PART VI.

ART OF KEEPING, SELLING AND PREPARING TEA.

The utmost care is necessary in the keeping and handling of Tea in

order to prevent from deteriorating in strength and flavor or otherwise

decaying until disposed of. It should therefore whenever possible be

kept by itself in a moderately warm temperature and always covered

over until required, and when any of the packages have been opened and

the contents not all removed, care must be taken to replace the lead

lining, lid and matting, so as to exclude the dust and damp as well as

all foreign odors that may surround it. For this reason also Tea should

never be exposed in windows or at store-doors where the air, damp and

dust surely and rapidly destroy all semblance to its original condition.

* * * * *

All Teas when once they have ripened and become seasoned commence to

decay, but there is a vast difference in the time that some varieties

will last before the deterioration becomes objectionable in comparison

with others. Some kinds, such as Foochow and Formosa Oolongs, keeping

for a year or more. China Congous and Souchongs and Japan Teas from

six to eight months, while Scented Teas, India and Ceylon Teas, after

a much briefer period become dull and brackish, and it frequently

happens that when the latter are a year old they are worth only half

their original cost.

* * * * *

All Teas possessing a natural aptitude to become impregnated with

foreign flavor of any product placed near it, and to absorb the foul

odors by which they may be surrounded, should be kept as far apart as

possible from any high-smelling articles in the dealer’s stock--such as

soap, fish, spices and oils of all kinds--as they very rapidly absorb

any pungent odors that may be in their immediate vicinity. And Teas

have even been known to completely alter their flavor and character by

being placed too close to molasses, oranges and lemons, therefore it

becomes important for the dealer not to keep Teas too near any product

emitting a foul or strong aroma. For this reason also they should not

be dispensed out of freshly-painted bins or caddies, it being much more

preferable at all times to deal them out of the original lead-lined

chests, replacing the lid until required. Again, Teas should never be

mixed in rainy, damp or humid weather, as they are bound to absorb and

be injured by the oxydizing influences of the atmosphere, nor must they

be kept too near a fire or stove, a dry, cool atmosphere of moderate

temperature being always best for them.

* * * * *

Of the numerous commodities dealt in by the grocer there is none so

important as that of Tea, this importance being due to its value

as a trade-making, trade-retaining and profit-producing article,

particularly when furnished of such quality as to give permanent

satisfaction to the general public as well as to the regular customer.

But notwithstanding its importance in these respects there is no

article handled by the grocer the quality and value of which is so

little understood by the average dealer. Again assailed as the retail

grocery business now is by keen competition from so many queer Teas,

the necessity for a better knowledge of and more careful attention to

the article is at once apparent if the grocer--to whom its sale of

right belongs--is not to find the almost entire withdrawal of this

article from his line of business.

* * * * *

To properly understand the selecting and blending of Teas is therefore

to be possessed of a valuable and profitable knowledge; but while such

proficiency is not within the scope of every dealer, the study of these

points to any extent will prove not only lucrative but entertaining and

instructive. And while it may be claimed that such a study will occupy

too much valuable time, or that it is much more economical to purchase

from the wholesale Tea blender, still the great importance of a better

acquaintance with such knowledge and experience must be evident to the

dealer. For the proper blending of Tea the dealer should be provided

with a small kettle and other apparatus for filtering and boiling

the water as conveniently and rapidly as possible. Small scales for

weighing the samples of Tea to be tested, pots for drawing and cups for

tasting, and so start from the beginning.

* * * * *

Samples of the Teas desired having been procured from different houses

should then be drawn and tested and a careful examination made of the

leaves of each, their size, color, condition and smell being closely

noted. In such drawings all Teas of an objectionable character should

be set aside, and those remaining on the boards carefully arranged

in the order of their value; but should any doubt exist in giving a

decision between the several samples as to their superiority, then

the drawing should be repeated and the poorer ones rejected, thus

narrowing down the contest to the best Teas. Again, where it proves

difficult to decide between the cup qualities of those remaining,

then the size, style, condition and weight of the dry leaf should

be taken into consideration, which will be found helpful in making

the required decision. The decision having been arrived at, however,

the Tea considered best may also be higher in price than some others

approximating to it in style and drawing qualities, and if it be found

that it cannot be purchased except at a price considerably higher than

others on the table approaching it closely, it will be better under

such circumstances to select another Tea, grading second, or even

third in quality, at a much lower figure. An excellent plan for the

careful Tea blender is to have a “type” or standard sample of the Tea

he desires to duplicate and which he has found to be satisfactory, and

samples of Tea of the various kinds of known value should always be

kept convenient for reference, and in air-tight tins, with their grade,

price, character, chop mark and year of production marked thereon.

ART OF SELLING TEA.

The dealer having succeeded in selecting and blending Teas that will

please his customers, the next most important consideration for him

is how best to bring them before the notice of his trade and the

public generally. In this case he must not treat his Tea as a “staple”

article, but as an entirely new commodity requiring a special effort

for its introduction. Nothing gives such a bad impression to Tea

customers as careless and slovenly packing of Tea. All Tea bags should

be of fine quality and neatly, if not artistically, printed, and great

care should be taken to obtain neatness of appearance in tying them

up. The dealer should also have some special and appropriate name for

his blends, this brand appearing prominently on the package, together

with specific instructions for drawing the Tea. Small hand-bills,

brief, pointed and attractive, describing the merits of the blend may

also be placed in every purchase of other goods and sugar, and other

bags or wrappers should contain special notices so that they may reach

others who do not buy Tea, and the clerks or salesmen should also be

instructed to talk up the Tea frequently but judiciously as possible.

* * * * *

The dealer should ascertain where customers for other goods get their

Tea, what variety or grade it is, what price they pay for it, and, if

possible, obtain a sample of it. Then test it carefully and be prepared

to show that he can not only match it, but furnish a better one in both

price and quality, giving them samples at the same time to prove it.

And again, if a tea customer should quit dealing suddenly he should

immediately find out the cause and endeavor to remedy it. He should

also send out samples occasionally throughout the neighborhood of a

line of Teas that he may deem suitable to the locality. But above and

beyond all other efforts to increase his Tea trade, he should handle

only high-grade Teas, endeavoring at all times to prove that the finer

Teas are the most economical and satisfactory to purchase in the end,

as the finer grades yield a larger margin of profit to the dealer and

better satisfaction to the consumer, while it has a tendency to create

favorable comment and win an increasing Tea trade.

Latterly, a new development in the Tea trade has, to the surprise and

loss of the older generation of retail grocers and Tea dealers, assumed

quite a prominence, for, if the glowing advertisements and startling

placards in stores and on fences form any criterion, the public are

taking a liking to the cheap and trashy-blended Teas put up in tins,

lead, paper and other Tea-deteriorating packages under fancy names

which have no relation whatever to the variety, district or country

where they are grown, it being an acknowledged principle that Teas

blended in bulk and put back again in their original lead-lined chests

undoubtedly keep better, preserving its strength and flavor longer

than when exposed to the oxydizing influences of the atmosphere during

its transference to the tin, lead or paper packets ornamented with a

cheap and showy label, which the more gorgeous they are the more apt to

communicate the taste of the ink, paste, glue or other foul-smelling

material in which it is packed to the Tea they are intended to adorn.

* * * * *

And still another reason why the Grocer and Tea dealer should avoid

these blended packet Teas is that the cost of the packages, labels and

labor, adds from eight to ten cents per pound to the original price

of the Tea, in addition to the cost of advertising and flaunting them

before the eyes of the public, an expense which is simply enormous in

itself, and which the dealer and consumer must eventually pay for,

either by a higher price or inferior quality of the Tea. Again, engaged

as most dealers are at the present time in trying to stop the plague

of all sorts of proprietary goods put up in cheap and oftentimes

ill-smelling packages, which yields them so little profit and makes

them only the servants of the packers, it is astonishing, to say the

least, that any dealer can be found to adopt the same system with Tea

when they can put up some favorite blend, and pack it themselves in

cleaner, cheaper and more stylish packages, if their customers should

desire it in that form, and sell them under their own brand and name,

and not work to make money and a reputation for others who dictate to

him as to what he shall or shall not do with regard to selling Teas.

For instance, you are paying 43 cents for Package Tea with premiums, if

you handle it. You sell this Tea at 60 cents, making 17 cents per pound

profit. Now by putting up your own blend and giving your own premiums

you can buy just as good Tea, or better, for 20 cents per pound. You

can buy just as good premiums to stand you 12 cents per pound, making

32 cents instead of 43, or a saving of 11 cents or 33-1/3 per cent.

Besides, you control your own Tea trade and have the advertising free.

* * * * *

The art of selling Tea is even a much more difficult one than that

of buying, owing to the numerous different and varying tastes to be

catered to. For this reason alone the dealer should learn all he

possibly can about the article, in order that he may be enabled to

suit each particular liking and at the same time answer any and all

questions about it intelligently. Find out what grade and variety as

well as the desired strength and flavor of the Tea your customers

prefer, and occasionally give them small samples of the different

blends to try until you have caught their taste. Make a note of same,

and always afterwards endeavor to give them as near the same kind and

quality. Talk up your Teas in a clear and practical manner, and be

sure your scales, weights and scoops are always clean and shining, and

keep a small memorandum book in which to mark the kind and retail

prices of your Teas, the date in which the caddie has been filled

and the quantity it holds, as this method gives an accurate idea

of the quantity of Tea sold in a certain time, which will be found

particularly useful when Blended Teas are largely sold.

* * * * *

In brief, advertise your Teas freely but judiciously and modestly,

never claiming too much for them, that is, let your advertisements be

brief but novel, and change the same at least once per week, and always

push your high-grade Teas first, last and all the time. Now and then

give a Tea-testing exhibit in your store by fixing up a space near

the door or window as a Tea-room surrounded by Tea-boxes with fancy

faces, hanging some Chinese or Japanese lanterns around with which to

light up at night to attract attention. Inside of which place a small

Tea-table, a small gas stove, with kettle and cups for drawing the Tea.

By this means the dealer will be enabled to prepare fresh-made Tea at

all times, with fresh-boiled water, of any kind the customer may desire

to taste or to push the sale of any particular blend he may desire to

introduce among his trade. But it is advisable at these exhibits to

use only fine Teas, using the common grades only by way of comparison.

By this means the dealer can conveniently and readily point out to the

customer the great advantages to be gained and economy of purchasing

only high-grade Teas. Instruct your patrons meantime how to properly

prepare Tea for use, emphasizing the fact that Tea must be _brewed_ and

not stewed, as is too often the case among consumers.

ART OF PREPARING TEA FOR USE.

It is singular, to say the least, that nothing is ever done by Tea

dealers in this country to educate or enlighten their customers in the

proper manner of preparing their Tea for use, to study the character of

the water or to preserve its aromatic properties after purchasing. Good

Tea, like good wine, can be kept intact for years with considerable

advantage to the dealer and consumer alike, and there is no valid

reason why consumers of Tea should not be as particular and fastidious

as drinkers of wine. But to obtain a good cup of Tea, in the first

place the consumer should purchase only the best Tea, it requiring much

less of the finer grades to make good Tea than of the common kinds, and

will prove the most economical in the end.

* * * * *

In the proper preparation of Tea for use, the quality of the infusion

is much affected also by the character of the water as well as by the

method of making or drawing it. Tea being an _infusion_ and not a

_decoction_ like coffee, it should be _brewed_ not _stewed_, the chief

object being to extract as much of the _theine_ or refreshing principle

as possible and as little of the _tannin_ or astringent property as

can be, at the same time without either boiling or overdrawing it.

Many Tea drinkers who imagine erroneously that a very dark-colored

liquor indicates strength boil the leaves, while others again spoil

the infusion by first putting the leaves in boiling water. Some again

place the leaves in cold water, and then put it, the vessel on the

fire to boil, prolonged infusion being another serious mistake. All

of these improper methods produce the same evil results, viz., that

of extracting an increased amount of the tannin, thereby destroying

the true color and flavor of the Tea by imparting a blackish color and

giving a bitter or astringent taste to the liquor. When Tea has been

once boiled or overdrawn, the increased quantity of tannin extracted

can be readily detected by the extreme dark color of the liquor as

well as by its bitterly astringent flavor. Another reprehensible

practice of some Tea makers is that of adding fresh leaves into the tea

pot with those that have been already once drawn, as it cannot add to

either the strength or flavor of the Tea by putting more leaves in the

tea pot after the first drawing, for the simple reason that the Tea

water will not extract the _theine_ from the dry leaves of the fresh

Tea. _Only fresh boiling water will do this effectually_, the water

once used only increases the _amount_ of _tannin_ extracted, thereby

darkening the color and destroying the flavor and merely adds to the

quantity of leaves already in the vessel without at all affecting the

active principle, theine. So that if it be required to increase the

quantity or strength of the infusion already in the pot, some fresh Tea

leaves must be drawn in a separate vessel and the liquor poured in that

already made.

* * * * *

In the proper preparation of Tea for use, therefore, the object should

be to extract as little of the tannin as possible and as much of the

theine and volatile oil as can be extracted without permitting the

infusion to boil or overdraw. To best obtain these most desirable

results, put the requisite quantity of Tea leaves in a covered china

or earthenware pot--all tin and metal vessels should be avoided--and

pour in freshly boiling water that has been boiling for at least

three minutes, and then allow the vessel to stand where it will keep

hot, WITHOUT _boiling_, for from eight to ten minutes before serving,

according to the variety of Tea used. There will be a sparkle and

aroma about Tea made from fresh boiling water in this manner that it

will not receive from the flat, hot water that has been boiled too

long or repeatedly. In the stated time while the Tea is drawing only

the refreshing and exhilarating properties--the theine and volatile

oil--are extracted from the leaves, a longer infusion only dissolving

and extracting the astringent and deleterious principle--tannic

acid--which impairs digestion and injures the nervous system, for which

causes alone all boiled or overdrawn Tea should be avoided.

* * * * *

An earthern tea pot made of Minton, Doulton, or Satsuma ware, is the

best kind of vessel to prepare Tea in, but it must first be scalded out

with boiling water before putting the Tea leaves in and then set on the

range or stove to dry and keep hot for a few minutes. The Tea leaves

are then put in, after which they are also allowed to heat for a short

time before the boiling water is poured on them, from eight to ten

minutes before the Tea is required for use. The character of the water

also greatly influences the quality of the Tea, it being almost next to

impossible to make good Tea with hard water, so that soft water should

always be used when available, and any excess of lime in the water also

deteriorates the infusion. But this latter difficulty may be easily

remedied by the judicious addition of a little carbonate of soda, as

much as will cover the face of a dime being sufficient for an ordinary

drawing of Tea.

* * * * *

In moderate strength it requires about one teaspoonful of good tea to

a half pint of boiling water and an ordinary half teacupful of leaves

to every quart of boiling water, the latter making a fairly strong

infusion for five persons. China and Japan Teas require from eight to

ten minutes to draw thoroughly, the former requiring but little milk

and sugar, while Japan Teas are more palatable without the addition

of either. India Ceylon and Java Teas generally should not be allowed

to draw more than from five to seven minutes at the outside after the

boiling water has been poured on, as prolonged infusion makes the

flavor of these varieties particularly mawkish and bitter, while the

addition of an extra quantity of both milk and sugar greatly improves

their drinking qualities.

JOSEPH M. WALSH

[Illustration]

(America’s Greatest Tea Expert.--_Journal of Commerce_)

IMPORTER OF

[Illustration: Teas

ALL VARIETIES AND GRADES]

PHILADELPHIA, U. S. A.

* * * * * *

Transcriber's note:

Prices are missing in many of the recipes in the book; this is as

printed.

The following apparent errors have been corrected:

p. 11 "eggregious" changed to "egregious"

p. 11 "kaleidescopic" changed to "kaleidoscopic"

p. 20 "make color" changed to "make, color"

p. 25 "course" changed to "coarse"

p. 37 "course" changed to "coarse"

p. 38 "juciest" changed to "juiciest"

p. 38 "omitted" changed to "emitted"

p. 39 "thiene" changed to "theine"

p. 39 "value this" changed to "value, this"

p. 39 "not accustomed" changed to "accustomed"

p. 40 "loose" changed to "lose"

p. 43 "to the the" changed to "to the"

p. 46 "onced" changed to "once"

p. 52 "intended that" changed to "intended, that"

p. 54 "ridgidly" changed to "rigidly"

p. 58 "similiar" changed to "similar"

p. 60 "No 13." changed to "No. 13."

p. 60 "Chociest" changed to "Choicest"

p. 63 "of." changed to "of:--"

p. 64 "Imperal" changed to "Imperial"

p. 68 "together" changed to "together."

p. 70 "varities" changed to "varieties"

p. 71 "No 2." changed to "No. 2."

p. 75 "science very" changed to "science; very"

p. 77 "Pekoe-Sonchong" changed to "Pekoe-Souchong"

p. 82 "(3)" changed to "(3.)"

p. 83 "Teas, composing" changed to "Teas composing"

p. 85 "character instead" changed to "character, instead"

p. 89 "(_3_)" changed to "(_3._)"

The following possible errors have not been changed:

p. 9 fuller-liquied

p. 52 at a moderate cost

p. 57 .19

Inconsistent punctuation has otherwise been left as printed.

The following are inconsistently used in the text:

Basketfired and Basket-fired

Ningchow and Ning-chow

Ningyong and Ning-yong

Panfired and Pan-fired

Sundried and Sun-dried

Tea-blending as a fine art · 第 6 / 6 章