THE GREAT AUK

SETTING. The locale is New York City; the most important scene, in the

Scudder Theater. The time is the present.

One of Irvin Cobb’s most remarkable powers is that of picturing so

vividly a setting that the reader cannot but read and cannot but

remember. What is the explanation of this astonishing success? First

of all, Mr. Cobb is a keen observer. When he is out with his wife,

according to her he sees ten times more than she does, yet she thinks

she is seeing all there is to see. “When he was writing ‘The County

Trot’ Mrs. Cobb marveled at his life-like pictures of the Kentucky

characters, all of whom he had really known. She asked him how it was

possible for him to remember their faces and mannerisms after the

lapse of so many years. He said: ‘Why, I can close my eyes and see

the knotholes that were in the fence around that fairground.’” This

quotation indicates a second requisite--accurate memory. The third

requisite is hard work, a condition through which Mr. Cobb believes

all success must come. “When writing a story his object is to draw

sharp pictures that will never leave the reader. To do this, he thinks

out the minutest details of that picture, not that he will use those

details, but that he himself may really see the picture as he writes.”

The fact that he will not “use all those details” which observation

and memory have supplied means that he has the ability to select. And,

finally, he knows how to handle an ample vocabulary.

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