PLOT.

_Initial Impulse_: The need for a “grandfather” motivates the search

of Verba and Offutt. (A search, a type of “chase,” serves for a

strong story-backbone.)

_Steps to the Dramatic Climax_: 1. The cab-ride to Bateman’s old

haunts. 2. Finding the Scudder theatre closed. 3. The visit to

the wine-shop; the clerk’s account of Bateman. 4. The ragged boy

volunteers information. 5. He leads them to the side entrance of the

theatre, into the gloom and decay of which they make their way.

_Dramatic Climax_: The urchin whistles; the curtain rolls up; old

Bateman appears. The search is now at an end. Bateman is found.

The new cause of suspense lies in curiosity over ensuing events.

To satisfy this curiosity, the author extends the dramatic climax

moment. The whole scene at the theatre is a prolonged climax,

gradually revealing the old man’s unfitness, even as it soars to a

higher emotional climax. The story structure may be roughly indicated

by the diagram:

S

Q / \

O / \ / \

M / \ / R \

/ \ / P \

J / N \

/ \/ \

/ K \

G Z

E / \

C / \/ H

A__ / \ / F

B D

That is, if M represents the dramatic climax moment, then MS

represents the dramatic climax scene, which is the period of

Bateman’s acting three parts. With S, comes the realization that

Bateman is not in his “perfect mind.” Notice the impeccable

workmanship by which this recognition is forced home to Verba in the

last speech of Bateman, the lines from “King Lear.” SZ is the brief

drop to the climax of action. See the story for details.

_Climax of Action_: The two men leave Bateman taking his curtain call.

CHARACTERIZATION. Why are the insignificant actors and actresses

mentioned in the introduction? What is the particular literary value

of Grainger? What outstanding characteristics has Bateman which none

of the others possess? What value has the title in connection with the

characters as a group?

How has Mr. Cobb individualized Verba and Offutt? To which means

of characterization is he most partial--author’s description, the

character’s own acts and speeches, or what others think and say of him?

Of the urchin who piloted the searchers, what is the first detail you

recall? What other characters of Mr. Cobb do you remember from some

physical peculiarity which he has emphasized?

Bateman is first presented to the reader through the opinion of Verba.

Next, he is shown through the wine-shop clerk (who gives the effective

clue as to Bateman’s “dippiness”). Then, the ragged urchin volunteers

his contribution. What prepossessing characteristic does the reader

receive from him? Finally, the actor speaks for himself. One part would

be insufficient; it would be “too easy”; therefore by the cumulative

method Mr. Cobb lets the old man show beyond a doubt that he is not

a type, but an actor. Dundreary, the Frenchman and King Lear require

varied ability.

Notice that what the character _does_ is the climactic portrayal--not

what others say about him or what the author might portray.

DETAILS. Point out the clues to Bateman’s insanity. Study Mr. Cobb’s

figures of speech. He frequently uses the human body as a basis for

comparison (see, for example, page 85: “Its stucco facings, shining

dimly like a row of teeth ...” and page 97: “the mouth of the place

was muzzled with iron, like an Elizabethan shrew’s”). Why is such a

basis conducive to vividness for everybody?

What is the acting time of the story?

What is the significance of the contrast between the modern play, as

represented in the selections (pages 88 and 89), and the masterpieces

suggested in the latter part of the story.

* * * * *

Irvin Cobb never writes a story until he has worked it over in his own

mind for a couple of months. At the same time, a hundred new ideas

are developing; and as he himself says he will not live long enough

to write all his stories. A year before he wrote “The Belled Buzzard”

he was visiting with Mrs. Cobb at her old home in Georgia. They were

sitting on a front porch one morning when a huge buzzard flew past. Mr.

Cobb recalled a Southern story about a belled buzzard, and remarked

that he guessed he would weave a plot round it. Just one year later, he

finished the developing and wrote the story.

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