Next October I shall begin my year as volunteer with the Sixth

Dragoons, which is the regiment in which we Ravensteins always serve.

And what's going to happen after that--whether I stay in the army or

become an archbishop--in due time, of course....

MIZZIE

That would probably be the best thing. The Ravensteins have always been

strong in the faith.

PHILIP

Yes, it's mentioned in the Universal History even. They were Catholic

at first; then they turned Protestant in the Thirty Years War; and

finally they became Catholic again--but they always remained strong in

their faith. It was only the faith that changed.

PRINCE

Philip, Philip!

MIZZIE

That's the spirit of the time, Prince Egon.

PRINCE

And an inheritance from his mother.

MIZZIE

You have been working hard, your father tells me, and have passed your

examinations with honors.

PHILIP

Well, that wasn't difficult, Countess. I seem to get hold of things

quickly. That's probably another result of the common blood in me. And

I had time to spare for things not in the school curriculum--such as

horseback riding and ...

MIZZIE

And what?

PHILIP

Playing the clarinet.

MIZZIE (_laughing_)

Why did you hesitate to tell about that?

PHILIP

Because.... Well, because everybody laughs when I say that I play the

clarinet. And so did you, too, Countess. Isn't that queer? Did anybody

ever laugh because you told him that you were painting for a diversion?

MIZZIE

So you have already heard about that?

PHILIP

Yes, indeed, Countess--papa told me. And besides, there is a floral

piece in my bedroom--a Chinese vase, you know, with a laburnum branch

and something purplish in color.

MIZZIE

That purplish stuff must be lilacs.

PHILIP

Oh, lilacs, of course. I saw that at once. But I couldn't recall the

name just now.

VALET (_entering_)

There is a lady who wishes to see the Count. I have showed her into the

drawing-room.

MIZZIE

A lady...? You'll have to excuse me for a moment, gentlemen. (_She goes

out_)

PHILIP

That's all right, papa--if it's up to me, I have no objection.

PRINCE

To what? Of what are you talking?

PHILIP

I have no objection to your choice.

PRINCE

Have you lost your senses, boy?

PHILIP

But really, papa, do you think you can hide anything from me? That

common blood in me, you know....

PRINCE

What put such an idea into your head?

PHILIP

Now look here, papa! You have been telling me how anxious you were to

introduce me to your old friend, the Count. And then the Count has a

daughter--which I have known all the time, by the way.... The one thing

I feared a little was that she might be too young.

PRINCE (_offended, and yet unable to keep serious_)

Too young, you say....

PHILIP

It was perfectly plain that you had a certain weakness for that

daughter.... Why, you used to be quite embarrassed when talking of her.

And then you have been telling me all sorts of things about her that

you would never have cared to tell otherwise. What interest could I

have in the pictures of a Countess X-divided-by-anything, for

instance--supposing even that you _could_ tell her lilacs from her

laburnums by their color? And, as I said, my one fear was that she

might be too young--as my mother, that is, and not as your wife. Of

course, there is not yet anybody too young or beautiful for you. But

now I can tell you, papa, that she suits me absolutely as she is.

PRINCE

Well, if you are not the most impudent rogue I ever came across...! Do

you really think I would ask you, if I should ever....

PHILIP

Not exactly ask, papa ... but a happy family life requires that all the

members affect each other sympathetically ... don't you think so?

[_Mizzie and Lolo Langhuber enter._

MIZZIE

You must look around, please. I am sure my father would be very sorry

to miss you. (_She starts to make the usual introductions_) Permit me

to....

LOLO

Oh, Your Highness.

PRINCE

Well, Miss Pallestri....

LOLO

Langhuber, if you please. I have come to thank the Count for the

magnificent flowers he sent me at my farewell performance.

PRINCE (_introducing_)

My son Philip. And this is Miss ...

LOLO

Charlotta Langhuber.

PRINCE (_to Philip_)

Better known as Miss Pallestri.

PHILIP

Oh, Miss Pallestri! Then I have already had the pleasure....

PRINCE

What?

PHILIP

You see, I have Miss Pallestri in my collection.

PRINCE

What ... what sort of collection is that?

LOLO

There must be some kind of mistake here, Your Highness. I can not

recall....

PHILIP

Of course, you can't, for I don't suppose you could feel that I was

cutting out your picture from a newspaper at Krems?

LOLO

No, thank heaven!

PHILIP

It was one of our amusements at school, you know. There was one who cut

out all the crimes and disasters he could get hold of.

LOLO

What a dreadful fellow that must have been!

PHILIP

And there was one who went in for historical personalities, like North

Pole explorers and composers and that kind of people. And I used to

collect theatrical ladies. Ever so much more pleasant to look at, you

know. I have got two hundred and thirteen--which I'll show you

sometime, papa. Quite interesting, you know. With a musical comedy star

from Australia among the rest.

LOLO

I didn't know Your Highness had a son--and such a big one at that.

PHILIP

Yes, I have been hiding my light under a bushel so far.

PRINCE

And now you are trying to make up for it, I should say.

LOLO

Oh, please let him, Your Highness. I prefer young people like him to be

a little _vif_.

PHILIP

So you are going to retire to private life, Miss Pallestri? That's too

bad. Just when I might have the pleasure at last of seeing you on those

boards that signify the world....

LOLO

That's awfully kind of Your Highness, but unfortunately one hasn't time

to wait for the youth that's still growing. And the more mature ones

are beginning to find my vintage a little out of date, I fear.

PRINCE

They say that you are about to be married.

LOLO

Yes, I am about to enter the holy state of matrimony.

PHILIP

And who is the happy man, if I may ask?

LOLO

Who is he? Why, he is waiting outside now--with that carriage.

MIZZIE

Why--a coachman?

LOLO

But, Countess--a coachman, you say?! Only in the same manner as when

your papa himself--beg your pardon!--happens to be taking the bay out

for a spin at times. Cab owner, that's what my fiance is--and house

owner, and a burgess of Vienna, who gets on the box himself only when

it pleases him and when there is somebody of whom he thinks a whole

lot. Now he is driving for a certain Baron Radeiner--whom he has just

brought out here to see your father, Countess. And I am having my

doubts about that Baron Radeiner.

PHILIP

Permit me to introduce myself--Baron Radeiner.

LOLO

So that's you, Your Highness?

PHILIP

I have let nobody but Wasner drive me since I came here.

LOLO

And under an assumed name at that, Your Highness? Well, we are finding

out a lot of nice things about you!

COUNT (_appears, very hot_)

Well, here I am. (_Taking in the situation_) Ah!

LOLO

Your humble servant, Count! I have taken the liberty--I wanted to thank

you for the magnificent flowers.

COUNT

Oh, please--it was a great pleasure....

PRINCE

And here, old friend, is my son Philip.

PHILIP

I regard myself as greatly honored, Count.

COUNT (_giving his hand to Philip_)

I bid you welcome to my house. Please consider yourself at home

here.--I don't think any further introductions are required.

MIZZIE

No, papa.

COUNT (_slightly embarrassed_)

It's very charming of you, my dear lady. Of course, you know better

than anybody that I have always been one of your admirers.... But tell

me, please, how in the world did you get out here? I have just been

taking a walk along the main road, where every carriage has to pass,

and I didn't see you.

LOLO

What do you take me for, Count? My cab days are past now. I came by the

train, which is the proper thing for me.

COUNT

I see.... But I hear that your fiance himself....

LOLO

Oh, he has more pretentious customers to look after.

PHILIP

Yes, I have just had the pleasure of being conducted here by the fiance

of Miss Pallestri.

COUNT

Is Wasner driving for you? Well, that settles it--of course--clear

psychological connection! (_Offers his cigar case_) Want a smoke?

PHILIP (_accepting_)

Thank you.

PRINCE

But, Philip...! A monster like that before lunch!

COUNT

Excellent. Nothing better for the health. And I like you. Suppose we

sit down.

[_The Count, the Prince and Philip seat themselves, while Mizzie and

Lolo remain standing close to them._

COUNT

So you'll be off with your father to-morrow?

PHILIP

Yes, Count. And I'm tremendously pleased to think of it.

COUNT

Will you be gone long?

PRINCE

That depends on several circumstances.

PHILIP

I have to report myself at the regiment on the first of October.

PRINCE

And it's possible that I may go farther south after that.

COUNT

Well, that's news. Where?

PRINCE (_with a glance at Mizzie_)

Egypt, and the Sudan maybe--for a little hunting.

MIZZIE (_to Lolo_)

Let me show you the park.

LOLO

It's a marvel. Ours isn't a patch on it, of course. (_She and Mizzie

come forward_)

MIZZIE

Have you a garden at your place, too?

LOLO

Certainly. As well as an ancestral palace--at Ottakring.[7] The

great-grandfather of Wasner was in the cab business in his days

already.--My, but that's beautiful! The way those flowers are hanging

down. I must have something just like it.

[7] One of the factory districts of Vienna, known chiefly

because of the big insane asylum located there.

COUNT (_disturbed_)

Why are the ladies leaving us?

MIZZIE

Never mind, papa, I'm merely explaining the architecture of our facade.

PHILIP

Do you often get visits of theatrical ladies, Count?

COUNT

No, this is merely an accident.

[_The men stroll off toward those parts of the garden that are not

visible._

MIZZIE

It seems strange that I have never before had a chance of meeting you.

I am very glad to see you.

LOLO (_with a grateful glance_)

And so I am. Of course, I have known you by sight these many years.

Often and often have I looked up at your box.

MIZZIE

But not at me.

LOLO

Oh, that's all over now.

MIZZIE

Do you know, I really feel a little offended--on _his_ behalf.

LOLO

Offended, you say...?

MIZZIE

It will be a hard blow for him. Nobody knows better than I how deeply

he has been attached to you. Although he has never said a word to me

about it.

LOLO

Do you think it's so very easy for me either, Countess? But tell me.

Countess, what else could I do? I am no longer a spring chicken, you

know. And one can't help hankering for something more settled. As long

as I had a profession of my own, I could allow myself--what do they

call it now?--to entertain liberal ideas. It goes in a way with the

position I have held. But how would that look now, when I am retiring

to private life?

MIZZIE

Oh, I can see that perfectly. But what is _he_ going to do now?

LOLO

Why shouldn't he marry, too? I assure you, Countess, that there are

many who would give all their five fingers.... Don't you realize,

Countess, that I, too, have found it a hard step to take?

MIZZIE

Do you know what I have been wondering often? Whether he never thought

of making _you_ his wife?

LOLO

Oh, yes, that's just what he wanted.

MIZZIE

Why...?!

LOLO

Do you know when he asked me the last time, Countess? Less than a month

ago.

MIZZIE

And you said no?

LOLO

I did. It would have done no good. Me a Countess! Can you imagine it? I

being your stepmother, Countess...! Then we could not have been

chatting nicely as we are doing now.

MIZZIE

If you only knew how sympathetically you affect me....

LOLO

But I don't want to appear better than I am. And who knows what I

might....

MIZZIE

What might you?

LOLO

Well, this is the truth of it. I have gone clear off my head about

Wasner. Which I hope won't make you think the worse of me. In all these

eighteen years I have had nothing to blame myself with, as far as your

dear papa is concerned. But you can't wonder if my feelings began to

cool off a little as the years passed along. And rather than to make

your dear papa--oh, no, no, Countess ... I owe him too much gratitude

for that.... Lord!

MIZZIE

What is it?

LOLO

There he is now, looking right at me.

MIZZIE (_looks in the direction indicated_)

WASNER (_who has appeared at the entrance, raises his tall hat in

salute_)

LOLO

Don't you think me an awful fool, Countess? Every time I catch sight of

him suddenly, my heart starts beating like everything. Yes, there's no

fool like an old one.

MIZZIE

Old...? Do you call yourself old? Why, there can't be much difference

between us.

LOLO

Oh, mercy.... (_With a glance at Mizzie_)

MIZZIE

I am thirty-seven.--No, don't look at me with any pity. There is no

cause for that. None whatever.

LOLO (_apparently relieved_)

I have heard some whispers. Countess--of course, I didn't believe

anything. But I thank heaven it was true. (_They shake hands_)

MIZZIE

I should like to congratulate your fiance right now, if you'll permit

me.

LOLO

That's too sweet of you--but what about the Count--perhaps he wouldn't

like...?

MIZZIE

My dear, I have always been accustomed to do as I pleased. (_They go

together toward the entrance_)

WASNER

You're too kind, Countess....

[_The Count, the Prince and Philip have reappeared in the meantime._

COUNT

Look at that, will you!

WASNER

Good morning, Count. Good morning, Highness.

PRINCE

I say, Wasner, you may just as well take your bride home in that trap

of yours. My son is coming with me.

WASNER

Your son...?

PHILIP

Why haven't you told me that you were engaged, Wasner?

WASNER

Well, there are things you haven't told either ... Mr. von Radeiner!

COUNT (_to Lolo_)

Thank you very much for your friendly visit, and please accept my very

best wishes.

LOLO

The same to you, Count. And I must say, that when one has such a

daughter....

MIZZIE

It's too bad I haven't come to know you before.

LOLO

Oh, really, Countess....

MIZZIE

Once more, my dear Miss Lolo, good luck to you! (_Mizzie embraces

Lolo_)

COUNT (_looks on with surprise and some genuine emotion_)

LOLO

I thank you for the kind reception, Count--and good-by!

COUNT

Good-by, Miss Langhuber. I trust you'll be happy ... indeed I do, Lolo.

LOLO (_gets into the carriage which has driven up to the gate in the

meantime_)

WASNER (_is on the box, hat in hand; they drive off_)

MIZZIE (_waves her hand at them as they disappear_)

PHILIP (_who has been standing in the foreground with the Prince_) Oh,

my dear papa, I can see through the whole story.

PRINCE

You can?

PHILIP

This Miss Lolo must be the natural daughter of the Count, and a sister

of the Countess--her foster-sister, as they say.

PRINCE

No, you would call that a step-sister. But go on, Mr. Diplomat.

PHILIP

And of course, both are in love with you--both the Countess and the

ballet dancer. And this marriage between the dancer and Wasner is your

work.

PRINCE

Go on.

PHILIP

You know--there's something I never thought of until just now!

PRINCE

What?

PHILIP

I don't know if I dare?

PRINCE

Why so timid all at once?

PHILIP

Supposing my mother was not dead....

PRINCE

H'm....

PHILIP

And, through a remarkable combination of circumstances, she should now

be going back to the city in the very carriage that brought me out

here...? And suppose it should be my own mother, whose picture I cut

out of that newspaper...?

PRINCE

My lad, you'll certainly end as a cabinet minister--Secretary of

Agriculture, if nothing better.--But now it's time for us to say

good-by.

[_The Count and Mizzie are coming forward again._

PRINCE

Well, my dear friend, this must be our farewell call, I am sorry to

say.

COUNT

But why don't you stay.... That would be delightful ... if you could

take lunch with us....

PRINCE

Unfortunately, it isn't possible. We have an appointment at

Sacher's.[8]

[8] A fashionable restaurant near the Imperial Palace in the

Inner City.

COUNT

That's really too bad. And shall I not see you at all during the

Summer?

PRINCE

Oh, we shall not be entirely out of touch.

COUNT

And are you starting to-morrow already?

PRINCE

Yes.

COUNT

Where are you going?

PRINCE

To the sea shore--Ostend.

COUNT

Oh, you are bound for Ostend. I have long wanted to go there.

PRINCE

But that would be fine....

COUNT

What do you think, Mizzie? Let's be fashionable. Let's go to Ostend,

too.

MIZZIE

I can't answer yet. But there's no reason why you shouldn't go, papa.

PHILIP

That would be delightful, Countess. It would please me awfully.

MIZZIE (_smiling_)

That's very kind of you, Philip. (_She holds out her hand to him_)

PHILIP (_kisses her hand_)

COUNT (_to the Prince_)

The children seem to get along beautifully.

PRINCE

Yes, that's what I have been thinking. Good-by then. Good-by, my dear

Mizzie. And good-by to you, my dear old fellow. I hope at least to see

_you_ again at Ostend.

COUNT

Oh, she'll come along. Won't you, Mizzie? After all, you can get

studios by the sea shore, too. Or how about it, Mizzie?

MIZZIE (_remains silent_)

PRINCE

Well, until we meet again! (_He shakes hands with the Count and

Mizzie_)

PHILIP (_kisses the hand of Mizzie once more_)

COUNT (_giving his hand to Philip_)

It has been a great pleasure.

[_The Prince and Philip go out through the gate and step into the

carriage which has been driving up in the meantime, and which now

carries them off. The Count and Mizzie come forward again and seat

themselves at the table under the tree. Pause._

COUNT

Hasn't this been a queer day?

MIZZIE

All life is queer--only we forget it most of the time.

COUNT

I suppose you're right. (_Pause_)

MIZZIE

You know, papa, you might just as well have brought us together a

little earlier.

COUNT

Who? Oh, you and....

MIZZIE

Me and Miss Lolo. She's a dear.

COUNT

So you like her? Well, if it were only possible to know in advance....

But what's the use? Now it's all over.

MIZZIE (_takes hold of his hand_)

COUNT (_rises and kisses her on the forehead; strolls about aimlessly

for a few seconds_) Tell me, Mizzie, what you think.... How do you like

the boy?

MIZZIE

Philip? Oh, rather fresh.

COUNT

Fresh, perhaps, but smart. I hope he'll stay in the army. That's a much

more sensible career than the diplomatic service. Slow, but sure. All

you need is to live long enough in order to become a general. But a

political career.... Now look at Egon ... three times he has almost

become a minister.... And suppose he had succeeded? (_Walking back and

forth_) Yes, yes ... we shall be rather lonely this Summer.

MIZZIE

But why shouldn't you go to Ostend, papa?

COUNT

Yes, why not...? Really, won't you come along? It would be rather ...

without you, you know.... It's no use looking at me like that. I know!

I haven't paid as much attention to you in the past as I should

have....

MIZZIE (_taking his hand again_)

Oh, papa, you're not going to apologize, are you? I understand

perfectly.

COUNT

Oh, well. But, you see, I shall not get much joy out of that trip

without you. And what would you be doing here, all by yourself? You

can't paint all day long.

MIZZIE

The only trouble is ... the Prince has asked me to marry him.

COUNT

What? Is it possible? No, you don't mean.... And ... and you said no?

MIZZIE

Practically.

COUNT

You did...? Oh, well.... After all, I have never tried to persuade you.

It must be as you.... But I can't understand why. I have noticed for a

long time, that he.... As far as age is concerned, you wouldn't be

badly matched. And as for the rest ... sixty millions are not to be

despised exactly. But just as you say.

MIZZIE (_remains silent_)

COUNT

Or could it possibly be on account of the boy? That would be to

exaggerate the matter, I assure you. Things of that kind occur in the

very best families. And particularly when you consider that his heart

always remained with his wife.... All of a sudden you get dragged into

an affair of that kind without exactly knowing how.

MIZZIE

And some poor girl of the people is thrown aside and allowed to go to

the dogs.

COUNT

Oh, please, that's only in the books. And how could he help it? That

kind of women seem always to die off early. And who knows what he might

have done, if she hadn't died.... I really think that his action in

regard to the boy has been pretty decent. That took courage, you know.

I could tell you more than one case.... But don't let us talk of it. If

that should be the only thing against him, however.... And besides, our

being together at Ostend wouldn't commit you in any way.

MIZZIE

No, that's true.

COUNT

Well, then ... I tell you what. You make the trip with me. And if the

place suits you, you can stay. If not, you can go on to London for a

visit with Aunt Lora. I mean simply, that there is no sense in your

letting me go away alone.

MIZZIE

All right.

COUNT

What do you mean?

MIZZIE

I'll go with you. But without any obligation--absolutely free.

COUNT

You'll come with me, you say?

MIZZIE

I will, papa.

COUNT

Oh, I'm so glad. Thank you, Mizzie.

MIZZIE

Why should you thank me? It's a pleasure to me.

COUNT

You can't imagine, of course ... without you, Mizzie.... There would be

so much to remember--this time in particular.... You know, of course,

that I took Lolo to Normandy last year?

MIZZIE

Of course, I know....

COUNT

And as far as Egon is concerned ... not that I want to persuade you by

any means ... but in a strange place like that you often get more

acquainted with a person in a couple of days than during many years at

home.

MIZZIE

It's settled now that I go with you, papa. And as for the rest, don't

let us talk of it--for the time being.

COUNT

Then, you know, I'm going to telephone to the ticket office at once and

reserve sleeping car compartments for the day after to-morrow--or for

to-morrow.

MIZZIE

Are you in such a hurry?

COUNT

What's the use of sitting about here, once we have made up our minds?

So I'll telephone.... Does that suit you?

MIZZIE

Yes.

COUNT (_puts his arms about her_)

PROFESSOR WINDHOFER (_appears at the garden gate_)

COUNT

Why, there's the professor. Have you a lesson to-day?

MIZZIE

I had forgotten it, too.

PROFESSOR (_handsome; about thirty-five; his beard is blond and trimmed

to a point; he is very carefully dressed, and wears a gray overcoat; he

takes off his hat as he enters the garden and comes forward_)

Good morning, Countess. How do you do, Count?

COUNT

Good morning, my dear Professor, and how are you? You have to pardon

me. I was just about to go to the telephone--we are going away, you

know.

PROFESSOR

Oh, are you going away? Please, don't let me detain you.

COUNT

I suppose I shall see you later, Professor. (_He goes into the house_)

PROFESSOR

So you are going away, Countess?

MIZZIE

Yes, to Ostend.

PROFESSOR

That's rather a sudden decision.

MIZZIE

Yes, rather. But that's my way.

PROFESSOR

That means an end to the lessons for the present, I suppose? Too bad.

MIZZIE

I don't think I shall be able to-day even ... I am feeling a little

upset.

PROFESSOR

Do you?--Well, you look rather pale, Maria.

MIZZIE

Oh, you think so?

PROFESSOR

And how long will you be gone?

MIZZIE

Until the Fall probably--perhaps until very late in the Fall even.

PROFESSOR

Then we can resume our lessons next November at the earliest, I

suppose?

MIZZIE (_smiling_)

I don't think we shall....

PROFESSOR

Oh, you don't think so? (_They look hard at each other_)

MIZZIE

No, I don't.

PROFESSOR

Which means, Maria--that I am discharged.

MIZZIE

How can you put it that way, Rudolph? That is not quite fair.

PROFESSOR

Pardon me. But it really came a little more suddenly than I had

expected.

MIZZIE

Better that than have it come too slow. Don't you think so?

PROFESSOR

Well, girl, I have no intention whatever to make any reproaches.

MIZZIE

Well, you have no reason. And it wouldn't be nice either. (_She holds

out her hand to him_)

PROFESSOR (_takes her hand and kisses it_)

Will you please excuse me to the Count?

MIZZIE

Are you going already...?

PROFESSOR (_unconcernedly_)

Isn't that better?

MIZZIE (_after a pause, during which she looks straight into his eyes_)

Yes, I think so. (_They shake hands_)

PROFESSOR

Good luck, Maria.

MIZZIE

Same to you.... And remember me to your wife and the children.

PROFESSOR

I won't forget, Countess. (_He goes out_)

MIZZIE (_remains on the same spot for a little while, following him

with her eyes_)

COUNT (_on the terrace_)

Everything is ready. We'll leave at nine-thirty to-morrow night.--But

what has become of the professor?

MIZZIE

I sent him away.

COUNT

Oh, you did?--And can you guess who has the compartment between yours

and mine?... Egon and his young gentleman. Won't they be surprised

though?

MIZZIE

Yes ... won't they? (_She goes into the house_)

The Lonely Way—Intermezzo—Countess Mizzie Three Plays · 第 15 / 15 段