CHAPTER XVI.

A DEPARTING SOUL.

A few weeks after this excursion, Dona Carmen's disease suddenly grew

much worse. The physicians, indeed, had no doubt that her end was

drawing near. She was in a state of complete prostration. Her face was

so thin, that there seemed to be nothing left but the skin, and the

large, sad, kind eyes, which rested with strange intensity on all who

came near her, as if trying to read in theirs the terrible secret of

death. And in view of her death, a thousand sordid feelings surged up in

the minds of those who ought most to have sorrowed over it. Salabert

reflected with indignation on the inheritance which was to pass to his

daughter. He made fresh efforts to induce his wife to revoke her will,

but without success. For the first time in her life, Dona Carmen showed

great firmness of character. Though she was incapable of a revengeful

sentiment, she perhaps felt bound by her desire to close her existence

by an act of justice. A life of abject submission, during which she had

never opposed the smallest obstacle to her husband's will, to his

money-making schemes, or his illicit passions, had surely earned her the

privilege of asserting her rights on her death-bed, and gratifying the

impulses of her heart.

Osorio kept silent watch, with concealed greed, over the progress of her

malady, looking to its termination as the end of his own difficulties.

Dona Carmen would be released from her earthly husk, and he from his

creditors. Clementina herself, the object of the tender soul's devoted

affection, could not help rejoicing over the prospect of so many

millions which were to drop into her hands. She did her best to silence

her desires, and subdue her impatience; but, in spite of herself, a

tempting fiend made her heart give a little leap of gladness, every time

the anticipation flashed through her brain.

It was with infernal astuteness that Salabert set to work to infuse

distrust into his wife's mind. Sometimes by insinuation, and sometimes

by brutally broad hints, he poured the poison of suspicion into her

soul. Clementina and Osorio were looking for her death, as for flowers

in May. What airs they would give themselves when they had paid all

their debts! And then they would live and enjoy themselves on her money.

The poor woman said nothing, indignant at these base innuendoes. But,

nevertheless, in her soul, broken and saddened by suffering, the keen

point of this envenomed dart festered deeply, though she strove to

conceal her anguish. Every time Clementina came to see her--and towards

the end this was twice a day--her stepmother's eyes would rest on hers

in mute interrogation, trying to read in them the thoughts in the brain

behind. This intent gaze embarrassed the younger woman, making her feel

a perturbation, which, though slight, occasionally betrayed itself.

As her malady increased, this anxiety on Dona Carmen's part became

almost a mania. In the isolation of soul in which she lived, Clementina

represented the one link of affection which bound her to life. It was

because her stepdaughter had always been cold and haughty to every one

else, that she had never doubted the sincerity of her love for her, and

it had made her happy and proud. It had sufficed to indemnify her for

the scornful indifference with which every one else had treated her.

Now, the horrible doubt which had been forced upon her, filled her heart

with bitterness. Such a spirit of goodness and love as her own craved to

believe in goodness and love. The uprooting of this last belief made her

heart bleed with anguish.

One evening they were alone together; Dona Carmen, motionless in her

deep arm-chair, with her head thrown back on the pillows, was listening

to Clementina, who was reading aloud the pious history of the apparition

of the Virgin of la Salette. Her thoughts wandered from the narrative;

they were disturbed as usual by the fatal doubt, which tortured her more

than even her acute physical sufferings. She could not take her eyes off

Clementina's fair head, with the fixed look of divination peculiar to

dying persons, as though she could read what was passing within, but

without gaining the certainty she longed for. More than once, when the

reader glanced up, she met that dull, grief-stricken gaze, and hastily

looked down again with a sudden sense of uneasiness. A desire, a whim,

had blazed up in the sick woman's mind, a feverish yearning such as

dying creatures feel. She longed to hear her stepdaughter quench, by

some gentle word, the fearful pain of that burning doubt. Again and

again the question hovered on her lips; invincible shame kept her from

uttering it.

"Lay down the book, child, you are tired," she said at last. And her

voice came trembling from her throat, as though she had said something

very serious.

"You are, perhaps, of listening. I am not. I have a strong throat."

"God preserve it to you, my child," replied Dona Carmen tenderly, as she

looked at her.

There was a brief silence.

"Do you know what I have been told?" she asked finally, with an effort,

and her voice was so low that the last syllables were scarcely audible.

Clementina, who was about to read again, raised her head. The few drops

of blood left in Dona Carmen's emaciated body suddenly rushed to her

face and tinged it with a faint flush.

"I was told--that you wish for my death."

Clementina's rich blood now mounted in a tide to her cheeks and dyed

them crimson. The two women looked at each other for a moment in

confusion. At last it was the younger who exclaimed, with a dark frown:

"I know who told you that!"

And as she spoke the blood faded from her face again like a sudden fall

of the tide. Her stepmother's retreated to her weary heart. She bent her

head with its white hairs, and said:

"If you know, do not utter his name."

"Why not?" cried her wrathful stepdaughter. "When a father, with no

motive whatever, solely for the sake of a few dollars, can insult his

daughter and make a martyr of his wife, he has no right to claim either

affection or respect. I say it, and I do not care who hears me. It is an

infamous calumny! My father is a man who knows no God, no love but

money. I knew that your will had alienated his love for me--if indeed he

ever had any."

"Oh!"

"Yes, I knew it perfectly. But I never could have believed that it would

lead him to do anything so vile as to calumniate me so cruelly. I

confess to you that I have always loved you the most--oh, yes, much,

much the most! I have no hesitation in saying so. Nay, I will say more:

I have never really loved any one but you and my children. If this will

is the cause of your doubting my love for you, destroy it, undo it,

revoke it. Your love and your peace of mind are far dearer to me than

your money."

Her voice thrilled with indignation. Her eyes were sternly fixed on

vacancy, as though she could evoke the figure of her father and crush

him to powder. At the moment she was ardently sincere. Dona Carmen's dim

eyes grew bright with contentment as her daughter spoke. At last they

glittered through tears as she exclaimed:

"I trust you, my child--I believe you! Ah, you cannot think what good

you have done me!"

She seized her hands and kissed them fondly. Clementina exclaimed, as if

ashamed:

"No, no, mamma! It is I who----" And she threw her arms round her neck.

They held each other in a warm embrace, shedding silent tears. It was

one of the few occasions in her life when Clementina wept from tender

feeling, and not from vexation of spirit.

But during the remaining days, though the memory of this scene was

lively with them both, so, too, was that of the suspicion which had led

to it. Clementina felt herself humbled in her stepmother's presence. Her

attentions and endearments were now and then a little forced; she tried

to efface the impression she still read in Dona Carmen's eyes. Then,

again, fearing this might lead her to doubt her sincerity, she would

suddenly cut them short, and assume a cold indifference. In short, a

current of disquietude flowed between the two women, and caused them

both much suffering, though in different ways, whenever they were

together.

At last Dona Carmen took to her bed, never again to rise. Clementina

spent the whole day by her side. The terrible end was near. One morning,

between two and three, two of the Duke's servants gave the alarm to the

Osorios. The Duchess was dying, and asked repeatedly for her daughter.

Clementina hastily dressed and flew to the Requena Palace as fast as her

horses could carry her. Osorio went with her. As they alighted they met

the Duke, with an expression of scornful gloom.

"You are in time--oh, you are in time!" he growled, and he turned away

without another word.

Clementina fancied the words were spoken with a malevolent sneer, and

bit her lips with rage. The pitiable scene that met her eyes as she

approached Dona Carmen's bedside pacified her for the moment. The poor

woman's face was stamped by the hand of death; pale as a corpse, the

nose pinched and white, the eyes glassy and sunk in a livid circle.

Standing by her side was a priest, exhorting her to repentance. Of what?

Her faithful maid, Marcella, stood at the foot of the bed crying

bitterly, her face hidden in her handkerchief; and two other maids in

the background looked on at the pathetic picture, frightened rather

than sorrowful. The physician was writing a prescription at a table in

the corner.

On seeing her daughter the Duchess turned to look in her face with an

anxious expression, and held out a hand to her.

"Come close, child," she said, in a fairly strong voice. And she took

Clementina's right hand in her own thin, waxen hands, and said, with a

fearful fixity of gaze:

"I am dying, my child, dying. Do you not see it? Only so long as you are

not glad of it."

"Mamma, dear mamma!"

"Say that you are not glad," she earnestly insisted, without ceasing to

look in her daughter's eyes.

"Mamma, mamma, for God's sake!" cried Clementina, both bewildered and

alarmed.

"Say that you are not glad!" she repeated, with increased energy, even

raising her head with a great effort, and looking sternly at her.

"No, my beloved mother, no. If I could save your life at the cost of my

own I swear to you I would do so."

The dying woman's dim eyes softened; she laid her head on the pillow,

and, after a short silence, she said, in a weak, quavering voice:

"You would be very ungrateful--very ungrateful. Your poor mother has

loved you dearly. Kiss me, do not cry. I am not sorry to leave this

world. What hurt me was the thought that you, child of my

heart--you--oh, horrible to think of! How it has tortured me!"

The priest here interposed, desiring her to turn her mind from worldly

thoughts. The sick woman listened with humility, and devoutly echoed the

prayers he spoke in a loud voice. The doctor and the Duke came close to

the bed, but, seeing that Dona Carmen was breathing her last, the

physician took Requena by the arm to lead him out of the room. Dona

Carmen's glazing eye wandered round the little group till it rested on

Clementina, to whom she signed to come closer.

"God bless you, my child," she said, with a gaze fixed on the ceiling.

"You are right to be glad at my death."

"Mamma, mamma, what are you saying?" cried Clementina, in horror.

"I am glad, too, glad that my death should be an advantage to you. If I

could have given you all while I lived, I would have done it. It is sad,

is it not, that I should have to die to make you happy? I should have

liked to see you happy. Good-by; good-by. Think sometimes of your poor

mamma."

"Mother, dearest mother!" sobbed the younger woman, dropping on her

knees with a burst of tears. "I do not want you to die, no, no. I have

been very wicked, but I have always loved you, have always respected

you."

"Do not be foolish," said the dying woman, smiling with an effort, and

laying her hand on the fair head. "I am not sorry if you are glad. And

what does it matter? I die content to know that you will owe some

happiness to me. Remember my old women in the asylum, be kind to them,

and to Marcella, my good Marcella. Farewell, all of you. Forgive me any

faults----"

Her voice failed, her breathing was hard and painful. The sobs of

Clementina and Marcella were the only other sound. The Duke, trembling

and shocked, was at last persuaded to leave the room.

Dona Carmen spoke no more. Her eyes closed, her lips parted, she lay

quite still. Now and then she half raised her eyelids and looked fondly

at her step-daughter who remained kneeling. The priest read on in a

quavering nasal voice prayer after prayer.

Thus died the Duchess de Requena. Let her depart in peace.

* * * * *

For some days after, Clementina and her husband, in spite of their

inextinguishable aversion, held long and repeated conferences. The great

question of the inheritance united their interests for a while.

Clementina went every morning and evening to see her father, and Osorio

too was a frequent visitor; they both were lavish of attentions to the

old man, took pity on his loneliness, and made much of him. There was an

affectionate familiarity in their demeanour which was highly becoming in

a son and daughter who make it their duty to cherish a venerable parent

in his old age. The Duke, on his part, accepted their care, watching

them with an expression which was ironical rather than grateful. When

their backs were turned to leave him, he gazed after them, slowly

closing his eyes, and turned his cigar-stump between his teeth, while

his lips sketched a sarcastic smile, which did not die away for some few

seconds.

But everything went on as before. Although the Duchess's will was

incontrovertible, Salabert never said a word on money matters. He

continued to manage the whole of the fortune, and engaged in various

concerns with calm despotism. But his daughter and son-in-law were not

so calm. They began, on the contrary, to be greatly disturbed, to

express their opinions to each other with crude vehemence, and to lay

plots to provoke an explanation. Clementina thought that Osorio should

speak to her father. He considered it her part to apply to him in

dutiful terms for an explanation, before formulating a complaint. After

some days of hesitation the wife finally made up her mind to say a few

words to her father, though not without some embarrassment, since she

knew his temper and her own too.

"Well, papa," said she, with affected lightness, finding him alone in

his room, "when are you going to talk over money matters with me?"

"Money matters? Why should I?" he replied in a tone of surprise, and

looking at her with such an air of innocence that she longed to slap his

face.

"Why should you? Because it will have to be done, to put me in

possession of my property. Am I not mamma's sole legatee?" she answered

in the same cheerful tone, but there was a very perceptible quaver in

her voice.

"Ah, to be sure!" exclaimed the Duke, with a flourish of the hand to

dismiss the subject. "We will talk of that later--much later."

Clementina turned pale. Her blood seemed to curdle with rage. Her lips

quivered, and she was on the point of saying something violent.

"Still, it would be as well that we should come to an understanding,"

she murmured in a low voice.

"Not at all, not at all. I cannot discuss it now. When I have time and

am in the humour I will think about it."

He spoke with such decision and indifference that his daughter had no

choice but either to give the reins to her tongue and quarrel violently

with her father, or to go. After a moment's hesitation she went. She

turned on her heel, and, without a word of leave-taking, she quitted the

room and went off in her carriage, in such a state of excitement that

she was trembling from head to foot.

As soon as she reached home she shut herself up in her own room and gave

vent to her fury. She wept, she stamped, she tore her clothes, and broke

various articles of crockery. Osorio too flew into a rage, and declared

he would bring Salabert to book. But nothing came of it all, excepting a

letter, in which respectfully enough, he required his father-in-law to

give him an account of the state of his business, that the preliminaries

of an estimate might be arrived at. Salabert simply did not answer. They

wrote another; again no reply. They ceased going to the house.

Clementina would not go for fear of a scandal. Osorio, on his part,

considering the relations that subsisted between him and his wife, did

not feel that he had the moral position which would entitle him to lay

formal claim to her fortune.

In this predicament they consulted certain persons of weight, friends of

the Duke, and requested them to mediate. This was done; they had various

interviews with the old man, and after much consultation a friendly

meeting was agreed on, to avoid bringing the matter into a court of law.

The meeting was held, after some objections on Clementina's part, at

her father's house. Besides the interested parties, there were present

Father Ortega, the Conde de Cotorraso, Calderon, and Jimenez Arbos.

The proceedings were opened by Arbos--no longer in the Ministry, but a

member of the Opposition--who made a speech in a conciliatory key,

urging them to agree rather than present to the public the spectacle of

a quarrel on money matters between a father and daughter--a spectacle

which, in view of the position they held, must be both painful and

discreditable. The next to speak was Father Ortega, who, in the unctuous

and persuasive accents which characterised him, first bestowed on both

parties a plentiful lather of preposterous encomiums, and then appealed

to their Christian feelings, representing how bad an example they would

set, and painting the sweets of loving-kindness and self-sacrifice,

ending by promises of eternal life and glory.

Clementina replied. She had no wish but to continue in the same friendly

relations with her father as had hitherto subsisted, and to achieve that

end she was prepared to do all in her power. The curt, dry tone in which

she spoke, and the scowl which accompanied her words, gave no strong

evidence of sincerity. However, the Duke seemed greatly moved.

"Arbos," he began, "Father, my friends, and my children; you all know me

well. To me, without domestic life, there is no possibility of

happiness. After the terrible blow I have so lately suffered, my

daughter is all that is left to me. On her centre all my hopes, my

affections, and my pride. For her I have toiled, have struggled

indefatigably, have accumulated the capital I possess. I may say that I

have never cared for money but for the sake of my wife, now in glory,

and my daughter--to see them living in comfort and luxury. As you know,

I could always have lived on a few coppers a day. And now that I am old,

all the more so. What can I want with millions? Ere long, I too must

take the train for the other side--Eh, Julian? And you too.--Who then

can suppose that I should ever quarrel over a handful of dollars with

my dear and only daughter? The whole thing has been a mistake. I wanted

time to put my affairs in order; that was all. And if you, my child,

ever could imagine anything else, I can only tell you this: everything

in this house is yours, and always has been. Take it whenever you

choose. Take it, my child, take it. I can do with nothing."

As he pronounced the last words with visible emotion, they all were able

to shed a tear. Every one was deeply moved and eager with conciliatory

exhortation. Father Ortega gently pushed Clementina into her father's

arms; and though she was the least agitated of the party, she allowed

him to embrace her.

He clasped her to his heart for some minutes, and when he released her

dropped into his arm-chair, with his handkerchief to his eyes, quite

overcome by so much emotion.

After so pathetic a scene no one could allude to money. The meeting

broke up with fervid hand-pressing and warm mutual congratulations on

the happy issue of their diplomacy. But Osorio and his wife got into

their carriage, grave and sullen, and exchanged not a single word on the

drive home. Only as they reached their own door, Clementina said:

"Well, we shall see how the farce ends."

Osorio shrugged his shoulders.

"We have seen the end, I suspect."

And he was right.

The Duke never paid them a cent., and never again spoke of his

daughter's fortune. He was very affectionate, and constantly had them to

dine with him, complaining of his loneliness. Now and then he spoke of

transactions he was engaged in, but not a word of paying them their

share. Clementina was at last so much provoked that she suddenly ceased

going to the house. They then took to exchanging notes. Nothing was to

be got out of her father but ambiguous replies and vague hopes. Finally

they decided on taking legal steps, and a lawsuit began, which was a

source of endless satisfaction to the faculty.

This was an end of all joy or comfort for Clementina. She lived in a

state of perpetual ferment, watching the progress of the litigation with

anxious interest, communicating with the lawyers, and trying to exert

some influence which might counterbalance the Duke's. He, on his part,

took the matter much more calmly, conducted it with maddening acumen,

taking advantage of her displays of violence to represent her in the

eyes of the world as a greedy and unnatural daughter. At the same time,

among his intimate acquaintances, he would now and then give utterance

to some sarcastic or cynical speech which, when it reached her ears,

made her wild with rage. The struggle became more desperate every day,

while, on the other hand, Osorio's creditors, deceived in their hopes,

began to press him very hard, and threatened to bring him to ruin. The

torments, the tempers, the wretched state of things in the Osorio

household may be easily imagined.

This discomfort, and it might be called misery, extended to the hapless

Raimundo. Clementina, torn soul and body by a tumult of other passions,

found no leisure for the blandishments of love. The minutes she could

spare for them were every day briefer and less calm. The gay

_tete-a-tetes_ and merry devices of a former time were over for ever.

The lady no longer found any amusement in laughing at her boyish lover.

She did not seem even to remember the childish pleasures in which they

had delighted. She could talk of nothing now but the lawsuit. Her nerves

were in such a state of tension that an inadvertent word might put her

into a furious rage. And, besides all this, in her vehement desire for

triumph over her father, she flirted more than ever with Escosura, who

had just come into office; and this, as may be supposed, was what most

distressed the young naturalist.

One day, when she was rather more fond than usual, she said in loving

accents:

"You are still jealous of Escosura, Raimundo? But it is quite a mistake.

I do not care a straw for the man."

"Yes, so you have often told me, and yet----"

"There is no 'and yet' in the case, fastidious youth!" she interrupted,

gently pulling his ear. "I never loved, and never could love any one but

you. But--here comes the but--you alas! are not in power, though you

deserve to be more than any one I know. My fortune, as you know, is at

the mercy of the law, and I may be told any day that I am a beggar.

Accustomed as I am to comfort and luxury, you may imagine how much I

should relish this. And my pride, too, would suffer, for I am the object

of much invidious feeling; people hate me without knowing why. In short,

I should be laughed at, and that I could not endure. My father has a

great many supporters. Men count on him for services, though he is

utterly incapable of a kindness, and they are afraid of him too. Now I,

though on intimate terms with all the official circle of Madrid, have

not one true friend to take a real interest in my affairs, or dare to

show a bold front to my father. And so, you see, I must try to make one.

Now imagine this friend to be Escosura, and imagine me to break with you

before the eyes of the world, though still you are the one and only man

I can ever love. What do you think of the arrangement? Can you regard it

as acceptable?"

Raimundo coloured crimson at this strange and humiliating proposition.

For a minute or two he made no reply, but at last he said, between anger

and contempt:

"It strikes me as simply infamous and indecent."

The furrow, the fateful furrow, which appeared on Clementina's brow

whenever passion stirred her stormy soul, was ominously deep. She

abruptly rose, and after looking at him hard, with an expression of

scornful rage, she said in icy tones:

"You are right. Such an arrangement could not meet your views! We had

better part, once for all." And she turned to go.

Raimundo was confounded.

"Clementina!" he cried as she reached the door.

"What is it?" said she, as coldly as before, and looking round.

"Listen, one moment, for God's sake! I spoke under an impulse of

jealousy, not meaning to wound you. How could I ever mean to hurt you

when I love you, adore you as a creature of another sphere?" and he

poured out words of tenderness and worship.

Clementina listened without moving from her attitude of haughty

indifference, and would not melt till she saw him utterly humbled, on

his knees before her, beseeching for the scheme he had stigmatised as

infamous and indecent as a favour to himself.

At this time Clementina received a blow which almost made her ill. Her

father brought the audacious woman to whom he had given a card for his

ball to live in the palace, and this extraordinary proceeding became the

talk of all Madrid. Every one believed that Salabert was out of his

mind. And then a rumour got afloat that he was about to marry Amparo,

and amazement and indignation filled the soul of Society.

But an unforeseen accident interfered with this alliance. At a meeting

of the shareholders of the Riosa mines it was the Duke's part, as

chairman, to give an account of his management, and propose certain

measures for the advantage of the company. He usually fulfilled such

functions with great brevity and lucidity; he was, above all else, a man

of business, and had no fancy for rambling speeches or more words than

were absolutely necessary. But now, to the surprise of his audience,

among whom there were many bankers and official personages, he began a

rambling address quite foreign to the matter.

He wandered from his subject and began giving explanations of his

conduct as a public character, sketched a complete biography of himself,

dwelling on a thousand insignificant details; sang his own praises in

the most barefaced way, putting himself forward as the model of a

logical politician, and of disinterested self-sacrifice; spoke of his

services to the nation by his loans to the Government in the hour of

need, and to the cause of humanity by his co-operation in the founding

of hospitals, schools, and asylums; finally having the audacity to

assert that the Home for Old Women was his work.

The shareholders looked at one another in bewilderment, muttering not

very complimentary comments on the orator's condition of mind. When he

had finished the catalogue of his own merits and proclaimed himself,

_urbi et orbi_, the greatest man in Spain, he began an invective against

his enemies, describing himself as the victim of persistent and

deliberate persecution, of a thousand intrigues plotted to discredit

him, and in which various political and financial magnates were

implicated. In confirmation of this statement he read, in loud, fierce

tones, certain articles from a paper published in the district where the

Riosa mines were situated, and which, according to him, constituted a

gross and shameful attack. What they actually said amounted to this:

That Salabert was not a man of such mark as to be worthy to have a

statue.

His hearers, more and more wearied and indignant, now said, though still

in under-tone: "The man is crazy! The man is mad!"

As he read on, his face grew purple; it was usually pale, it now looked

as if he were being strangled. Suddenly, before he had finished, he fell

back senseless in his chair.

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