One day, after dinner, he ran breathless into the lodge and said:
"Go along, your sister has come."
I went out, and there I found a hired brake from the town standing
before the entrance of the great house. My sister had come in it
with Anyuta Blagovo and a gentleman in a military tunic. Going up
closer I recognized the latter: it was the brother of Anyuta Blagovo,
the army doctor.
"We have come to you for a picnic," he said; "is that all right?"
My sister and Anyuta wanted to ask how I was getting on here, but
both were silent, and simply gazed at me. I was silent too. They
saw that I did not like the place, and tears came into my sister's
eyes, while Anyuta Blagovo turned crimson.
We went into the garden. The doctor walked ahead of us all and said
enthusiastically:
"What air! Holy Mother, what air!"
In appearance he was still a student. And he walked and talked like
a student, and the expression of his grey eyes was as keen, honest,
and frank as a nice student's. Beside his tall and handsome sister
he looked frail and thin; and his beard was thin too, and his voice,
too, was a thin but rather agreeable tenor. He was serving in a
regiment somewhere, and had come home to his people for a holiday,
and said he was going in the autumn to Petersburg for his examination
as a doctor of medicine. He was already a family man, with a wife
and three children, he had married very young, in his second year
at the University, and now people in the town said he was unhappy
in his family life and was not living with his wife.
"What time is it?" my sister asked uneasily. "We must get back in
good time. Papa let me come to see my brother on condition I was
back at six."
"Oh, bother your papa!" sighed the doctor.
I set the samovar. We put down a carpet before the verandah of the
great house and had our tea there, and the doctor knelt down, drank
out of his saucer, and declared that he now knew what bliss was.
Then Tcheprakov came with the key and opened the glass door, and
we all went into the house. There it was half dark and mysterious,
and smelt of mushrooms, and our footsteps had a hollow sound as
though there were cellars under the floor. The doctor stopped and
touched the keys of the piano, and it responded faintly with a
husky, quivering, but melodious chord; he tried his voice and sang
a song, frowning and tapping impatiently with his foot when some
note was mute. My sister did not talk about going home, but walked
about the rooms and kept saying:
"How happy I am! How happy I am!"
There was a note of astonishment in her voice, as though it seemed
to her incredible that she, too, could feel light-hearted. It was
the first time in my life I had seen her so happy. She actually
looked prettier. In profile she did not look nice; her nose and
mouth seemed to stick out and had an expression as though she were
pouting, but she had beautiful dark eyes, a pale, very delicate
complexion, and a touching expression of goodness and melancholy,
and when she talked she seemed charming and even beautiful. We both,
she and I, took after our mother, were broad shouldered, strongly
built, and capable of endurance, but her pallor was a sign of
ill-health; she often had a cough, and I sometimes caught in her
face that look one sees in people who are seriously ill, but for
some reason conceal the fact. There was something naïve and childish
in her gaiety now, as though the joy that had been suppressed and
smothered in our childhood by harsh education had now suddenly
awakened in her soul and found a free outlet.
But when evening came on and the horses were brought round, my
sister sank into silence and looked thin and shrunken, and she got
into the brake as though she were going to the scaffold.
When they had all gone, and the sound had died away . . . I remembered
that Anyuta Blagovo had not said a word to me all day.
"She is a wonderful girl!" I thought. "Wonderful girl!"
St. Peter's fast came, and we had nothing but Lenten dishes every
day. I was weighed down by physical depression due to idleness and
my unsettled position, and dissatisfied with myself. Listless and
hungry, I lounged about the garden and only waited for a suitable
mood to go away.
Towards evening one day, when Radish was sitting in the lodge,
Dolzhikov, very sunburnt and grey with dust, walked in unexpectedly.
He had been spending three days on his land, and had come now to
Dubetchnya by the steamer, and walked to us from the station. While
waiting for the carriage, which was to come for him from the town,
he walked round the grounds with his bailiff, giving orders in a
loud voice, then sat for a whole hour in our lodge, writing letters.
While he was there telegrams came for him, and he himself tapped
off the answers. We three stood in silence at attention.
"What a muddle!" he said, glancing contemptuously at a record book.
"In a fortnight I am transferring the office to the station, and I
don't know what I am to do with you, my friends."
"I do my best, your honour," said Tcheprakov.
"To be sure, I see how you do your best. The only thing you can do
is to take your salary," the engineer went on, looking at me; "you
keep relying on patronage to _faire le carrière_ as quickly and as
easily as possible. Well, I don't care for patronage. No one took
any trouble on my behalf. Before they gave me a railway contract I
went about as a mechanic and worked in Belgium as an oiler. And
you, Panteley, what are you doing here?" he asked, turning to Radish.
"Drinking with them?"
He, for some reason, always called humble people Panteley, and such
as me and Tcheprakov he despised, and called them drunkards, beasts,
and rabble to their faces. Altogether he was cruel to humble
subordinates, and used to fine them and turn them off coldly without
explanations.
At last the horses came for him. As he said good-bye he promised
to turn us all off in a fortnight; he called his bailiff a blockhead;
and then, lolling at ease in his carriage, drove back to the town.
"Andrey Ivanitch," I said to Radish, "take me on as a workman."
"Oh, all right!"
And we set off together in the direction of the town. When the
station and the big house with its buildings were left behind I
asked: "Andrey Ivanitch, why did you come to Dubetchnya this evening?"
"In the first place my fellows are working on the line, and in the
second place I came to pay the general's lady my interest. Last
year I borrowed fifty roubles from her, and I pay her now a rouble
a month interest."
The painter stopped and took me by the button.
"Misail Alexeyitch, our angel," he went on. "The way I look at it
is that if any man, gentle or simple, takes even the smallest
interest, he is doing evil. There cannot be truth and justice in
such a man."
Radish, lean, pale, dreadful-looking, shut his eyes, shook his head,
and, in the tone of a philosopher, pronounced:
"Lice consume the grass, rust consumes the iron, and lying the soul.
Lord, have mercy upon us sinners."
V
Radish was not practical, and was not at all good at forming an
estimate; he took more work than he could get through, and when
calculating he was agitated, lost his head, and so was almost always
out of pocket over his jobs. He undertook painting, glazing,
paperhanging, and even tiling roofs, and I can remember his running
about for three days to find tilers for the sake of a paltry job.
He was a first-rate workman; he sometimes earned as much as ten
roubles a day; and if it had not been for the desire at all costs
to be a master, and to be called a contractor, he would probably
have had plenty of money.
He was paid by the job, but he paid me and the other workmen by the
day, from one and twopence to two shillings a day. When it was fine
and dry we did all kinds of outside work, chiefly painting roofs.
When I was new to the work it made my feet burn as though I were
walking on hot bricks, and when I put on felt boots they were hotter
than ever. But this was only at first; later on I got used to it,
and everything went swimmingly. I was living now among people to
whom labour was obligatory, inevitable, and who worked like
cart-horses, often with no idea of the moral significance of labour,
and, indeed, never using the word "labour" in conversation at all.
Beside them I, too, felt like a cart-horse, growing more and more
imbued with the feeling of the obligatory and inevitable character
of what I was doing, and this made my life easier, setting me free
from all doubt and uncertainty.
At first everything interested me, everything was new, as though I
had been born again. I could sleep on the ground and go about
barefoot, and that was extremely pleasant; I could stand in a crowd
of the common people and be no constraint to anyone, and when a cab
horse fell down in the street I ran to help it up without being
afraid of soiling my clothes. And the best of it all was, I was
living on my own account and no burden to anyone!
Painting roofs, especially with our own oil and colours, was regarded
as a particularly profitable job, and so this rough, dull work was
not disdained, even by such good workmen as Radish. In short breeches,
and wasted, purple-looking legs, he used to go about the roofs,
looking like a stork, and I used to hear him, as he plied his brush,
breathing heavily and saying: "Woe, woe to us sinners!"
He walked about the roofs as freely as though he were upon the
ground. In spite of his being ill and pale as a corpse, his agility
was extraordinary: he used to paint the domes and cupolas of the
churches without scaffolding, like a young man, with only the help
of a ladder and a rope, and it was rather horrible when standing
on a height far from the earth; he would draw himself up erect, and
for some unknown reason pronounce:
"Lice consume grass, rust consumes iron, and lying the soul!"
Or, thinking about something, would answer his thoughts aloud:
"Anything may happen! Anything may happen!"
When I went home from my work, all the people who were sitting on
benches by the gates, all the shopmen and boys and their employers,
made sneering and spiteful remarks after me, and this upset me at
first and seemed to be simply monstrous.
"Better-than-nothing!" I heard on all sides. "House painter! Yellow
ochre!"
And none behaved so ungraciously to me as those who had only lately
been humble people themselves, and had earned their bread by hard
manual labour. In the streets full of shops I was once passing an
ironmonger's when water was thrown over me as though by accident,
and on one occasion someone darted out with a stick at me, while a
fishmonger, a grey-headed old man, barred my way and said, looking
at me angrily:
"I am not sorry for you, you fool! It's your father I am sorry for."
And my acquaintances were for some reason overcome with embarrassment
when they met me. Some of them looked upon me as a queer fish and
a comic fool; others were sorry for me; others did not know what
attitude to take up to me, and it was difficult to make them out.
One day I met Anyuta Blagovo in a side street near Great Dvoryansky
Street. I was going to work, and was carrying two long brushes and
a pail of paint. Recognizing me Anyuta flushed crimson.
"Please do not bow to me in the street," she said nervously, harshly,
and in a shaking voice, without offering me her hand, and tears
suddenly gleamed in her eyes. "If to your mind all this is necessary,
so be it . . . so be it, but I beg you not to meet me!"
I no longer lived in Great Dvoryansky Street, but in the suburb
with my old nurse Karpovna, a good-natured but gloomy old woman,
who always foreboded some harm, was afraid of all dreams, and even
in the bees and wasps that flew into her room saw omens of evil,
and the fact that I had become a workman, to her thinking, boded
nothing good.
"Your life is ruined," she would say, mournfully shaking her head,
"ruined."
Her adopted son Prokofy, a huge, uncouth, red-headed fellow of
thirty, with bristling moustaches, a butcher by trade, lived in the
little house with her. When he met me in the passage he would make
way for me in respectful silence, and if he was drunk he would
salute me with all five fingers at once. He used to have supper in
the evening, and through the partition wall of boards I could hear
him clear his throat and sigh as he drank off glass after glass.
"Mamma," he would call in an undertone.
"Well," Karpovna, who was passionately devoted to her adopted son,
would respond: "What is it, sonny?"
"I can show you a testimony of my affection, mamma. All this earthly
life I will cherish you in your declining years in this vale of
tears, and when you die I will bury you at my expense; I have said
it, and you can believe it."
I got up every morning before sunrise, and went to bed early. We
house painters ate a great deal and slept soundly; the only thing
amiss was that my heart used to beat violently at night. I did not
quarrel with my mates. Violent abuse, desperate oaths, and wishes
such as, "Blast your eyes," or "Cholera take you," never ceased all
day, but, nevertheless, we lived on very friendly terms. The other
fellows suspected me of being some sort of religious sectary, and
made good-natured jokes at my expense, saying that even my own
father had disowned me, and thereupon would add that they rarely
went into the temple of God themselves, and that many of them had
not been to confession for ten years. They justified this laxity
on their part by saying that a painter among men was like a jackdaw
among birds.
The men had a good opinion of me, and treated me with respect; it
was evident that my not drinking, not smoking, but leading a quiet,
steady life pleased them very much. It was only an unpleasant shock
to them that I took no hand in stealing oil and did not go with
them to ask for tips from people on whose property we were working.
Stealing oil and paints from those who employed them was a house
painter's custom, and was not regarded as theft, and it was remarkable
that even so upright a man as Radish would always carry away a
little white lead and oil as he went home from work. And even the
most respectable old fellows, who owned the houses in which they
lived in the suburb, were not ashamed to ask for a tip, and it made
me feel vexed and ashamed to see the men go in a body to congratulate
some nonentity on the commencement or the completion of the job,
and thank him with degrading servility when they had received a few
coppers.
With people on whose work they were engaged they behaved like wily
courtiers, and almost every day I was reminded of Shakespeare's
Polonius.
"I fancy it is going to rain," the man whose house was being painted
would say, looking at the sky.
"It is, there is not a doubt it is," the painters would agree.
"I don't think it is a rain-cloud, though. Perhaps it won't rain
after all."
"No, it won't, your honour! I am sure it won't."
But their attitude to their patrons behind their backs was usually
one of irony, and when they saw, for instance, a gentleman sitting
in the verandah reading a newspaper, they would observe:
"He reads the paper, but I daresay he has nothing to eat."
I never went home to see my own people. When I came back from work
I often found waiting for me little notes, brief and anxious, in
which my sister wrote to me about my father; that he had been
particularly preoccupied at dinner and had eaten nothing, or that
he had been giddy and staggering, or that he had locked himself in
his room and had not come out for a long time. Such items of news
troubled me; I could not sleep, and at times even walked up and
down Great Dvoryansky Street at night by our house, looking in at
the dark windows and trying to guess whether everything was well
at home. On Sundays my sister came to see me, but came in secret,
as though it were not to see me but our nurse. And if she came in
to see me she was very pale, with tear-stained eyes, and she began
crying at once.
"Our father will never live through this," she would say. "If
anything should happen to him--God grant it may not--your
conscience will torment you all your life. It's awful, Misail; for
our mother's sake I beseech you: reform your ways."
"My darling sister," I would say, "how can I reform my ways if I
am convinced that I am acting in accordance with my conscience? Do
understand!"
"I know you are acting on your conscience, but perhaps it could be
done differently, somehow, so as not to wound anybody."
"Ah, holy Saints!" the old woman sighed through the door. "Your
life is ruined! There will be trouble, my dears, there will be
trouble!"