XVIII

This came out so straight that he saw at once how much truth it

expressed; yet it was truth that still a little puzzled him. "But

did you ever like knocking about in such discomfort?"

"It seems to me now that I then liked everything. It's the charm,

at any rate," she said from her place at the fire, "of trying

again the old feelings. They come back--they come back.

Everything," she went on, "comes back. Besides," she wound up,

"you know for yourself."

He stood near her, his hands in his pockets; but not looking at

her, looking hard at the tea-table. "Ah, I haven't your courage.

Moreover," he laughed, "it seems to me that, so far as that goes,

I do live in hansoms. But you must awfully want your tea," he

quickly added; "so let me give you a good stiff cup."

He busied himself with this care, and she sat down, on his

pushing up a low seat, where she had been standing; so that,

while she talked, he could bring her what she further desired. He

moved to and fro before her, he helped himself; and her visit, as

the moments passed, had more and more the effect of a signal

communication that she had come, all responsibly and

deliberately, as on the clear show of the clock-face of their

situation, to make. The whole demonstration, none the less,

presented itself as taking place at a very high level of debate--

in the cool upper air of the finer discrimination, the deeper

sincerity, the larger philosophy. No matter what were the facts

invoked and arrayed, it was only a question, as yet, of their

seeing their way together: to which indeed, exactly, the present

occasion appeared to have so much to contribute. "It's not that

you haven't my courage," Charlotte said, "but that you haven't, I

rather think, my imagination. Unless indeed it should turn out

after all," she added, "that you haven't even my intelligence.

However, I shall not be afraid of that till you've given me more

proof." And she made again, but more clearly, her point of a

moment before. "You knew, besides, you knew to-day, I would come.

And if you knew that you know everything." So she pursued, and if

he didn't meanwhile, if he didn't even at this, take her up, it

might be that she was so positively fitting him again with the

fair face of temporising kindness that he had given her, to keep

her eyes on, at the other important juncture, and the sense of

which she might ever since have been carrying about with her like

a precious medal--not exactly blessed by the Pope suspended round

her neck. She had come back, however this might be, to her

immediate account of herself, and no mention of their great

previous passage was to rise to the lips of either. "Above all,"

she said, "there has been the personal romance of it."

"Of tea with me over the fire? Ah, so far as that goes I don't

think even my intelligence fails me."

"Oh, it's further than that goes; and if I've had a better day

than you it's perhaps, when I come to think of it, that I AM

braver. You bore yourself, you see. But I don't. I don't, I

don't," she repeated.

"It's precisely boring one's self without relief," he protested,

"that takes courage."

"Passive then--not active. My romance is that, if you want to

know, I've been all day on the town. Literally on the town--isn't

that what they call it? I know how it feels." After which, as if

breaking off, "And you, have you never been out?" she asked.

He still stood there with his hands in his pockets. "What should

I have gone out for?"

"Oh, what should people in our case do anything for? But you're

wonderful, all of YOU--you know how to live. We're clumsy brutes,

we other's, beside you--we must always be 'doing' something.

However," Charlotte pursued, "if you had gone out you might have

missed the chance of me--which I'm sure, though you won't confess

it, was what you didn't want; and might have missed, above all,

the satisfaction that, look blank about it as you will, I've come

to congratulate you on. That's really what I can at last do. You

can't not know at least, on such a day as this--you can't not

know," she said, "where you are." She waited as for him either to

grant that he knew or to pretend that he didn't; but he only drew

a long deep breath which came out like a moan of impatience. It

brushed aside the question of where he was or what he knew; it

seemed to keep the ground clear for the question of his visitor

herself, that of Charlotte Verver exactly as she sat there. So,

for some moments, with their long look, they but treated the

matter in silence; with the effect indeed, by the end of the

time, of having considerably brought it on. This was sufficiently

marked in what Charlotte next said. "There it all is--

extraordinary beyond words. It makes such a relation for us as, I

verily believe, was never before in the world thrust upon two

well-meaning creatures. Haven't we therefore to take things as we

find them?" She put the question still more directly than that of

a moment before, but to this one, as well, he returned no

immediate answer. Noticing only that she had finished her tea, he

relieved her of her cup, carried it back to the table, asked her

what more she would have; and then, on her "Nothing, thanks,"

returned to the fire and restored a displaced log to position by

a small but almost too effectual kick. She had meanwhile got up

again, and it was on her feet that she repeated the words she had

first frankly spoken. "What else can we do, what in all the world

else?"

He took them up, however, no more than at first. "Where then have

you been?" he asked as from mere interest in her adventure.

"Everywhere I could think of--except to see people. I didn't want

people--I wanted too much to think. But I've been back at

intervals--three times; and then come away again. My cabman must

think me crazy--it's very amusing; I shall owe him, when we come

to settle, more money than he has ever seen. I've been, my dear,"

she went on, "to the British Museum--which, you know, I always

adore. And I've been to the National Gallery, and to a dozen old

booksellers', coming across treasures, and I've lunched, on some

strange nastiness, at a cookshop in Holborn. I wanted to go to

the Tower, but it was too far--my old man urged that; and I would

have gone to the Zoo if it hadn't been too wet--which he also

begged me to observe. But you wouldn't believe--I did put in St.

Paul's. Such days," she wound up, "are expensive; for, besides

the cab, I've bought quantities of books." She immediately

passed, at any rate, to another point: "I can't help wondering

when you must last have laid eyes on them." And then as it had

apparently for her companion an effect of abruptness: "Maggie, I

mean, and the child. For I suppose you know he's with her."

"Oh yes, I know he's with her. I saw them this morning."

"And did they then announce their programme?"

"She told me she was taking him, as usual, da nonno."

"And for the whole day?"

He hesitated, but it was as if his attitude had slowly shifted.

"She didn't say. And I didn't ask."

"Well," she went on, "it can't have been later than half-past

ten--I mean when you saw them. They had got to Eaton Square

before eleven. You know we don't formally breakfast, Adam and I;

we have tea in our rooms--at least I have; but luncheon is early,

and I saw my husband, this morning, by twelve; he was showing the

child a picture-book. Maggie had been there with them, had left

them settled together. Then she had gone out--taking the carriage

for something he had been intending but that she offered to do

instead."

The Prince appeared to confess, at this, to his interest.

"Taking, you mean, YOUR carriage?"

"I don't know which, and it doesn't matter. It's not a question,"

she smiled, "of a carriage the more or the less. It's not a

question even, if you come to that, of a cab. It's so beautiful,"

she said, "that it's not a question of anything vulgar or

horrid." Which she gave him time to agree about; and though he

was silent it was, rather remarkably, as if he fell in. "I went

out--I wanted to. I had my idea. It seemed to me important. It

has BEEN--it IS important. I know as I haven't known before the

way they feel. I couldn't in any other way have made so sure of

it."

"They feel a confidence," the Prince observed.

He had indeed said it for her. "They feel a confidence." And she

proceeded, with lucidity, to the fuller illustration of it;

speaking again of the three different moments that, in the course

of her wild ramble, had witnessed her return--for curiosity, and

even really a little from anxiety--to Eaton Square. She was

possessed of a latch-key, rarely used: it had always irritated

Adam--one of the few things that did--to find servants standing

up so inhumanly straight when they came home, in the small hours,

after parties. "So I had but to slip in, each time, with my cab

at the door, and make out for myself, without their knowing it,

that Maggie was still there. I came, I went--without their so

much as dreaming. What do they really suppose," she asked,

"becomes of one?--not so much sentimentally or morally, so to

call it, and since that doesn't matter; but even just physically,

materially, as a mere wandering woman: as a decent harmless wife,

after all; as the best stepmother, after all, that really ever

was; or at the least simply as a maitresse de maison not quite

without a conscience. They must even in their odd way," she

declared, "have SOME idea."

"Oh, they've a great deal of idea," said the Prince. And nothing

was easier than to mention the quantity. "They think so much of

us. They think in particular so much of you."

"Ah, don't put it all on 'me'!" she smiled.

But he was putting it now where she had admirably prepared the

place. "It's a matter of your known character."

"Ah, thank you for 'known'!" she still smiled.

"It's a matter of your wonderful cleverness and wonderful charm.

It's a matter of what those things have done for you in the

world--I mean in THIS world and this place. You're a Personage

for them--and Personages do go and come."

"Oh no, my dear; there you're quite wrong." And she laughed now

in the happier light they had diffused. "That's exactly what

Personages don't do: they live in state and under constant

consideration; they haven't latch-keys, but drums and trumpets

announce them; and when they go out in growlers it makes a

greater noise still. It's you, caro mio," she said, "who, so far

as that goes, are the Personage."

"Ah," he in turn protested, "don't put it all on me! What, at any

rate, when you get home," he added, "shall you say that you've

been doing?"

"I shall say, beautifully, that I've been here."

"All day?"

"Yes--all day. Keeping you company in your solitude. How can we

understand anything," she went on, "without really seeing that

this is what they must like to think I do for you?--just as,

quite as comfortably, you do it for me. The thing is for us to

learn to take them as they are."

He considered this a while, in his restless way, but with his

eyes not turning from her; after which, rather disconnectedly,

though very vehemently, he brought out: "How can I not feel more

than anything else how they adore together my boy?" And then,

further, as if, slightly disconcerted, she had nothing to meet

this and he quickly perceived the effect: "They would have done

the same for one of yours."

"Ah, if I could have had one--! I hoped and I believed," said

Charlotte, "that that would happen. It would have been better. It

would have made perhaps some difference. He thought so too, poor

duck--that it might have been. I'm sure he hoped and intended so.

It's not, at any rate," she went on, "my fault. There it is." She

had uttered these statements, one by one, gravely, sadly and

responsibly, owing it to her friend to be clear. She paused

briefly, but, as if once for all, she made her clearness

complete. "And now I'm too sure. It will never be."

The Golden Bowl — Volume 1 · 第 57 / 89 题