ON TOP OF THE HOUSE

The tiptop of the Villa Nardi is a flat roof, with a wall about it

three feet high, and some little turreted affairs, that look very

much like chimneys. Joseph, the gray-haired servitor, has brought my

chair and table up here to-day, and here I am, established to write.

I am here above most earthly annoyances, and on a level with the

heavenly influences. It has always seemed to me that the higher one

gets, the easier it must be to write; and that, especially at a great

elevation, one could strike into lofty themes, and launch out,

without fear of shipwreck on any of the earthly headlands, in his

aerial voyages. Yet, after all, he would be likely to arrive

nowhere, I suspect; or, to change the figure, to find that, in

parting with the taste of the earth, he had produced a flavorless

composition. If it were not for the haze in the horizon to-day, I

could distinguish the very house in Naples--that of Manso, Marquis of

Villa,--where Tasso found a home, and where John Milton was

entertained at a later day by that hospitable nobleman. I wonder, if

he had come to the Villa Nardi and written on the roof, if the

theological features of his epic would have been softened, and if he

would not have received new suggestions for the adornment of the

garden. Of course, it is well that his immortal production was not

composed on this roof, and in sight of these seductive shores, or it

would have been more strongly flavored with classic mythology than it

is. But, letting Milton go, it may be necessary to say that my

writing to-day has nothing to do with my theory of composition in an

elevated position; for this is the laziest place that I have yet

found.

I am above the highest olive-trees, and, if I turned that way, should

look over the tops of what seems a vast grove of them, out of which a

white roof, and an old time-eaten tower here and there, appears; and

the sun is flooding them with waves of light, which I think a person

delicately enough organized could hear beat. Beyond the brown roofs

of the town, the terraced hills arise, in semicircular embrace of the

plain; and the fine veil over them is partly the natural shimmer of

the heat, and partly the silver duskiness of the olive-leaves. I sit

with my back to all this, taking the entire force of this winter sun,

which is full of life and genial heat, and does not scorch one, as I

remember such a full flood of it would at home. It is putting

sweetness, too, into the oranges, which, I observe, are getting

redder and softer day by day. We have here, by the way, such a habit

of taking up an orange, weighing it in the hand, and guessing if it

is ripe, that the test is extending to other things. I saw a

gentleman this morning, at breakfast, weighing an egg in the same

manner; and some one asked him if it was ripe.

It seems to me that the Mediterranean was never bluer than it is

to-day. It has a shade or two the advantage of the sky: though I

like the sky best, after all; for it is less opaque, and offers an

illimitable opportunity of exploration. Perhaps this is because I am

nearer to it. There are some little ruffles of air on the sea, which

I do not feel here, making broad spots of shadow, and here and there

flecks and sparkles. But the schooners sail idly, and the

fishing-boats that have put out from the marina float in the most

dreamy manner. I fear that the fishermen who have made a show of

industry, and got away from their wives, who are busily weaving nets

on shore, are yielding to the seductions of the occasion) and making

a day of it. And, as I look at them, I find myself debating which I

would rather be, a fisherman there in the boat, rocked by the swell,

and warmed by the sun, or a friar, on the terrace of the garden on

the summit of Deserto, lying perfectly tranquil, and also soaked in

the sun. There is one other person, now that I think of it, who may

be having a good time to-day, though I do not know that I envy him.

His business is a new one to me, and is an occupation that one would

not care to recommend to a friend until he had tried it: it is being

carried about in a basket. As I went up the new Massa road the other

day, I met a ragged, stout, and rather dirty woman, with a large

shallow basket on her head. In it lay her husband, a large man,

though I think a little abbreviated as to his legs. The woman asked

alms. Talk of Diogenes in his tub! How must the world look to a man

in a basket, riding about on his wife's head? When I returned, she

had put him down beside the road in the sun, and almost in danger of

the passing vehicles. I suppose that the affectionate creature

thought that, if he got a new injury in this way, his value in the

beggar market would be increased. I do not mean to do this exemplary

wife any injustice; and I only suggest the idea in this land, where

every beggar who is born with a deformity has something to thank the

Virgin for. This custom of carrying your husband on your head in a

basket has something to recommend it, and is an exhibition of faith

on the one hand, and of devotion on the other, that is seldom met

with. Its consideration is commended to my countrywomen at home. It

is, at least, a new commentary on the apostolic remark, that the man

is the head of the woman. It is, in some respects, a happy division

of labor in the walk of life: she furnishes the locomotive power, and

he the directing brains, as he lies in the sun and looks abroad;

which reminds me that the sun is getting hot on my back. The little

bunch of bells in the convent tower is jangling out a suggestion of

worship, or of the departure of the hours. It is time to eat an

orange.

Vesuvius appears to be about on a level with my eyes and I never knew

him to do himself more credit than to-day. The whole coast of the

bay is in a sort of obscuration, thicker than an Indian summer haze;

and the veil extends almost to the top of Vesuvius. But his summit

is still distinct, and out of it rises a gigantic billowy column of

white smoke, greater in quantity than on any previous day of our

sojourn; and the sun turns it to silver. Above a long line of

ordinary looking clouds, float great white masses, formed of the

sulphurous vapor. This manufacture of clouds in a clear, sunny day

has an odd appearance; but it is easy enough, if one has such a

laboratory as Vesuvius. How it tumbles up the white smoke! It is

piled up now, I should say, a thousand feet above the crater,

straight into the blue sky,--a pillar of cloud by day. One might sit

here all day watching it, listening the while to the melodious spring

singing of the hundreds of birds which have come to take possession

of the garden, receiving southern reinforcements from Sicily and

Tunis every morning, and think he was happy. But the morning has

gone; and I have written nothing.

The Complete Writings of Charles Dudley Warner — Volume 2 · 第 56 / 67 题