wearing qualities, their

clinging proclivities, and their color quality. By this latter, I mean

their ability to “take the dye” and be soft and rich in their shades,

because certain shades we must wear, and we don’t want to have them dull

and lifeless, like brownish black or grayish drab. We want them to be

deep and soft like those of beautiful old fabrics that have been ripened

to an inimitable softness by age.

The most becoming colors for us come in good fabrics, so for the average

woman there must be economy in the number of dresses rather than in

their quality. A garment made in good style and of good material is more

of a credit to you when half worn out than a cheap new garment could

possibly be.

It is necessary to remember, too, that materials with a glossy,

brilliant surface or finish, no matter what the color of the fabric may

be, are difficult to wear and are not generally becoming, because the

sheen and, in some instances, the stiffness tend to make the figure

appear larger. Materials of soft finish or dull colors, on the other

hand, will make the figure appear smaller and will attract less

attention.

Every fat woman loves pastry and taffeta. We know that before we start.

Pastry you can eat if you study hard to dress correctly, but taffeta you

cannot wear because it sticks out where it shouldn’t and does not cling

as it should. The surest way to have you avoid it is for me to tell you

that it adds 20 pounds, and it truly does. The luster of satin

eliminates it from our list while the conspicuousness of large-figured

fabrics makes them equally inappropriate. When you see lengths of large

figured fabrics in the shops, you may be tempted, but do not buy. They

will thwart your whole purpose of putting into the clothes you wear the

lines that make for slenderness and grace.

[Illustration:

These two pictures illustrate improper and proper choice of fabrics

for a stout figure. Above, the large-figured material adds size, the

fur trim shortens, the round beads shorten the neck. All conspire to

emphasize weight.

]

[Illustration:

Here a small all-over pattern minimizes size, the plaits and tassels

lengthen, the necklace adds a slenderizing touch. The appearance as

a whole is graceful and youthful.

]

WHY AVERAGE “BARGAINS” ARE NOT AN ECONOMY FOR YOU

Shun bargains of miscellaneous materials. Unless you are offered a type

of material that will slenderize, don’t buy it. And never stint your

dresses by using remnants. Your dresses should never have an extra inch

visible but likewise they should never in the least appear as though

they were stinted in cutting. And that means that you must always have

plenty of hems and facings and bias sleeves or bands if you want them.

Stingy, scrimpy hems on big folks’ skirts are a “give away.” Always buy

enough material for at least a 3½–inch hem, and more if fashion allows.

It is pitiable to see a big man humiliated and equally so to see a large

woman in cheap flimsy fabric. Save up your pennies and look out for

remnants if you must, but don’t buy cheap materials. The better

materials, too, are an incentive for more careful planning, and as a

result you have a more likeable, wearable dress.

CHOOSE THESE SLENDERIZING FABRICS

What _can_ you wear to create the illusion of slenderness? In woolens,

everything except firm hard finished weaves, or those in big or definite

designs or colors. If silk is to be purchased, consider the closely

woven heavy ones. They may cost a little more, yes, but they wear

longer, and when you give thought and time to making a perfect dress you

are happy to have it last as long as it will. Some big women delight in

chiffon and Georgette and lace dresses, but these fabrics must not be

used unless a substantial foundation dress is worn under them.

No one needs to use so much care about the foundation of her dress as a

stout woman. It must be wholly non-transparent. It must fit perfectly,

and any dress of lace or sheer material fitted over it must follow the

slip silhouette easily but perfectly. Some designers use two and three

thicknesses as though they were one. They say this softens the line,

weights the fabric, and proves altogether advantageous where grace and

line are desired.

Materials like faille or bengaline, with a definite crosswise grain, are

smart and becoming and are best when cut and made crosswise. They hang

more limply and, therefore, are more graceful and entirely desirable for

slenderizing.

Often the mistake is made of choosing a material with wide stripes, due

to the prevalent belief that stripes tend to make a person look slender.

This is generally untrue. The stout woman can wear striped material, but

the stripes, as a rule, must be fine and without definite color or line

when viewed from a short distance. In other words, stripes should be

felt, not seen, except at very close range. Stout women, and, in fact,

most women look better in materials of plain or indistinct design in

harmonizing colors than in those of bold design and of decided color

combinations.

The heavy silks, striped by means of the weave, and in self color, are

the best for tailored dresses. The heavy crêpe weaves are more

appropriate for draped dresses planned for occasional wear. And the best

quality means the best wear, appearance and general satisfaction. It is

better to have one very good, smart dress and take care of it than two

cheap dresses that you are never quite satisfied with.

In selecting material for skirts, stout women should choose either plain

fabric or fabric with a narrow or indistinct stripe or small figure and

of a texture that is as soft and pliable as Dame Fashion permits.

For summer wear, good quality voiles are better than linens, and the

crêpe de Chines are better than the tub silks, because they cling, and

that, after all is a vital consideration. Swiss, organdie, and ratiné,

like taffeta, are too stiff or bulgy to give slenderness, so these

fabrics must be admired always from a safe distance. Allover lace is

permissible if of small design and heavy enough to hang rather than

bulge.

For quick and easy reference I have made a complete list of fabrics that

are certain to create a line of slenderness—materials that you can

safely wear with the assurance that if properly used they will do much

toward giving you the slender, fashionable lines for which you are

striving. When all is said and done there is really quite a varied range

of fabrics for you after all.

MATERIALS YOU CAN WEAR

_Wool for Dresses_

Charmeen (if not too lustrous)

Challis

Covert Cloth

Flannel

Poiret Twill

Poplin

Serge

Wool crêpe

Wool velour (light weight)

_Wool for Coats_

Bolivia

Morvilla

Wool Velour (heavy)

Also fabrics listed for dresses which are suitable for light weight

wraps

_Silks_

Bengaline, Poplin or Faille

Canton crêpe

Canton satin (dull side)

Crêpe de Chine (heavy)

Crêpe Romaine

Crêpe Roshanara (plain and self-striped)

Faille

Georgette (heavy)

_Wash Goods_

Batiste

Crêpe

Gingham (soft quality)

Poplin

Voile

Handkerchief and plain non-crushable linen, provided the latter is not

stiff

HOW TO LOOK SMART AT ALL TIMES

Never hesitate about navy blue in fine wool or heavy silk. When

beautifully made, either of these may be irresistibly youthful, and if

care is used in selecting rightly balanced designs, such dresses can be

so interestingly varied as never to be monotonous. For instance, a

change of collars is allowable. One day smart turn cuffs may be worn,

and the next day omitted, all giving variety without deviating from the

path of good taste and slender emphasis. And navy blue is _always_

smart, no matter what the prevailing fashion may be.

Watch for values. Know the kind of wool you want; avoid stiff satins and

taffetas. Remember when buying or planning dresses that wools that fuzz

up and satins that have a stiffness back of their shininess, taffetas

that stick out, and voiles and Georgettes that are over-sheer are to be

avoided. Fortunately, the better grades of these fabrics eliminate these

tendencies by the very quality of the fabric, and to say that shiny

satin is not possible for the large woman is unnecessary, although there

are some qualities of satins soft enough to be wearable, provided the

sheen is not too decided. But the heavy crêpes are always more desirable

because of their weight and lack of luster.

IF YOU MUST PRACTICE ECONOMY

If I could have but one dress, I should choose soft, brown Canton crêpe

with a satin side to use as trimming. If I could have just two dresses,

one would be blue cloth and the other brown crêpe because both are

becoming. I say they are becoming despite the fact that a prominent

color specialist says that black, blue, and brown are heavy colors and

not the best for large figures. But the use of such a simple accessory

as a scarf of lace or chiffon can lift out of the ordinary a brown crêpe

dress and can in the quality of its beautiful, smart lines, prove doubly

effective. And fine white linen or piqué collars and cuffs can do

wonders to a simple, correct-fitting one-piece dress of blue cloth.

I know of a certain manufacturer of a very excellent line of dresses for

stouts. Expensive? Certainly, but worth the price, for following the

rules of optical illusion is practically a religion with him. He uses

only navy blue—the darkest navy—in heavy faille, crêpe silks, Poiret

twill, and charmeen. Some are trimmed in white linen or piqué, a few

with net, but the majority are untrimmed, tailored, and pressed “to a

turn,” even when made of silk. Dresses of this type are of a quality

which will permit of one remodeling at least, so that the maximum of

wear may be had from them. When this is possible the material can be

really “worn out” because it was conservative in the first place and did

not lose its style value too rapidly.

The feeling of satisfaction you get from such a costume, even when you

discard the outfit, is much to be preferred to an attempt to wring the

last drop of usefulness from your clothes by wearing them in the home.

Never do this. Rip up, renovate, and make over, but don’t be shabby at

home. There is too much to lose if you do. The stout woman just _must_

get into the habit of looking smart at _all_ times. Once acquired, it is

a habit that brings with it a sense of pride, pleasure, and

self-reliance very much worth cultivating.

Dress and Look Slender · 第 7 / 12 章