Chapter XI.

There Was No Money. There Was No Robbery

There was one point that struck every one in Fetyukovitch’s speech. He

flatly denied the existence of the fatal three thousand roubles, and

consequently, the possibility of their having been stolen.

“Gentlemen of the jury,” he began. “Every new and unprejudiced observer

must be struck by a characteristic peculiarity in the present case,

namely, the charge of robbery, and the complete impossibility of

proving that there was anything to be stolen. We are told that money

was stolen—three thousand roubles—but whether those roubles ever

existed, nobody knows. Consider, how have we heard of that sum, and who

has seen the notes? The only person who saw them, and stated that they

had been put in the envelope, was the servant, Smerdyakov. He had

spoken of it to the prisoner and his brother, Ivan Fyodorovitch, before

the catastrophe. Madame Svyetlov, too, had been told of it. But not one

of these three persons had actually seen the notes, no one but

Smerdyakov had seen them.

“Here the question arises, if it’s true that they did exist, and that

Smerdyakov had seen them, when did he see them for the last time? What

if his master had taken the notes from under his bed and put them back

in his cash-box without telling him? Note, that according to

Smerdyakov’s story the notes were kept under the mattress; the prisoner

must have pulled them out, and yet the bed was absolutely unrumpled;

that is carefully recorded in the protocol. How could the prisoner have

found the notes without disturbing the bed? How could he have helped

soiling with his blood-stained hands the fine and spotless linen with

which the bed had been purposely made?

“But I shall be asked: What about the envelope on the floor? Yes, it’s

worth saying a word or two about that envelope. I was somewhat

surprised just now to hear the highly talented prosecutor declare of

himself—of himself, observe—that but for that envelope, but for its

being left on the floor, no one in the world would have known of the

existence of that envelope and the notes in it, and therefore of the

prisoner’s having stolen it. And so that torn scrap of paper is, by the

prosecutor’s own admission, the sole proof on which the charge of

robbery rests, ‘otherwise no one would have known of the robbery, nor

perhaps even of the money.’ But is the mere fact that that scrap of

paper was lying on the floor a proof that there was money in it, and

that that money had been stolen? Yet, it will be objected, Smerdyakov

had seen the money in the envelope. But when, when had he seen it for

the last time, I ask you that? I talked to Smerdyakov, and he told me

that he had seen the notes two days before the catastrophe. Then why

not imagine that old Fyodor Pavlovitch, locked up alone in impatient

and hysterical expectation of the object of his adoration, may have

whiled away the time by breaking open the envelope and taking out the

notes. ‘What’s the use of the envelope?’ he may have asked himself.

‘She won’t believe the notes are there, but when I show her the thirty

rainbow-colored notes in one roll, it will make more impression, you

may be sure, it will make her mouth water.’ And so he tears open the

envelope, takes out the money, and flings the envelope on the floor,

conscious of being the owner and untroubled by any fears of leaving

evidence.

“Listen, gentlemen, could anything be more likely than this theory and

such an action? Why is it out of the question? But if anything of the

sort could have taken place, the charge of robbery falls to the ground;

if there was no money, there was no theft of it. If the envelope on the

floor may be taken as evidence that there had been money in it, why may

I not maintain the opposite, that the envelope was on the floor because

the money had been taken from it by its owner?

“But I shall be asked what became of the money if Fyodor Pavlovitch

took it out of the envelope since it was not found when the police

searched the house? In the first place, part of the money was found in

the cash-box, and secondly, he might have taken it out that morning or

the evening before to make some other use of it, to give or send it

away; he may have changed his idea, his plan of action completely,

without thinking it necessary to announce the fact to Smerdyakov

beforehand. And if there is the barest possibility of such an

explanation, how can the prisoner be so positively accused of having

committed murder for the sake of robbery, and of having actually

carried out that robbery? This is encroaching on the domain of romance.

If it is maintained that something has been stolen, the thing must be

produced, or at least its existence must be proved beyond doubt. Yet no

one had ever seen these notes.

“Not long ago in Petersburg a young man of eighteen, hardly more than a

boy, who carried on a small business as a costermonger, went in broad

daylight into a moneychanger’s shop with an ax, and with extraordinary,

typical audacity killed the master of the shop and carried off fifteen

hundred roubles. Five hours later he was arrested, and, except fifteen

roubles he had already managed to spend, the whole sum was found on

him. Moreover, the shopman, on his return to the shop after the murder,

informed the police not only of the exact sum stolen, but even of the

notes and gold coins of which that sum was made up, and those very

notes and coins were found on the criminal. This was followed by a full

and genuine confession on the part of the murderer. That’s what I call

evidence, gentlemen of the jury! In that case I know, I see, I touch

the money, and cannot deny its existence. Is it the same in the present

case? And yet it is a question of life and death.

“Yes, I shall be told, but he was carousing that night, squandering

money; he was shown to have had fifteen hundred roubles—where did he

get the money? But the very fact that only fifteen hundred could be

found, and the other half of the sum could nowhere be discovered, shows

that that money was not the same, and had never been in any envelope.

By strict calculation of time it was proved at the preliminary inquiry

that the prisoner ran straight from those women servants to Perhotin’s

without going home, and that he had been nowhere. So he had been all

the time in company and therefore could not have divided the three

thousand in half and hidden half in the town. It’s just this

consideration that has led the prosecutor to assume that the money is

hidden in some crevice at Mokroe. Why not in the dungeons of the castle

of Udolpho, gentlemen? Isn’t this supposition really too fantastic and

too romantic? And observe, if that supposition breaks down, the whole

charge of robbery is scattered to the winds, for in that case what

could have become of the other fifteen hundred roubles? By what miracle

could they have disappeared, since it’s proved the prisoner went

nowhere else? And we are ready to ruin a man’s life with such tales!

“I shall be told that he could not explain where he got the fifteen

hundred that he had, and every one knew that he was without money

before that night. Who knew it, pray? The prisoner has made a clear and

unflinching statement of the source of that money, and if you will have

it so, gentlemen of the jury, nothing can be more probable than that

statement, and more consistent with the temper and spirit of the

prisoner. The prosecutor is charmed with his own romance. A man of weak

will, who had brought himself to take the three thousand so insultingly

offered by his betrothed, could not, we are told, have set aside half

and sewn it up, but would, even if he had done so, have unpicked it

every two days and taken out a hundred, and so would have spent it all

in a month. All this, you will remember, was put forward in a tone that

brooked no contradiction. But what if the thing happened quite

differently? What if you’ve been weaving a romance, and about quite a

different kind of man? That’s just it, you have invented quite a

different man!

“I shall be told, perhaps, there are witnesses that he spent on one day

all that three thousand given him by his betrothed a month before the

catastrophe, so he could not have divided the sum in half. But who are

these witnesses? The value of their evidence has been shown in court

already. Besides, in another man’s hand a crust always seems larger,

and no one of these witnesses counted that money; they all judged

simply at sight. And the witness Maximov has testified that the

prisoner had twenty thousand in his hand. You see, gentlemen of the

jury, psychology is a two-edged weapon. Let me turn the other edge now

and see what comes of it.

“A month before the catastrophe the prisoner was entrusted by Katerina

Ivanovna with three thousand roubles to send off by post. But the

question is: is it true that they were entrusted to him in such an

insulting and degrading way as was proclaimed just now? The first

statement made by the young lady on the subject was different,

perfectly different. In the second statement we heard only cries of

resentment and revenge, cries of long-concealed hatred. And the very

fact that the witness gave her first evidence incorrectly, gives us a

right to conclude that her second piece of evidence may have been

incorrect also. The prosecutor will not, dare not (his own words) touch

on that story. So be it. I will not touch on it either, but will only

venture to observe that if a lofty and high-principled person, such as

that highly respected young lady unquestionably is, if such a person, I

say, allows herself suddenly in court to contradict her first

statement, with the obvious motive of ruining the prisoner, it is clear

that this evidence has been given not impartially, not coolly. Have not

we the right to assume that a revengeful woman might have exaggerated

much? Yes, she may well have exaggerated, in particular, the insult and

humiliation of her offering him the money. No, it was offered in such a

way that it was possible to take it, especially for a man so easy-going

as the prisoner, above all, as he expected to receive shortly from his

father the three thousand roubles that he reckoned was owing to him. It

was unreflecting of him, but it was just his irresponsible want of

reflection that made him so confident that his father would give him

the money, that he would get it, and so could always dispatch the money

entrusted to him and repay the debt.

“But the prosecutor refuses to allow that he could the same day have

set aside half the money and sewn it up in a little bag. That’s not his

character, he tells us, he couldn’t have had such feelings. But yet he

talked himself of the broad Karamazov nature; he cried out about the

two extremes which a Karamazov can contemplate at once. Karamazov is

just such a two-sided nature, fluctuating between two extremes, that

even when moved by the most violent craving for riotous gayety, he can

pull himself up, if something strikes him on the other side. And on the

other side is love—that new love which had flamed up in his heart, and

for that love he needed money; oh, far more than for carousing with his

mistress. If she were to say to him, ‘I am yours, I won’t have Fyodor

Pavlovitch,’ then he must have money to take her away. That was more

important than carousing. Could a Karamazov fail to understand it? That

anxiety was just what he was suffering from—what is there improbable in

his laying aside that money and concealing it in case of emergency?

“But time passed, and Fyodor Pavlovitch did not give the prisoner the

expected three thousand; on the contrary, the latter heard that he

meant to use this sum to seduce the woman he, the prisoner, loved. ‘If

Fyodor Pavlovitch doesn’t give the money,’ he thought, ‘I shall be put

in the position of a thief before Katerina Ivanovna.’ And then the idea

presented itself to him that he would go to Katerina Ivanovna, lay

before her the fifteen hundred roubles he still carried round his neck,

and say, ‘I am a scoundrel, but not a thief.’ So here we have already a

twofold reason why he should guard that sum of money as the apple of

his eye, why he shouldn’t unpick the little bag, and spend it a hundred

at a time. Why should you deny the prisoner a sense of honor? Yes, he

has a sense of honor, granted that it’s misplaced, granted it’s often

mistaken, yet it exists and amounts to a passion, and he has proved

that.

“But now the affair becomes even more complex; his jealous torments

reach a climax, and those same two questions torture his fevered brain

more and more: ‘If I repay Katerina Ivanovna, where can I find the

means to go off with Grushenka?’ If he behaved wildly, drank, and made

disturbances in the taverns in the course of that month, it was perhaps

because he was wretched and strained beyond his powers of endurance.

These two questions became so acute that they drove him at last to

despair. He sent his younger brother to beg for the last time for the

three thousand roubles, but without waiting for a reply, burst in

himself and ended by beating the old man in the presence of witnesses.

After that he had no prospect of getting it from any one; his father

would not give it him after that beating.

“The same evening he struck himself on the breast, just on the upper

part of the breast where the little bag was, and swore to his brother

that he had the means of not being a scoundrel, but that still he would

remain a scoundrel, for he foresaw that he would not use that means,

that he wouldn’t have the character, that he wouldn’t have the

will-power to do it. Why, why does the prosecutor refuse to believe the

evidence of Alexey Karamazov, given so genuinely and sincerely, so

spontaneously and convincingly? And why, on the contrary, does he force

me to believe in money hidden in a crevice, in the dungeons of the

castle of Udolpho?

“The same evening, after his talk with his brother, the prisoner wrote

that fatal letter, and that letter is the chief, the most stupendous

proof of the prisoner having committed robbery! ‘I shall beg from every

one, and if I don’t get it I shall murder my father and shall take the

envelope with the pink ribbon on it from under his mattress as soon as

Ivan has gone.’ A full program of the murder, we are told, so it must

have been he. ‘It has all been done as he wrote,’ cries the prosecutor.

“But in the first place, it’s the letter of a drunken man and written

in great irritation; secondly, he writes of the envelope from what he

has heard from Smerdyakov again, for he has not seen the envelope

himself; and thirdly, he wrote it indeed, but how can you prove that he

did it? Did the prisoner take the envelope from under the pillow, did

he find the money, did that money exist indeed? And was it to get money

that the prisoner ran off, if you remember? He ran off post-haste not

to steal, but to find out where she was, the woman who had crushed him.

He was not running to carry out a program, to carry out what he had

written, that is, not for an act of premeditated robbery, but he ran

suddenly, spontaneously, in a jealous fury. Yes! I shall be told, but

when he got there and murdered him he seized the money, too. But did he

murder him after all? The charge of robbery I repudiate with

indignation. A man cannot be accused of robbery, if it’s impossible to

state accurately what he has stolen; that’s an axiom. But did he murder

him without robbery, did he murder him at all? Is that proved? Isn’t

that, too, a romance?”

The Brothers Karamazov · 第 11 / 14 章